Every day Karl Niemann commutes to work, a business manager in charge of various factories. In the evenings he returns home to life as a normal family man.For many years this was all Derek Niemann had known about his grandfather – until he made the chilling discovery that Karl had actually been an officer in the SS; and that his “business” used thousands of slave labourers in concentration camps. Suddenly, a lifetime of unsettling hints and clues fell into place.With the help of surviving relatives and hundreds of previously unknown photographs, Derek reconstructs the lives of his German forebears and uncovers the true story of what Karl did. A Nazi in the Family is an illuminating portrayal of how ordinary people can fall into the service of a monstrous regime."All families have secrets, but few are as shocking as Derek Niemann's." Culture Trip"Extraordinary." Glasgow Evening Times"Vividly captures the complex life of an ordinary man." Andrew Bomford, BBC Radio 4

    Schellenberg recounts with firsthand knowledge the motivations and machinations surrounding the Nazi Army's every move in Poland, Austria, and Russia. But this remarkable inside account is perhaps most memorable for its riveting portraits of Reinhard Heydrich, Heinrich Himmler, Heinrich Mueller, Ernst Kaltenbrunner—men whom Schellenberg calls, with stunning lack of irony, ”Hitler's willing executioners.”

    Soon he was designing the Third Reich's most important buildings. In 1942 Hitler appointed him Armaments Minister and he quadrupled production, an astonishing achievement that kept the German Army in the field and prolonged the war. Yet Speer's life was full of contradictions. The only member of the Nazi elite with whom Hitler developed more than a purely functional relationship (he has even been called "Hitler's unrequited love"), Speer was always an outsider in Hitler's inner circle. He saw himself as an artist, above the crass power struggles of the roughnecks around him. But his enormous ambition blinded him to the crimes in which he played a leading role. Brilliantly illustrated, this gripping account of one man's rise and fall helps explain how Germany descended so far into crime and barbarism.

    In Bergen-Belsen concentration camp he survived the inhuman brutality of the SS guards, the ravages of near starvation, disease, and squalor. All but one of his family died there, his mother losing her life on the very day the British finally marched into the camp. Discovered by a Red Cross nurse who described him as ‘an enchanting scrap of humanity’, Zoltan was brought to Ireland and adopted by one of the liberators, Dr Bob Collis, who raised him as his own son on Ireland’s east coast. Now aged 65, Zoltan is ready to speak. His story is one of deepest pain and greatest joy. Zoltan tells how he lost one family and found another; of how, escaping from the ruins of a broken Europe, he was able to build himself a life – a life he may never have had.

    Dry Tears is a dramatic tale of how an eleven-year-old child learned to pass in the forbidding Christian world and a quietly moving coming-of-age story. This book is uniquecelebration of the best human qualities that surface under the worst conditions.

    George H. Stein examines in detail the structure and organization of the Waffen SS and describes the rigid personnel selection and intensive physical, military, and ideological training that helped to create the tough and dedicated cadre around which the larger force of the later war years was built.

    Soon, she finds herself sitting before Leonardo da Vinci, who wants to ensure his own place in the ducal palace by painting his most ambitious portrait to date.Munich, World War II: After a modest conservator unwittingly places a priceless Italian Renaissance portrait into the hands of a high-ranking Nazi leader, she risks her life to recover it, working with an American soldier, part of the famed Monuments Men team, to get it back. Two women, separated by 500 years, are swept up in the tide of history as one painting stands at the center of their quests for their own destinies.

    In September 1939, Bella was a carefree teenager living in Poland when the German army struck. She was rounded up with her friends and family and sent to a series of grim Jewish ghettos. After loved ones were separated and lost through the war years, Bella survived by changing her identity. Narrowly escaping death each time, she moved from place to place, odd job to odd job, new name to new name. After finding the birth certificate of a Catholic girl five years her senior, she became Sabina Mazurek. Then she went into the eye of the storm, Germany, where she believed she might be safest. "Sabina is her story. As in "Diary of a Young Girl" by Anne Frank and "Night" by Elie Wiesel, Bella Kuligowska marshaled unexpected resources to manage as a teen during the horrors of World War II. Sabina offers a different perspective on how many Jews survived outside of the concentration camps, in more familiar yet infinitely hostile settings, with the help of others along the way.

    The book probes the central mystery of why a generation of the world's most able commanders and staff officers came to be seduced by Hitler, and why they failed to deflect him from his disastrous decisions.

    How should they, in turn, convey its knowledge to others? What are the effects of a traumatic past on its inheritors, and the second generation's responsibilities to its received memories?" As Eva Hoffman ponders the ambiguous consequences of the cultural preoccupation with the Holocaust and guides us through the poignant juncture at which living memory must be relinquished, she asks what insights can be carried from the past to the present, and urges us to transform potent family narratives into a fully informed understanding of a forbidding history.

    In 1941, Marie Jalowicz Simon, a nineteen-year-old Berliner, made an extraordinary decision. All around her, Jews were being rounded up for deportation, forced labor, and extermination. Marie took off her yellow star, turned her back on the Jewish community, and vanished into the city.In the years that followed, Marie lived under an assumed identity, forced to accept shelter wherever she found it. Always on the run, never certain whom she could trust, Marie moved between almost twenty different safe-houses, living with foreign workers, staunch communists, and even committed Nazis. Only her quick-witted determination and the most hair-raising strokes of luck allowed her to survive.

    Tomorrow they will be taken to the ghetto, the last step before deportation to Auschwitz and certain death. But one man defies the Nazis and seeks to deny them these victims. Alone, unarmed and crippled, Joseph Cseh, a smooth talking (black marketer), struggles to rescue the woman he loves and her entire family. Surrounded on all sides he stands up to the fascists, playing a life and death con game. But can he bluff the Gestapo and defeat an army? This is the amazing true story of the Weisz family and the man who took it upon himself to try and do some good in a world turned evil.

    In the summer of 1939, Renia and her sister Elizabeth (née Ariana) were visiting their grandparents in Przemysl, right before the Germans invaded Poland.Like Anne Frank, Renia recorded her days in her beloved diary. She also filled it with beautiful original poetry. Her diary records how she grew up, fell in love, and was rounded up by the invading Nazis and forced to move to the ghetto in Przemsyl with all the other Jews. By luck, Renia's boyfriend Zygmund was able to find a tenement for Renia to hide in with his parents and took her out of the ghetto. This is all described in the Diary, as well as the tragedies that befell her family and her ultimate fate in 1942, as written in by Zygmund on the Diary's final page.Renia's Diary is a significant historical and psychological document. The raw, yet beautiful account depicts Renia's angst over the horrors going on around her. It has been translated from the original Polish, with notes included by her surviving sister, Elizabeth Bellak.

    There is her lover, Callum Finella, a twenty-year-old Scottish prisoner of war who was brought from the stalag to her family’s farm as forced labor. And there is a twenty-six-year-old Wehrmacht corporal, who the pair know as Manfred–who is, in reality, Uri Singer, a Jew from Germany who managed to escape a train bound for Auschwitz.As they work their way west, they encounter a countryside ravaged by war. Their flight will test both Anna’s and Callum’s love, as well as their friendship with Manfred–assuming any of them even survive. Perhaps not since The English Patient has a novel so deftly captured both the power and poignancy of romance and the terror and tragedy of war. Skillfully portraying the flesh and blood of history, Chris Bohjalian has crafted a rich tapestry that puts a face on one of the twentieth century’s greatest tragedies–while creating, perhaps, a masterpiece that will haunt readers for generations.

    He was also responsible for implementing Nazi policies towards the Jews in his area - inhumane processes that were the precursors of genocide. Yet he later claimed, like so many other Germans after the war, that he had 'known nothing about it'; and that he had personally tried to save a Jew before he himself managed to leave for military service. A Small Town Near Auschwitz re-creates Udo Klausa's story. Using a wealth of personal letters, memoirs, testimonies, interviews and other sources, Mary Fulbrook pieces together his role in the unfolding stigmatization and degradation of the Jews under his authoritiy, as well as the heroic attempts at resistance on the part of some of his victims. She also gives us a fascinating insight into the inner conflicts of a Nazi functionary who, throughout, considered himself a 'decent' man. And she explores the conflicting memories and evasions of his life after the war.But the book is much more than a portrayal of an individual man. Udo Klausa's case is so important because it is in many ways so typical. Behind Klausa's story is the larger story of how countless local functionaries across the Third Reich facilitated the murderous plans of a relatively small number among the Nazi elite - and of how those plans could never have been realized, on the same scale, without the diligent cooperation of these generally very ordinary administrators. As Fulbrook shows, men like Klausa 'knew' and yet mostly suppressed this knowledge, performing their day jobs without apparent recognition of their own role in the system, or any sense of personal wrongdoing or remorse - either before or after 1945.This account is no ordinary historical reconstruction. For Fulbrook did not discover Udo Klausa amongst the archives. She has known the Klausa family all her life. She had no inkling of her subject's true role in the Third Reich until a few years ago, a discovery that led directly to this inescapably personal professional history.