So begins the swirling, serpentine world of Paraic O’Donnell’s Victorian-inspired mystery, the story of a city cloaked in shadow, but burning with questions: why does the seamstress jump from the window? Why is a cryptic message stitched into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter’s sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters—despite her employer’s preference that she stick to a women’s society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.By turns smart, surprising, and impossible to put down, The House on Vesper Sands offers a glimpse into the strange undertow of late nineteenth-century London and the secrets we all hold inside us.

    Marti Segerson's appointment to the staff of the isolated and rural Tennessee Gibson State Mental Hospital was no accident. Years ago, Marti watched a mad man, serial killer Vernon Odessa, murder her sister. Marti never forgot the horror. Never gave up on revenge.Gibson State may finally hold the key to justice. Odessa is incarcerated within the gloomy, medieval-walled asylum. He's within her reach, but her carefully planned retribution may get her killed. Only days after her arrival, her memory is suddenly riddled with holes. Someone's carefully orchestrated mind games are blurring the line between illusion and reality.Soon, she's not certain whether she'll get justice for her sister or become the next victim.

    This is a story of just one woman. As the story unfolds Linda gradually learns that some people do deserve to die, but that she is not one of those people. Linda Darby is a seven-year divorcee, living quietly in a small let-the-world-go-by beach town on the coast of Oregon, who day trades for a living. Her only close friend is a widowed elderly woman who manages a small consulting company, which, as is later discovered, never has visitors, sends and receives its business correspondence only by courier, and is not listed in any phone directory. No one in town knows what kind of consulting the company does, but the rumor is that whatever they do is done for the government. Linda doesn’t date local men. When her celibacy grows intolerable, she visits nearby towns to frequent the watering holes of successful men. Her motto: No relationships. No second dates. No use of her real name during one-night stands. Then one evening, Linda goes for a walk and nothing for her is ever the same. She is dragged into an alley by two men, but saved by a third, a stranger who disappears as suddenly as he appeared. The next day she finds out the two men in the alley had been killed, the town’s first murders ever. The following day she learns that hours before she had been dragged into the alley, her close friend was tortured and killed.

    Each presses a button for their floor, but the elevator proceeds, non-stop, to the top. Once there, it stops for a few seconds, and then plummets.Right to the bottom of the shaft.It appears to be a horrific, random tragedy. But then, on Tuesday, it happens again, in a different Manhattan skyscraper. And when Wednesday brings yet another high-rise catastrophe, one of the most vertical cities in the world—and the nation’s capital of media, finance, and entertainment—is plunged into chaos.Clearly, this is anything but random. This is a cold, calculated bid to terrorize the city. And it’s working. Fearing for their lives, thousands of men in women working in offices across the city refuse leave their homes. Commerce has slowed to a trickle. Emergency calls to the top floors of apartment buildings go unanswered.Who is behind this? Why are they doing it? What do these deadly acts of sabotage have to do with the fingerless body found on the High Line? Two seasoned New York detectives and a straight-shooting journalist must race against time to find the answers before the city’s newest, and tallest, residential tower has its Friday night ribbon-cutting.

    An intriguing picture on a screen, a date at a downtown bar. What she thought might be just a quick hookup quickly became much more. She fell for him—hard. It happens sometimes, a powerful connection with a perfect stranger takes you by surprise. Could it be love?But then, just as things were getting real, he stood her up. Then he disappeared—profiles deleted, phone disconnected. She was ghosted.Maybe it was her fault. She shared too much, too fast. But isn't that always what women think—that they're the ones to blame? Soon she learns there were others. Girls who thought they were in love. Girls who later went missing. She had been looking for a connection, but now she's looking for answers. Chasing a digital trail into his dark past—and hers—she finds herself on a dangerous hunt. And she's not sure whether she's the predator—or the prey.

    Everybody’s got a drawer somewhere with something hidden in it.On June 28, 1980—the hottest night of the year—Kelly Michelle Lund shoots and kills Oscar-nominated director John McFadden at a party in his home. . . . And instantly becomes a media sensation, her chilling smile fodder for national nightmares. For years, speculation swirls over the enigmatic seventeen-year-old’s motives, information she’s refused to share. Convicted of the murder, she loses her youth and her freedom—but keeps her secrets to herself.Thirty years later—and five years after her release from prison—the past has come back to haunt Kelly. Her father-in-law, movie legend Sterling Marshall, is found in a pool of blood in his home in the Hollywood Hills—dead from a shot to the head, just like his old friend John McFadden.Once again, Kelly is suspected of the high profile murder. But this time, she’s got some unexpected allies who believe she’s innocent—of both killings—and want to help her clear her name. But is she?Written with masterful precision and control, What Remains of Me brilliantly moves forward and back in time, playing out the murders side by side—interweaving subtle connections and peeling away layers of events to reveal the shocking truth.

    The task of unravelling the mystery falls to history graduate Neil Strachan, now a career cop, fast tracked into a new role on Northern Scotlands Major Enquiry Unit. When Neil calls upon German naval historian, Matthias Fuchs, to help identify the remains, a name soon emerges, that of a dashing young U-boat ace who mysteriously disappeared in 1941: Korvettenkapitän Max Friedmann. Neil seeks the assistance of Glendaig’s elderly residents, but encounters an impenetrable wall of silence, causing him to suspect that they know far more about the young submariner than they are willing to impart. With more questions than answers, and under mounting pressure from his cynical boss to wrap up the enquiry, Neil embarks on a race against time to discover the truth. He begins to unravel a tale of subterfuge, escape and astounding loyalty. A tale that will ultimately reveal a secret that could have changed the course of World War Two...

    Recent evidence suggests that Luke had a stalker, and Clara worries that he's been kidnapped. Then Luke's older sister, Emily, who vanished twenty years ago, suddenly reappears.Emily wants to help Clara with her search for Luke, but she refuses to talk about what happened--even though it nearly destroyed her family when she vanished. And the deeper Clara digs into Luke's mysterious disappearance, the more convinced she is that the two incidents are connected.

    She still remembers the flames reflected against the newly fallen snow and the bodies the police dug up--one of them her mother's. The killer was never found. . ..Twenty years later Hannah is a talented CSI investigating a case of child abuse when the past comes hurtling back. A killer with unfinished business is on the hunt. And an anonymous message turns Hannah's blood cold: Your Mom called. . . "A TAUT THRILLER." --Seattle Post-Intelligencer "AN IRRESISTIBLE PAGE-TURNER." --Kevin O'Brien"WILL KEEP FANS OF CRIME FICTION HOOKED." --Publishers WeeklyIncludes a bonus excerpt from Gregg Olsen's newest thriller!

    and friendship. Doting wife, devoted husband, cherished child. Merry, Sam, and Conor are the perfect family in the perfect place. Merry adores the domestic life: baking, gardening, caring for her infant son. Sam, formerly an academic, is pursuing a new career as a filmmaker. Sometimes they can hardly believe how lucky they are. What perfect new lives they've built.When Merry's childhood friend Frank visits their Swedish paradise, she immediately becomes part of the family. She bonds with Conor. And with Sam. She befriends the neighbors, and even finds herself embracing the domesticity she's always seemed to scorn.All their lives, Frank and Merry have been more like sisters than best friends. And that's why Frank soon sees the things others might miss. Treacherous things, which are almost impossible to believe when looking at this perfect family. But Frank, of all people, knows that the truth is rarely what you want the world to see.

    You can't keep the secret.You can't tell the truth.You can't escape the past...Marianne was seventeen when she fled her home in Nusstead – leaving behind her family, her boyfriend, Jesse, and the body they buried. Now, thirty years later, forced to return to in order to help care for her sick mother, she can feel the past closing around her. And Jesse, who never forgave her for leaving in the first place, is finally threatening to expose the truth.Marianne will do anything to protect the life she's built, the husband and daughter who must never know what happened all those years ago. Even if it means turning to her worst enemy for help... But Marianne may not know the whole story – and she isn't the only one with secrets they'd kill to keep.

    Ryan appears to be the perfect future son-in-law. There's just one problem. There's something off about Ryan. Something hidden in the shadows behind his eyes. And it seems that only Ed can see it.Terrified that his daughter is being drawn in by a psychopath, Ed sets out to uncover her fiancé's dark past - while keeping his own concealed. But no-one believes him. And the more he digs, the more he alienates her and the rest of the family who are convinced that Ryan is 'the one'.Ed knows different. For reasons of his own, he knows a monster when he sees one...

    Then a chance encounter with Kat’s childhood friend Lisa gives Kat and Nick one last chance to achieve their dream. But Kat and Lisa’s history hides dark secrets. And there is more to Lisa than meets the eye. As dangerous cracks start to appear in Kat’s perfect picture of happily-ever-after, she realises that she must face her fear of the past to save her family…

    Mike’s love story.Mike Hayes fought his way out of a brutal childhood and into a quiet, if lonely life, before he met Verity Metcalf. V taught him about love, and in return, Mike has dedicated his life to making her happy. He’s found the perfect home, the perfect job, he’s sculpted himself into the physical ideal V has always wanted. He knows they’ll be blissfully happy together.It doesn’t matter that she hasn’t been returning his emails or phone calls.It doesn’t matter that she says she’s marrying Angus.It’s all just part of the secret game they used to play. If Mike watches V closely, he’ll see the signs. If he keeps track of her every move he’ll know just when to come to her rescue…A spellbinding, darkly twisted novel about desire and obsession, and the complicated lines between truth and perception, Our Kind of Cruelty introduces Araminta Hall, a chilling new voice in psychological suspense.

    Sure they’ll rest…when the killer is caught.After a long career as a police officer, Moira hopes a move to a luxury retirement community will mean she can finally leave the detective work to the youngsters and focus on a quieter life. But it turns out The Homestead is far from paradise. When she discovers the body of a young woman floating in one of the pools, surrounded by thousands of dollar bills, her crime-fighting instinct kicks back in and she joins up with fellow ex-cops—and new neighbours—Philip, Lizzie and Rick to investigate the murder.With the case officers dropping ball after ball, Moira and the gang take matters into their own hands, turning undercover homicide investigators. But the killer is desperate to destroy all the evidence and Moira, Philip, Lizzie and Rick soon find themselves getting in the way—of the murderer and the police.Just when they thought they could finally relax, they discover that someone has infiltrated their ‘safe’ community. Can they hunt down the murderer and get back to retiring in peace? And after all the excitement, will they want to?