Phrases like ‘Let me tell you a story,’ and ‘Now listen to this,’ and ‘My story is about,’ recur in his work.” This new book of sixteen stories is his fourth collection, following Gimpel the Fool, The Spinoza of Market Street and Short Friday. Many readers will rank it with Mr. Singer’s best work.The title story, an account of an old man who regularly visits an unconvincing medium on Central Park West, exemplifies what David Boroff calls Singer’s rare ability to “transmute metaphysical ideas into pure emotion.” “Getzel the Monkey” is the story of a moneylender who mimics the town’s richest man so successfully that he becomes like him to the point of tragedy. “Zeitl and Rickel,” the story of two women who wish to marry in the next world since they cannot do so in this one, contains the sentence, “Who can tell what goes on in another’s head?” The murderer who tells his story in “The Parrot” is driven to kill his mistress-wife because she takes out her unhappiness on their bird. “The Slaughterer” is a brilliant portrait of the progressive madness of a man persuaded against his nature to become a ritual slaughterer.“The Brooch” is the story of a thief who is able to work at his profession only as long as he can rely on his wife’s probity and uprightness. “The Warehouse” recounts the bureaucratic snarl-ups that plague souls in the after-life. In “The Plagiarist” a rabbi defrauded by a young disciple is asked to pray for his recovery and when the man dies he resigns to perform penance in exile. “The Lecture,” a story set in modern Montreal, reveals the reason behind an old lady’s interest in a visiting author. “The Needle” tells how a mother in search of a wife for her son devises an infallible test for prospective brides. “The Dead Fiddler” is the story of a dybbuk that talks, sings and curses in the body of a young girl. “Yanda” and “Henne Fire” are character studies of, respectively, a goodhearted Polish slavey who is fated to work for other people all her life, and a demon-like woman who causes trouble for people even after death. “The Letter Writer,” one of the major stories in the collection, relates the world of the unseen to the harsh realities of lonely old age and sickness in an alien modern city. This and the companion stories prove the truth of Miss Hughes’ assertion: “Singer is a master story-teller, one of the very few who can faithfully re-create a time forever past and render it meaningful to a troubled present.”

    He lives discrete lifetimes bounded by decades of hibernation and steals blood from labs rather than committing murder. Weyland is a monster who must form an uneasy empathy with his prey in order to survive, and The Vampire Tapestry is a story wholly unlike any you've heard before.

    . . It's about rock music, about mass hysteria, about vampires, about horror . . . one comes out knowing, and caring, about a panoply of new friends and acquaintances, living and dead, and unalive".--Theodore Sturgeon, The Washington Post.

    Then one day, peering at his apartment window from atop a nearby hill, he sees a pale brown thing lean out his window…and wave.This encounter sends Westen on a quest through ancient books and modern streets, for the dark forces and paramental entities that thrive amidst the towering skyscrapers of modern urban life…and meanwhile, the entities are also looking for him.A pioneering work of modern urban fantasy, Our Lady of Darkness is perhaps Fritz Leiber’s greatest novel.

    But even Simon doesn't know that a far deadlier creature is about to come out of the deep and threaten everything he cares for. A creature whose malevolence is unthinkable. Whose need to feed is insatiable. And whose relentless hunt for prey is unstoppable.Twenty years after his huge bestseller Jaws, the master of the deep has done it again, letting loose a chilling new predator that only he could create. Drawing on his singular knowledge of the sea, science, and history, Peter Benchley masterfully spins a suspense-filled novel that hits you on a primal level, makes your heart pound, and leaves your blood running cold.White Shark is Peter Benchley at his best. Read it at your own risk.

    In this compelling, all--original anthology, the masters of suspense take you into the, darkest depths of terror as they explore both sides of the human hunt. These 19 chilling tales of horror and suspense will leave pulses pounding long after the last page has been turned.

    D'arque Angel, who deals her patients doses of death...Contents:· Introduction: Revealed at Last! What Killed the Dinosaurs! And You Don’t Look So Terrific Yourself · in · Croatoan · ss F&SF May ’75 · Working with the Little People · ss F&SF Jul ’77 · Killing Bernstein · ss Mystery Monthly Jun ’76 · Mom · nv Silver Foxes Aug ’76 · In Fear of K · ss Vertex Jun ’75 · Hitler Painted Roses · ss Penthouse Apr ’77 · The Wine Has Been Left Open Too Long and the Memory Has Gone Flat · ss Universe 6, ed. Terry Carr, Doubleday, 1976 · From A to Z, In the Chocolate Alphabet · ss F&SF Oct ’76 · Lonely Women Are the Vessels of Time · ss MidAmeriCon Program Book, Kansas City, MO., 1976 · Emissary from Hamelin · ss 2076: The American Tricentennial, ed. Edward Bryant, Pyramid, 1977 · The New York Review of Bird [original version] · nv * · Seeing · nv Andromeda 1, ed. Peter Weston, London: Futura, 1976 · The Boulevard of Broken Dreams · vi Los Angeles Review #1 ’75 · Strange Wine · ss Amazing Jun ’76 · The Diagnosis of Dr. D’arqueAngel [“Doctor D’arqueAngel”] · ss Viva Jan ’77

    Slob is his debut novel, the story of a man who thinks of himself as Death. A man wholikes to feast on human hearts, spilling blood wherever he goes. Jack Eichord is the detective who must hunt this human monster and genius killer. Years of working as a homicide detective for the Chicago Police department has hardened Eichord to things that would make most men turn and flee. But even he is not prepared for the labyrinthine search underground, as he trails the killer and his hostages through the sewer system of the city. Eichord thinks that he is beginning to understand thediabolical man and his patterns of violence...but can he guess the next victim in time, before it is too late for the woman he loves?

    An inconspicuous hose in a sleepy Long Island suburb that gave rise to a monstrous evil, a terrible phenomenon that stunned the country. It was to be the dream home of the Lutz family, but it turned out to be a hell house. After just 28 days, the Lutzes fled in terror, convinced the house was possessed by evil spirits. Now comes the full terror of the Amityville horror, for the nightmare that Jay Anderson described was not the whole story. There is more, much more, and it is all disclosed for the first time in The Amityville Horror II. For four years after the Lutzes fled the house at 112 Ocean Avenue, they were followed and tormented by an inescapable evil. Now the reveal the harrowing details of their harrowing ordeal.

    Although he is best known today for his scripts for television and film, including several classic episodes of The Twilight Zone, Beaumont is being rediscovered as a master of weird tales, and this, his first published collection, contains some of his best. Ranging in tone from the chilling Gothic horror of "Miss Gentilbelle," where an insane mother dresses her son up as a girl and slaughters his pets, to deliciously dark humor in tales like "Open House" and "The Infernal Bouillabaisse," where murderers' plans go disastrously awry, these seventeen stories demonstrate Beaumont's remarkable talent and versatility. This new edition of The Hunger and Other Stories, the first in more than fifty years, includes a new introduction by Dr. Bernice M. Murphy, who argues for reevaluation of Beaumont alongside the other greats of the genre, including Shirley Jackson, Ray Bradbury, and Richard Matheson.Contents:Miss Gentilbelle • (1957) The Vanishing American • (1955)A Point of Honor • (1955) Fair Lady • (1957) Free Dirt • (1955) Open House • (1957)The Train • (1957) The Dark Music • (1956) The Customers • (1957)Last Night in the Rain • (1956)The Crooked Man • (1955) Nursery Rhyme • (1957) The Murderers • (1955) The Hunger • (1955) Tears of the Madonna • (1957) The Infernal Bouillabaisse • (1957)Black Country • (1954)

    Newly stationed to the area after her predecessor mysteriously disappears, Conservation Officer Christine Moon needs to calm the jangled nerves of the small mountain town.Awakened from ancient slumber, something stalks the swirling, grey mists that surround Lawless. A beast with a gnawing hunger that grows stronger by the minute -- its only thought, to satisfy its ravenous appetite.Rampant corruption at the highest level has targeted Christine to be the next mysterious disappearance. Now, she's in a fight for her life while trying to track and contain the creature threatening to decimate the local population.

    Hoping to escape from her abusive ex-husband, a woman and her lover successfully carry out their plot to murder him, only to find themselves at the mercy of an obsessive, twisted stranger who witnessed the crime.

    You better pass it, feller. You’re joining the circus. Ain’t that the best news you ever got?"Delivered by a trio of psychotic clowns, this ultimatum plunges Jamie into the horrific alternate universe that is the centuries-old Pilo Family Circus, a borderline world between Hell and Earth from which humankind’s greatest tragedies have been perpetrated. Yet in this place—peopled by the gruesome, grotesque, and monstrous—where violence and savagery are the norm, Jamie finds that his worst enemy is himself. When he applies the white face paint, he is transformed into JJ, the most vicious clown of all. And JJ wants Jamie dead!

    His fiercely loyal agent finds him just such a place in a luxurious forgotten mansion high in the Hollywood Hills. But the original owner of the mansion was a beautiful woman devoted to pleasure at any cost, and the terrible legacy of her deeds has not yet died. There are ghosts and monsters haunting Coldheart Canyon, where nothing is forbidden . . .

    Predators, lurking amidst the human herd.Changing shape at will. Lusting for blood and meat. They are gods in the wild. Gods in disguise. And they feed on the spark inside each of us.Syd was just another lonely working - class guy singing the steel-town blues. Then he met Nora. She's sensual, Erotic. Amoral. A creature of the night. And she's luring Syd across the line that few can cross - and fewer survive: the line that separates man from beast.