An intimate and devastating portrait of Romania during and after the Second World War, through the prism of a moving and utterly original friendship.Shortlisted for the 2012 Orange Prize.

    . .Nobody knows the people of Wooster, Ohio, better than switchboard operator Vivian Dalton. She calls it intuition. Her teenage daughter, Charlotte, calls it eavesdropping.Vivian and the other women who work at Bell on East Liberty Street connect lines and lives. They aren’t supposed to listen in on conversations, but they do, and they all have opinions on what they hear―especially Vivian. Then, one cold December night, Vivian listens in on a call between that snob Betty Miller and someone whose voice she can’t quite place and hears something shocking. Betty Miller’s mystery friend has news that, if true, will shatter Vivian’s tidy life in Wooster, humiliating her and making her the laughingstock of the town.Vivian may be mortified, but she isn’t going to take this lying down. She’s going to get to the bottom of that rumor—get into it, get under it, poke around in the corners. Find every last bit. Vivian wants the truth, no matter how painful it may be.But as Vivian is about to be reminded, in a small town like Wooster, one secret usually leads to another. . . .

    The new novel from the author of international bestsellers The Sweetness of Forgetting and The Life Intended shows why her books are hailed as “engaging” (People), “absorbing” (Kirkus Reviews) and “enthralling” (Fresh Fiction).Emily Emerson is used to being alone; her dad ran out on the family when she was a just a kid, her mom died when she was seventeen, and her beloved grandmother has just passed away as well. But when she’s laid off from her reporting job, she finds herself completely at sea…until the day she receives a beautiful, haunting painting of a young woman standing at the edge of a sugarcane field under a violet sky. That woman is recognizable as her grandmother—and the painting arrived with no identification other than a handwritten note saying, “He always loved her.”Emily is hungry for roots and family, so she begins to dig. And as she does, she uncovers a fascinating era in American history. Her trail leads her to the POW internment camps of Florida, where German prisoners worked for American farmers...and sometimes fell in love with American women. But how does this all connect to the painting? The answer to that question will take Emily on a road that leads from the sweltering Everglades to Munich, Germany and back to the Atlanta art scene before she’s done. Along the way, she finds herself tempted to tear down her carefully tended walls at last; she’s seeing another side of her father, and a new angle on her painful family history. But she still has secrets, ones she’s been keeping locked inside for years. Will this journey bring her the strength to confront them at last?

      Four unique voices; two parallel love stories; one sweeping novel rich in the history of nineteenth-century America. This remarkable debut draws from the great themes of literature—famine, war, love, and family—as it introduces four unforgettable characters. Ethan McOwen is an Irish immigrant whose endurance is tested in Brooklyn and the Five Points at the height of its urban destitution; he is among the first to join the famed Irish Brigade and becomes a celebrated war photographer. Marcella, a society girl from Spain, defies her father to become a passionate abolitionist. Mary and Micah are slaves of varying circumstances, who form an instant connection and embark on a tumultuous path to freedom.      All four lives unfold in two beautiful love stories, which eventually collide. Written in gorgeous language that subtly captures the diverse backgrounds of the characters, and interspersed with letters, journals, and dreams, this unforgettable story, rendered in cinematic detail, is about having faith in life's great meaning amidst its various tangles.

    She’s failed twice before; her third attempt will be her last. Suddenly finding herself without a job and with the test a few months away, she travels to Burgundy, to spend the fall at the vineyard estate that has belonged to her family for generations. There she can bolster her shaky knowledge of Burgundian vintages and reconnect with her cousin Nico and his wife Heather, who now oversee the grapes’ day-to-day management. The one person Kate hopes to avoid is Jean-Luc, a neighbor vintner and her first love.At the vineyard house, Kate is eager to help her cousins clean out the enormous basement that is filled with generations of discarded and forgotten belongings. Deep inside the cellar, behind a large armoire, she discovers a hidden room containing a cot, some Resistance pamphlets, and an enormous cache of valuable wine. Piqued by the secret space, Kate begins to dig into her family’s history—a search that takes her back to the dark days of the Second World War and introduces her to a relative she never knew existed, a great half-aunt who was teenager during the Nazi occupation.As she learns more about her family, the line between Resistance and Collaboration blurs, driving Kate to find the answers to two crucial questions: Who, exactly, did her family aid during the difficult years of the war? And what happened to six valuable bottles of wine that seem to be missing from the cellar’s collection?

    In apartheid South Africa in 1976, medical student Isaac Muthethe is forced to flee his country after witnessing a friend murdered by white members of the South African Defense Force. He is smuggled into Botswana, where he is hired as a gardener by a young American woman, Alice Mendelssohn, who has abandoned her Ph.D. studies to follow her husband to Africa. When Isaac goes missing and Alice goes searching for him, what she finds will change her life and inextricably bind her to this sunburned, beautiful land. Like the African terrain that Alice loves, Morse’s novel is alternately austere and lush, spare and lyrical. She is a writer of great and wide-ranging gifts.

    Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir’s Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past.Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler’s theorist on the “Jewish question” appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she’d served even in their exile.In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.

    When Elizabeth Endicott arrives in Aleppo, Syria she has a diploma from Mount Holyoke, a crash course in nursing, and only the most basic grasp of the Armenian language. The year is 1915 and she has volunteered on behalf of the Boston-based Friends of Armenia to help deliver food and medical aid to refugees of the Armenian genocide. There Elizabeth becomes friendly with Armen, a young Armenian engineer who has already lost his wife and infant daughter. When Armen leaves Aleppo and travels south into Egypt to join the British army, he begins to write Elizabeth letters, and comes to realize that he has fallen in love with the wealthy, young American woman who is so different from the wife he lost. Fast forward to the present day, where we meet Laura Petrosian, a novelist living in suburban New York. Although her grandparents' ornate Pelham home was affectionately nicknamed "The Ottoman Annex," Laura has never really given her Armenian heritage much thought. But when an old friend calls, claiming to have seen a newspaper photo of Laura's grandmother promoting an exhibit at a Boston museum, Laura embarks on a journey back through her family's history that reveals love, loss - and a wrenching secret that has been buried for generations.

    But when Eduardo meets the beautiful Mrs. Hart on his latest con, he takes a risk that forces him back to the city he loved and left behind—Paris. There he assembles his team of con artists for their final and most ambitious theft, one that will enable them to leave the game forever: The Mona Lisa.But when a member of the team turns up missing, and Mr. Hart shows up in Paris, Valfierno and his crew must stay one step ahead of a relentless police inspector, endure a devastating flood, and conquer their own doubts to keep the priceless painting in play—and survive.Based on the actual theft of the Mona Lisa from the Louvre in 1911, and published on the 100th anniversary of the crime, Stealing Mona Lisa is a sophisticated, engaging caper, complete with a richly imagined group of con artists and a historical mystery that will keep you guessing until the very end.Stealing Mona Lisa is a Kirkus Reviews Best of 2011 Mysteries title. One of Library Journal's Best Mystery Books of 2011

    Bestselling author Diane Chamberlain delivers a breakout book about a small southern town fifty years ago, and the darkest—and most hopeful—places in the human heartAfter losing her parents, fifteen-year-old Ivy Hart is left to care for her grandmother, older sister and nephew as tenants on a small tobacco farm.  As she struggles with her grandmother’s aging, her sister’s mental illness and her own epilepsy, she realizes they might need more than she can give.When Jane Forrester takes a position as Grace County’s newest social worker, she doesn’t realize just how much her help is needed.  She quickly becomes emotionally invested in her clients' lives, causing tension with her boss and her new husband.  But as Jane is drawn in by the Hart women, she begins to discover the secrets of the small farm—secrets much darker than she would have guessed.  Soon, she must decide whether to take drastic action to help them, or risk losing the battle against everything she believes is wrong.Set in rural Grace County, North Carolina in a time of state-mandated sterilizations and racial tension, Necessary Lies tells the story of these two young women, seemingly worlds apart, but both haunted by tragedy.  Jane and Ivy are thrown together and must ask themselves: how can you know what you believe is right, when everyone is telling you it’s wrong?

    All she did was fall in love with a white Christian carnivore instead of a conventional Indian boy. Years later, with her parents not speaking to her and her controversial relationship in tatters, all Preeti has left is her career at a prestigious Los Angeles law firm.But when Preeti receives word of a terrible accident in the city where she was born, she returns to India, where she’ll have to face her estranged parents…and the complicated past they left behind. Surrounded by the sights and sounds of her heritage, Preeti catches a startling glimpse of her family’s battles with class, tradition, and sacrifice. Torn between two beautifully flawed cultures, Preeti must now untangle what home truly means to her.

    Fans of Jennifer Haigh’s Faith, Jhumpa Lahiri’s Interpreter of Maladies, and Katrina Kittle’s The Kindness of Strangers will be captivated by Umrigar’s The World We Found—a moving story of bottled secrets, unfulfilled dreams, and the acceptance that can still lead to redemption, from a writer whom the New York Times calls “perceptive and often piercing.”

     War's over, cherry-print dresses, parking above the city lights, swing dancing. Beautiful, seventeen-year-old Violet lives in a perfect world. Everybody loves her. In 2012, she's still beautiful, charming, and surrounded by admirers. Veronica "Ronni" Johnson, licensed practical nurse and aspiring writer, meets the captivating Violet in the assisted living facility where Violet requires no assistance, just lots of male attention. When she dies, she leaves Ronni a very generous bequest―only if Ronni completes a book about her life within one year. As she's drawn into the world of young Violet, Ronni is mesmerized by life in a simpler time. It's an irresistible journey filled with revelations, some of them about men Ronni knew as octogenarians at Fairfield Springs.Struggling, insecure, flailing at the keyboard, Ronni juggles her patients, a new boyfriend, and a Samsonite factory of emotional baggage as she tries to craft a manuscript before her deadline.But then the secrets start to emerge, some of them in person. And they don't stop.Everything changes.Alternating chapters between Homecoming Queen Violet in 1947 and can't-quite-find-her-crown Ronni in the present, IT ALL COMES BACK TO YOU is book club fiction at its hilarious, warm, sad, outrageous, uplifting, and stunning best. In the tradition of Major Pettigrew's Last Stand and Olive Kitteridge, Duke delivers an unforgettable elderly character to treasure and a young heroine to steal your heart.

    Mimi Miller tells about her life with intimacy and honesty. As Mimi eavesdrops on her parents and quietly observes the people around her, she discovers more and more about the toxicity of family secrets, the dangers of gossip, the flaws of marriage, the inequalities of friendship and the risks of passion, loyalty, and love. Home, as Mimi begins to realize, can be “a place where it’s just as easy to feel lost as it is to feel content.” Miller’s Valley is a masterly study of family, memory, loss, and, ultimately, discovery, of finding true identity and a new vision of home. As Mimi says, “No one ever leaves the town where they grew up, even if they go.” Miller’s Valley reminds us that the place where you grew up can disappear, and the people in it too, but all will live on in your heart forever.'

    Since she left home, Sonya has lived on the run, free of any ties, while her soft-spoken sister, Trisha, has created a perfect suburban life, and her ambitious sister, Marin, has built her own successful career. But as these women come together, their various methods of coping with a terrifying history can no longer hold their memories at bay.Buried secrets rise to the surface as their father—the victim of humiliating racism and perpetrator of horrible violence—remains unconscious. As his condition worsens, the daughters and their mother wrestle with private hopes for his survival or death, as well as their own demons and buried secrets. Told with forceful honesty, Trail of Broken Wings reveals the burden of shame and secrets, the toxicity of cruelty and aggression, and the exquisite, liberating power of speaking and owning truth.