Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Edith Wharton (1862-1937).Wharton's works available in Penguin Classics are Ethan Frome, The Age of Innocence, The Custom of the Country and The House of Mirth.

    It follows her on a regular Sunday afternoon in the park, which she spends walking and sitting in the park, wearing an old but beloved fur. She sees the world as if it were a stage, and enjoys watching the people around her, often judging them condescendingly. However, she then overhears a young couple's remarks about her, and realizes that she is as bad as the people that she judges.

    Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Guy de Maupassant (1850-1893). Maupassant's works available in Penguin Classics are A Parisian Affair and Other Stories, Bel-Ami and Pierre and Jean.

    Dupin he invented the detective story; and tales such as 'MS. Found in a Bottle' and 'Von Kempelen and His Discovery' pioneered modern science-fiction.As readers will discover, Poe possessed an unrivalled capacity to create atmosphere and suspense, and to probe the dark depths of the human psyche. All the stories in this volume push back the boundaries, making the improbable possible, the familiar terrifying and strange.Contents:9 • Introduction (Selected Tales) • essay by John Curtis19 • The Duc de L'Omelette • [Tales of the Folio Club] • (1832) • shortstory by Edgar Allan Poe (variant of The Duke de L'Omelette)23 • MS. Found in a Bottle • [Tales of the Folio Club] • (1833) • shortstory by Edgar Allan Poe35 • The Assignation • [Tales of the Folio Club] • (1834) • shortstory by Edgar Allan Poe (variant of The Visionary)48 • Ligeia • (1838) • shortstory by Edgar Allan Poe65 • How to Write a Blackwood Article • (1838) • shortstory by Edgar Allan Poe (variant of The Psyche Zenobia)76 • The Fall of the House of Usher • (1839) • shortstory by Edgar Allan Poe96 • William Wilson • (1839) • novelette by Edgar Allan Poe (variant of William Wilson: A Tale)118 • The Murders in the Rue Morgue • [Chevalier Dupin] • (1841) • novelette by Edgar Allan Poe154 • A Descent into the Maelström • (1841) • shortstory by Edgar Allan Poe172 • The Island of the Fay • (1841) • shortstory by Edgar Allan Poe178 • The Colloquy of Monos and Una • (1841) • shortstory by Edgar Allan Poe188 • The Oval Portrait • (1842) • shortstory by Edgar Allan Poe192 • The Masque of the Red Death • (1842) • shortstory by Edgar Allan Poe (variant of The Mask of the Red Death)199 • The Mystery of Marie Rogêt • [Chevalier Dupin] • (1842) • novella by Edgar Allan Poe251 • The Pit and the Pendulum • (1842) • shortstory by Edgar Allan Poe267 • The Tell-Tale Heart • (1843) • shortstory by Edgar Allan Poe273 • The Gold-Bug • (1843) • novelette by Edgar Allan Poe311 • The Black Cat • (1843) • shortstory by Edgar Allan Poe322 • The Premature Burial • (1844) • shortstory by Edgar Allan Poe337 • The Purloined Letter • [Chevalier Dupin] • (1844) • novelette by Edgar Allan Poe357 • The Imp of the Perverse • (1845) • shortstory by Edgar Allan Poe364 • The Facts in the Case of M. Valdemar • (1845) • shortstory by Edgar Allan Poe374 • The Cask of Amontillado • [Fortunado] • (1846) • shortstory by Edgar Allan Poe382 • The Domain of Arnheim • (1842) • shortstory by Edgar Allan Poe (variant of The Landscape-Garden)399 • Von Kempelen and His Discovery • (1849) • shortstory by Edgar Allan Poe

    A vivid assortment of characters, among them the struggling writer Adam Fenwick-Symes and the glamorous, aristocratic Nina Blount, hunt fast and furiously for ever greater sensations and the hedonistic fulfilment of their desires. Evelyn Waugh’s acidly funny and experimental satire shows a new generation emerging in the years after the First World War, revealing the darkness and vulnerability beneath the glittering surface of the high life.

    Lucentio falls in love with Bianca, the apparently ideal younger daughter of the wealthy Baptista Minola. But before they can marry, Bianca's formidable elder sister, Katherine, must be wed. Petruchio, interested only in the huge dowry, arranges to marry Katherine -against her will- and enters into a battle of the sexes that has endured as one of Shakespeare's most enjoyable works.

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    . .Set in a desolate English port, Conrad’s spare, savage turn-of-the-century story of lives haunted by the sea. One of Conrad’s most powerful, gripping stories.[ Joseph Conrad (1857–1924) ]Little Black Classics celebrates Penguin’s 80th birthday, introducing 80 works from the classics.

    Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire—though he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature.   • Includes a chronology, suggestions for further reading, notes, glossary, and an appendix of Fielding's revisions   • Introduction discusses narrative tecniques and themes, the context of eighteenth-century fiction and satire, and the historical and political background of the Jacobite revolutionFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction.In North and South, Elizabeth Gaskell skillfully fuses individual feeling with social concern, and in Margaret Hale creates one of the most original heroines of Victorian literature.

    This edition offers the original story with all its atmospheric Victorian trimmings. The story of Todd's murderous partnership with pie-maker Margery Lovett--at once inconceivably unpalatable and undeniably compelling--has subsequently set the table for a seemingly endless series of successful dramatic adaptations, popular songs and ballads, novellas, radio plays, graphic novels, ballets, films, and musicals. Both gleeful and ghoulish, the original tale of Sweeney Todd, first published under the title The String of Pearls, combines the story of Todd's grisly method of robbing and dispatching his victims--by way of Mrs. Lovett's meat pies--with a romantic sub-plot involving deception, disguise, and detective work, set against the backdrop of London's dark and unsavory streets. Editor Robert Mack 'fleshes' out the story with a fascinating introduction touching on the origins of the tale, the growth of the legend, and a history of its many retellings. Mack also includes explanatory notes that point out interesting aspects, plus a full chronology of the many versions of Sweeney Todd.Since Sweeney Todd first entered the public imagination in the mid-nineteenth-century, his exploits have chilled and fascinated audiences around the world. This new edition allows modern readers to savor the ghastly original in all its gruesome glory.

    Included are: Alice's Adventures in Wonderland, Through the Looking-Glass, Sylvie and Bruno, Sylvie and Bruno Concluded, "The Hunting of the Snark," and Lewis' poetry, phantasmagoria, stories, miscellany, and "acrostics, inscriptions, and other verse."The following have also never appeared in print except in their original editions: "Resident Women Students," "Some Popular Fallacies about Vivisection," "Lawn Tennis Tournaments," "Rules for Court Circular," "Croquet Castles," "Mischmasch," "Doublets," "A Postal Problem," "The Alphabet-Cipher," and "Introduction to The Lost Plum Cake."

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    In a satanic bargain, Melmoth exchanges his soul for immortality. The story of his tortured wanderings through the centuries is pieced together through those who have been implored by Melmoth to take over his pact with the devil. Influenced by the Gothic romances of the late 18th century, Maturin's diabolic tale raised the genre to a new and macabre pitch. Its many admirers include Poe, Balzac, Oscar Wilde and Baudelaire.

    He imagines us capable of disinterested curiosity in the behaviour of our kind.' In this, the most dazzlingly intellectual of all his novels, Meredith tries to illuminate the pretensions of the most powerful class within the very citadel of security which its members have built. He develops to their logical extremity his ideas on egoism, on sentimentality and on the power of comedy. Meredith saw egoism as the great enemy of truth, feeling and progress, and comedy as the great dissolver of artifice. The Egoist is the extreme expression of his recurrent theme: the defeat of egoism by the power of comedy.