The feelings Miss Harriett Ponsonby stirs in him are less than welcome, but when he is left battling for his life, he has no option but to seek the help of the one woman who stirs his soul. The very last thing he wants or needs is to feel any attraction toward the delightfully intriguing Miss Harriett Ponsonby, especially when it appears that her father is involved with the spy smugglers Hugo has been sent to arrest. Torn between his desire for Harriett, and his duties as a member of the Star Elite, decisions don't come more difficult for Hugo when someone tries to take her life, and he finds himself becoming her bodyguard! Can he really send his future father-in-law to jail if he is guilty of spy smuggling? Will his obligation to carry out his orders cost him the hand of the only woman who has ever come close to touching this battle-hardened warrior's heart? Can they identify not only one, but two murderers in time to prevent another death? Book one of the brand new Star Elite series introduces one of England's elite fighting units as they battle to protect England's borders from French spies, murderers, smugglers and thieves while they battle with the demons on the past, and the women who will change their lives forever. Book 2 - Smuggler's Glory released 20th November 2013. Book 3 - His Lady Spy released January 2014.

    Successive popes accorded to Christian warriors willing to participate in the peninsular wars against Islam the same crusading benefits offered to those going to the Holy Land. Joseph F. O'Callaghan clearly demonstrates that any study of the history of the crusades must take a broader view of the Mediterranean to include medieval Spain.Following a chronological overview of crusading in the Iberian peninsula from the late eleventh to the middle of the thirteenth century, O'Callaghan proceeds to the study of warfare, military finance, and the liturgy of reconquest and crusading. He concludes his book with a consideration of the later stages of reconquest and crusade up to and including the fall of Granada in 1492, while noting that the spiritual benefits of crusading bulls were still offered to the Spanish until the Second Vatican Council of 1963.Although the conflict described in this book occurred more than eight hundred years ago, recent events remind the world that the intensity of belief, rhetoric, and action that gave birth to crusade, holy war, and jihad remains a powerful force in the twenty-first century.

    In Lucifer, Jeffrey Burton Russell continues his compelling study of the personification of evil in the figure of the Devil. The previous two volumes in this remarkable tertalogy--The Devil and Satan--trace the history of the concept of the devil comparatively as it emerged in diverse cultures and followed its development in Western thought from the ancient Hebrew religion through the first five centuries of the Christian era.The present volume charts the evolution of the concept of the devil from the fifth century through the fifteenth. Drawing on an impressive array of sources from popular religion, art, literature, and drama, as well as from scholastic philosophy, mystical theology, homiletics, and hagiography, Russell provides a detailed treatment of Christian diabology in the Middle Ages. Although he focuses primarily on Western Christian thought, Russell also includes, for the sake of comparison, material on the concept of the devil in Greek Orthodoxy during the Byzantine period as well as in Muslim thought.Russell recounts how the Middle Ages saw a refinement in detail rather than a radical alteration of diabological theory. He shows that the medieval concept of the devil, fundamentally unchanged over the course of the centuries, eventually gave rise to the unyielding beliefs that resulted in the horrifying cruelties of the witch-hunting craze in the 1500s and 1600s. This major contribution to the history of the Middle Ages and to the history of religion will enlighten scholars and students alike and will appeal to anyone concerned with the problem of evil in our world.

    Probably composed between 1372 and 1389, the poem survives in three distinct versions. It is known to modern readers largely through the middle of the three, the so-called B-text. Now, George Economou's verse translation of the poet's third version makes available for the first time in modern English the final revision of a work that many have regarded as the greatest Christian poem in our language.Langland's remarkable powers of invention and his passionate involvement with the spiritual, social, and political crises of his time lay claim to our attention, and demand serious comparison with Dante's Divine Comedy. Economou's translation preserves the intensity of the poet's verse and the narrative energy of his alliterative long line, the immediacy of the original's story of the quest for salvation, and the individuality of its language and wordplay.

    They find a safe haven in the isolated Norfolk village where Seb was born. Yet this idyllic rural setting has its own murderous secrets and a terrible crime requires our hero to play the sleuth once more.Even away from London, Seb and Emily are not as safe as they believe - their enemies are closer than they know and danger lurks at every twist and turn. The sixth Sebastian Foxley medieval murder mystery from bestselling author Toni Mount brings the medieval era to life once again.

    

    Violence in the Middle Ages, however, functioned differently, according to David Nirenberg. In this provocative book, he focuses on specific attacks against minorities in fourteenth-century France and the Crown of Aragon (Aragon, Catalonia, and Valencia). He argues that these attacks--ranging from massacres to verbal assaults against Jews, Muslims, lepers, and prostitutes--were often perpetrated not by irrational masses laboring under inherited ideologies and prejudices, but by groups that manipulated and reshaped the available discourses on minorities. Nirenberg shows that their use of violence expressed complex beliefs about topics as diverse as divine history, kinship, sex, money, and disease, and that their actions were frequently contested by competing groups within their own society.Nirenberg's readings of archival and literary sources demonstrates how violence set the terms and limits of coexistence for medieval minorities. The particular and contingent nature of this coexistence is underscored by the book's juxtapositions--some systematic (for example, that of the Crown of Aragon with France, Jew with Muslim, medieval with modern), and some suggestive (such as African ritual rebellion with Catalan riots). Throughout, the book questions the applicability of dichotomies like tolerance versus intolerance to the Middle Ages, and suggests the limitations of those analyses that look for the origins of modern European persecutory violence in the medieval past.

    When they find a home off the Frankish coast they begin to accumulate a vast fortune which earns them the enmity of other Vikings. The novel culminates in a bloody battle where Viking fights Viking but Hrolf begins to fulfill his destiny as Hrolf the Horseman!

    But Rownt has problems of his own: a gang of child-thieves is terrorizing the quiet neighborhood in which he lives, and his neighbors want protection. Then the Fox, head of London’s criminal underworld, becomes involved, and a deadly situation becomes deadlier when one of the Fox’s men stabs the wrong boy. In a world where violence and theft seem everyday occurrences, Rownt searches for justice among A Parcel of Rogues.

    In The King's Two Bodies, Kantorowicz traces the historical problem posed by the King's two bodies--the body politic and the body natural--back to the Middle Ages and demonstrates, by placing the concept in its proper setting of medieval thought and political theory, how the early-modern Western monarchies gradually began to develop a political theology.?The king's natural body has physical attributes, suffers, and dies, naturally, as do all humans; but the king's other body, the spiritual body, transcends the earthly and serves as a symbol of his office as majesty with the divine right to rule. The notion of the two bodies allowed for the continuity of monarchy even when the monarch died, as summed up in the formulation The king is dead. Long live the king.Bringing together liturgical works, images, and polemical material, The King's Two Bodies explores the long Christian past behind this political theology. It provides a subtle history of how commonwealths developed symbolic means for establishing their sovereignty and, with such means, began to establish early forms of the nation-state.Kantorowicz fled Nazi Germany in 1938, after refusing to sign a Nazi loyalty oath, and settled in the United States. While teaching at the University of California, Berkeley, he once again refused to sign an oath of allegiance, this one designed to identify Communist Party sympathizers. He was dismissed as a result of the controversy and moved to the Institute for Advanced Study in Princeton, where he remained for the rest of his life, and where he wrote The King's Two Bodies.

    It isn’t until a trick of fate sends her sprawling under a noblewoman’s horse that her life takes a different turn. But is it for the best or is she being pulled into a web of intrigue and lies? A prequel to the Imp of Eye, it will appeal to fans of Dorothy Dunnett’s gripping and intrigue filled plots.This novella begins the Renaissance Sojourner Series. A wonderfully spun gem of a story of 15th century London, beautifully brought to life by the reigning queens of historical fiction. Real magic! C.M.T. Stibbe, author of Chasing Pharaohs.

    All he knew was the pain and suffering he had caused…and the pain he now felt from the fateful fall from the tree limb that now lay splintered beneath him. As certain death was about to befall him, he was granted a chance of redemption. Somehow, he was deemed worthy of a second chance but it would come with a price. The price would plunge him into a world between the living and the dead, where isolation was his only companion. Isolation and time….Those were things he would have an abundance of to ponder the misdeeds he had wrought throughout his life. Old hatreds of the past prevented Derek from opening the path of redemption. Love would be the only thing to save his soul from the endless years spent not quite a man; not quite a ghost. His punishment was severe and an ancient curse prevented him from satisfying his human needs in every sense. He knew want; he knew loneliness. Only in the Tower, protected by the Guardians of the past, could he claim his humanity. The tower held the key to unlock Derek Campbell from the prison of his soul and of his heart. Kiera Callum was running from a failed relationship and a career with a sadistic and abusive boss. The Highlands of Scotland seemed like just the balm to soothe her battered spirit. She never dreamed that taking the menial job as a tour guide would afford her to actually live in the main quarters of Castle Campbell. She also could not imagine that the Keep came complete with a 700 year old spirit. It seemed Kiera ran from many things in her life when the going got tougher. One of those things was her ability to sense the spirits of those who had gone before. She had denied that gift her entire life because it marked her as a freak. Only now there was nowhere to run. Kiera had to finally face everything she had run from in order to help the trapped soul of a medieval man whose presence was the most vital thing she had ever encountered. She would have to learn to trust in the things that could not be explained. Things are not always as they appear… Could love end his torment? Would Kiera be able to open her heart enough to release him from the prison of isolation? Would her love be strong enough to let him go? Celtic Spirit spans six and half centuries where the past and present collide. Love can bridge time and space. Love is eternal.

    The great city of Constantinople, last remnant of the once-mighty Roman Empire, falls to the Ottoman armies of Sultan Mehmed the Conqueror. An English knight named Sir John Page is taken prisoner by the Ottomans, and forced to entertain the Sultan with tales of the West. Page chooses to tell the story of his own long career as a soldier of fortune in France, Bohemia and the Italian city-states. Page’s tale begins in the year of Agincourt, Henry V’s famous victory over the French. As the bastard son of Thomas Page, a famous mercenary captain known as The Half-Hanged Man or The Wolf of Burgundy, Page soon acquires the nickname of The Wolf Cub. After slaying his cousin in a duel, Page flees his home and joins a band of outlaws in the forests of Sussex. At last - tired of the brutality of his companions - he decides to leave England and join the English army in Normandy. There he endures brutal sieges, vicious combats, torture, betrayal and imprisonment, all to win glory and redeem his father's name. Trapped in the Sultan’s prison, Page must hope his story is enough to save him from the executioner’s blade....at least for another three days...

    Did Muslims and Jews in the Middle Ages cohabit in a peaceful interfaith utopia? Or were Jews under Muslim rule persecuted, much as they were in Christian lands? Rejecting both polemically charged myths, Mark Cohen offers a systematic comparison of Jewish life in medieval Islam and Christendom--the first in-depth explanation of why medieval Islamic-Jewish relations, though not utopic, were less confrontational and violent than those between Christians and Jews in the West.

    Extensively researched and compellingly told, it introduces us to the passionate drama and violent upheaval of eleventh-century Europe. The world as we know it, and the English language, would have been vastly different were it not for the driving ambition of one man: William the Conqueror. But conquerors are made, not born, and William was made in fire and blood. How does a boy become a man, surviving a tumultuous and terrifying childhood? And how does that man become a legend? William Rising plunges us into this world of danger and betrayal, of choosing sides and dying for absolutes. It follows the creation of a conqueror, as he grows up abandoned, learns to fight at an early age for anything he hopes to keep, and is sculpted into a remorseless, far-sighted, ruthlessly efficient soldier and statesman. From his origins as an orphaned, penniless bastard boy, to his personal and political trials by fire, to the climactic battle with his rebellious barons where he finally comes of age, the young duke increasingly establishes himself as a force to be reckoned with. But as the shadowy intrigues of English politics, and the all-consuming question of an heir for a childless king, begin to draw him into their web, it may just be that William of Normandy has a destiny far greater than even he has ever dreamed.