A long-lost manuscript. A relic worth killing for.Harry Fox hunts artifacts for the Italian mob. When a forgotten manuscript suggests Great Britain's most famous king may not be fiction, Harry plunges headlong on a dangerous path to uncover the truth. Little does he know a shadowy alliance with ties to three of mankind's most powerful organizations follows his every move, desperate to stop him before he can uncover the truth behind the legend.Surrounded by enemies and able to trust no one, Harry barrels across the globe and discovers the myth of King Arthur is far more real than anyone ever imagined. Can Harry survive to reveal the true story of this legendary man, or will the ancient forces chasing him add his name to their long list of victims?

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    Believing in his vision for a glorious Britain, Elaine is soon swept up in the intrigues of Camelot and caught firmly between her warring siblings - the High King Arthur, the vengeful Morgan LeFay and the devious Morgause. She is a queen, a warrior and a witch. Yet none of these things may save her brother from those who plot against him, or the poison at the very heart of his kingdom. He became myth, but she was forgotten. This is her tale. Perfect for fans of Alison Weir, Philippa Gregory and the Mists of Avalon, this magical, thrilling Arthurian retelling makes familiar characters new once more.

    Benson's edition of these important Middle English poems is here revised and updated by Professor Edward E. Foster, taking into account recent scholarship, to once again be available and accessible to students. The romances included here are two of the best, most significant Arthurian romances in Middle English, which complement each other in terms of style and content. While the Alliterative Morte Arthure belongs to the Alliterative Revival movement, replete with details of fourteenth century warfare, the Stanzaic Morte Arthur represents a briefer, quicker-paced, yet more sentimental English adaptation of the French Mort Artu. This edition-with contextualizing introductions, helpful glosses, plentiful notes, and useful glossary-comprises a great introduction to Middle English Arthuriana for students of the Middle Ages.

    It is based primarily on the 538-line Middle English poem Sir Landevale, which in turn was based on Marie de France's lai Lanval, written in a form of French understood in the courts of both England and France in the 12th century. Sir Launfal retains the basic story told by Marie de France and retold in Sir Landevale, augmented with material from an Old French lai Graelent and a lost romance that possibly featured a giant named Sir Valentyne. This is in line with Thomas Chestre's eclectic way of creating his poetry.In the tale, Sir Launfal is propelled from wealth and status – the steward at King Arthur's court – to being a pauper and a social outcast. He is not even invited to a feast in his home town of Caerleon in South Wales when the king visits, although Arthur knows nothing of this. Out in the forest alone, he meets with two damsels who take him to their mistress, the daughter of the King of Faerie. She gives him untold wealth and a magic bag in which money can always be found, on the condition that he becomes her lover. She will visit him whenever he wants and nobody will see her or hear her. But he must tell nobody about her, or her love will vanish at that instant.The story of a powerful (fairy) woman who takes a lover on condition that he obey a particular prohibition is common in medieval poetry: the French lais of Desiré, Graelant, and Guingamor, and Chrétien de Troyes's romance Yvain, the Knight of the Lion, all share similar plot elements. The presence of a Land of Faerie, or an Otherworld, betrays the story's Celtic roots. A final court scene may be intended by Chestre as criticism of the contemporary legal and judicial framework in late-fourteenth century England.[4] The equation of money with worth in the tale may satirize a late-fourteenth century bourgeois mentality.

    Book 1: Druid’s Dance (newly revised/edited edition) Elijah Wadsworth lost his parents and twin sister in what he thought was little more than a tragic accident. But five years later, when Elijah begins manifesting strange abilities--which he neither understands nor can control--he discovers his family has been at the center of a cosmic battle for centuries... and his family's death was likely no accident at all. A mysterious "girl in black" with dark, magical abilities pursues him, hoping to lure him to her cause. After coming into possession of a mystical stone, which transports Elijah into his deceased father’s ancient memories, Elijah and his closest friends must discover the source of his power together lest his newfound abilities drain his very soul, and open up our world to the blight of Samhuinn. When a girl he loves, however, is threatened he must make a choice to either save her by joining the sorceress, the "girl in black," or save the world. Book 2: Bard’s Tale The Tree of Life—the source of Elijah’s power—is failing. Creatures from Samhuinn are breaking through the veil and terrorizing St. Louis. As the Tree weakens, Elijah’s abilities are failing. Will Elijah be able to stop the incursions before his powers fade completely? Book 3: Ovate’s Call Elijah’s Ovate—Tyler—is visited by a strange, but alluring, princess from Annwn. He's immediately captivated by her--but Elijah fears the princess has ulterior motives. Is the princess who she claims to be, or is she another pawn in the Morrigan's scheme? The cosmic struggle between Elijah, his Order, and the Morrigan and her legions comes to a head in the final installment of the Gates of Eden: the Druid Legacy Trilogy. Readers of Theophilus Monroe’s Voodoo Academy from the Gates of Eden: The Voodoo Legacy series will naturally adore the Druid Legacy. Combined with Celtic mythology and Arthurian lore, this druid urban fantasy is a compelling installment in the Gates of Eden world. With magical fantasy adventure romance, a snarky male hero, and a plethora of characters taken straight from Arthurain lore and the Celtic world of myth, this time travel epic fantasy will keep readers enthralled from start to finish.

    Now, from the internationally acclaimed translator of Sir Gawain and the Green Knight, comes this magisterial new presentation of the Arthurian tale, rendered in unflinching and gory detail. Following Arthur's bloody conquests across the cities and fields of Europe, all the way to his spectacular and even bloodier fall, this masterpiece features some of the most spellbinding and poignant passages in English poetry. Never before have the deaths of Arthur's loyal knights, his own final hours, and the subsequent burial been so poignantly evoked.Echoing the lyrical passion that so distinguished Seamus Heaney's Beowulf, Simon Armitage has produced a virtuosic new translation that promises to become both the literary event of the year and the definitive edition for generations to come.

    This classic deck is now reprinted with enhanced cards and a booklet specially written for this new edition. The Arthurian Tarot Deck depicts characters and themes from the famous Celto-Arthurian legends, along with the four Hallows of the Quest for spiritual wholeness. * New edition of a classic deck. * Stunning artwork by Miranda Gray, a leading MBS artist. * Caitlín and John Matthews are Arthurian-legend and tarot experts.

    You'll think this is a fairy tale. And it isn't".In the terrible years of tyrants and invaders, England's surviving pagans cry out for help to their deity -- and Mab, Queen of the Faery realms, creates for them a champion.Merlin. Half human, half Magic; raised in the love of his foster mother, Ambrosia, trained in sorcery by the gnome Frick, destined by Mab to lead England back to the Old Ways. But Mab, once beloved, has grown selfish and cruel, so Merlin turns against her.And their war of magic will change the world.

    Line drawings by William Bramhall. New York: Clarkson, Potter, Inc., Publishers, 1983 First Edition First Printing. 6" x 8.5" tall; 207 pages with Glossary.

    For over 1,500 years, the Arthurian narrative has enthralled writers, artists, and a limitless audience spanning the Western world and beyond - and its appeal continues unabated in our time. No other heroic figure in literature compares with King Arthur in terms of global popularity and longevity; now, each year sees literally thousands of new versions of the story appear across diverse media, from fiction writing and visual arts to film and popular culture. Delve into the historical mystery behind the figure of Arthur, and discover the magnificent breadth of these epic tales.These 24 spellbinding lectures reveal the full scope of the Arthurian tradition, from its beginnings in post-Roman Britain to its extraordinary trajectory across the centuries and its latest incarnations in modern times. Your pathfinder in this world of mythic adventure and romance, Professor Armstrong, is one of the world's leading Arthurian scholars and the current editor-in-chief of the academic journal Arthuriana. Demonstrating both encyclopedic knowledge and an infectious passion for the subject, she leads you in tracing how the myth developed across time, clarifying many misunderstood aspects of the narrative, such as the origins of the Round Table and the figure of Merlin, the illicit love between Lancelot and Guenevere, and the varied manifestations of the magical Holy Grail. You'll discover how the legend was appropriated and assimilated by differing cultures, and how each writer and artist in the tradition reflected and commented, through the Arthurian narrative, on the concerns of their own time and place. The result is an illuminating look at one of the most engaging, entertaining, and influential legendary traditions the world has ever known.Listening Length: 11 hours and 59 minutes

    So she's really creeped out when she starts dreaming of being hunted through a dark forest by an unseen, sinister archer. But when her bookseller mother unexpectedly inherits the magnificent library of a famous French author, Fleur forgets all about her fears. Excitedly, mother and daughter travel to Bellerive Manor, near the ancient French town of Avallon, reputedly the last resting place of the "real" King Arthur. And it is there, in the magical green forest near Bellerive Manor, that Fleur meets a handsome, mysterious boy called Remy Gomert. It seems to be love at first sight, beautiful as a dream. But Fleur's nightmare is just about to begin.

    There, housed in royal splendor, its awesome powers will be freely available to Arthur's suffering people, becoming the symbol of Arthur's reborn realm. But mysteriously, the Grail disappears. Missing as well is one of Arthur's most trusted men, who has not only taken the Grail but kidnapped Arthur's queen, Guinevere. A desperate search ensues, and a diabolical plot is uncovered, masterminded by none other than the evil Morgian, Queen of Air and Darkness.-- The epic tale of the legendary King Arthur, his lady love guinevere, stalwart advisor Merlin and loyal companion Sir Galahad has entertained and delighted people around the world for generations.

    Told from the point of view of Guinevere, this epic romance chronicles the life and loves of the queen of the Round Table. From being torn away from her native Breton to wed Arthur, being held captive by his enemies to her affair with Lancelot and the subsequent fall of Arthur’s kingdom, every dramatic event is explored in a rich, compelling narrative.With acute attention to the existing literature and historical studies, Medievalist scholar Lavinia Collins brings the world of dashing knights, week-long banquets and cruel wars to light for a contemporary audience eager to get an insider view of life at Arthur’s court. While this book will make fans of Arthurian literature ecstatic, it will also bring delight to any reader of quality contemporary fiction.Guinevere – A medieval romance was previously published as three volumes: The Warrior Queen, A Champion’s Duty and The Day of Destiny.

    but where did he come from? Who was Merlin? What part did the Druids play in bringing Arthur to his round table? This is the story that came before, when Britain was just a Shadowland. On the night of Midwinter's Eve, a storyteller takes his listeners back to the Dark Ages and a tale from his youth. `I have lived more years than I can remember, probably more than the sum of all your years combined. Kings have called me friend and brigands have sworn to burn the flesh from my bones, even if they have to search all seven halls of the shadowland to find me.' Deserted by its Roman masters, Britain has been invaded by the Saxons at the invitation of Vortigern, traitorous leader of the Britons. Now, as the tribes unite to reclaim their land, one man must rise to lead them and become their only true king. Shadowland is a young adult story of historical fantasy set in the Dark Ages of Britain; however, it is gathering fans of all ages. .................. Magical and moving, I couldn't put it down - Jacqueline Rodriguez "Shadowland" is a tensely written story about the dark days before the rise of King Arthur. Flawlessly weaving history, legend and imagination - Vered E for Readers' Favorite. Gray has a real gem starting with his subject and carries it through with an excellent delivery - Tom Clementson, Kindle Book Review