While they've been close as sisters ever since, Hannah can't help but feel envious of the little family Kate and her husband, David, have created—complete with two perfect little girls. She and Ben have been trying for years to have a baby, so when they receive the news that she will likely never get pregnant, Hannah's heartbreak is overwhelming. But just as they begin to tentatively explore the other options, it's Kate's turn to do the rescuing. Not only does she offer to be Hannah's surrogate, but Kate is willing to use her own eggs to do so. Full of renewed hope, excitement and gratitude, these two families embark on an incredible journey toward parenthood…until a devastating tragedy puts everything these women have worked toward at risk of falling apart. Poignant and refreshingly honest, The Choices We Make is a powerful tale of two mothers, one incredible friendship and the risks we take to make our dreams come true.

    While Charlotte and her sister, Sally, grew up at "Lakeside," their stepbrothers, Spin and Perry, were welcomed as weekend guests. Now the grown boys own the estate, which Joan occupies by their grace--and a provision in the family trust. When Spin, the youngest and favorite of all the children, brings his fiancé home for the summer, the entire family is intrigued. The beautiful and accomplished Laurel Atwood breathes new life into this often comically rarefied world. But as the wedding draws near, and flaws surface in the family's polite veneer, an array of simmering resentments and unfortunate truths is exposed.With remarkable wit and insight, Ann Leary pulls back the curtain on one blended family, as they are forced to grapple with the assets and liabilities - both material and psychological - left behind by their wonderfully flawed patriarch.

    Rebecca Coleman, widely acknowledged former leader of the Newburyport Mom Squad (having taken a step back since her husband’s shocking and tragic death eighteen months ago), has made a surprising effort to include these newcomers in typically closed-group activities. Rebecca’s teenage daughter Alexa has even been spotted babysitting Katie.Truth: Alexa has time on her hands because of a recent falling-out with her longtime best friends for reasons no one knows—but everyone suspects have to do with Alexa’s highly popular and increasingly successful YouTube channel. Katie Griffin, who at age 11 probably doesn’t need a babysitter anymore, can’t be left alone because she has terrifying nightmares that don’t seem to jibe with the vague story Sherri has floated about the “bad divorce” she left behind in Ohio. Rebecca Coleman has been spending a lot of time with Sherri, it’s true, but she’s also been spending time with someone else she doesn’t want the Mom Squad to know about just yet.Lie: Rebecca Coleman doesn’t have a new man in her life, and definitely not someone connected to the Mom Squad. Alexa is not seeing anyone new herself and is planning on shutting down her YouTube channel in advance of attending college in the fall. Sherri Griffin’s real name is Sherri Griffin, and a bad divorce is all she’s running from.A blend of propulsive thriller and gorgeous summer read, Two Truths and a Lie reminds us that happiness isn’t always a day at the beach, some secrets aren’t meant to be shared, and the most precious things are the people we love.

    At least for now. When Nora landed an editorial assistant position at Parsons Press, it was her first step towards The Dream Job. Because, honestly, is there anything dreamier than making books for a living? But after five years of lunch orders, finicky authors, and per my last emails, Nora has come to one grand conclusion: Dream Jobs do not exist.With her life spiraling and the Parsons staff sinking, Nora gets hit with even worse news. Parsons is cutting her already unlivable salary. Unable to afford her rent and without even the novels she once loved as a comfort, Nora decides to moonlight for a rival publisher to make ends meet…and maybe poach some Parsons' authors along the way.But when Andrew Santos, a bestselling Parsons author no one can afford to lose is thrown into the mix, Nora has to decide where her loyalties lie. Her new Dream Job, ever-optimistic Andrew, or...herself and her future. Your next book club read touching on mental health, happiness, and the peaks and perils of being a young woman just trying to figure it all out. Nora Hughes is the perfect heroine for anyone looking to get past their own chapter twenty-something and build their storybook life.

    Mirabel is the smartest person anyone knows, and no one doubts it just because she can’t speak. Monday is the town’s purveyor of books now that the library’s closed―tell her the book you think you want, and she’ll pull the one you actually do from the microwave or her sock drawer. Mab’s job is hardest of all: get good grades, get into college, get out of Bourne.For a few weeks seventeen years ago, Bourne was national news when its water turned green. The girls have come of age watching their mother’s endless fight for justice. But just when it seems life might go on the same forever, the first moving truck anyone’s seen in years pulls up and unloads new residents and old secrets. Soon, the Mitchell sisters are taking on a system stacked against them and uncovering mysteries buried longer than they’ve been alive. Because it's hard to let go of the past when the past won't let go of you.Three unforgettable narrators join together here to tell a spellbinding story with wit, wonder, and deep affection. As she did in This Is How It Always Is, Laurie Frankel has written a laugh-out-loud-on-one-page-grab-a-tissue-the-next novel, as only she can, about how expanding our notions of normal makes the world a better place for everyone and how when days are darkest, it’s our daughters who will save us all.

    She’s well on her way to having the family she’s hoped for since her mother’s death ten years ago. But with Noah on a temporary assignment abroad and retired Olympic swimmer — and former flame — Eamon Roy back in town asking her to renovate his new fixer-upper, Sarina’s life takes an unexpected turn.Eamon proves to be Sarina’s dream client, someone who instinctively trusts every one of her choices — and Sarina is reminded of all the reasons she was first drawn to him back in the day. Suddenly her carefully planned future with Noah seems a little less than perfect. And when tragedy strikes, Sarina is left reeling. With her world completely upended, she is forced to question what she truly wants in life — and in love.Full of both humor and heartbreak, The One That Got Away is the story of one woman’s discovery that, sometimes, life is what happens when you leave the blueprints behind.

    . . with some hot, sexy, and surprising results.Suffocating in a dead-end marriage, Midwesterner Zoey Sullivan fled to New York and moved in with her little sister Ruth, a carefree, vivacious beauty with a string of eligible bachelors at her beck and call. Giving herself three months in the city to clear her head and find a direction, Zoey dodges calls from her ex Derek, and distracts herself by cooking and catering a few private dinners and parties. Pursuing her passion for cooking was never an option when she was with Derek, and now Zoey relishes her independence.When Zoey’s meets reclusive millionaire Tristan Malloy, she’s blown away by his kitchen—a marble and stainless steel temple worthy of the culinary gods—and charmed by his impeccable gentlemanly manners. But despite his firm body, handsome looks, and piles of cash, Tristan—a computer programmer—is shy and more than a little socially awkward. Zoey is sure that Tristan has all the right raw ingredients—and she’s the right person to spice them up turn him into a delectable dish.But Zoey’s unprepared for just how well her makeover works. Tristan turns out to be even sexier once he’s gained a little confidence and the right wardrobe. Beneath the gorgeous package, Tristan is a great guy who deserves a woman who really appreciates him. Slowly but surely, Zoey realizes she may have found her perfect match—but does Tristan even know how her feelings have changed? Is that warm look in his eyes gratitude for the new and exciting world she’s ushered him into, or something more? And what will happen when Zoey’s ex comes to town, looking to win her back?

    She’s found her parent group – Annie, Barrett, Georgia, and Henry – who have meaningful playground conversations and complain about the parents who try too hard.Then Bobby returns with the news he’s getting married and wants Ellie to be the flower girl. Plagued by her obsession over Bobbie and his cheese-making, Napa-residing, ever-so-perfect fiancée, Male seeks a distraction and finds it in a cookbook-writing contest sponsored by the San Francisco Mommy Club. She interviews members of her parenting group for inspiration – the results and explosively, hilariously honest. Mele doesn’t expect to ignite long-latent appetites, both culinary and romantic.From the author whose work has been lauded as “funny, insightful, and unsentimental” (People); “gorgeous sand smart” (San Francisco Chronicle); “sad and exhilarating” (Chicago Tribune) and who strikes “an enviable balance of humour and gravitas” (St. Louis Post-Dispatch), How to Party with an Infant is a poignant and piercing journey through the helicopter parenting of the twenty-first century, guided by the unforgettable Male Bart.

    After she has a run-in with an intruder, her daughter wants her to move in to a residential home. But she’s not having any of it. What she craves—what she needs—is adventure.Liza is drowning under the daily stress of family life. The last thing she needs is her mother jetting off on a wild holiday, making Liza long for a solo summer of her own.Martha is having a quarter-life crisis. Unemployed, unloved and uninspired, she just can’t get her life together. But she knows something has to change.When Martha sees Kathleen’s advertisement for a driver and companion to share an epic road trip across America, she decides this job might be the answer to her prayers. She’s not the world’s best driver, but anything has to be better than living with her parents. And traveling with a stranger? No problem. Anyway, how much trouble can one eighty-year-old woman be?As these women embark on the journey of a lifetime, they all discover it’s never too late to start over.

    I Love You about two people learning to love again after great loss, perfect for fans of Jojo Moyes and Josie Silver.How can you move on if you can’t let go?Spencer was the love of Anna’s life: her husband, her best friend, her rock. She thought their love would last forever.But three years ago, Spencer was tragically killed in an accident and Anna’s world was shattered. How can she ever move on, when she’s lost her soulmate?On New Year’s Eve Anna calls Spencer’s phone number, just to hear his old voicemail greeting. But to her shock, someone answers…Brody has inherited Spencer’s old number and is the first person who truly understands what Anna’s going through. As her and Brody’s phone calls become lengthier and more frequent, they begin opening up to each other—and slowly rediscover how to smile, how to laugh, even how to hope.But Brody hasn’t been entirely honest with Anna. Will his secret threaten everything, just as it seems she might find the courage to love again?

    She’s had more jobs than she can count, and she plans to move as soon as the curtains fall on her less-than-minor stage role at The Barter—the oldest live performance theater in the US. But just when it’s time to move on again, Bree’s parents make her an offer: hold steady for a full year, and they will give her the one thing she's always wanted—her grandmother’s house. Her dreams are coming true . . . until life at the theater throws her some curve balls.And then there’s Chip McBride—her handsome and infuriating next-door neighbor.Chip just might be the only person whose stubborn streak can match Bree’s. She would move heaven and earth to have him off her cul-de-sac and out of her life, but according to the bargain she’s struck, she cannot move out of her house and away from the man who’s making her life miserable. So begins Bree’s obsessive new mission: to drive Chip out of the neighborhood—and fast.Bree isn't the only one who’s a tad competitive, and Chip is more than willing to fight fire with fire. But as their pranks escalate, the line between love and hate starts to blur—and their heated rivalry threatens to take a hilarious, heartwarming, and romantic new turn. A sweet romantic comedy that can be read as a standalone.Book length: 77,000 words.

    But when she stumbled across her son Teddy’s old baby sling during a halfhearted basement cleaning, something in her snapped. So: the dog went into the sling, Judy felt connected to another living being, and she’s repeated the process every day since.Life hasn’t gone according to Judy’s plan. Her career as a children’s book author offered a glimpse of success before taking an embarrassing nose dive. Teddy, now a teenager, treats her with some combination of mortification and indifference. Her best friend is dying. And her husband, Gary, has become a pot-addled professional “snackologist” who she can’t afford to divorce. On top of it all, she has a painfully ironic job writing articles for a self-help website—a poor fit for someone seemingly incapable of helping herself.Wickedly funny and surprisingly tender, Separation Anxiety offers a frank portrait of middle-aged limbo, examining the ebb and flow of life’s most important relationships. Tapping into the insecurities and anxieties that most of us keep under wraps, and with a voice that is at once gleefully irreverent and genuinely touching, Laura Zigman has crafted a new classic for anyone taking fumbling steps toward happiness.

    Matt, a Manhattan lawyer, has just been offered a partnership, and Elise’s equestrian ambitions as a competitive dressage rider may finally vault her into the Olympics. But her long absences from home and endless hours of training have strained their relationships nearly to the breaking point.Now they’re up in the Adirondacks, preparing to sell the valuable lakefront cabin that’s been in Matt’s family for generations. Both he and Elise agree it’s time to let it go. But as they navigate the memories the cabin holds—and come face to face with Matt’s teenage crush, now an unnervingly attractive single mother living right next door—Gracie disappears without a trace.Faced with the possibility that they’ll never see their daughter again, Elise and Matt struggle to come to terms with what their future may bring. The fate of the family property, the history of this not-so-tiny town, and the limits of Matt and Elise’s love for each other are inextricably bound up with Gracie’s disappearance. Everything for the Sorenson family is about to change—the messy tangle of their past, the harrowing truth of their present, and whether or not their love will survive a parent’s worst nightmare.

    The fact that they’re strictly friends seems to get lost on nearly everyone; after all, they’re as good as married in (almost) every way. For three decades, they’ve nurtured their baby, the Forsyth Trio—a chamber group they created as students with their Juilliard classmate Gavin Glantz. In the intervening years, Gavin has gone on to become one of the classical music world’s reigning stars, while Bridget and Will have learned to embrace the warm reviews and smaller venues that accompany modest success. Bridget has been dreaming of spending the summer at her well-worn Connecticut country home with her boyfriend Sterling. But her plans are upended when Sterling, dutifully following his ex-wife’s advice, breaks up with her over email and her twin twenty-somethings arrive unannounced, filling her empty nest with their big dogs, dirty laundry, and respective crises. Bridget has problems of her own: her elderly father announces he’s getting married, and the Forsyth Trio is once again missing its violinist. She concocts a plan to host her dad’s wedding on her ramshackle property, while putting the Forsyth Trio back into the spotlight. But to catch the attention of the music world, she and Will place their bets on luring back Gavin, whom they’ve both avoided ever since their stormy parting. With her trademark humor, pitch-perfect voice, and sly perspective on the human heart, Amy Poeppel crafts a love letter to modern family life with all of its discord and harmony. In the tradition of novels by Maria Semple and Stephen McCauley, Musical Chairs is an irresistibly romantic story of role reversals, reinvention, and sweet synchronicity.

    They ended up together by the hands of fate aligning things just so. Three years into their marriage, they have a wonderful little boy, and as the three of them embark on their first vacation as a family, Violet can’t help thinking that she can’t believe her luck. Life is good.So no one is more surprised than she when Finn leaves her at the beach—just packs up the hotel room and disappears. And takes their son with him. Violet is suddenly in her own worst nightmare, and faced with the knowledge that the man she’s shared her life with, she never really knew at all.Caitlin and Finn have been best friends since way back when, but when Finn shows up on Caitlin’s doorstep with the son he’s wanted for kidnapping, demands that she hide them from the authorities, and threatens to reveal a secret that could destroy her own family if she doesn’t, Caitlin faces an impossible choice.Told through alternating viewpoints of Violet, Finn and Caitlin, Almost Missed You is a powerful story of a mother’s love, a husband’s betrayal, connections that maybe should have been missed, secrets that perhaps shouldn’t have been kept, and spaces between what’s meant to be and what might have been.