Hugh Howey launched the idea on Kboards, a forum for Kindle readers, but also the meeting place of an active community of indie writers. The result is this anthology of 101 very short stories by 101 authors. To make it more attractive for you, the reader, we set ourselves a limit of a thousand words. You should be able to read each story in under five minutes — on your desktop computer, laptop, or tablet at home or in the office, but also on your smartphone, on the go, while you are commuting or waiting at a coffee shop for your significant other to arrive. We included as many genres as we could. We hope that maybe, with only five minutes of your time on the line that would otherwise be wasted anyway, you'll be tempted to venture outside your comfort zone and try out some new genres and new authors.

    The White Cat helps the youngest prince win his father's throne.A retelling of Madame D'Aulnoy's La chatte blanche.

    Her story "Pleiades" was called "a masterpiece" by Dave Eggers. Sachdeva has a talent for creating moving and poignant scenes, following her highly imaginative plots to their logical ends, and depicting how one small miracle can affect everyone in its wake.The world by night --Glass-lung --Logging lake --Killer of kings --All the names for God --Robert Greenman and the mermaid --Anything you might want --Manus --Pleiades

    While there have been exceptions, many Oprah authors are no more writer's writers than Kenny G is a saxophonist's saxophonist.The best way to find the hottest, most influential writers writing would be (1) to read every issue of every magazine that publishes new fiction, and (2) to read every good book that comes out. Which would work fine if you were Burgess Meredith in that episode of "The Twilight Zone" where everyone in the world disappears except this bookish guy who's left alone -- o, lovely briar patch -- inside a library. (Six words of advice: Take good care of your glasses.) Absent that, what do you do?I've said it before (in this very space), and I'll say it again: The best possible way to keep tabs on what's up with North American fiction is to buy, year in and year out, each year's volume of The Best American Short Stories and Prize Stories: The O. Henry Awards. Both collections have been around for more than 80 years, have had their ups (mostly artistic) and downs (mostly commercial), but are both currently enjoying commercial heydays. During the 1970s, BASS's sales sank to a series-threatening 7,000 copies a year, before it hit on some bright ideas that saved it. Beginning in 1978, instead of one editor choosing everything himself (Edward O'Brien, from 1915 to 1940) or herself (Martha Foley, from 1941 to 1977), a series editor winnowed the 3,000 or so published stories each year down to a stack of 120 (a task, says current series editor Katrina Kenison that has become much harder the past couple years than it was when she began in 1991, when she had to scrape to find 120 she thought were terrific). Then a guest editor picks 20 stories to include (this year's, Amy Tan, seems to have done an especially able job and wrote a smart and delightful introduction). Beginning in 1983 (with an Anne Tyler-edited edition that was one of the series's strongest), BASS began to be published simultaneously in both hardback and paperback editions. And in 1987, it began to feature short comments by the writers, talking about their stories. BASS (better selling than O. Henry in recent years) began consistently to sell over 100,000 copies a year.O. HENRY's nadir came more recently. Coinciding with BASS's resurgence, O. Henry, in the 1980s, became the American short story's poor, quirky stepchild. (Not in a good way.) But it received a major overhaul in 1997. A single editor (now Larry Dark) still, as has typically been the case, picks the 20 stories to include. But now, O. Henry also includes a list of 50 short-listed stories (with brief synopses) and comments by the authors of each year's anointed 20. Furthermore, three guest jurors (this year, Sherman Alexie, Stephen King, and Lorrie Moore), pick from those 20 a first, second, and third prize. Sales have zoomed.You could read this year's editions of these two indispensable annuals and -- without breaking a sweat (with no effort more strenuous than feeling the hairs on the back of your neck stand up, though I did, as did Tan, read most of these stories on a StairMaster) -- glean this exemplary shorthand of whom you should be reading, circa 1998-1999.Most Valuable Player: Alice Munro. Why (aside from the fact that she's the greatest living writer in English): Her story, "Save the Reaper," certainly the best short story I read last year, is one of only two included in both the 1999 BASS and O. Henry. In awarding it third prize in O. HENRY, Moore (whose "People Like That Are the Only People Here" was the only story included in both the 1998 BASS and O. Henry) discerns the story's parallels not only with Flannery O'Connor's "A Good Man Is Hard to Find" but also with the myths of Eros, Demeter, and Hermes. Moore writes that, in contrast to the O'Connor masterpiece, "[a]s always in the fictional world of Munro, a character's fate pivots not on the penitential moment but on the erotic one."Neither annual allows any writer to be represented by more than one story (a custom that became a rule when both Munro and Richard Bausch landed two gems apiece in BASS 1990), but Munro's "Cortes Island" is short-listed for both and "Before the Change" is short-listed in O. Henry. All three stories are collected in her National Book Critics Circle Award-winning book The Love of a Good Woman.MVP Runners-Up: Annie Proulx, Pam Houston, Lorrie Moore.Why: All three are included in both volumes. Proulx's story "The Bunchgrass Edge of the World" is included in BASS and short-listed in O. Henry, "The Mud Below" in O. Henry and short-listed in BASS. Both are included in Proulx's collection Close Range, which includes two other stories honored in previous years ("Brokeback Mountain" and "The Half-Skinned Steer") and, even in an amazing year for short story collections, is one of the year's most talked-about books.Houston is the year's most-cited story writer, with four: "Cataract" is included in O. Henry; "The Best Girlfriend You Never Had" is included BASS; two other stories ("Then You Get Up and Have Breakfast" and "Three Lessons in Amazon Biology") are short-listed in BASS. All are included in her collection Waltzing the Cat.In addition to serving as an O. Henry juror, Moore has a story, "Real Estate," included in BASS, and her story "Lucky Ducks" is short-listed there. Both are from the exquisite Birds of America.Rookie of the Year: Jhumpa Lahiri.Why: Her funny, gentle, heartbreaking story "Interpreter of Maladies" -- about a nonjudgmental part-time translator/part-time cabdriver in India, who takes an American family sightseeing, gets a decorous crush on the woman, and leads the children into endangerment at the hands of hanuman monkeys -- is the only other story in both volumes. Although Lahiri's work has appeared in The New Yorker, this story originally ran in The Agni Review -- a good journal, but one you may not regularly read. Both annuals had picked it for inclusion before the publication of Lahiri's first book, also called Interpreter of Maladies. The book is, justly, one of the sleeper successes of the year."Our record of discovery is pretty good," says BASS's Kenison. "Chances are, year in and year out, you'll pick up a volume and read a story by someone you've never heard of. The next year, that writer's everywhere you look."This year, that's Lahiri.Also receiving votes are these 18 writers, an intriguing mix of veterans and new voices, also either short-listed or included in both volumes (and if you want to be the savviest reader on your block, you'll read more of these people's work): Poe Ballantine, T. Coraghessan Boyle, Michael Byers, Kiana Davenport, Chitra Divakaruni, Nathan Englander, Mary Gaitskill, Tim Gautreaux (whose "The Piano Tuner," included in BASS and collected in his new book, Welding with Children, is my favorite non-Munro story in either book), Heidi Julavitz, Sheila Kohler, David Long, Steven Millhauser, Kent Nelson, Cynthia Ozick, Melissa Pritchard, John Updike (he's very good), David Foster Wallace (he's very smart), Joy Williams.—Mark Winegardner

    Of the twenty-two stories collected here—some written recently, others decades ago—all but two have never before been published. Bradbury has crafted tales that are strange and scary, nostalgic and bittersweet, and humorous and touching, set in the not-so-distant past and an unknowable future: a group of senators drinks too much and gambles away the United States, a newly-wed couple buys an old house and finds their fledgling relationship tested, two mysterious strangers arrive at a rooming house and baffle their fellow occupants with strange crying in the night, and a lonely woman takes a last chance on love. The final piece is a story-poem, a fond salute from Bradbury to his literary heroes Shaw, Chesterton, Dickens, Twain, Poe, Wilde, Melville, and Kipling.A timeless collection from one of America's greatest storytellers, The Cat's Pajamas is a panoramic view of Ray Bradbury's rich and remarkable imagination.(from back cover)

    It all starts with a simple domestic disturbance… but when it’s Bigby’s old nemesis the Woodsman who has an axe to grind, things go downhill fast.

    Complete with an enchanting protagonist, a glass slipper, and a fairy godmother who just happens to be a hog, Smoky Mountain Rose is a joy to read again and again.

    Nor can they make her neighbor, Dillon McKenzie, see her as anything but his best buddy. A midnight walk, a fateful fall, the discovery of a magic lamp, and Aggie switches priorities. In her efforts to help Ebony, the kitten-genie and undo the curse of Aladdin’s lamp, she makes a fateful mistake—an inadvertent, “I wish I was in Dillon’s arms,” and Aggie wakes up in his arms, all right—as a stray dog. Will Aggie and her genie figure out how to undo a wish gone wrong, or is she doomed to a life of Milk Bones, flea baths and loving Dillon from the foot of her doggy bed? Shoe-In for Love For shoe-designer Nessie Helph, 1984 is another year in the struggle to keep herself safe from her malicious supervisor, Grace Hart. Nessie’s problems worsen when she finds out the company, Victor & Victoria, has been sold to Leo Schumacher. Known as “The Lumberjack,” Leo’s reputation for cutting costs and hacking jobs is legendary, but Nessie’s prepared for any contingency…except the effect he has on her heart. She may not be able to get her hair to feather like Heather Locklear’s, but with a little effort and a lot of luck, she’s about to prove she’s not only the best girl for the job, but a shoo-in for love, as well.

    Wolf men, dolphin women, defiant old ladies, and middle-aged manufacturers of erotic leatherwear -- in Jigs & Reels the miraculous goes hand in hand with the mundane, the sour with the sweet, and the beautiful, the grotesque, the seductive, and the disturbing are never more than one step away. Whether she's exploring the myth of beauty, the pain of infidelity, or the wonder of late-life romance, Joanne Harris once again proves herself a master of the storyteller's trade.

    While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.The husband stitch --Inventory --Mothers --Especially heinous --Real women have bodies --Eight bites --The resident --Difficult at parties

    An FBI agent falls in love with a robot built for a suicide mission. A young woman unintentionally cheats on her husband when she is transformed, nightly, into a deer. Two strangers become lovers and find themselves somehow responsible for the resurrection of a dog. A woman tries to start her life anew after the loss of a child but cannot help riddling that new life with lies. Thirteen pregnant teenagers develop a strange relationship with the Founding Fathers of American history. A lonely woman’s fertility treatments become the stuff of science fiction.Magic intrudes. Technology betrays and disappoints. Infidelities lead us beyond the usual conflict. Our bodies change, reproduce, decay, and surprise. With her characteristic unguarded gaze and offbeat humor, Hunt has conjured stories that urge an understanding of youth and mortality, magnification and loss, and hold out the hope that we can know one another more deeply or at least stand side by side to observe the mystery of the world.

    But when her father is held captive by a terrifying Beast, Belle is the only one with the courage and creativity to save him...though she must first believe in herself.In Sunlight and Shadow, Princess Mina is kidnapped. Desperate to be reunited with her daughter, the Queen of the Night promises Mina’s hand in marriage to the prince who can rescue her. Yet as Mina and her prince encounter trials of love and fate, Mina must summon the strength to find her own happiness.In Winter’s Child, Grace’s best friend is lured from home by a dazzling Snow Queen. Grace sets out on a dangerous, mystical journey to find him, and along the way, she discovers the meaning of true love.

    All he had to do was come up with a flashy costume, a signature gimmick, and commit a couple of high profile (yet nonviolent) crimes. Eddie figured he'd eventually get caught and spend a year or two in a minimum security prison. Then he'd write a tell-all book, do the talk show circuit, and parlay that into a regular TV hosting gig.But the best laid plans...As the Puzzler, Eddie was strictly a C List supervillain. He matched wits with Dark Revenger, a grim and gritty, street-level superhero. Eddie always managed to get away unscathed, but one night, things go horribly wrong and the Dark Revenger is dead. It's one thing to steal the Mona Lisa. But killing a world famous superhero? That's hard time with the worst of the worst.Most people would cash out, change their identity, and go on the run. But Eddie knows there's no running if you're responsible for the death of an A List superhero. The only chance Eddie has in staying out of prison, and staying alive, is to take the Dark Revenger's place and not let the rest of the world know the original is dead.Eddie can do it. He's got the physical ability and the tech savvy. He even looks good in the costume. It's the ultra-serious, crime-fighting part he has trouble with. (Seriously, does the Dark Revenger need to be so "dark" all the time?)Then the world's premiere superhero team, the Majestic 12, needs help with a seemingly impossible crime: One of their own has been murdered and they need "the world's greatest detective" (a.k.a. the Dark Revenger) to solve it.He's not the hero we need.He's not the hero we deserve.He's not really a hero at all.Kill Your Heroes

     This novelette reunites Mara, Gus, Aunt Tillie and Grundleshanks the Toad (from the Toadwitch paranormal series) with Stacy Justice, the Geraghty Girls and Thor, the Great Dane, (from the Stacy Justice paranormal mystery series). As Gus, Mara and Stacy band together, they're bossed around by the cantankerous ghost of Mara's Aunt Tillie, tripped up by the spirit of Lord Grundleshanks the Poisonous Toad, backed up by Stacy's grandmother's coven, and given assistance by a local hoodoo master -- in-between episodes of Antiques Road Show, that is -- but they're still in for the Samhain of their lives. If they don't stop the stranger's nefarious plan, the only thing they can count on is that all three of their souls will be at risk! This is a quirky, paranormal adventure that combines thrills and chills with all-out spooky fun. It's a fun, fast-paced read that also works as a stand-alone to introduce new readers to the quirky paranormal world of the main characters. It includes short excerpts from the paranormal novels "Somebody Tell Aunt Tillie She's Dead" and "Opal Fire."

    Then there's a group of tales that Poe acknowledged reading, and that clearly influenced him: tales of premature burial, of a man trapped beneath a great clanging bell, of a doomed girl reborn and doomed again. To describe this book as a "must" for all admirers of Edgar Allen Poe is surely unnecessary: it's so self-evident.