In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy.But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

    It is true that I am nervous. But why will you say that I am mad? In "The Cask of Amontillado," a man exacts revenge on a disloyal friend at carnival, luring him into catacombs below the city. In "The Masque of the Red Death," a prince shielding himself from plague hosts a doomed party inside his abbey stronghold. A prisoner of the Spanish Inquisition, faced with a swinging blade and swarming rats, can t see his tormentors in "The Pit and the Pendulum," and in "The Tell-Tale Heart," a milky eye and a deafening heartbeat reveal the effects of conscience and creeping madness. Alongside these tales are visual interpretations of three poems "The Raven," "The Bells," and Poe s poignant elegy to lost love, "Annabel Lee." The seven concise graphic narratives, keyed to thematic icons, amplify and honor the timeless legacy of a master of gothic horror."

    But business is lean and times are tight, so he’s thrilled when the aged and esteemed Augusta Withrow appears in his office, bearing an offer he really ought to refuse. She has a massive family estate to unload - lock, stock, and barrel. For a check and a handshake, it’s all his.It’s a big check. It’s a firm handshake. And it’s enough of a gold mine that he assigns his daughter Dahlia to personally oversee the project.Dahlia preps a couple of trucks, takes a small crew, and they caravan down to Chattanooga, Tennessee, where the ancient Withrow house is waiting - and so is a barn, a carriage house, and a small, overgrown cemetery that Augusta Withrow left out of the paperwork.Augusta Withrow left out a lot of things.The property is in unusually great shape for a condemned building. It’s empty, but it isn't abandoned. Something in the Withrow mansion is angry and lost. This is its last chance to raise hell before the house is gone forever, and there's still plenty of room in the strange little family plot.New from Cherie Priest, a modern master of supernatural fiction, The Family Plot is a haunted house story for the ages - atmospheric, scary, and strange, with a modern gothic sensibility that every bit as fresh as it is frightening.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

     The Gallagher family has called Deeprath Castle home for seven hundred years. Nestled in the Wicklow Mountains of Ireland, the estate is now slated to become a public trust, and book lover and scholar Carragh Ryan is hired to take inventory of its historic library. But after meeting Aidan, the current Viscount Gallagher, and his enigmatic family, Carragh knows that her task will be more challenging than she’d thought. Two decades before, Aidan’s parents died violently at Deeprath. The case, which was never closed, has recently been taken up by a new detective determined to find the truth. The couple’s unusual deaths harken back a century, when twenty-three-year-old Lady Jenny Gallagher also died at Deeprath under mysterious circumstances, leaving behind an infant son and her husband, a renowned writer who never published again. These incidents only fueled fantastical theories about the Darkling Bride, a local legend of a sultry and dangerous woman from long ago whose wrath continues to haunt the castle. The past catches up to the present, and odd clues in the house soon have Carragh wondering if there are unseen forces stalking the Gallagher family. As secrets emerge from the shadows and Carragh gets closer to answers—and to Aidan—could she be the Darkling Bride’s next victim?

    For she sees the uninvited ones—ghosts of loved ones who appear to her, unasked, unwelcomed, for they always herald impending death. On that October evening in 1918 she sees the spirit of her grandmother, rocking in her mother’s chair. An hour later, she learns her younger brother and father have killed a young German out of retaliation for the death of Ivy’s older brother Billy in the Great War.Horrified, she leaves home, to discover the flu has caused utter panic and the rules governing society have broken down. Ivy is drawn into this new world of jazz, passion, and freedom, where people live for the day, because they could be stricken by nightfall. But as her ‘uninvited guests’ begin to appear to her more often, she knows her life will be torn apart once more, but Ivy has no inkling of the other-worldly revelations about to unfold.

    Wilkins' "The Lost Ghost," Robert Louis Stevenson's "The Body-Snatchers," "Mrs. Zant and the Ghost," by Wilkie Collins, and other gripping works by Charles Dickens, Henry James, J. S. LeFanu, Ralph Cram, Mrs. Henry Wood, Amelia Edwards, Fitz-James O’Brien, and M. R. James.

    Ghosts, ghouls, incubi: all have one thing in common. They know Booth for one of their own . . .

    His chilling mythology established a gateway between the known universe and an ancient dimension of otherworldly terror, whose unspeakable denizens and monstrous landscapes - dread Cthulhu, Yog-Sothoth, the Plateau of Leng, the Mountains of Madness - have earned him a permanent place in the history of the macabre.In Tales of the Cthulhu Mythos, a pantheon of horror and fantasy's finest authors pay tribute to the master of the macabre with a collection of original stories set in the fearsome Lovecraft tradition.Contents:- Iä! Iä! Cthulhu Fhtagn! (1990) by Jim Turner [as by James Turner] - The Call of Cthulhu (1928) by H.P. Lovecraft- The Return of the Sorcerer (1931) by Clark Ashton Smith- Ubbo-Sathla (1933) by Clark Ashton Smith- The Black Stone (1931) by Robert E. Howard- The Hounds of Tindalos (1929) by Frank Belknap Long- The Space-Eaters (1928) by Frank Belknap Long- The Dweller in Darkness (1944) by August Derleth- Beyond the Threshold (1941) by August Derleth- The Shambler from the Stars (1935) by Robert Bloch- The Haunter of the Dark (1936) by H.P. Lovecraft- The Shadow from the Steeple (1950) by Robert Bloch- Notebook Found in a Deserted House (1951) by Robert Bloch- The Salem Horror (1937) by Henry Kuttner- The Terror from the Depths (1976) by Fritz Leiber- Rising with Surtsey (1971) by Brian Lumley- Cold Print (1969) by Ramsey Campbell- The Return of the Lloigor (1969) by Colin Wilson- My Boat (1976) by Joanna Russ- Sticks (1974) by Karl Edward Wagner- The Freshman (1979) by Philip José Farmer- Jerusalem's Lot (1978) by Stephen King- Discovery of the Ghooric Zone (1977) by Richard A. LupoffCover illustration by John Jude Palencar

    Father and son were at chess, the former, who possessed ideas about the game involving radical changes, putting his king into such sharp and unnecessary perils that it even provoked comment from the white-haired old lady knitting placidly by the fire. "Hark at the wind," said Mr. White, who, having seen a fatal mistake after it was too late, was amiably desirous of preventing his son from seeing it. "I'm listening," said the latter, grimly surveying the board as he stretched out his hand. "Check." "I should hardly think that he'd come to-night," said his father, with his hand poised over the board.

    A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding solace in her work and in her humble existence–until she meets Mr. Flood.Cathal Flood is a menace by all accounts. The lone occupant of a Gothic mansion crawling with feral cats, he has been waging war against his son’s attempts to put him into an old-age home and sent his last caretaker running for the madhouse. But Maud is this impossible man’s last chance: if she can help him get the house in order, he just might be able to stay. So the unlikely pair begins to cooperate, bonding over their shared love of Irish folktales and mutual dislike of Mr. Flood’s overbearing son.Still, shadows are growing in the cluttered corners of the mansion, hinting at buried family secrets, and reminding Maud that she doesn’t really know this man at all. When the forgotten case of a missing schoolgirl comes to light, she starts poking around, and a full-steam search for answers begins.Packed with eccentric charms, twisted comedy, and a whole lot of heart, Mr. Flood’s Last Resort is a mesmerizing tale that examines the space between sin and sainthood, reminding us that often the most meaningful forgiveness that we can offer is to ourselves.

    Through the lens of Link's vivid imagination, nothing is what it seems, and everything deserves a second look. From the multiple award-winning The Faery Handbag, in which a teenager's grandmother carries an entire village (or is it a man-eating dog?) in her handbag, to the near-future of The Surfer, whose narrator (a soccer-playing skeptic) waits with a planeload of refugees for the aliens to arrive, Link's stories are funny and full of unexpected insights and skewed perspectives on the world. Her fans range from Michael Chabon to Peter Buck of R.E.M. to Holly Black of Spiderwick Chronicles fame. Now teens can have their world rocked, too!

    From acclaimed director Guillermo del Toro.

    ClubA Washington Post Notable BookAn NPR Great Read of 2013From the author of the novel Swamplandia!—a finalist for the Pulitzer Prize—comes a magical and uniquely daring collection of stories that showcases the author’s gifts at their inimitable best. Within these pages, a community of girls held captive in a Japanese silk factory slowly transmute into human silkworms and plot revolution; a group of boys stumble upon a mutilated scarecrow that bears an uncanny resemblance to a missing classmate that they used to torment; a family’s disastrous quest for land in the American West has grave consequences; and in the marvelous title story, two vampires in a sun-drenched lemon grove try to slake their thirst for blood and come to terms with their immortal relationship.Vampires in the lemon grove --Reeling for the Empire --Seagull army descends on Strong Beach, 1979 --Proving up --Barn at the end of our term --Dougbert Shackleton's rules for Antarctic tailgating --New veterans --Graveless doll of Eric Mutis

    Now, armed with his father's mysterious and deadly athame, Cas travels the country with his kitchen-witch mother and their spirit-sniffing cat. They follow legends and local lore, destroy the murderous dead, and keep pesky things like the future and friends at bay.Searching for a ghost the locals call Anna Dressed in Blood, Cas expects the usual: track, hunt, kill. What he finds instead is a girl entangled in curses and rage, a ghost like he's never faced before. She still wears the dress she wore on the day of her brutal murder in 1958: once white, now stained red and dripping with blood. Since her death, Anna has killed any and every person who has dared to step into the deserted Victorian she used to call home.Yet she spares Cas's life.