Something worth killing for. Something that will cost Professor Agnar Haraldsson his life.Untangling murder from myth is Iceland-born, Boston-raised homicide detective Magnus Jonson. Seconded to the Icelandic Police Force for his own protection after he runs afoul of a drug cartel back in Boston, Magnus also has his own reasons for returning to the country of his birth for the first time in nearly two decades - the unsolved murder of his father.And as Magnus is about to discover, the past casts a long shadow in Iceland.Binding Iceland's landscape and history, secrets and superstitions in a strikingly original plot that will span several volumes, Where the Shadows Lie is the first in a thrilling new series from an established master.

    Grace thinks she knows who it is, but when she looks out her bedroom window, she sees a woman she doesn't recognize walking on the trails behind her home. The woman isn't alone for long before a man emerges from the dark of the surrounding woods and stabs her, then retreats into the shadows, leaving her to die in the snow. Frantic, Grace calls the police but knows they'll never arrive in time, so she herself goes to the woman and is shocked to find she's not a stranger--and that only raises more questions.Badly shocked, Grace is taken to the hospital, and Detective Macy Greeley is called back to the small town of Collier, Montana, where she worked a case once before. She needs to track down the killer and find out what the murder has to do with Grace, a troubled young woman whose harrowing past may have finally come in from the cold. But the town of Collier is just as hard-bitten now as it was years ago, and Macy will have to reopen old wounds as she investigates a murder that looks like it took eleven years to come to pass.Karin Salvalaggio's outstanding crime fiction debut, Bone Dust White, is an absolutely stunning work that signals the entrance of a major new talent.

    When Bennett kills someone close to Doug, however, Doug's investigation―and his life―start spiraling out of control. He's placed on indefinite suspension from the police force and breaks things off with his fiancé, but he can't let the case go, and he continues an off-the-books investigation on his own. When Doug's former partner on the force, Nate Alvarez, receives a call from Doug saying he's discovered something big, something terrifying, something they need to call in the FBI to handle, Nate is furious that Doug has still been working the case.But when the call ends abruptly, and shortly afterward Doug is found in a hotel room, shot and in critical condition, Nate’s anger turns to fear. When Doug finally awakens from his coma, however, he has no memory of the case, or even the last several years of his life. But the pull of what he might have discovered is too strong, and he finds himself immersed in a desperate search for truth once again, regardless of the danger.Once again Rosenfelt has written a propulsive and compelling thriller that will rivet readers from the first page to the last.

    Adopted off the streets as a little girl by a police inspector and his wife, she is still not altogether civilized now that she is a sergeant in the Special Crimes section. With her ferocious intelligence and green gunslinger eyes, Mallory (never Kathleen, never Kathy) operates by her own inner compass of right and wrong, a sense of justice that drives her in unpredictable ways. She is a thing apart.And today, she is a thing possessed. Although more at home in the company of computers than in the company of men, Mallory is propelled onto the street when the body of her adoptive father, Louis Markowitz, is found stabbed in a tenement next to the body of a wealthy Gramercy Park woman. The murders are clearly linked to two other Gramercy Park homicides Markowitz had been investigating, and now his cases become Mallory's, his death her cause. Prowling the streets, sifting through his clues, drawing on his circle of friends and colleagues, she plunges into a netherworld of light and shadow, where people are not what they seem and truth shifts without warning. And a murderer waits who is every bit as wild and unpredictable as she....Filled with deep, seductive atmosphere and razor-sharp prose, Mallory's Oracle is gripping, resonant suspense of tantalizing complexity—a genuinely unforgettable novel.

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    Five victims; four of them killed with military efficiency and, judging from the wounds, a military bayonet. The fifth victim, the lady of the house, is found nearly naked, sprawled on a bed, her throat slashed with a razor. Even more startling than the actual carnage are two subsequent findings: the lack of any sort of sexual assault and the discovery of a child - a young girl hiding beneath a bed.Scotland Yard sends out Inspector John Madden to investigate the murders. Madden, with some heavy psychological baggage of his own courtesy of the war, recognizes the mark of madness in the killer's work and has a unique understanding of the killer's methods, habits, and rituals. While the local constabulary figures the murders for a robbery gone horribly wrong, Madden is quick to recognize the presence of a more sinister motive. He seeks the help of Dr. Helen Blackwell, a local physician who lost both her brothers and her husband to the war. Dr. Blackwell's professional connections include a Viennese psychiatrist who is well versed in the relatively new field of forensic psychology, and together they try to develop a psychological profile for the killer.The deeper Madden digs into the case, the harder it is for him to maintain the fragile wall he has built around his own painful memories. A spark between him and Helen Blackwell quickly becomes an all-consuming fire, and in the tender exploratory phase of their relationship, Helen gently urges him to face his personal demons head-on. Meanwhile, Madden discovers the killer has struck once before, a murder that was left unsolved. When Madden gets the idea to look for similar crimes that may have occurred during the war, he finds one, and a clearer and even more frightening picture of the killer begins to evolve. As the police investigation proceeds, plodding at times and getting fortuitous breaks at others, the killer plans his next attack. Together, killer and cops move along parallel timelines, a loose scrabble of concurrent events held together by a taut string of tension. When the string finally breaks, it culminates in a vivid and terrifying climax that demonstrates how fine a line often exists between sanity and utter madness. River of Darkness is the first book in a promised series. Inspector John Madden is precisely the type of multifaceted and complex character readers will enjoy meeting time and again. And the supporting cast of characters is the perfect complement, the sum total being a rich and full-bodied story. What's more, if Airth shows the same flair for finely etched prose and brilliantly manipulated tension as he does here, this series promises to be the start of a powerful new niche in psychological suspense, a uniquely fresh voice that will stand out among the crowd.

    The death of a contender, followed by a second murder, introduces Sergeant Cribb, who goes on to investigate sports-related deaths in a series of eight books.

    A serial killer is out there, his frequency increasing, and they know there is only one agent good enough to crack this case: Special Agent Riley Paige. Riley is on paid leave herself, recovering from her encounter with her last serial killer, and, fragile as she is, the FBI is reluctant to tap her brilliant mind. Yet Riley, needing to battle her own demons, comes on board, and her hunt leads her through the disturbing subculture of doll collectors, into the homes of broken families, and into the darkest canals of the killer’s mind. As Riley peels back the layers, she realizes she is up against a killer more twisted than she could have imagined. In a frantic race against time, she finds herself pushed to her limit, her job on the line, her own family in danger, and her fragile psyche collapsing. Yet once Riley Paige takes on a case, she will not quit. It obsesses her, leading her to the darkest corners of her own mind, blurring the lines between hunter and hunted. After a series of unexpected twists, her instincts lead her to a shocking climax that even Riley could not have imagined. A dark psychological thriller with heart-pounding suspense, ONCE GONE marks the debut of a riveting new series—and a beloved new character—that will leave you turning pages late into the night. Book #2 and #3 in the Riley Paige series are also available.

    for the best mystery of 1999, this complex literary thriller may be one of the most satisfying suspense novels to come along in some time. Robert Wilson has written several political thrillers, most of which are set in West Africa, but they are, alas, largely unavailable in the U.S.In A Small Death in Lisbon, the narrative switches back and forth between 1941 and 1999, and Wilson's wide knowledge of history and keen sense of place make the eras equally vibrant. In 1941 Germany, Klaus Felsen, an industrialist, is approached by the SS high command in a none-too-friendly manner and is "persuaded" to go to Lisbon and oversee the sale--or smuggling--of wolfram (also known as tungsten, used in the manufacture of tanks and airplanes). World War II Portugal is neutral where business is concerned, and too much of the precious metal is being sold to Britain when Germany needs it to insure that Hitler's blitzkrieg is successful.Cut to 1999 Lisbon, where the daughter of a prominent lawyer has been found dead on a beach. Ze Coelho, a liberal police inspector who is a widower with a daughter of his own, must sift through the life of Catarina Oliveira and discover why she was so brutally murdered. Her father is enigmatic, her mother suicidal; her friends were rock musicians and drug addicts.The reader is treated to a wonderful portrait of Lisbon in the aftermath of the 1974 revolution that ousted Salazar from power, and the scars from that conflict are still close to the surface for the citizens of Lisbon, including Coehlo and his colleagues. We also see World War II in a slightly different manner from that to which we are accustomed--through the eyes of the Germans and the Portuguese. The pace of the book is leisurely but compelling as the events of 1941 and those in 1999 merge in an extraordinary climax

    Simon Serrailler, her enigmatic superior. Though she fits well within the local police force, she finds herself unable to let go what seems like a routine missing persons report on a middle-aged spinster. When yet more townspeople turn up missing, her hunch is verified and a serious police search begins, bringing her into closer proximity with Serrailler at the same time it exposes her to danger.

    When murders disrupt the peaceful town of Maggody, Sheriff Hanks and her slow deputy, Paulie, set out on a hilarious, hell-raising chase through the backwoods in search of a murderer.

    It is 1952, and new apartheid laws have recently gone into effect, dividing a nation into black and white while supposedly healing the political rifts between the Afrikaners and the English. Tensions simmer as the fault line between the oppressed and the oppressors cuts deeper, but it's not until an Afrikaner police officer is found dead that emotions more dangerous than anyone thought possible boil to the surface.When Detective Emmanuel Cooper, an Englishman, begins investigating the murder, his mission is preempted by the powerful police Security Branch, who are dedicated to their campaign to flush out black communist radicals. But Detective Cooper isn't interested in political expediency and has never been one for making friends. He may be modest, but he radiates intelligence and certainly won't be getting on his knees before those in power. Instead, he strikes out on his own, following a trail of clues that lead him to uncover a shocking forbidden love and the imperfect life of Captain Pretorius, a man whose relationships with the black and coloured residents of the town he ruled were more complicated and more human than anyone could have imagined.The first in her Detective Emmanuel Cooper series, "A Beautiful Place to Die" marks the debut of a talented writer who reads like a brilliant combination of Raymond Chandler and Graham Greene. It is a tale of murder, passion, corruption, and the corrosive double standard that defined an apartheid nation. I

    Every night, the red carpet rolls out for movie stars arriving at premieres in limos; the most exclusive restaurants close for private parties for wealthy producers and preeminent directors; and thousands of fans gather with the paparazzi, hoping to catch a glimpse of the most famous and beautiful faces in the world. With this many celebrities in town, special task force NYPD Red is on high alert-and they can't afford to make a single mistake. Then a world-renowned producer fatally collapses at his power breakfast, and top NYPD Red Detective Zach Jordan is the first one on the scene. Zach works with his beautiful new partner, Detective Kylie MacDonald-who also happens to be his ex-girlfriend-to discover who the murderer might be. But this is only the beginning: the most brutal, public, and horrifyingly spectacular crimes they've ever encountered are about to send all of New York into chaos, putting NYPD Red on the ropes. Zach and Kylie know there's no way of telling what a killer this deranged will do next. With the whole world watching, they have to find a way to stop a psychopath who has scripted his finale down to the last explosive detail. With larger-than-life action, relentless speed, and white-knuckle twists, NYPD Red is the next mega-blockbuster from "The Man Who Can't Miss." (TIME)

     Seventeen-year-old Caleb Ross is adrift in the wake of the sudden disappearance of his mother more than a year ago, and is struggling to find his way out of the small Texas border town of Murfee. Chris Cherry is a newly minted sheriff’s deputy, a high school football hero who has reluctantly returned to his hometown. When skeletal remains are discovered in the surrounding badlands, the two are inexorably drawn together as their efforts to uncover Murfee’s darkest secrets lead them to the same terrifying suspect: Caleb’s father and Chris’s boss, the charismatic and feared Sheriff Standford “Judge” Ross. Dark, elegiac, and violent, The Far Empty is a modern Western, a story of loss and escape set along the sharp edge of the Texas border. Told by a longtime federal agent who knows the region, it’s a debut novel you won’t soon forget.

    Beaumont's kid, and the determined Seattle homicide detective won't rest until her killer pays dearly. But the hunt is leading Beaumont into a murky world of religious fanaticism, and toward a beautiful, perilous obsession all his own. And suddenly Beau himself is a target -- because faith can be dangerous...and love can kill.