This novel adds a human dimension to the familiar story of Chernobyl, site of the world's worst nuclear accident that sent a wave of fear through Europe, forced the evacuation of 135,000 Soviet citizens and left an undetermined number with potentially life-shortening doses of radiation.The story is told through fictitious characters—primarily officials and workers at the ill-fated plant—but closely traces events as documented in the Soviet press and Moscow's unusually candid report to the International Atomic Energy Agency in September, 1986.

    The soldiers virtually wait out the war--indulging in various hobbies, exploring the castle's excesses (including a replica of Venice, complete with canals and gondolas), in other words, trying to do something other than war--until a German counterattack puts them in the fray. Semi-autobiographical, ?"Castle Keep"?was the first major novel to use the real language of the soldier, uncensored and true-to-life. Inventive and brilliantly comic, this novel is the quintessential portrait of man at war.

    What happens after the murder is the story of what Johnny Shinn -- late of Army Intelligence and veteran of two wars, in spite of himself, does about it. The tense lynch trial that is the focus of the action is really the trial of Johnny Shinn as an American.

    In an essay new to this edition, Henry Steele Commager offers a historiographical overview of the collapse of the Confederacy. Richard N. Current describes the economic superiority of the North and shows how the civilian resources of the South were dissipated during the war. T. Harry Williams examines the deficiencies of the Southern military strategy and leadership. Norman A. Graebner discusses the reluctance of France and England to aid the South. David Herbert Donald, in his own essay, reports that excessive Southern emphasis on individual freedom fatally undermined military discipline. And David M. Potter suggests that a lack of political leadership in the South resulted in gross incompetence. And exclusively for this edition, the editor has written a new foreword and completely updated the bibliography to create the most comprehensive and enlightening guide to understanding why the North won the Civil War.

    Here is her personal account of life and death with the murderous Manson 'family.' Condemned to die, rejected by society, she found life on death row - a miraculous rebirth as real as resurrection.

    It is a kaleidoscopic collage that whirls about an indelible array of images and characters: perverted Winky, who opted for the army to stay off of welfare; eccentric Payne, who’s obsessed with the film he’s making of the war; bucolic Claypool, who’s irrevocably doomed to a fate worse than death. Just to mention a few. And floating at the center of this psychedelic spin is Spec. 4 James Griffin. In country, Griffin studies the jungle of carpet bomb photos as he fights desperately to keep his grip on reality. And battling addiction stateside after his tour, he studies the green of household plants as he struggles mightily to get his sanity back. With mesmerizing action and Joycean interior monologues, Stephen Wright has created a book that is as much an homage to the darkness of war as it is a testament to the transcendence of art.

    Narrator Buster Fogg's family is wiped out by a twister in an early sequence described with surreal verve. Buster hitches on with Billy Bob Daniels, a patent-medicine pusher and trick shooter who claims to be the illegitimate son of Wild Bill Hickock, joining an entourage consisting of a kindly ex-slave named Albert, and Rot Toe, the wrestling ape. Adventures on the road, which include swiping the mummified remains of Billy Bob's "pa" and swindling settlers with their concoction of watered-down whiskey, stoke personal tensions that only aggravate troubles when their wagon rolls into Mud Creek and Billy Bob is called out by Texas Jack, a dime-novel desperado who, legend says, intimidated even Wild Bill.Lansdale's affection for the classic western is never in doubt, although he spends much of the novel skillfully deflating the romance of heroic reputations made as much by luck and exaggeration as by skill with a gun. The true charm of the story, though, is in its telling, which melds laconic humor, colorful colloquialisms and outrageous figures of speech into a Twainesque tall tale. This novel endures as a modern western classic. Published in a small print run with limited distribution.- From Publisher's Weekely

    Malzberg . . . In a genre that, with one hand, claimed to be the ultimate storehouse of innovation, and with the other, leveled strict rules for writing and codes of narrative conduct onto its authors, Malzberg stuck out like a forked tongue, composing works of bona fide literature that dwarfed the efforts of his contemporaries and established him as one of science fiction's most dynamic enfant terribles. Originally published in 1975, GALAXIES is a masterwork of the Malzberg canon, which includes over fifty novels and collections. Metafictional, absurdist and sardonic, the book mounts a concerted attack against the market forces that prescribed SF of the 1970s and continue to prescribe it today. At the same time, the book tells a story of technology and cyborgs, of bureaucracy and tachyons, of love and hate and sadness . . . Despite his deviant literary antics, Malzberg could not be ignored by the SF community. In 1973, he won the first annual John W. Campbell Memorial Award, which is presented to the best SF novel of the year by a distinguished committee of SF experts, authors and critics. Thereafter he received nominations for the Hugo, Nebula and Philip K. Dick Awards, among others. Nonetheless his writing has not received the attention it so profoundly deserves. GALAXIES is among the works listed in acclaimed SF editor David Pringle's SCIENCE FICTION: THE 100 BEST NOVELS, published in 1985. With an introduction by Jack Dann, this special paperback edition ushers Malzberg's genius into the twenty-first century.

    For anybody who ever wondered what it's like behind a badge, this is the book.--San Francisco Chronicle.

    "Gotta get moving," Rock said. A couple of hundred million years went by. A rock is always slow to take action. A rock watches an oak grow from a sapling to a towering tree, and it's a flash and a dazzle in the mind of a rock. What was that? Rock thinks. Or maybe, Huh?That's how Zod Wallop starts. Harry Gainesborough wrote and drew the story three years ago, before his daughter drowned. Now he writes nothing. Raymond Story read Zod Wallop while he was a patient at Harwood Psychiatric. Now the book means everything to him - so much so that he'd like to meet its author and live out its events. In fact, Zod Wallop means so much to Raymond that he has taken great pains to escape the institution and is now journeying to Harry Gainesborough's house with his young wife, Emily, in tow.These odd doings alone would be enough to unsettle Harry, but they're compounded by other coincidences. Bizarre coincidences. Occurrences that lead Harry to believe that Zod Wallop is actually happening.

    This classic, now finally back in print, sweeps us--and Clay, the main character--into Earth's far-away future. It's a time when no one has heard of Shakespeare, Mozart, or Darwin, and when the planet is inhabited by beings of great intelligence, ambivalent sexuality, and extraordinary powers. Clay embarks on a panoramic journey, encompassing a billion years, and comes to understand that the era from which he came is nothing more than a minute fiber in the band of time.

    

    Garton has a way with teenage boredom, atmospheric small town isolation, incest, drug abuse, and over the top violence and he has managed to create a modern remake of the story of the Pied Piper with a sinister character, Mace (who wears a crucifax around his neck a crucifix with an axlike blade on it) appearing on the scene, seducing mixed up kids with his siren song of pleasure, power, and indulgence, all leading to a horrifically unsettling climax of death and destruction. And then there are the ratlike things that do the piper s bidding . . .

    All he had to do was sacrifice that fragile thing called integrity. Instead Andrew Durant chose a different path. Against him were ranged the mighty forces of the Establishment. At stake was all he was and could ever hope to be. Here, from the magnificent pen of one of the greatest and most spellbinding storytellers of our days, is one of her most unforgettable novelistic triumphs - the searing, soaring story of an idealistic man in a world of corruption, battling to save both himself and the beautiful woman who had become a helpless pawn in a gigantic game of power and perveristy.

    This is her story of life with John and Yoko.