A middle-aged bachelor, he has no interest in anything beyond the certificates of birth, marriage, divorce, and death, that are his daily routine. But one day, when he comes across the records of an anonymous young woman, something happens to him. Obsessed, Senhor José sets off to follow the thread that may lead him to the woman-but as he gets closer, he discovers more about her, and about himself, than he would ever have wished.The loneliness of people's lives, the effects of chance, the discovery of love-all coalesce in this extraordinary novel that displays the power and art of José Saramago in brilliant form.

    Displaced from her community and her home, Ettie tries to find her place in this new life, but can't seem to get it right. She irritates the maid, hangs food outside the window because she mistrusts the fridge and, in her naivety and loneliness, invites a prostitute in for tea. Iza’s Ballad is the story of a woman who loses her life’s companion and a mother trying to get close to a daughter whom she has never truly known. It is about the meeting of the old-fashioned and the modern worlds and the beliefs we construct over a lifetime.

    No one, for that matter, has written with such pristine clarity about the radiating canals of Amsterdam and the cloud-swept landscape of the Netherlands. Who was Nescio? Nescio—Latin for “I don’t know”—was the pen name of J.H.F. Groenloh, the highly successful director of the Holland-Bombay Trading Company and a father of four—someone who knew more than enough about respectable maturity. Only in his spare time and under the cover of a pseudonym, as if commemorating a lost self, did he let himself go, producing over the course of his lifetime a handful of utterly original stories that contain some of the most luminous pages in modern literature. This is the first English translation of Nescio’s stories.Contents:The freeloaderWhen we were titansThe writing on the wallOut along the IJLittle poetFrom an unfinished novelThe valley of obligationsThe endInsula dei

    This translation of his 1989 novel Nostalgia, writes Andrei Codrescu, "introduces to English a writer who has always had a place reserved for him in a constellation that includes the Brothers Grimm, Franz Kafka, Jorge Luis Borges, Bruno Schulz, Julio Cortazar, Gabriel Garcia Marquez, Milan Kundera, and Milorad Pavic, to mention just a few." Like most of his literary contemporaries of the avant-garde Eighties Generation, his major work has been translated into several European languages, with the notable exception, until now, of English.Readers opening the pages of Nostalgia should brace themselves for a verbal tidal wave of the imagination that will wash away previous ideas of what a novel is or ought to be. Although each of its five chapters is separate and stands alone, a thematic, even mesmeric harmony finds itself in children's games, the music of the spheres, humankind's primordial myth-making, the origins of the universe, and in the dilapidated tenement blocks of an apocalyptic Bucharest during the years of communist dictatorship.

    The very wide audience which Rilke’s work commands today will welcome the reissue in paperback of this extremely perceptive translation of the Notebooks by M. D. Herter Norton. A masterly translation of one of the first great modernist novels by one of the German language's greatest poets, in which a young man named Malte Laurids Brigge lives in a cheap room in Paris while his belongings rot in storage. Every person he sees seems to carry their death within them and with little but a library card to distinguish him from the city's untouchables, he thinks of the deaths, and ghosts, of his aristocratic family, of which he is the sole living descendant. Suffused with passages of lyrical brilliance, Rilke's semi-autobiographical novel is a moving and powerful coming-of-age story.

    But it is more: Peter Nadas has given us a superb contemporary psychological novel that comes to terms with the ghosts, corpses, and repressed nightmares of Europe's recent past. "A Book of Memories" is made up of three first-person narratives: the first that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator's adolescence in Budapest, when he experiences the downfall of his once-upper-class but now pro-Communist family and of his beloved but repudiated father, a state prosecutor who commits suicide after the 1956 uprising. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator's own experiences. A third voice is that of a childhood friend who, after the narrator's return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly colored lives are integrated in a powerful work of tragic intensity.

    At the same time he must witness the steady physical and mental deterioration of his lifelong friend who is suffering from an unnamed disease. Part psychological farce, Ungar tells a dark, ironic tale of chaos overtaking one's meticulously ordered life.One of only two novels Ungar wrote, this translation marks the first time this important novel and any of his work has been translated into English. Ungar's novellas and short stories are collected in Boys & Murderers .

    As he demonstrates that nothing can be reduced to a single, true viewpoint, Ouredník mixes hard facts and idiosyncratic observations, highlighting the horror and absurdity of the twentieth century and the further absurdity of attempting to narrate this history.

    When a search yielded nothing, and all physical evidence had seemingly disappeared, authorities had little to go on—except a disturbing phone call five weeks later from Göran’s daughter Maria. She was sure that her sister, Sara, was somehow involved. At the heart of the alleged crime: Sara’s greed, her father’s land holdings, and his bitter feud with Sara’s idler boyfriend. With no body, there was no crime—and the case went as cold and dark as the forests of southern Sweden. But not for Therese Tang. For two years, this case was her obsession.A hard-working ex-model, mother of three, and Missing People investigator, Therese was willing to put her own safety at risk in order to uncover the truth. What she found was a nest of depraved secrets, lies, and betrayal. All she had to do now, in her relentless and dangerous pursuit of justice, was prove that it led to murder.

    But when Meir’s talents as a novice banker catch the attention of a German prince, Meir is suddenly afforded entrée into the European world of finance and nobility, and the Rothschilds’ lives are changed forever. As proud as Gutle is of her husband’s success, she is also cautious—very much aware of the fact that her husband’s rise is tied to his patrons’ willingness to “see past” his Jewishness. As their family grows, and a dream of fortune comes true, so does their belief that money will ultimately bring the power needed to establish Jewish civil rights.Told through Gutle’s intimate journals, revealed across decades—from the French Revolution through personal tragedies and triumphs—The First Mrs. Rothschild paints a rich and intimate tapestry of family drama, world-changing history, and one woman’s steadfast strength.

    Rita Feuerstahl comes to the university in Krakow intent on enjoying her freedom. But life has other things in store—marriage, a love affair, a child, all in the shadows of the oncoming war. When the war arrives, Rita is armed with a secret so enormous that it could cost the Allies everything, even as it gives her the will to live. She must find a way both to keep her secret and to survive amid the chaos of Europe at war. Living by her wits among the Germans as their conquests turn to defeat, she seeks a way to prevent the inevitable doom of Nazism from making her one of its last victims. Can her passion and resolve outlast the most powerful evil that Europe has ever seen?In an epic saga that spans from Paris in the ’30s and Spain’s Civil War to Moscow, Warsaw, and the heart of Nazi Germany, The Girl from Krakow follows one woman’s battle for survival as entire nations are torn apart, never to be the same.

    Young Patricio flees impoverished Spain and steps into the sultry island paradise of Havana with only the clothes on his back and half-baked dreams of a better life. Blessed with good looks and natural charm, he lands a job as a runner at El Encanto—one of the most luxurious department stores in the world.Famous for its exquisite offerings from French haute couture to Arabian silks, El Encanto indulges the senses in opulent extravagance. It caters to visiting Hollywood stars, rising politicos, and prerevolutionary Cuba’s wealthiest power players, including the notorious mobster César Valdés.Falling in love with the mobster’s young wife, Gloria, is suicide. But Patricio is irresistibly drawn to the beautiful girl with sad eyes, a razor-sharp intellect, and a penchant for both Christian Dior’s clothes and Einstein’s theories. Within the walls of El Encanto, anything seems possible, even a love that promises to heal them and a desire that thrums with the mambo beat of the city itself.In a reckless love affair that spans half a century, Patricio’s and Gloria’s lives entwine time and again, challenged by every twist of fate—for in a world of murder, betrayal, and revolution, those who dare to reach for paradise seldom survive unscathed.

    The Great War is raging through Europe, and in the ancient, mountainous lands southwest of the Caspian Sea the Turks have begun systematically to exterminate their Christian subjects. Unable to deny his birthright or his people, one man, Gabriel Bagradian—born an Armenian, educated in Paris, married to a Frenchwoman, and an officer doing his duty as a Turkish subject in the Ottoman army—will strive to resist death at the hands of his blood enemy by leading 5,000 Armenian villagers to the top of Musa Dagh, "the mountain of Moses." There, for forty days, in the face of almost certain death, they will suffer the siege of a Turkish army hell-bent on genocide. A passionate warning against the dangers of racism and scapegoating, and prefiguring the ethnic horrors of World War II, this important novel from the early 1930s remains the only significant treatment, in fiction or nonfiction, of the first genocide in the twentieth century's long series of inhumanities. It also continues to be today what the New York Times deemed it in 1933—"a true and thrilling novel ... a story which must rouse the emotions of all human beings." "Musa Dagh gives us a lasting sense of participation in a stirring episode of history.... Magnificent."—The New York Times Book Review "A novel full of the breath, the flesh and blood and bone and spirit of life."—Saturday Review

    But, when the storm clouds of WW2 gather, the family must flee, accompanied by Viktor's lover and her child. But the house's story is far from over, as it passes from hand to hand, from Czech to Russian.

    History, culture, and politics are blended and juxtaposed; weather reports, current news, fashions and psychology jostle together with people from Petersburg society in an exhilarating search for the identity of a city and, ultimately, Russia itself. 'The one novel that sums up the whole of Russia.'—Anthony Burgess