He’s a good-looking, smooth-talking former pro-basketball player, but he has a problem: He has never been satisfied with just one woman. Then he meets Terri and everything changes. Sort of.Genesis knows that Terri is perfect for him, and they become engaged. But Genesis just can’t seem to stop cheating on Terri nearly every chance he gets. Genesis’s best friend, Prodigy, constantly warns him that he’s going to mess up the best thing ever to happen to him, but Genesis is not ready to listen.After dealing with a family crisis, Genesis realizes the importance of his relationship with Terri, and he begins to change his cheating ways. He knows that once he says, “I do,” everything will fall into place. But it may be too late, because one of his past indiscretions comes back to haunt him, and Terri has a few surprises of her own for Genesis.

    This pioneering novel found a way beyond the bondage of Blackness in American life to a new meaning in truth and beauty. Emma Lou Brown's dark complexion is a source of sorrow and humiliation -- not only to herself, but to her lighter-skinned family and friends and to the white community of Boise, Idaho, her home-town. As a young woman, Emma travels to New York's Harlem, hoping to find a safe haven in the Black Mecca of the 1920s. Wallace Thurman re-creates this legendary time and place in rich detail, describing Emma's visits to nightclubs and dance halls and house-rent parties, her sex life and her catastrophic love affairs, her dreams and her disillusions -- and the momentous decision she makes in order to survive. A lost classic of Black American literature, The Blacker the Berry...is a compelling portrait of the destructive depth of racial bias in this country. A new introduction by Shirlee Taylor Haizlip, author of The Sweeter the Juice, highlights the timelessness of the issues of race and skin color in America.

    When her dreams of rising through the police ranks like her late father crash around her, 26-year-old Emma Djan is unsure what will become of her life in Accra. Through a sympathetic former colleague, Emma gets an interview with a private detective agency tracking down missing persons, thefts, and marital infidelities. It’s not the future she imagined, but it’s her best option. Meanwhile, Gordon Tilson, a middle-aged widower in Washington, DC, has found solace in an online community after his wife’s passing. Through the support group, he’s even met a young Ghanaian widow he really cares about, and when her sister gets into a car accident, he sends her thousands of dollars to cover the hospital bill—to the horror of his only son, Derek. When Gordon runs off to Ghana to surprise his new love and disappears, Derek chases after him, fearing for his father’s life. The case of the missing American man will drag both Emma and Derek into a world of sakawa scams, fetish priests, and those willing to keep things secret through death.

    With a ring on her finger from James Wilcox and the woman she loves firmly between her sheets, no one can match Alexis when it comes to scheming. And her duplicity just makes her better at helping her siblings get revenge on the lovers who are doing them wrong . . .   Devereaux Crystal is the producer of TV’s hottest new show, engaged to sexy entrepreneur Phoenix, and will do anything for their adorable two-year-old, Nya. But lately Devereaux is starting to question whether Phoenix will ever make his own success, much less set a wedding date. Soon, his seductive excuses lead her to an unthinkable truth: Ebony, the fiery star of Devereaux’s series, is keeping Phoenix at her beck and call.   With the help of her sisters, Devereaux sets out to blow up Phoenix's house of lies. But the explosion ignites its own chain of devastating consequences. Because no one should mess with the Crystal women without expecting some fierce payback . . .   “Blake and her daughters are sexy, loyal, and quick to have each other’s back.” —Library Journal on Baby, You’re the Best

    Jane is an American journalist who has traveled to Africa, hoping to give a voice to children like Esther and to find her center after a series of failed relationships. In unflinching prose, Minot interweaves their stories, giving us razor-sharp portraits of two extraordinary young women confronting displacement, heartbreak, and the struggle to wrest meaning from events that test them both in unimaginable ways.  With mesmerizing emotional intensity and stunning evocations of Africa's beauty and its horror, Minot gives us her most brilliant and ambitious novel yet.

    Upon learning of Lee's surrender, Sam--a runaway slave who once worked for the Union Army--decides to leave his safe haven in Philadelphia and set out on foot to return to the war-torn South. What compels him on this almost-suicidal course is the desire to find his wife, the mother of his only child, whom he and their son left behind 15 years earlier on the Mississippi farm to which they all "belonged."At the same time, Sam's wife, Tilda, is being forced to walk at gunpoint with her owner and two of his other slaves from the charred remains of his Mississippi farm into Arkansas, in search of an undefined place that would still respect his entitlements as slaveowner and Confederate officer.The book's third main character, Prudence, is a fearless, headstrong white woman of means who leaves her Boston home for Buford, Mississippi, to start a school for the former bondsmen, and thus honor her father’s dying wish.At bottom, Freeman is a love story--sweeping, generous, brutal, compassionate, patient--about the feelings people were determined to honor, despite the enormous constraints of the times. It is this aspect of the book that should ensure it a strong, vocal, core audience of African-American women, who will help propel its likely critical acclaim to a wider audience. At the same time, this book addresses several themes that are still hotly debated today, some 145 years after the official end of the Civil War. Like Cold Mountain, Freeman illuminates the times and places it describes from a fresh perspective, with stunning results. It has the potential to become a classic addition to the literature dealing with this period. Few other novels so powerfully capture the pathos and possibility of the era particularly as it reflects the ordeal of the black slaves grappling with the promise--and the terror--of their new status as free men and women.

    Louis, Illinois. The wealthy Goodwin family and their children have been living with a dangerous secret. Suddenly, their 16 year old Negro maid Emma Lynn starts asking questions no one wants to answer. Where did she come from? Where are her parents? Why does she look like a darker version of the Goodwin daughter? The love of a local white boy finally helps unveil the truth. But just when they are about to run away to find happiness together, race riots erupt and Emma Lynn gets caught in the middle. Now the Goodwins must make a choice to save her even if it means revealing to the world who they really are.

    The one her mother calls difficult and her father calls remarkable. On Sarah's eleventh birthday, Hetty 'Handful' Grimké is taken from the slave quarters she shares with her mother, wrapped in lavender ribbons, and presented to Sarah as a gift. Sarah knows what she does next will unleash a world of trouble. She also knows that she cannot accept. And so, indeed, the trouble begins ... A powerful, sweeping novel, inspired by real events, and set in the American Deep South in the nineteenth century, THE INVENTION OF WINGS evokes a world of shocking contrasts, of beauty and ugliness, of righteous people living daily with cruelty they fail to recognise; and celebrates the power of friendship and sisterhood against all the odds.

    Henry's Orphanage where, under the harshest circumstances, they forge a bond that is to last a lifetime.

    One is black, one white. Both are successful women with impressive careers. Both have recently been widowed. And both are sworn enemies, sharing hedge and hostility which they prune with a zeal that belies the fact that they are both over eighty.But one day an unforeseen event forces the women together. And gradually the bickering and sniping softens into lively debate, and from there into memories shared. But could these sparks of connection ever transform into friendship? Or is it too late to expect these two to change?

    They wait to try for three years and when they finally do, the couple discovers that she is unable to bear children. Any love he once felt for Monica is gone and Nate wants out of the marriage. But he’s worried about losing half of his sixty-million-dollar fortune in a divorce settlement. Desperate for an out, he searches for a way to exploit the infidelity clause in the couple’s prenuptial agreement. Enter Lewis Waters. With his baby's mother addicted to drugs, Lewis is already seriously down on his luck when he accidentally smashes his car into Nate’s Bentley. Without auto insurance or any way to pay for the repairs, Lewis is at the end of his financial rope. But the scheming Nate sees another way for the attractive young man to repay his debt: as sexual bait for Monica. Nate sets up Lewis with all of the accessories he believes Lewis will need to earn Monica's love, or at the very least, her lust: a big house, a fancy car, expensive clothes, and a full bank account. But as is often the case when it comes to matters of the heart, things don’t unfold according to plan. When Monica falls hard for Lewis, Nate panics—was protecting his fortune more important than trying to save his marriage? As he finds himself overwhelmed by second thoughts, Nate is willing to do anything to get Monica back. An inspired fusion of realism and romance, The Million Dollar Divorce is an unpredictable caper of lust, betrayal, and family ties.

    The star-studded production includes lead actress Aunjanue Ellis (Ray, The Help), Oscar winner Cuba Gooding Jr. (Jerry Maguire, A Few Good Men), Oscar and Emmy winner Louis Gossett Jr. (A Raisin in the Sun, Boardwalk Empire), and features Lyriq Bent (Rookie Blue), Jane Alexander (The Cider House Rules), and Ben Chaplin (The Thin Red Line). Director and co-writer Clement Virgo is a feature film and television director (The Wire) who also serves as producer with executive producer Damon D'Oliveira (What We Have).In this "transporting" (Entertainment Weekly) and "heart-stopping" (Washington Post) work, Aminata Diallo, one of the strongest women characters in contemporary fiction, is kidnapped from Africa as a child and sold as a slave in South Carolina. Fleeing to Canada after the Revolutionary War, she escapes to attempt a new life in freedom.

    Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo's past--memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.Based on those interviews, featuring Cudjo's unique vernacular, and written from Hurston's perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.

    The novel begins as ?The Great War? is coming to an end. As Robert Parker?s body is lowered into the grave, Herman Camm introduces himself to the mourning family. He is a beady-eyed, small-framed, well-dressed man with a mysterious stare?and he is about to drastically change the lives of three women: Mae Lou Parker; her daughter, Carrie; and Pearl Brown. On Christmas Eve in Jefferson County, Virginia, trouble arrives when Carrie reveals a disturbing secret that will haunt and change their lives forever. Mae Lou is fed up with Herman spending time with other women and she goes to confront him. Everybody wants a part of him, including Willie; however, the tables are slightly turned when Willie ends up with a gun pointing directly at him. All of the stories converge when Herman is found dead from a shotgun wound. There are many people Herman has offended. And all three women are suspects in his murder. An investigation is launched. But no one really cares, including the police. Blackberry Days of Summer is a brilliantly crafted story of family secrets, complexity and the courage of forgiveness.

    But when Josephine--"Fina"--and Ross arrive in search of an obscure, unpublished manuscript written by a slave woman, Miss Cozy knows that all her visions have been leading her to this magical day. Yet Miss Cozy has no intention of selling the manuscript--no matter the price. So she offers Fina and Ross an alternative. They can read it together at the store. It was not what they hoped for, but their interest in the extraordinary love story is about as strong as their uncanny attraction for one another . . . one they both sense runs much deeper than a kiss. In the course of a few days, Fina and Ross realize that this powerful book has special meaning for the two of them--and that the path to their shared future may be linked to something that happened more than a century ago. . . .