A man bent on proving his worth. A chance encounter that catapults them into the heart of history.When the daughter of a prominent Roman general meets a disinherited Jewish immigrant, neither one can dream of God's plan to transform them into the most influential couple of the early church. Nor can they anticipate the mountains that will threaten to bury them. Their courtship unwittingly shadowed by murder and betrayal, Priscilla and Aquila slowly work to build a community of believers, while their lives grow increasingly complicated thanks to a shaggy dog, a mysterious runaway, and a ruthless foe desperate for love. But when they're banished from their home by a capricious emperor, they must join forces with an unusual rabbi named Paul and fight to turn treachery into redemption.With impeccable research and vivid detail, Daughter of Rome is both an emotive love story and an immersive journey through first-century Rome and Corinth, reminding readers once again why Debbie Macomber has said that "no one brings the Bible to life like Tessa Afshar."

    Mingling acute observation with often wild speculation, it offers a fascinating view of the world as it was understood in the first century AD, whether describing the danger of diving for sponges, the first water-clock, or the use of asses’ milk to remove wrinkles. Pliny himself died while investigating the volcanic eruption that destroyed Pompeii in AD 79, and the natural curiosity that brought about his death is also very much evident in the Natural History — a book that proved highly influential right up until the Renaissance and that his nephew, Pliny the younger, described ‘as full of variety as nature itself’. John F. Healy has made a fascinating and varied selection from the Natural History for this clear, modern translation. In his introduction, he discusses the book and its sources topic by topic. This edition also includes a full index and notes.

    Catholic homeschooler Cari Donaldson here relates how her friend’s newborn baby, a portrait of the Virgin Mary, and the words of the Miraculous Medal called her forth from a selfish, small way of life into the welcoming arms of the Church.

    A Palestinian Christian theologian shows how the reality of empire shapes the context of the biblical story, and the ongoing experience of Middle East conflict.

    Conn Iggulden is just such a writer, bringing to vivid life one of the most fascinating eras in human history. In a true masterpiece of historical fiction, Iggulden takes us on a breathtaking journey through ancient Rome, sweeping us into a realm of tyrants and slaves, of dark intrigues and seething passions. What emerges is both a grand romantic tale of coming-of-age in the Roman Empire and a vibrant portrait of the early years of a man who would become the most powerful ruler on earth: Julius Caesar. On the lush Italian peninsula, a new empire is taking shape. At its heart is the city of Rome, a place of glory and decadence, beauty and bloodshed. Against this vivid backdrop, two boys are growing to manhood, dreaming of battles, fame, and glory in service of the mightiest empire the world has ever known. One is the son of a senator, a boy of privilege and ambition to whom much has been given and from whom much is expected. The other is a bastard child, a boy of strength and cunning, whose love for his adoptive family-and his adoptive brother-will be the most powerful force in his life. As young Gaius and Marcus are trained in the art of combat-under the tutelage of one of Rome's most fearsome gladiators-Rome itself is being rocked by the art of treachery and ambition, caught in a tug-of-war as two rival generals, Marius and Sulla, push the empire toward civil war. For Marcus, a bloody campaign in Greece will become a young soldier's proving ground. For Gaius, the equally deadly infighting of the Roman Senate will be the battlefield where he hones his courage and skill. And for both, the love of an extraordinary slave girl will be an honor each will covet but only one will win. The two friends are forced to walk different paths, and by the time they meet again everything will have changed. Both will have known love, loss, and violence. And the land where they were once innocent will be thrust into the grip of bitter conflict-a conflict that will set Roman against Roman...and put their friendship to the ultimate test. Brilliantly interweaving history and adventure, Conn Iggulden conjures a stunning array of contrasts-from the bloody stench of a battlefield to the opulence of the greatest city in history, from the tenderness of a lover to the treachery of an assassin. Superbly rendered, grippingly told, Emperor, The Gates of Rome is a work of vaulting imagination from a powerful new voice in historical fiction. "From the Hardcover edition."

    For the events between 133 and 70 BC he is the only surviving continuous narrative source. The subsequent books vividly describe Catiline's conspiracy, the rise and fall of the First Triumvirate, and Caesar's crossing of the Rubicon, defeat of Pompey and untimely death. The climax comes with the birth of the Second Triumvirate out of anarchy, the terrible purges of Proscriptions which followed, and the titanic struggle for world mastery which was only to end with Augustus's defeat of Antony and Cleopatra. If Appian's Roman History as a whole reveals how an empire was born of the struggle against a series of external enemies, these five books concentrate on an even greater ordeal. Despite the rhetorical flourishes, John Carter suggests in his Introduction, the impressive 'overall conception of the decline of the Roman state into violence, with its sombre highlights and the leitmotif of fate, is neither trivial nor inaccurate'.

    He set himself the task of continuing the histories of Tacitus from A.D. 96 down to his own day. The first thirteen of his thirty-one books are lost; the remainder describe a period of only twenty-five years (A.D. 354-378) and the reigns of the emperors Constantis, Julian, Jovian, Valentinian and Valens, for which he is a prime authority. He was a pagan and an admirer of the apostate Julian, to whose career about half the surviving books are devoted. Nevertheless, his treatment of Christianity is free from prejudice and his impartiality and good judgement have been generally acknowledged.

    This anniversary edition of the best-selling classic includes a new preface reflecting on the fifteen years since the book's original publication.

    The reader is swept into the whirlpool of pageantry, passion, splendor, chaos and earth-shattering upheaval that was ancient Rome. Here is the story of Marius, wealthy but lowborn, and Sulla, aristocratic but penniless and debauched -- extraordinary men of vision whose ruthless ambition will lay the foundations of the most awesome and enduring empire known to humankind.A towering saga of great events and mortal frailties, it is peopled with a vast, and vivid cast of unforgettable men and women -- soldiers and senators, mistresses and wives, kings and commoners -- combined in a richly embroidered human tapestry to bring a remarkable era to bold and breathtaking life.

    Readers of all ages will enjoy stories of Lewis's boyhood in Ireland and the imaginary world he and his brother created. They will also gain an understanding of Lewis's quest for joy, his personal struggles, and the ways his stories reflect his deep and powerful experience of God.

    Her life has been revealed through her own writings as well as the work of historians, theologians, and academics. What has been missing until now is a more personal account from the point of view of someone who knew her well. Dorothy Day: The World Will Be Saved by Beauty is a frank and reflective, heartfelt and humorous portrayal as written by her granddaughter, Kate Hennessy. Dorothy Day: The World Will Be Saved by Beauty challenges ideas of plaster saints and of saintly women. Day is an unusual candidate for sainthood. Before her conversion, she lived what she called a “disorderly life,” during which she had an abortion and then gave birth to a child out of wedlock. After her conversion, she was both an obedient servant and a rigorous challenger of the Church. She was a prolific writer whose books are still in print and widely read. While tenderly rendered, this account will show her as driven to do good but dogmatic, loving but judgmental, in particular with regards to her only daughter, Tamar. She was also full of humor and laughter, and could light up any room she entered. An undisputed radical heroine, called “a saint for the occupy era” by The New Yorker, Day’s story unfolds against a backdrop of New York City from the 1910s to the 1980s and world events spanning from World War I to Vietnam. This thoroughly researched and intimate biography provides a valuable and nuanced portrait of an undersung and provocative American woman.

    On the eve of the battle, a cross appeared to him in the sky with an exhortation, "By this sign conquer." Inscribing the cross on the shields of his soldiers, Constantine drove his rivals into the Tiber and claimed the imperial capital for himself. Under Constantine, Christianity emerged from the shadows, its adherents no longer persecuted. Constantine united the western and eastern halves of the Roman Empire. He founded a new capital city, Constantinople. Thereafter the Christian Roman Empire endured in the East, while Rome itself fell to the barbarian hordes. Paul Stephenson offers a nuanced and deeply satisfying account of a man whose cultural and spiritual renewal of the Roman Empire gave birth to the idea of a unified Christian Europe underpinned by a commitment to religious tolerance.

    It tells the story of the virtuous Greeks Glaucus and Ione, their escape from Pompeii amid the eruption of Vesuvius in 79 CE, and their eventual conversion to Christianity, against a background of Roman decadence and corrupt Eastern religion.

    He saw that Mediterranean history, under Rome's influence, was becoming an organic whole, so he starts his work in 264 B.C. with the beginning of Rome's clash with African Carthage, the rival imperialist power, andends with the final destruction of Carthage in 146 B.C.

    All aspects of Roman art and architecture are treated, including private art and domestic architecture, the art of the Eastern and Western provinces, the art of freedmen, and the so-called minor arts, including cameos, silverware, and coins. The book is divided into four parts-Monarchy and Republic, Early Empire, High Empire, and Late Empire-and traces the development of Roman art from its beginnings in the 8th century BCE to the mid fourth century CE, with special chapters devoted to Pompeii and Herculaneum, Ostia, funerary and provincial art and architecture, and the earliest Christian art.