Just 30 years old on September 20, 1973, Jim was revered by an adoring audience for his gentle melodies and everyman demeanor. Now, for the first time, this memoir reveals the man behind the denim jackets and signature mustache, a hard-working, wry charmer who was also beset with exhaustion at the sheer magnitude of his own success. I Got a Name, told with full access to everyone who knew and loved Jim Croce, is at once a revealing portrait of a great artist and a moving love story.

    As the founder of Creation Records he brought us the music that defined an era. A charismatic Glaswegian who partied just as hard as any of the bands on his notoriously dissolute label, he became a star himself.In Creation Stories he tells his story in depth for the first time, from leaving school at sixteen to setting up the Living Room club in London, which showcased many emerging indie bands, from managing the Jesus and Mary Chain to co-founding Creation when he was only twenty-three.He then discovered dance and acid house, decamping to Manchester and hanging out at the Hacienda, and took Creation into the big time with Primal Scream's Screamadelica. His drug-induced breakdown, when it came was dramatic. But as he climbed back to sobriety, he signed Oasis, becoming one of the figureheads of Britpop. He sold the label to Sony to stave off bankruptcy and eventually left in 1999 but has continued to be in an influential figure in the music industry.

    And why —Come hell or high waterThrough thick and through thinFor better and for worseBut not quite until death did we part —It was great fun. — K. H.

    During that tumultuous period, however, his record also included several arrests for drugs and DUI. Since breaking his addiction to heroin in 2002, the California-born musician has performed with the multiplatinum group Velvet Revolver and reunited with the group he helped make famous. Not Dead & Not for Sale is Weiland's starkly honest memoir of the highs and lows of his bipolar life. This book is timely, arriving on the heels of Stone Temple Pilots tour and the release of their first album since 2001. The memoir was written with the assistance of David Ritz, the only four-time winner of the Gleason Music Book Award.

    In this candid book of essays, Sara pulls back the curtain to expose her songwriting process, revealing all the struggle and joy inherent in creating great work while staying true to yourself.Showcasing her stripped down and confessional writing style, Sara's entertaining and inspirational book tells the inside stories behind her most popular songs and offers insights into finding balance between making art for herself and commercial music for her listeners.

    Rock and roll made it otherwise. From meeting Elvis, to seeing the Beatles on Ed Sullivan, to producing Del Shannon, backing Bob Dylan, putting together a band with George Harrison, Dylan, Roy Orbison, and Jeff Lynne, making records with Johnny Cash, and sending well more than a dozen of his own celebrated recordings high onto the charts, Tom Petty's story has all the drama of a rock and roll epic. Now in his mid-sixties, still making records and still touring, Petty, known for his reclusive style, has shared with Warren Zanes his insights and arguments, his regrets and lasting ambitions, and the details of his life on and off the stage.This is a book for those who know and love the songs, from "American Girl" and "Refugee" to "Free Fallin'" and "Mary Jane's Last Dance," and for those who want to see the classic rock and roll era embodied in one man's remarkable story. Dark and mysterious, Petty manages to come back, again and again, showing us what the music can do and where it can take us.

    Their extraordinary success over the last twenty years includes TV shows, the sale of tens of millions of CDs and DVDs, and sell-out live performances for a million people annually as well as honors including being named UNICEF goodwill ambassadors. Now, for the first time, Anthony Field, the "blue" Wiggle, tells his inspiring, behind-the-scenes story of how he overcame depression, life-threatening illness, and chronic pain to get his life back.Takes you inside the life of the Wiggles' co-founder Anthony Field and the story of his successful struggle to overcome debilitating emotional and physical health challengesShares practical action steps to help relieve pain, prevent and heal disease, and achieve peak fitness regardless of ageReveals groundbreaking approaches to wellness developed by two acclaimed chiropractorsIncludes more than seventy photographs from Anthony Field's personal collection

    During his six-decade career, he has played with all the greats. His career sky-rocketed when Crosby, Stills & Nash played only their second gig together at Woodstock in 1969. With the addition of Neil Young, the band would go on to play the first rock stadium tour in 1974. Stephen Stills is the only person to have been inducted twice in one night into The Rock and Roll Hall of Fame

    

    His surprising journey illuminates not only our understanding of this immensely troubled, misunderstood, and complicated soul genius but the ways in which our cultural heritage has been shaped by Brown’s legacy.  Kill ’Em and Leave is more than a book about James Brown. Brown’s rough-and-tumble life, through McBride’s lens, is an unsettling metaphor for American life: the tension between North and South, black and white, rich and poor. McBride’s travels take him to forgotten corners of Brown’s never-before-revealed history: the country town where Brown’s family and thousands of others were displaced by America’s largest nuclear power bomb-making facility; a South Carolina field where a long-forgotten cousin recounts, in the dead of night, a fuller history of Brown’s sharecropping childhood, which until now has been a mystery. McBride seeks out the American expatriate in England who co-created the James Brown sound, visits the trusted right-hand manager who worked with Brown for forty-one years, and interviews Brown’s most influential nonmusical creation, his “adopted son,” the Reverend Al Sharpton. He describes the stirring visit of Michael Jackson to the Augusta, Georgia, funeral home where the King of Pop sat up all night with the body of his musical godfather, spends hours talking with Brown’s first wife, and lays bare the Dickensian legal contest over James Brown’s estate, a fight that has consumed careers; prevented any money from reaching the poor schoolchildren in Georgia and South Carolina, as instructed in his will; cost Brown’s estate millions in legal fees; and left James Brown’s body to lie for more than eight years in a gilded coffin in his daughter’s yard in South Carolina.   James McBride is one of the most distinctive and electric literary voices in America today, and part of the pleasure of his narrative is being in his presence, coming to understand Brown through McBride’s own insights as a black musician with Southern roots. Kill ’Em and Leave is a song unearthing and celebrating James Brown’s great legacy: the cultural landscape of America today.Praise for Kill ’Em and Leave “The definitive look at one of the greatest, most important entertainers, The Godfather, Da Number One Soul Brother, Mr. Please, Please Himself—JAMES BROWN.”—Spike Lee “Please, please, please: Can anybody tell us who and what was James Brown? At last, the real deal: James McBride on James Brown is the matchup we’ve been waiting for, a musician who came up hard in Brooklyn with JB hooks lodged in his brain, a monster ear for the truth, and the chops to write it. This is no celeb bio but a compelling personal quest—so very timely, angry, hilarious, and as irresistible as any James Brown beat.”—Gerri Hirshey, author of Nowhere to Run: The Story of Soul Music “An unconventional and fascinating portrait of Soul Brother No. 1 and the significance of his rise and fall in American culture.” —Kirkus Reviews

    The band rose to conquer the globe with a string of unforgettable hits such as "Rio," "Hungry Like the Wolf," and "The Reflex." With Simon Le Bon as their frontman, they were the defining pop act of the 1980s, but Andy Taylor, the enigmatic lead guitarist, is widely acknowledged to have been their musical driving force. Then, at the very height of their achievement in 1985, Duran Duran imploded. Now Andy shares the story of what went wrong. With searing honesty, he charts every moment of Duran Duran's roller-coaster rise from their early days as club musicians through to international superstardom. He captures the glamour and excitement of the band's epic video shoots and the opulence of their world tours. He reveals the truth about the allegations of drug abuse and wild hedonism that dogged Duran Duran. Packed with more than twenty-five years worth of rock 'n' roll anecdotes, Andy tells of his time in the band The Power Station, and explains why Duran Duran reformed with its original line-up in 2003. But Wild Boy is also a moving story on a human level, as Andy describes how the pressures of fame took a terrible personal toll on him and his family. Moving from hilarious to harrowing at the turn of a page, Wild Boy is a must-read for anyone who lived through the 1980s, or who cares about music.

    Like his fellow rockers, Chuck Negron, the lead singer of the 1960s rock group Three Dog Night, succumbed to drug abuse and could have easily been among those who lived hard and died young. But while the lives of so many other rock'n'roll singers ended in tragedy, his is a life of triumph.From 1968 through the early 1970s, Three Dog Night was one of the most popular rack bands in the world. With his sweet, soulful sound, Chuck Negron guided the group through eighteen consecutive Top Twenty hits: three hit the #1 spot, including "Joy to the World", and eleven broke into the Top Ten. But while Three Dog Night was hitting the high notes of critical and commercial success, Negron was sinking into the darkness of drug addiction.The singer's downward spiral continued for several years, and after the band's thirteenth album failed to go gold in 1975, they called it quits. For Negron, who was supporting a $2,000-a.day drug habit, the descent was fast and long-lasting, encompassing two decades of horrendous drug abuse and terrifying near-death experiences. That he survived the ordeal at all is a miracle; that he today has a new foothold on life and devotes. a great portion of his time to helping others avoid the pitfalls of drug abuse is an inspiration.Three Dog Nightmare graphically traces the life and times of Bronx-bred Chuck Negron, who used his talent on the basketball court to earn a college scholarship, and turned his for singing into an unforgettable career. For the first time, Negron tells his full story, hoping that itwill teach others the life lessons he had to learn the hard way.

    After a couple of failed attempts to kill his brother Martin, his parents gave him a guitar for Christmas.From schoolyard battles between the Bowie Boys and the Prog Rockers to Mrs Kemp’s firm insistence on net curtains, and from acting for the Children’s Film Foundation to manning a fruit and veg stall on Saturdays, Gary brilliantly evokes an upbringing full of love, creativity and optimism.As the Thatcher years begin, Gary’s account of the outrageous London club scene centred around the Blitz and Billy’s is just sizzling. Out of this glamorous mayhem of kilt-wearing mascara’d peacocks would emerge Spandau Ballet – the band that would define the era, and hold high the victorious standard of the New Romantics.Gary’s thrilling journey with Spandau Ballet would see them record worldwide hits such as ‘True’, ‘Gold’ and ‘Through the Barricades’, play the biggest stadiums in the world and take to the stage in togas when their luggage gets lost in flight. Stallions, supermodels and dwarves would be hired for video shoots, and through it all, Gary records the wonderful friendships, and the slowly-building tensions, that would eventually see five old friends facing each other in court.‘I Know This Much’ tells the story of Spandau Ballet, but it’s far more than a book about being in a band. Whether it’s meeting Ronnie Kray before filming ‘The Krays’, sketching out the fashions and subcultures of the day, or hanging out with Princess Diana, this book offers a story on every page. And all the more so because it’s all written – brilliantly – by Gary himself.

    Growing up, he was the artsy son in the sporty family. At his all-boys high school and Catholic college, he was the closeted gay kid surrounded by crush-worthy straight guys. And in his twenties, in the middle of a disastrous career in advertising, he accidentally became an MTV VJ overnight when he finished second, naturally, in the Wanna Be a VJ contest, opening the door to fame, fortune, and celebrity—you know, almost.  In Party of One, Holmes tells the hilariously painful and painfully hilarious tales—in the vein of Rob Sheffield, Andy Cohen, and Paul Feig—of an outsider desperate to get in, of a misfit constantly changing shape, of a music geek who finally learns to accept himself. Structured around a mix of hits and deep cuts from the last four decades—from Bruce Springsteen's "Hungry Heart" and En Vogue's "Free Your Mind" to LCD Soundsystem’s “Losing My Edge” and Bleachers’ “I Wanna Get Better”—and punctuated with interludes like "So You've Had Your Heart Broken in the 1990s: A Playlist" and “Notes on (Jesse) Camp,” this book is for anyone who's ever felt like a square peg, especially those who have found their place in the world around a band, an album, or a song. It's a laugh-out-loud funny, deeply nostalgic story about never fitting in, never giving up, and letting good music guide the way.From the Hardcover edition.

    Starting with the Midlands beat combo Finders Keepers in the 1960s, he formed acclaimed funk-rock band Trapeze in the early 70s before joining Deep Purple at their commercial peak. Flying the world in Starship 1, the band's own Boeing 720 jet, Hughes enthusiastically embraced the rock superstar's lifestyle while playing on three Purple albums, including the classic Burn. When the band split in 1976 Hughes embarked on a breakneck run of solo albums, collaborations and even a brief, chaotic spell fronting Black Sabbath. All of this was accompanied by cocaine psychosis, crack addiction and other excesses, before Hughes survived a clean-up-or-die crisis, and embarked on a reinvigorated solo career enriched by a survivor's wisdom. In his autobiography, Hughes talks us through this whirlwind of a life with unflinching honesty and good humour, taking us right up to date with his triumphant re-emergence in current supergroup Black Country Communion. "I had a constant fascination with the darkside. It is another world, bordering on insanity, and demonic possession, or what I thought was my own Soul Bending personal nirvana. Its good to be back in the middle of the boat, instead of hanging on for dear life in the last life boat." - Glenn Hughes, April 2011