A famous short story

    It was a ''big country needing big men and women to live in it.'' This volume presents nine of L'Amour's ever-popular short stories - history that lives forever.Riding for the Brand : After a narrow escape, Jed Asbury comes across a derelict covered wagon, the people and their horses killed. Now outfitted in new clothes and guns, he decides to finish what the former owners had set out to do.Four Card Draw : Allen Ring drew four cards in a poker game with Ben Taylor and won a small ranch. It's all Allen had ever hoped to have - but Marshall Bilton is determined to make things difficult.His Brother's Debt : Rock Casady is considered a coward because he won't go into town. But that was before Sue Landon asked Rock to accompany her to make some needed purchases - and Casady can't say no to a lady.A Strong Land Growing : Marshal Fitz Moore of Sentinel hears that outlaws plan to hit his town. Their method is to kill the lawman first, then loot the town. Nevertheless, Moore intends to make his stand.The Turkeyfeather Riders : Jim Sandifer, foreman for the B Bar ranch, plans to come clean about a raid he stopped on the Katrischen spread - even though it will bring an end to his life at the ranch and ruin his only chance with the girl he loves.Lit a Shuck for Texas : The Sandy Kid is nineteen and new to this range. He gets curious when he tells his boss, Wald, of a rich-veined chunk of gold ore on Wald's land but gets only anger in response.The Nester and the Paiute : The Paiute is the local bad man. But as bad as his rustling and killing has been, Sheriff Todd had never caught him with real evidence - but that was before the Nester rode in . . .Barney Takes a Hand : The H&C Cattle Company has an eviction notice for Tess Bayeux. Tess has been waiting for help from Rex Tilden, but he hasn't responded. She supposes that this new fellow, Barney, will be no help at all, but in that she is wrong.Man Riding West : Jim Gary, the man riding west, comes upon three men pushing cattle. Red Slagle seems friendly enough and even offers Jim a job riding herd. Jim can use the money, and the herd is moving the same direction he is, which is good luck for him - unless the herd is stolen.

    It is the story of an American Army Lieutenant Philip Nolan, who gets entangled with Aaron Burr in 1807, and renounces his country during his trial for treason, saying he never wanted to hear about the United States again. The Judge asks him to recant but Nolan doesn't. So the Judge granted his request and the rest of his life Nolan spent on Navy ships around the world. The officers and crew were not allowed to mention the United States.This story came out during the height of the Civil War and served to help the Union recruit soldiers and people to their cause. It is noteworthy that Edward Everett Hale's Uncle, Edward Everett, than man he was named after, gave the two hour featured address at Gettysburg just before Lincoln's speech of 209 words and two minutes, that became the best acknowledged speech in American life. Everett, like Hale, was a total patriot and honest man, and immediately congratulated Lincoln on his fine accomplishment, "You have done far better in your two minutes than I did in my 2 hours.""The Man without a Country" is still considered a major American work and read widely in American schools.. A quiet calm read letting the story speak for itself.

    Here are urban upheavals reimagined as frontier myth; travelogues through countries that might have been created by Kafka; cryptic dialogues that bore down to the bedrock of our longings, dreams, and angsts. Like all of Donald's work, the sixty stories collected in this volume are triumphs of language and perception, at once unsettling and irresistible.

    Whether addressing the smothered desire of suburban housewives, the white-collar despair of Manhattan office workers or the heartbreak of a single mother with artistic pretensions, Yates ruthlessly examines the hopes and disappointments of ordinary people with empathy and humour.Contents: Doctor Jack-o'-Lantern --The best of everything --Jody rolled the bones --No pain whatsoever --A glutton for punishment --A wrestler with sharks --Fun with a stranger --The B.A.R. man --A really good jazz piano --Out with the old --Builders --Oh, Joseph, I'm so tired --A natural girl --Trying out for the race --Liars in love --A compassionate leave --Regards at home --Saying goodbye to Sally --The canal --A clinical romance --Bells in the morning --Evening on the Cote d'Azur --Thieves --A private possession --The comptroller and the wild wind --A last fling, like --A convalescent ego.

    Girl was originally published in the June 26, 1978 issue of The New Yorker and subsequently included in the short story collection At the Bottom of the River in 1983.

    Across the border Mexico beckons—beautiful and desolate, rugged and cruelly civilized. With two companions, he sets off on an idyllic, sometimes comic adventure, to a place where dreams are paid for in blood.

    The Old Order brings these together in a single volume, including six stories from The Leaning Tower, three stories from Flowering Judas, and the short novel “Old Mortality” from Pale Horse, Pale Rider.The source --The old order --The witness --The circus --The last leaf --The grave --The jilting of Granny Weatherall --He --Magic --Old mortality

    Seventeen stories written over the past fifteen years reveal the author's vision of human love and tragedy.Wants --Debts --Distance --Faith in the afternoon --Gloomy tune --Living --Come on, ye sons of art --Faith in a tree --Samuel --The burdened man --Enormous changes at the last minute --Politics --Northeast playground --The little girl --A conversation with my father --The immigrant story --The long-distance runner

    When she reconnects with her childhood friend Clare Kendry, who is similarly light-skinned, Irene discovers that Clare has been passing for a white woman after severing ties to her past--even hiding the truth from her racist husband.Clare finds herself drawn to Irene's sense of ease and security with her Black identity and longs for the community (and, increasingly, the woman) she lost. Irene is both riveted and repulsed by Clare and her dangerous secret, as Clare begins to insert herself--and her deception--into every part of Irene's stable existence. First published in 1929, Larsen's brilliant examination of the various ways in which we all seek to "pass," is as timely as ever.

    A radio script adapted from Carl Stephenson's famous short story about a man's fignt against a vast army of ants threatening to destroy the man's jungle plantation.

    This collection of more than a dozen pieces showcases the young Capote developing the unique voice and sensibility that would make him one of the twentieth century’s most original writers. Spare yet heartfelt, these stories summon our compassion and feeling at every turn. Capote was always drawn to outsiders—women, children, African Americans, the poor—because he felt like one himself from a very early age. Here we see Capote’s powers of empathy developing as he depicts his characters struggling at the margins of their known worlds. A boy experiences the violence of adulthood when he pursues an escaped convict into the woods. Petty jealousies lead to a life-altering event for a popular girl at Miss Burke’s Academy for Young Ladies. In a time of extraordinary loss, a woman fights to save the life of a child who has her lover’s eyes. In these stories we see early signs of Capote’s genius for creating unforgettable characters built of complexity and yearning. Young women experience the joys and pains of new love. Urbane sophisticates are worn down by cynicism. Children and adults alike seek understanding in a treacherous world. There are tales of crime and violence; of racism and injustice; of poverty and despair. And there are tales of generosity and tenderness; compassion and connection; wit and wonder. Above all there is the developing voice of a writer born in the Deep South who will use and eventually break from that tradition to become a literary figure like no other. With a foreword by the celebrated New Yorker critic Hilton Als, this volume of early stories is essential for understanding how a boy from Monroeville, Alabama, became a legend in American literature.Praise for The Early Stories of Truman Capote “Succeeds at conveying the writer’s youthful rawness . . . These stories capture a moment when Capote was hungry to capture the rural South, the big city, and the subtle emotions that so many around him were determined to keep unspoken.”—USA Today “A window on the young writer’s emerging voice and creativity . . . Capote’s ability to conjure a time, place and mood with just a few sentences is remarkable.”—Associated Press “[Capote’s early] stories are special. Not just because they give a glimpse of an author finding his voice; or for the traces of his masterpieces. But also because they stand in their own right as lovely vignettes of the lives of the lonely, broken and troubled. . . . If you consider they were written when he was a child—aged between eleven and nineteen—then they become breathtaking in their precocity, craftsmanship, simplicity and the tenderness he became renowned for.”—The Independent (U.K.)“These ten-plus stories were written when Capote was a teenager and young man and will shed light on his subsequent work while remaining sharply observed pleasures in their own right.”—Library Journal“[A] gathering of the great American prose stylist’s earliest pieces, published for the first time . . . Students of both Capote and the short story will find this instructive and entertaining.”—Kirkus ReviewsFrom the Hardcover edition.

    In their intensity of perception, their neon-lit evocation of a strange world brought uncomfortably close to our own, the stories in Jesus' Son offer a disturbing yet eerily beautiful portrayal of American loneliness and hope.Contains:Car Crash While HitchhikingTwo MenOut on BailDundunWorkEmergencyDirty WeddingThe Other ManHappy HourSteady Hands at Seattle GeneralBeverly Home'

    Among contributions by Gwendolyn Bennett, Countee Cullen, Langston Hughes, and Wallace Thurman, "Sweat" stood out both for its artistic accomplishment and its exploration of rural Southern black life. In "Sweat" Hurston claimed the voice that animates her mature fiction, notably the 1937 novel Their Eyes Were Watching God; the themes of marital conflict and the development of spiritual consciousness were introduced as well. "Sweat" exemplifies Hurston's lifelong concern with women's relation to language and the literary possibilities of black vernacular.This casebook for the story includes an introduction by the editor, a chronology of the author's life, the authoritative text of "Sweat," and a second story, "The Gilded Six-Bits." Published in 1932, this second story was written after Hurston had spent years conducting fieldwork in the Southern United States. The volume also includes Hurston's groundbreaking 1934 essay, "Characteristics of Negro Expression," and excerpts from her autobiography, Dust Tracks on a Road. An article by folklorist Roger Abrahams provides additional cultural contexts for the story, as do selected blues and spirituals. Critical commentary comes from Alice Walker, who led the recovery of Hurston's work in the 1970s, Robert Hemenway, Henry Louis Gates, Gayl Jones, John Lowe, Kathryn Seidel, and Mary Helen Washington.

    Depicting both the horrors of the Holocaust and the lifetime of emptiness that pursues a survivor, 'The Shawl' and 'Rosa' recall the psychological and emotional scars of those who suffered at the hands of the Nazis.