Lila Abu-Lughod boldly challenges this conclusion. An anthropologist who has been writing about Arab women for thirty years, she delves into the predicaments of Muslim women today, questioning whether generalizations about Islamic culture can explain the hardships these women face and asking what motivates particular individuals and institutions to promote their rights.In recent years Abu-Lughod has struggled to reconcile the popular image of women victimized by Islam with the complex women she has known through her research in various communities in the Muslim world. Here, she renders that divide vivid by presenting detailed vignettes of the lives of ordinary Muslim women, and showing that the problem of gender inequality cannot be laid at the feet of religion alone. Poverty and authoritarianism--conditions not unique to the Islamic world, and produced out of global interconnections that implicate the West--are often more decisive. The standard Western vocabulary of oppression, choice, and freedom is too blunt to describe these women's lives.Do Muslim Women Need Saving? is an indictment of a mindset that has justified all manner of foreign interference, including military invasion, in the name of rescuing women from Islam--as well as a moving portrait of women's actual experiences, and of the contingencies with which they live.

    Southwest. Humble ex-votos, retablos are usually painted on repurposed metal, and in one small tableau they tell the story of a crisis, and offer thanks for its successful resolution.In this uniquely framed memoir, playwright Octavio Solis channels his youth in El Paso, Texas. Like traditional retablos, the rituals of childhood and rites of passage are remembered as singular, dramatic events, self-contained episodes with life-changing reverberations.Living in a home just a mile from the Rio Grande, Octavio is a skinny brown kid on the border, growing up among those who live there, and those passing through on their way North. From the first terrible self-awareness of racism to inspired afternoons playing air trumpet with Herb Alpert, from an innocent game of hide-and-seek to the discovery of a Mexican girl hiding in the cotton fields, Solis reflects on the moments of trauma and transformation that shaped him into a man.Praise for Octavio Solis's Retablos "Unpretentiously and with an unerring accuracy of tone and rhythm, Solis slowly builds what amounts to a storybook cathedral. We inhabit a border world rich in characters, lush with details, playful and poignant, a border that refutes the stereotypes and divisions smaller minds create. Solis reminds us that sometimes the most profound truths are best told with crafted fictions--and he is a master at it."--Julia Alvarez is the author of How the Garc�a Girls Lost Their Accents, /p>"The murky flow of the Rio Grande River, the border patrol we call la migra, demons, a petty crime of stolen candy, street urchins, family squabbles, eccentric neighbors, and bike rides in which dust envelops a skinny kid named Octavio Solis. When he stops peddling years later, he'll spank the dust from his clothes, but not all of it. Some of it clings to his very soul, and will cling to us, the reader, in this tender and perceptive memoir. This is American and Mexican literature a stone's throw from the always hustling El Paso border."--Gary Soto, author of The Elements of San Joaquin "Octavio Solis isn't a painter, but he ought to be. He's not a poet, but he could be. His isn't fiction or memoir but, like dreams, might be either. His vision of El Paso and the border is as though through an undulating haze of desert heat."--Dagoberto Gilb, author of Before the End, After the Beginning: Stories"Solis has written beautifully about his youth on the border, never flinching from his childish blunders, nor failing to find soul in the frailties of others. These stories soar and shimmer with poetry and a playwright's gift for dramatic compression, comedy and pathos running through them arm in arm. Retablos is deeply moving, and a joy."--Elizabeth McKenzie, author of The Portable Veblen: A Novel "To enter into this book is like walking into a shrine, walls lined with beautiful paintings, each one colorful and visceral, depicting memories, life on the border, death and sadness and joy. This is one of the most memorable books written about the borderlands in years"--Daniel Chac�n, author of Hotel Ju�rez: Stories, Rooms and Loops"The short-short format is often called flash fiction these days, but Octavio Solis' stories are more like slow fiction: a moment unfolds, revealing a life, a way of life, generations. He explores the borderlands, not just the streets of El Paso where he grew up, just across the Rio Grande from Mexico, but also those liminal zones between fiction and nonfiction, childhood and adulthood, and magic and melancholy. Small but mighty, these stories will stay with you long after the moment has passed."--Frances Lefkowitz, author of To Have Not: A Memoir"A retablo is a devotional painting, playwright Octavio Solis tells us. In this poignantly written, heart-warming coming-of-age memoir, Solis pays tribute to those cornerstone moments in his life, negotiating borders at once personal and cultural, with such color that the reader is left spellbound. Astonishing, what more can I say?"--Greg Sarris, author of How a Mountain was Made: Stories

    Solito, Solita, (“Alone, Alone”), is a Voice of Witness collection of oral histories that tell the stories of youth refugees fleeing their home countries and traveling for hundreds of miles seeking safety and protection in the United States.These powerful narrators describe why they fled their homes, what happened on their dangerous journeys through Mexico, how they crossed the border, and their ongoing struggles to survive in the United States. In an era of fear, xenophobia, and outright lies, these stories amplify the compelling voices of immigrant youth. What can they teach us about abuse and abandonment, bravery and resilience, hypocrisy and hope? They bring us into their hearts and onto streets filled with the lure of freedom and fraught with violence. From fending off kidnappers with knives and being locked in freezing holding cells to tearful reunions with parents, Solito, Solita’s evocative stories bring to light the experiences of young people struggling for a better life across the border.Steven Mayers is a writer, oral historian, and professor of English at the City College of San Francisco.Jonathan Freedman is a Pulitzer Prize–winning journalist, author, and writing mentor at the City College of San Francisco.Voice of Witness, founded by Dave Eggers, Mimi Lok, and Lola Vollen, is a nonprofit organization that advances human rights by amplifying unheard voices. Part of the Voice of Witness series

    For decades in rural communities, in university towns, and in New South cities, white women performed myriad duties that upheld white over black: censoring textbooks, denying marriage certificates, deciding on the racial identity of their neighbors, celebrating school choice, canvassing communities for votes, and lobbying elected officials. They instilled beliefs in racial hierarchies in their children, built national networks, and experimented with a color-blind political discourse. Without these mundane, everyday acts, white supremacist politics could not have shaped local, regional, and national politics the way it did or lasted as long as it has.With white women at the center of the story, the rise of postwar conservatism looks very different than the male-dominated narratives of the resistance to Civil Rights. Women like Nell Battle Lewis, Florence Sillers Ogden, Mary Dawson Cain, and Cornelia Dabney Tucker publicized their threats to their Jim Crow world through political organizing, private correspondence, and journalism. Their efforts began before World War II and the Brown decision and persisted past the 1964 Civil Rights Act and anti-busing protests. White women's segregationist politics stretched across the nation, overlapping with and shaping the rise of the New Right. Mothers of Massive Resistance reveals the diverse ways white women sustained white supremacist politics and thought well beyond the federal legislation that overturned legal segregation.

    Craven Prize, Los Angeles Times Book Award, Francis Parkman Prize, and Lionel Trilling Prize.

    In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key creative and critical texts, Justice argues that Indigenous writers engage with these questions in part to challenge settler-colonial policies and practices that have targeted Indigenous connections to land, history, family, and self. More importantly, Indigenous writers imaginatively engage the many ways that communities and individuals have sought to nurture these relationships and project them into the future. This provocative volume challenges readers to critically consider and rethink their assumptions about Indigenous literature, history, and politics while never forgetting the emotional connections of our shared humanity and the power of story to effect personal and social change. Written with a generalist reader firmly in mind, but addressing issues of interest to specialists in the field, this book welcomes new audiences to Indigenous literary studies while offering more seasoned readers a renewed appreciation for these transformative literary traditions.

    The U.S. Army immediately began rounding up thousands of Japanese-Americans, sometimes giving them less than 24 hours to vacate their houses and farms. For the rest of the war, these victims of war hysteria were imprisoned in primitive camps.In Infamy, the story of this appalling chapter in American history is told more powerfully than ever before. Acclaimed historian Richard Reeves has interviewed survivors, read numerous private letters and memoirs, and combed through archives to deliver a sweeping narrative of this atrocity. Men we usually consider heroes-FDR, Earl Warren, Edward R. Murrow-were in this case villains, but we also learn of many Americans who took great risks to defend the rights of the internees. Most especially, we hear the poignant stories of those who spent years in "war relocation camps," many of whom suffered this terrible injustice with remarkable grace.Racism, greed, xenophobia, and a thirst for revenge: a dark strand in the American character underlies this story of one of the most shameful episodes in our history. But by recovering the past, Infamy has given voice to those who ultimately helped the nation better understand the true meaning of patriotism.Praise for Infamy“A compulsively readable, emotionally rich and passionately written account of the internment of 120,000 American Japanese in concentration camps during World War II.... Reeves' excellent Infamy, the first popular, general history of the subject in more than 25 years, reminds us that not only can it happen here, it did.... Every reader who has lived the post-9/11 era will immediately notice the parallels.”— Los Angeles Times “Highly readable.... The story of this national disgrace, long buried...still has the power to shock. [Infamy is a] vivid and instructive reminder of what war and fear can do to civilized people.” —Evan Thomas, The New York Times Book Review“History's judgment is that internment...was wrong. Mr. Reeves's excellent book gives us an opportunity to learn from past mistakes.... Reeves is especially good at bringing to life the social experience of internment.” — The Wall Street Journal “Richard Reeves's book on the harsh, prolonged and unjustified internment of Japanese-Americans during World War II is a detailed account of a painful and shameful period in modern American history. Infamy combines Reeves's journalist's training with his historian's eye to give us a page-turner on how hysteria at the highest levels can shatter our most fundamental rights. Brace yourself and read this very important book.” — Tom Brokaw, author of The Greatest Generation “For years, the unjust relocation and incarceration of more than 120,000 Japanese Americans living on the West Coast during World War II - the majority of them American citizens - was shrouded in shame and secrecy.... [Infamy's] greatest strength is probably Reeves's masterful use of anecdotes, which enliven an epic story with poignant tales of individual hardship, courage, and endurance.” — The Boston Globe “Infamy tells the story of why and how the American government--with the full support of its citizenry--illegally interned Japanese-Americans. Richard Reeves even-handedly examines this dangerous precedent-setting time when the Constitution was trampled by misinformation, prejudice, and fear. Today as Muslim and Hispanic immigrants are being blamed for America's ills, Infamy is a timely and important read.” — James Bradley, author of Flags of Our Fathers and The China Mirage “In Infamy, journalist Richard Reeves...provides a sweeping and searching account of this appalling chapter in the history of the United States.... Reeves reserves the heart of his book -- and rightfully so -- for a narrative of the heartbreaking experiences of evacuated individuals and families.” — San Francisco Chronicle “Infamy...is perhaps the most thorough history of the relocation to date.” — The Denver Post “More than 120,000 Japanese-Americans were locked up during World War II...[and Infamy] tells their tale with energy, compassion and moral outrage.... With meticulous care [Reeves documents] the decisions made in Washington by the world's most powerful men, and how those decisions affected the lives of ordinary Americans whose only crime was to be of Japanese descent.” — Minneapolis Star Tribune

    Helping to bring these forgotten figures into the light, Andrew Gimson's illuminating accounts are accompanied by sketches from Guardian sartirical cartoonist, Martin Rowson, making this the perfect gift for all lovers of history and politics.

    A passionate and subversive defense of the rights of women to study, to teach, and to write, it predates by almost a century and a half serious writings on any continent about the position and education of women. Also included in this wide-ranging selection is a new translation of Sor Juana's masterpiece, the epistemological poem "Primero Sueno, " as well as revealing autobiographical sonnets, reverential religious poetry, secular love poems (which have excited speculation through three centuries), playful verses, and lyrical tributes to New World culture that are among the earliest writings celebrating the people and the customs of this hemisphere. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    The Confessions of Nat Turner: The Leader of the Late Insurrection in Southampton, Virginia, is a first-hand account of Turner's confessions published by a local lawyer, Thomas Ruffin Gray, in 1831

    Lynn Dumenil brings a fresh interpretation to a dramatic, important, and misunderstood decade. As her lively work makes clear, changing values brought an end to the repressive Victorian era; urban liberalism emerged; the federal bureaucracy was expanded; pluralism became increasingly important to America's heterogeneous society; and different religious, ethnic, and cultural groups encountered the homogenizing force of a powerful mass-consumer culture. The Modern Temper brings these many developments into sharp focus.

    It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins.From 1629 to 1775, North America was settled by four great waves of English-speaking immigrants. The first was an exodus of Puritans from the east of England to Massachusetts (1629-1640). The second was the movement of a Royalist elite and indentured servants from the south of England to Virginia (ca. 1649-75). The third was the "Friends' migration,"--the Quakers--from the North Midlands and Wales to the Delaware Valley (ca. 1675-1725). The fourth was a great flight from the borderlands of North Britain and northern Ireland to the American backcountry (ca. 1717-75).These four groups differed in many ways--in religion, rank, generation and place of origin. They brought to America different folkways which became the basis of regional cultures in the United States. They spoke distinctive English dialects and built their houses in diverse ways. They had different ideas of family, marriage and gender; different practices of child-naming and child-raising; different attitudes toward sex, age and death; different rituals of worship and magic; different forms of work and play; different customs of food and dress; different traditions of education and literacy; different modes of settlement and association. They also had profoundly different ideas of comity, order, power and freedom which derived from British folk-traditions. Albion's Seed describes those differences in detail, and discusses the continuing importance of their transference to America.Today most people in the United States (more than 80 percent) have no British ancestors at all. These many other groups, even while preserving their own ethnic cultures, have also assimilated regional folkways which were transplanted from Britain to America. In that sense, nearly all Americans today are "Albion's Seed," no matter what their ethnic origins may be; but they are so in their different regional ways. The concluding section of Albion's Seed explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still control attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.Albion's Seed also argues that the four British folkways created an expansive cultural pluralism that has proved to the more libertarian than any single culture alone could be. Together they became the determinants of a voluntary society in the United States.

    It features a stunning array of personalities, from the women peering worriedly over the side of the Mayflower to feminists having a grand old time protesting beauty pageants and bridal fairs. Courageous, silly, funny, and heartbreaking, these women shaped the nation and our vision of what it means to be female in America. By culling the most fascinating characters — the average as well as the celebrated — Gail Collins, the editorial page editor at the New York Times, charts a journey that shows how women lived, what they cared about, and how they felt about marriage, sex, and work. She begins with the lost colony of Roanoke and the early southern "tobacco brides" who came looking for a husband and sometimes — thanks to the stupendously high mortality rate — wound up marrying their way through three or four. Spanning wars, the pioneering days, the fight for suffrage, the Depression, the era of Rosie the Riveter, the civil rights movement, and the feminist rebellion of the 1970s, America's Women describes the way women's lives were altered by dress fashions, medical advances, rules of hygiene, social theories about sex and courtship, and the ever-changing attitudes toward education, work, and politics. While keeping her eye on the big picture, Collins still notes that corsets and uncomfortable shoes mattered a lot, too. "The history of American women is about the fight for freedom," Collins writes in her introduction, "but it's less a war against oppressive men than a struggle to straighten out the perpetually mixed message about women's roles that was accepted by almost everybody of both genders." Told chronologically through the compelling stories of individual lives that, linked together, provide a complete picture of the American woman's experience, America's Women is both a great read and a landmark work of history.

    It ends in around 1800 when the rough outline of the contemporary North America could be perceived.Dropping the usual Anglocentric description of North America's fate, Taylor brilliantly conveys the far more vivid and startling story of the competing interests--Spanish, French, English, Native, Russian--that over the centuries shaped and reshaped both the continent and its 'suburbs' in the Caribbean and the Pacific. It is one of the greatest of all human stories.

    . . . As one young Sandinista commented, 'Rambo is like the Nicaraguan soldier. He's a superman. And if the United States invades, we'll cut the marines down like Rambo did.' And then he mimicked Rambo's famous war howl and mimed his arc of machine gun fire. We both laughed."—from the bookThere is a Nicaragua that Americans have rarely seen or heard about, a nation of jarring political paradoxes and staggering social and cultural flux. In this Nicaragua, the culture of machismo still governs most relationships, insidious racism belies official declarations of ethnic harmony, sexual relationships between men differ starkly from American conceptions of homosexuality, and fascination with all things American is rampant. Roger Lancaster reveals the enduring character of Nicaraguan society as he records the experiences of three families and their community through times of war, hyperinflation, dire shortages, and political turmoil.Life is hard for the inhabitants of working class barrios like Doña Flora, who expects little from men and who has reared her four children with the help of a constant female companion; and life is hard for Miguel, undersized and vulnerable, stigmatized as a cochón—a "faggot"—until he learned to fight back against his brutalizers.Through candid discussions with young and old Nicaraguans, men and women, Lancaster constructs an account of the successes and failures of the 1979 Sandinista Revolution, documenting the effects of war and embargo on the cultural and economic fabric of Nicaraguan society. He tracks the break up of families, surveys informal networks that allow female-headed households to survive, explores the gradual transformation of the culture of machismo, and reveals a world where heroic efforts have been stymied and the best hopes deferred. This vast chronicle is sustained by a rich theoretical interpretation of the meanings of ideology, power, and the family in a revolutionary setting.Played out against a backdrop of political travail and social dislocation, this work is a story of survival and resistance but also of humor and happiness. Roger Lancaster shows us that life is hard, but then too, life goes on.