What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics.—from “WHEREAS Statements”WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.

    The Qallupilluit wear women’s parkas of loon feathers, are grotesque-looking, and grab children who come too near the shore or stand too close to cracks in sea ice. The main character in the story is Allashua, a young Inuk girl.

    Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, " The Original Folk and Fairy Tales of the Brothers Grimm" makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezso.From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.A delight to read, "The Original Folk and Fairy Tales of the Brothers Grimm" presents these peerless stories to a whole new generation of readers."

    He finds work in a dry-goods store owned by the tyrannical but terminally ill Jabe Torrance; the store’s daily operations are overseen by Jabe’s wife, Lady. Tragedy in Lady’s past drove her to Jabe, and her life since the marriage has been one of desperate loneliness. Val, with his exotic seductiveness and undeniable talent, might offer Lady an escape route to a happier future—if the town doesn’t destroy them both first. (Dramatists Play Service)"... because of the power and the brilliance and the humor of his writing, it emerges as a consistently moving and captivating experience ... the author has done a masterful job of getting inside his characters." —NY Journal-American.

    Indian mythology is replete with tales of Dévas battling the Asuras constantly. The interesting thing to note is that whether it is a God or an incarnation of a deity in human form, aka an Avatār, there was also a human element involved in these stories. The teachers of the Dévas (gods) and the Asuras were human sages, known as Rishis.    Find out what happens when seemingly unconnected individuals get drawn into a world of suspense and action, as mythology collides with their world in the book 'The Mahāsiddha Field', the first in a new sci-fi/fantasy series!   An elderly wandering mendicant in South India, two young Indian-American men, two soldiers from the Indian Army and a mysterious sage from high up in the Himalayas are thrown together in an adventure unlike any other; as a most unlikely adversary leaps out of the world of Indian Mythology to challenge their beliefs, their sanity and their courage.

    Valente. A collection of some of Catherynne Valente's most admired stories, including the Hugo Award-nominated novella "Silently and Very Fast" and the Locus Award finalist "13 Ways of Looking at Space/Time," with a brand-new long story to anchor the collection.Contents:The Melancholy of Mechagirl (2011) poemInk, Water, Milk (2013)Fifteen Panels Depicting the Sadness of the Baku and the Jotai (2010)Ghosts of Gunkanjima (2005)Thirteen Ways of Looking at Space/Time (2010)One Breath, One Stroke (2012)Story No. 6 (2013)Fade to White (2012)The Emperor of Tsukayama Park (2005) poemKillswitch (2007)Memoirs of a Girl Who Failed to Be Born from a Peach (2005) poemThe Girl with Two Skins (2008) poemSilently and Very Fast (2011)

    Ash is going to be the stag boy in the annual Stag Chase. He's been waiting to tell his dad he's following in his footsteps, he'll make him proud. But Dad is stuck in a world of imaginary threats.When Ash's grieving best friend pushes him away too, his world suddenly seems lonely and threatening. So Ash retreats to the mountains, to his punishing training runs. But in the mountains dark things are stirring - the hound boys of old haunt his running steps and Ash hears the death cry of a stag boy. Ash starts to wonder how much of the sinister pagan stories about the Stag Chase are true, and what it all has to do with his friend's anger and grief.As death haunts his every step, Ash has to find a way to live again.

    In this fascinating collection, Idries Shah shares this insight with us as we read the astonishingly similar versions of tales as they developed throughout the world.

    Young Thomas Corn Eyes sees into the otherworld, but all he wants to do is get off the rez. Steve Cole escaped from his rock star life to disappear into the desert and mountains. Fifteen-year-old barrio kid Sadie Higgins has been discarded once too often. Blogger Leah Hardin needs to leave Newford, come to terms with the loss of her best friend, and actually engage with her life. When these lives collide in the Hierro Maderas Mountains, they must struggle to escape their messy pasts and find a way to carve a future for themselves.They don’t just have to learn how to survive. They have to learn how to fly. Beautiful, elegant, and remarkably kind, this is the work of a storyteller at the peak of his abilities. With de Lint, there's no need to say, “I can’t wait to see what he does next.” What he does now is always enough to take my breath away.—Seanan McGuire, author of the October Daye series and other novelsCharles' new book filled me with joy! From the first line to the last, I was completely involved. A book about those "outside" who think they want to get "in," there are good lessons to be learned—painlessly—from beginning to end.—Janis Ian, songwriter & musicianWith this gently rolling, lyrical composition of a book, the godfather of urban fantasy flows back to where he’s most needed. If there's one thing today's world can gain from literature, surely it's de Lint's signature sense of unsullied wonder and devotion to the best within us.—Melissa F. Olson, author of the Scarlett Bernard series and other novelsAs a struggling unpublished novelist, I read Charles de Lint and found the template for the kind of stories I wanted to tell, ones that brought magic and folklore into the modern world. After fifteen novels of my own, I'm still both humbled and enthralled by the ease with which he draws the reader into his stories, because now I know just how hard it is. The Wind in His Heart is tough, tender, grim, light on its feet, magical, and brilliant: in other words, a typical de Lint masterpiece, once again setting a high bar for those of us who follow.—Alex Bledsoe, author of the Tufa series and other novelsOh what a sweet, wonderful ride that was! I was enthralled. I didn't leave my house all weekend; it was glorious. It was throwback CdL, a vast, shifting landscape of story woven upon story, just what I love. What a love letter to the desert.—Lizz Huerta, author, winner of the Lumina fiction awardSplendid and so very healing!—Charles Vess, artist, winner of the World Fantasy Award

    But Father John O'Malley, pastor of St. Francis Mission, and Vicky Holden, the Arapaho lawyer, do not believe the young man capable of murder. Together they set out to find the real murderer and clear Anthony's name.The trail that Father John and Vicky follow winds across the high plains of the Wind River Reservation into Arapaho homes and community centers and into the fraud-infested world of Indian oil and land deals. Eventually it leads to the past—the Old Time—when the Arapahos were forced from their homes on the Great Plains and sent to the reservation.There in the Old Time, Father John and Vicky discover a crime so heinous that someone was willing to commit murder more than a hundred years later to keep it hidden. As they close in a killer who does not hesitate to kill again, they discover they have become the next targets...Critics have praised The Eagle Catcher as a tightly crafted mystery that blends Native American culture and history with contemporary issues and fast-paced action. It introduced two intelligent, compassionate sleuths: Father John O'Malley, S.J., a history scholar and recovering alcoholic, exiled to an Indian mission on the Great Plains, and Vicky Holden, an attorney who, after ten years in the outside world, has returned to the reservation to help her people.

    Nordic Tales is a collection of 16 traditional tales from the enchanting world of Nordic folklore.Translated and transcribed by folklorists in the 19th century, these stories are at once magical, hilarious, cozy, and chilling.Welcome to a world of mystical adventure—where trolls haunt the snowy forests, terrifying monsters roam the open sea, a young woman journeys to the end of the world, and a boy proves he knows no fear.• Offers a fascinating view into Nordic culture• The tales come alive alongside bold, contemporary art• Part of the popular Tales series, featuring Tales of Japan, Celtic Tales, Tales of India, and Tales of East AfricaNordic Tales will enthrall fans of fairytales and captivate those interested in the rich history of Nordic culture.Ulla Thynell's glowing contemporary illustrations accompany each tale, conjuring dragons, princesses, and the northern lights.• A visually gorgeous book that will be at home on the shelf or on the coffee table• A perfect gift for fairy tale and folklore lovers, fans of Nordic culture, people of Nordic ancestry, collectors of illustrated classics, and bibliophiles looking for a comforting wintertime read• Add it to the collection of books like D'Aulaires' Book of Norse Myths by Ingri d'Aulaire and Edgar Parin d'Aulaire, Norse Mythology by Neil Gaiman, and Mythology: Timeless Tales of Gods and Heroes by Edith Hamilton.People who love Greek mythology, roman mythology, Chinese mythology, Celtic mythology, and folklore and cultural studies from around the globe will love Nordic Tales.

    Their feathers had no color at all. Raven spent his days swooping through the sky trying to fight off his incessant boredom, while loon spent her days in her iglu working away on her sewing. One day, too bored to even fly, Raven visited Loon and suggested a sewing game that would give their feathers some much-needed color. The results led to Raven and Loon acquiring their now-familiar coats. This retelling of a pan-Arctic traditional story features lively, colorful illustrations and the whimsical storytelling of two of the Arctic’s most gifted storytellers.

    Tolkien composed his own version, now published for the first time, of the great legend of Northern antiquity, in two closely related poems to which he gave the titles The New Lay of the Völsungs and The New Lay of Gudrún.In the "Lay of the Völsungs" is told the ancestry of the great hero Sigurd, the slayer of Fáfnir most celebrated of dragons, whose treasure he took for his own; of his awakening of the Valkyrie Brynhild, who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In that court there sprang great love but also great hate, brought about by the power of the enchantress of the Niflungs, skilled in the arts of magic, of shape-changing and potions of forgetfulness.In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy, and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd at the hands of his blood-brothers, the suicide of Brynhild, and the despair of Gudrún. In the "Lay of Gudrún" her fate after the death of Sigurd is told, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers the Niflung lords, and her hideous revenge.Deriving his version primarily from his close study of the ancient poetry of Norway and Iceland known as the Poetic Edda (and where no old poetry exists, from the later prose work Völsunga Saga), J.R.R. Tolkien employed a verse-form of short stanzas whose lines embody in English the exacting alliterative rhythms and the concentrated energy of the poems of the Edda.

    Love, passion, longing, hunger, revenge, righteousness, and truth—do all these things mean the same for the different creations of God? In this extraordinary story by the bestselling author of The Rise of Sivagami: Book 1 of Baahubali -- Before the Beginning (as also Asura: Tale of the Vanquished; Ajaya: Roll of the Dice; and Ajaya: Rise of Kali), Anand Neelakantan lets the reader into the mind of Sage Valmiki and reveals the hitherto unknown reason for his choosing the wonderfully empowered Sita as the pivot of the grand epic, Ramayana…

    Lavery comes a collection of darkly mischievous stories based on classic fairy tales. Adapted from his beloved "Children's Stories Made Horrific" series, The Merry Spinster takes up the trademark wit that endeared Lavery to readers of both The Toast and his best-selling debut Texts from Jane Eyre. The feature become among the most popular on the site, with each entry bringing in tens of thousands of views, as the stories proved a perfect vehicle for Lavery’s eye for deconstruction and destabilization. Sinister and inviting, familiar and alien all at the same time, The Merry Spinster updates traditional children's stories and fairy tales with elements of psychological horror, emotional clarity, and a keen sense of feminist mischief.Readers of The Toast will instantly recognize Lavery's boisterous good humor and uber-nerd swagger: those new to Lavery's oeuvre will delight in his unique spin on fiction, where something a bit mischievous and unsettling is always at work just beneath the surface.Unfalteringly faithful to its beloved source material, The Merry Spinster also illuminates the unsuspected, and frequently, alarming emotional complexities at play in the stories we tell ourselves, and each other, as we tuck ourselves in for the night.Bedtime will never be the same.The daughter cells --The thankless child --Fear not: an incident log --The six boy-coffins --The rabbit --The merry spinster --The wedding party --Some of us had been threatening our friend Mr.Toad --Cast your bread upon the waters --The frog's princess --Good fences make good neighbors