These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    She not only listens to his wacky stories, but encourages him to use his powerful imagination. But just when Bradley's social world begins to broaden, the school board decides to let Carla go. What will happen to Bradley now? This heartwarming story of a young boy's search for friendship and acceptance is one of Sachar's most popular novels, and readers will identify with Bradley's troubles and eventual transformation when he finds a friend in Carla.

    Why are three violent policemen in search of The Greatest Dad in theWorld? More importantly, why are two young men at a fast foodrestaurant talking about freezing bees? And good god, why are theretwo young ladies in the backyard during a Halloween party, shavingeach others' legs with a piece of a broken jaw bone?What will become of the old woman who slits her young boyfriend'sthroat? And why does she give him a calculator for his birthday?Will anyone survive?Where will you be when the Self-Esteem Holocaust comes home?

    A collection of humorous essays, accompanied by the author's own bizarre drawings, presenting Thurber's unremitting retort to the multitude of "self-help" books which were widespread in the 1930s and whose successors are still with us today.

    But something more “global” appears to be at work, and in any case he is distracted from his dreary rounds of diagnosis-seeking when a more urgent tragedy befalls the family. Joseph’s father, a former steelworker, was driving home from his new maintenance job when he swerved to avoid a deer and crashed his car, landing in the hospital. A week later he died of a heart attack.The deer, it turns out, was a stuffed decoy placed there by a high school student as a prank. This enrages Joseph’s older and ailing uncle, Bill (Yusef Bulos), who is even more disgusted when it is learned that the culprit is the star of the local football team, Vin (Jonathan Louis Dent), a town hero who is given a dispensation by a judge to serve his sentence in juvenile detention after the football season has concluded. Joseph and his younger brother, Charles (Chris Perfetti) — who are both gay — are more sympathetic to Vin, an African-American boy who has grown up in a foster home, and whose chance at a professional career may be jeopardized.Gloria (Joanna Gleason), Joseph’s new boss and a book packaging expert, knows a little about career jeopardy herself. She was run out of the publishing business — and Manhattan — when she sold a memoir by a Holocaust survivor that turned out to be fictionalized. (Gloria’s story and Vin’s are inspired by actual events.)Now she latches on to the discovery that Joseph’s family, of Lebanese extraction, is distantly related to Kahlil Gibran, author of the perennial best-selling spiritual book “The Prophet.” In her hilariously addled mind — complaining about her fall from grace, she defensively remarks, “I wasn’t at the Holocaust” — she decides that a memoir by Joseph about his family’s journey will be her ticket back to the big time.Mr. Karam’s play, which runs a little less than two hours and is performed in one seamless act , may sound top-heavy with plot and character. (Did I mention that Gloria’s emotional frailty also stems from the suicide of her husband?) Some of the relationships would benefit from being fleshed out in greater detail: the integration of Gloria into the lives of Joseph and his family, for example. The play’s climax shoehorns all the elements of the story into a farcical scene that seems a little forced, funny though it is.But one of Mr. Karam’s themes is the indiscriminate nature of misfortune — one calamity does not immunize you from the next, worse one — so the multiplication of disasters roiling the characters’ lives is to the point. And he writes with such precision that even the more peripheral characters emerge as sharply drawn, multifaceted individuals.

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.

    However, celebrations come to an abrupt end when the host suffers an horrific accident.As the victim lies in a coma, an almost unthinkable plan starts to take shape: could her suffering be their next work of art? The group is ecstatic in its new found project until things slip out of their control and, to the surprise of all, the patient awakes?pool (no water) is a visceral and shocking new play about the fragility of friendship and the jealousy and resentment inspired by success.Citizenship is a bittersweet comedy about growing up, following a boy's frank and messy search to discover his sexual identity. It was developed as part of the National Theatre Shell Connections 2005 Programme

    “Birdie Carlucci” claims he has lived there since 1933, hiding out in the storeroom of a Harvey House restaurant. Kansas City cop Lieutenant Randy Benton decides to discover the truth behind Birdie’s tale—and finds himself on a ride that leads ever backward into our country’s bloodstained past.Benton’s investigation reveals the story of young Birdie, incarcerated in a brutal insane asylum where the preferred method of treatment is beating with a baseball bat. In that hopeless environment, though, he’s befriended by another patient, Josh Lancaster, once dismissed as a lost cause but snatched back from the brink by a compassionate doctor. But what is the secret of Lancaster’s involvement in an infamous Civil War encounter between Confederate bushwhackers and Union soldiers? And what truly happened after Birdie escaped from the asylum on the famous Flying Crow train?As Benton returns to the present day, he wonders: How much, if any of it, really took place? What were the true public and private traumas of these two troubled men who can’t forget what they’ve seen or merely imagined?Inspired by real events, Flying Crows is a novel that moves as inexorably as a train in the night to a shattering conclusion—one that reveals the many meanings of imprisonment and escape, and all the eccentricities and tragedies of the American soul.

    There are boilers to be fixed, cats to be fed, and the perfect funeral to be planned. As a mother researches burial spots and biodegradable coffins, her family is finally forced to communicate with her and each other as they face up to the future. A dark comedy about death and life going on.

    

    Later, she was committed to Broadmoor "from where she may not be discharged without permission of the Home Secretary." Using a technique of multiple characterization, Find Me seeks to investigate in depth the personality of the young girl - to 'find her' - and at the same time studies the effects of her behavior on those around her.

    The play is based on Irish mythology, in particular the myths concerning Deirdre and Conchobar. The work was unfinished at the author's death in 1909, but was completed by William Butler Yeats and Synge's fiancée, Molly Allgood.[from Wikipedia]

    

    Marcus Hubbard, rich, despotic and despised, made a fortune during the Civil War by running the blockade and worse. In his family life he is equally injurious: one son he bulldozes while the other he holds in contempt for his frailty. By Marcus's side stands his mentally deranged wife and, finally, Regina, the adored daughter amoral, conniving, and beautiful as an evil flower. Marcus, it would seem, has been on the top of the heap long enough and someone must depose him. Turning the tables on a tyrant has always made for high drama, and when Hellman puts her brilliant talents to work on such a theme the result is a play of great theatrical intensity.

    Stage adaptation of a Dickens novel by an accomplished director