These stories feature clockwork hearts, lascivious queens, paper men, island circuses, and a flooded world.• On the island of Skye, an antlered girl and a tiger-tailed boy resolve never to be friends – but can they resist their unique connection?• In an alternative 19th-century Paris, a love triangle emerges between a man, a woman, and a coin-operated boy.• A teenager deals with his sister’s death by escaping from their tiny Scottish island – but will she let him leave?• In 1920s New Orleans, a young girl comes of age in her mother’s brothel.Some of these stories are radical retellings of classic tales, some are modern-day fables, but all explore substitutions for love.

    In the breathtaking long story “The Street,” Tóibín imagines a relationship between Pakistani workers in Barcelona—a taboo affair in a community ruled by obedience and silence. In “Two Women,” an eminent and taciturn Irish set designer takes a job in her homeland, and must confront emotions she has long repressed. “Silence” is a brilliant historical set piece about Lady Gregory, who tells the writer Henry James a confessional story at a dinner party.Silence --The empty family --Two women --One minus one --The pearl fishers --Barcelona, 1975 --The new Spain --The colour of shadows --The street

    Leaving three widows behind is just plain despicable. Oil heiress Kate Steele knew her not-so-dearly departed husband was a con man, but she’s shocked that Conrad racked up two more wives without divorcing her first. The only remnant of their miserable marriage she plans to keep is their lakeside cabin in Bootleg, Texas. Unfortunately, she’s not the only woman with that idea.Fiery, strong-willed Jamie wishes Conrad were still alive—so she could kill the scoundrel herself. But for their daughter’s sake, she needs that property. As does Amanda—twenty-eight, pregnant, and still weeping over the loss of her true love. On a broiling July day, all three arrive in Bootleg…with a dogged detective right behind who’s convinced that at least one of them conspired to commit murder. One momentous summer filled with revelations, quirky neighbors, and barefoot evenings on the porch offers three women the chance to make the journey from enemies to friends, and claim a bright, new beginning.

    Now, after celebrating a decade together, everyone thinks they're about to get engaged. A romantic escape to Dubai is the perfect moment, but instead of the proposal Lizzy hopes for, Ian reveals he's not sure he even wants her anymore.Lizzy is heartbroken. But through the tears, she realises this is her chance to seize the opportunities she missed as Ian's other half. But what does she want? How much of her is really Lizzy, and how much was Ian's influence? Determined to discover who she is at heart, Lizzy sets out to rediscover the girl she was before - and in the meantime, have a little fun . . .

    In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam--and what seems at first a satire of turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise," an aging New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees, where a young woman's bond with a mother and her small son forces both women to a shattering decision. Brilliant, daring, and demonstrating a jaw-dropping versatility of voice and point of view, "The Boat" is an extraordinary work of fiction that takes us to the heart of what it means to be human, and announces a writer of astonishing gifts.

    Examining the borders between one nation and another, between one person and another, Urrea reveals his mastery of the short form. This collection includes the Edgar-award winning "Amapola" and his now-classic "Bid Farewell to Her Many Horses," which had the honor of being chosen for NPR's "Selected Shorts" not once but twice. Suffused with wanderlust, compassion, and no small amount of rock and roll, The Water Museum is a collection that confirms Luis Alberto Urrea as an American master.

    Her brilliantly etched characters confront life’s abrupt and unsettling changes with fear, courage, humor, and overwhelming grace. In the O. Henry Prize–winning story “The Visitor,” a VA hospital nurse’s aide contends with a family ghost and discovers the ways in which her own past haunts her. The reticent father in “Pond” is confronted with a Solomonic choice that pits his love for his daughter against his feelings for her young son. In “Night Train to Frankfurt,” first published in The New Yorker, a daughter travels to an alternative-medicine clinic in Germany in a gambit to save her mother’s life. And in the title story, a woman vacations in Morocco with her family while contemplating a decision that will both ruin and liberate them all. From “Temporary,” where a young woman confronts the ephemeral nature of companionship, to “Three Girls,” in which sisters trapped in a snowstorm recognize the boundaries of childhood, the nuanced voices of Alone With You bear the hallmarks of an instant classic from a writer with unerring talent and imaginative resource. Silver has the extraordinary ability to render her fictional inhabitants instantly relatable, in all their imperfections. Her stories have the singular quality of looking in a mirror. We see at once what is familiar and what is strange. In these stirring narratives, we meet ourselves anew.

    Now she lives in Vermont under the name Maggie Reid, in a small house with her cats and dog. She’s thankful for the new friends she’s made―though she can’t risk telling them too much. And she takes satisfaction in working as a makeup artist at the luxurious local spa, helping clients hide the visible outward signs of their weariness, illnesses, and injuries. Covering up scars is a skill she has mastered.Her only goal is to stay under the radar and make it through her remaining probation. But she isn’t the only one in this peaceful town with secrets. When a friend’s teenage son is thrust into the national spotlight, accused of hacking a powerful man’s Twitter account, Maggie is torn between pulling away and protecting herself―or stepping into the glare to be at their side. As the stunning truth behind their case is slowly revealed, Maggie’s own carefully constructed story begins to unravel as well. She knows all too well that what we need from each other in this difficult world is comfort. But to provide it, sometimes we need to travel far outside our comfort zones.

    Yann Martel's title story (described as "unforgettable...a truly stunning piece of fiction"*), won the 1991 Journey Prize to universal acclaim. The intensely human tragedy that lies at its heart is told with a spare, careful elegance that resonates long after it has ended--and is matched through all the stories by an immediacy an dazzling freshness.

    She discovers a sympathetic ear in her nurse Anna Howard, who finds herself drawn into the Fitzgerald’s tumultuous lives and wonders which of them is the true genius. But in taking greater emotional risks to save Zelda, Anna may end up paying a far higher price than she ever intended.In this thoroughly researched, deeply moving novel, Erika Robuck explores the boundaries of female friendship, the complexity of marital devotion, and the sources of both art and madness.

    Major authors like Stephen King, Peter Straub, and F. Paul Wilson were asked to choose and introduce the 15 classic stories that frightened and inspired them. The results, of course, are chilling.Stories chosen and introduced by:Stephen King Peter StraubF. Paul WilsonJoyce Carol OatesDennis Etchison Rick HautalaRichard Christian MathesonHarlan EllisonStories written by:Robert BlochRichard MathesonM.R. JamesNathaniel HawthorneH.P. LovecraftEdgar Allan PoeContents:ix · Introduction · Mike Baker & Martin H. Greenberg · in 1 · Introduction to “Sweets to the Sweet” by Robert Bloch · Stephen King · is 1 · Sweets to the Sweet · Robert Bloch · ss Weird Tales Mar ’47 11 · Introduction to “The Father-Thing” by Philip K. Dick · Ed Gorman · is 11 · The Father-Thing · Philip K. Dick · ss F&SF Dec ’54 26 · Introduction to “The Distributor” by Richard Matheson · F. Paul Wilson · is 27 · The Distributor · Richard Matheson · ss Playboy Mar ’58 47 · Introduction to “A Warning to the Curious” by M. R. James · Ramsey Campbell · is 48 · A Warning to the Curious · M. R. James · ss The London Mercury Aug ’25 68 · Introduction to “Opening the Door” by Arthur Machen · Peter Atkins · is 70 · Opening the Door · Arthur Machen · ss When Churchyards Yawn, ed. Cynthia Asquith, London: Hutchinson, 1931 85 · Introduction to “The Colour Out of Space” by H. P. Lovecraft · Richard Laymon · is 89 · The Colour Out of Space · H. P. Lovecraft · nv Amazing Sep ’27 124 · Introduction to “The Inner Room” by Robert Aickman · Peter Straub · is 125 · The Inner Room · Robert Aickman · nv The Second Fontana Book of Great Ghost Stories, ed. Robert Aickman, Fontana, 1966 162 · Introduction to “Young Goodman Brown” by Nathaniel Hawthorne · Rick Hautala · is 163 · Young Goodman Brown · Nathaniel Hawthorne · ss New England Magazine Apr, 1835 179 · Introduction to “The Rats in the Walls” by H. P. Lovecraft · Michael Slade · is 180 · The Rats in the Walls · H. P. Lovecraft · ss Weird Tales Mar ’24 204 · Introduction to “The Dog Park” by Dennis Etchison · Richard Christian Matheson · is 205 · The Dog Park · Dennis Etchison · ss Dark Voices 5, ed. David Sutton & Stephen Jones, London: Pan, 1993 219 · Introduction to “The Animal Fair” by Robert Bloch · Joe R. Lansdale · is 219 · The Animal Fair · Robert Bloch · ss Playboy May ’71 236 · Introduction to “The Pattern” by Ramsey Campbell · Poppy Z. Brite · is 236 · The Pattern · Ramsey Campbell · nv Superhorror, ed. Ramsey Campbell, W.H. Allen, 1976 258 · Introduction to “The Tell-Tale Heart” by Edgar Allan Poe · Joyce Carol Oates · is 259 · The Tell-Tale Heart · Edgar Allan Poe · ss The Pioneer Jan, 1843 266 · Introduction to “An Occurrence at Owl Creek Bridge” by Ambrose Bierce · Dennis Etchison · is 267 · An Occurrence at Owl Creek Bridge · Ambrose Bierce · ss San Francisco Examiner Jul 13, 1890 279 · Introduction to “The Human Chair” by Edogawa Rampo · Harlan Ellison · is 281 · The Human Chair [1925] · Edogawa Rampo · ss Japanese Tales of Mystery and Imagination, Tuttle, 1956 299 · About the Authors · Misc. Material · bg

    This arresting collection introduces a new master of the short story.Following her American debut in The New Yorker, Australian Cate Kennedy delivers a mesmerizing collection of award-winning stories that daringly travel to the deepest depths of the human psyche. In this sublimely sophisticated and compulsively readable collection, Kennedy opens up worlds of finely observed detail to explore the collision between simmering inner lives, the cold outside world, and the hidden motivations that propel us all to act. In just a few pages, Kennedy captures entire lives, expertly documenting the risks and compromises made in both forging and escaping relationships. Her stories are populated by people on the brink: whether it’s a woman floundering with her own loss and emotional immobility as her lover lies in a coma; a neglected wife who cannot convince her husband of the truth about his two brutish, shamelessly libidinous friends; or a married woman who comes to realize that her too-tight wedding ring isn’t the only thing that’s stuck in her relationship. Each character must make a choice and none is without consequence—even the smallest decisions have the power to destroy or renew, to recover and relinquish.

    Her stories are revered by some of the best American writers of our day, but until now there has been no stand-alone collection of her short fiction.Wait Till You See Me Dance consists of several extraordinary longer stories as well as a selection of intoxicating very short stories. In the chilling “The First Full Thought of Her Life,” a shooter gets in position while a young girl climbs a sand dune. In “Voltaire Night,” students compete to tell a story about the worst thing that ever happened to them. In “Stay Where You Are,” two oblivious travelers in Central America are kidnapped by a gunman they assume to be an insurgent—but the gunman has his own problems.An Unferth story lures you in with a voice that seems amiable and lighthearted, but it swerves in sudden and surprising ways that reveal, in terrifying clarity, the rage, despair, and profound mournfulness that have taken up residence at the heart of the American dream. These stories often take place in an exaggerated or heightened reality, a quality that is reminiscent of the work of Donald Barthelme, Lorrie Moore, and George Saunders, but in Unferth’s unforgettable collection she carves out territory that is entirely her own.

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    A flourishing company founded with her husband, John; a happy marriage; and a daughter, Ashlyn. The picture-perfect family. Until John left for another woman. Tish is half his age. Ambitious. She’s cultivated a friendship with Ashlyn. Tish believes she’s won.She’s wrong.Tish Nelson has it all. Youth, influence, a life of luxury, and a new husband. But the truth is, there’s a lot of baggage. Namely, his first wife—and suspicions of his infidelity. After all, that’s how she got John. Maybe it’s time for a romantic getaway, far from his vindictive ex. If Kate plans on getting John back, Tish is one step ahead of her.She thinks.But what happens next is something neither Kate nor Tish saw coming. As best-laid plans come undone, there’s no telling what a woman will do in the name of love—and revenge.