A highly regarded expert on housing for the elderly who is herself getting on in age, she drives “restlessly round England,” which is “her last love . . . She wants to see it all before she dies.” Amid the professional conferences she attends, she fits in visits to old friends, brings home-cooked dinners to her ex-husband, texts her son, who is grieving over the sudden death of his girlfriend, and drops in on her daughter, a quirky young woman who lives in a floodplain in the West Country. The space between vitality and mortality suddenly seems narrow, but Fran “is not ready to settle yet, with a cat upon her knee.” She still prizes her “frisson of autonomy,” her belief in herself as a dynamic individual doing meaningful work in the world.This dark and glittering novel moves back and forth between an interconnected group of family and friends in England, and a seemingly idyllic expat community in the Canary Islands. It is set against a backdrop of rising flood tides in Britain and the seismic fragility of the Canaries, where we also observe the flow of immigrants from an increasingly war-torn Middle East. With Margaret Drabble’s characteristic wit and deceptively simple prose, The Dark Flood Rises enthralls, entertains, and asks existential questions in equal measure. Of course, there is undeniable truth in Francesca’s insight: “Old age, it’s a fucking disaster!”

    And in that barn, you’ll find Dan. He’s a maker of exquisite harps - but not a great maker of conversation. He’s content in his own company, quietly working and away from social situations that he doesn’t always get right.But one day, a cherry-socked woman stumbles across his barn and the conversation flows a little more easily than usual. She says her name’s Ellie, a housewife, alone, out on her daily walk and, though she doesn’t say this, she looks sad. He wants to make her feel better, so he gives her one of his harps, made of cherry wood.And before they know it, this simple act of kindness puts them on the path to friendship, big secrets, pet pheasants and, most importantly, true love.

    With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently. Thirty years on, half a life away, the phone rings. Tully has news.Mayflies is a memorial to youth's euphorias and to everyday tragedy. A tender goodbye to an old union, it discovers the joy and the costs of love.

    A tour-de-force about two women and the piano that inexorably ties their lives together through time and across continents, for better and for worse.In 1962, in the Soviet Union, eight-year-old Katya is bequeathed what will become the love of her life: a Blüthner piano, built at the turn of the century in Germany, on which she discovers everything that she herself can do with music and what music, in turn, does for her. Yet after marrying, she emigrates with her young family from Russia to America, at her husband's frantic insistence, and her piano is lost in the shuffle.In 2012, in Bakersfield, California, twenty-six-year-old Clara Lundy loses another boyfriend and again has to find a new apartment, which is complicated by the gift her father had given her for her twelfth birthday, shortly before he and her mother died in a fire that burned their house down: a Blüthner upright she has never learned to play. Ophaned, she was raised by her aunt and uncle, who in his car-repair shop trained her to become a first-rate mechanic, much to the surprise of her subsequent customers. But this work, her true mainstay in a scattered life, is put on hold when her hand gets broken while the piano's being moved--and in sudden frustration she chooses to sell it. And what becomes crucial is who the most interested party turns out to be. . .

    With the war over and London still rebuilding, jazz musician Lawrie Matthews has answered England’s call for labour. Arriving from Jamaica aboard the Empire Windrush, he’s rented a tiny room in south London and fallen in love with the girl next door.Playing in Soho’s jazz clubs by night and pacing the streets as a postman by day, Lawrie has poured his heart into his new home ― and it’s alive with possibility. Until one morning, while crossing a misty common, he makes a terrible discovery.As the local community rallies, fingers of blame point at those who were recently welcomed with open arms. And before long, London’s newest arrivals become the prime suspects in a tragedy that threatens to tear the city apart. Immersive, poignant, and utterly compelling, Louise Hare’s debut examines the complexities of love and belonging, and teaches us that even in the face of anger and fear, there is always hope.

    His old life is gone.In the Wake is the story of Arvid's first steps toward resuming that life, of his gradual confrontation with everything he lost and ultimately with his own role in the disaster that killed his family.Told with the insight and moral force of his countryman Knut Hamsun, In the Wake is the American debut of a treasured European writer.

    Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—Never Mind, Bad News, Some Hope, and Mother’s Milk, a Man Booker finalist—to coincide with the publication of At Last, the final installment of this unique novel cycle.By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery. Never Mind, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel, Bad News opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel, Some Hope, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted Mother’s Milk, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

    She arrived on foot, with a rucksack and a carrier bag. “I just walked away,” she said, climbing on to the boat. Eve knew what she meant.Meet Eve, who has left her thirty-year career to become a Free Spirit; Sally, who has waved goodbye to her indifferent husband and two grown-up children; and Anastasia, a defiantly independent narrowboat-dweller, who is suddenly landlocked and vulnerable.Before they quite know what they’ve done, Sally and Eve agree to drive Anastasia’s narrowboat on a journey through the canals of England, as she awaits a life-saving operation. As they glide gently – and not so gently – through the countryside, the eccentricities and challenges of narrowboat life draw them inexorably together, and a tender and unforgettable story unfolds. At summer’s end, all three women must decide whether to return to the lives they left behind, or forge a new path forward.Candid, hilarious, and uplifting, The Narrowboat Summer is a novel of second chances, celebrating the power of friendship and new experience to change one’s life, at any age.

    When Natalie's longtime boyfriend walks out on her just when she thinks he's going to propose, Tom offers her a different and wildly romantic proposition. He suggests that they spend twenty-six weekends together, indulging in twenty-six different activities from A to Z, and at the end of that time Tom's convinced they'll be madly in love. Natalie, however, is not so sure.As Natalie's touring the alphabet with Tom, her mother's going through her own romantic crisis—while Tom's unhappily married sister-in-law, Lucy, struggles with temptation. And over the course of six amazing months, three generations of passionate dreamers are going to discover that, no matter how clever they are, love—and life—is never as easy as A, B, C . . .

    There's Pat, a twenty-year-old who has recently moved into a flat with Bruce, an athletic young man with a keen awareness of his own appearance. Their neighbor, Domenica, is an eccentric and insightful widow. In the flat below are Irene and her appealing son Bertie, who is the victim of his mother’s desire for him to learn the saxophone and italian–all at the tender age of five.Love triangles, a lost painting, intriguing new friends, and an encounter with a famous Scottish crime writer are just a few of the ingredients that add to this delightful and witty portrait of Edinburgh society, which was first published as a serial in The Scotsman newspaper.

    In 1946, two brothers and a Jewish girl fall into alignment in pogrom-poised Moscow. The fraternal conflict then marinates in Norlag, a slave-labor camp above the Arctic Circle, where a tryst in the coveted House of Meetings will haunt all three lovers long after the brothers are released. And for the narrator, the sole survivor, the reverberations continue into the new century. Harrowing, endlessly surprising, epic in breadth yet intensely intimate, "House of Meetings" reveals once again that "Amis is a stone-solid genius . . . a dazzling star of wit and insight" ("The Wall Street Journal").

    Thatcher's policies have put husbands and sons out of work, and the city's notorious drugs epidemic is waiting in the wings. Shuggie's mother Agnes walks a wayward path: she is Shuggie's guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good--her beehive, make-up, and pearly-white false teeth offer a glamourous image of a Glaswegian Elizabeth Taylor. But under the surface, Agnes finds increasing solace in drink, and she drains away the lion's share of each week's benefits--all the family has to live on--on cans of extra-strong lager hidden in handbags and poured into tea mugs. Agnes's older children find their own ways to get a safe distance from their mother, abandoning Shuggie to care for her as she swings between alcoholic binges and sobriety. Shuggie is meanwhile struggling to somehow become the normal boy he desperately longs to be, but everyone has realized that he is "no right," a boy with a secret that all but him can see. Agnes is supportive of her son, but her addiction has the power to eclipse everyone close to her--even her beloved Shuggie.A heartbreaking story of addiction, sexuality, and love, Shuggie Bain is an epic portrayal of a working-class family that is rarely seen in fiction. Recalling the work of Edouard Louis, Alan Hollinghurst, Frank McCourt, and Hanya Yanagihara, it is a blistering debut by a brilliant novelist who has a powerful and important story to tell.

    As Suzanne rushes her to the hospital, she never imagines how the encounter will change her—a change she both fears and desperately needs.Suzanne has the perfect house, a successful husband, and a thriving family. But beneath the veneer of an ideal life, her daughter is rebelling, her son is withdrawing, her husband is oblivious to it all, and Suzanne is increasingly unsure of her place in the world. After her discovery of the ethereal sixteen-year-old who has never experienced civilization, Suzanne is compelled to invite Iris into her family’s life and all its apparent privileges.But Iris has an independence, a love of solitude, and a discomfort with materialism that contrasts with everything the Blakemores stand for—qualities that awaken in Suzanne first a fascination, then a longing. Now Suzanne can’t help but wonder: Is she destined to save Iris, or is Iris the one who will save her?

    . .Beth shows that women really can have it all.Ruby lives life by her own rules.And then there’s Lauren, living the dream.AS PERFECT AS IT LOOKS? Beth hasn’t had sex in a year.Ruby feels like she’s failing.Lauren’s happiness is fake news.And it just takes one shocking event to make the truth come tumbling out…Fearless, frank and for everyone who’s ever doubted themselves, So Lucky is the straight-talking new novel from the Sunday Times bestseller. Actually, you’re pretty f****** lucky to be you.

    On the ten-hour sail west from the Hebrides to the islands of St. Kilda, everything lies ahead for Lizzie and Neil McKenzie. Neil is to become the minister to the small community of islanders, and Lizzie, his new wife, is pregnant with their first child. Neil's journey is evangelical: a testing and strengthening of his own faith against the old pagan ways of the St. Kildans, but it is also a passage to atonement. For Lizzie -- bright, beautiful, and devoted -- this is an adventure, a voyage into the unknown. She is sure only of her loyalty and love for her husband, but everything that happens from now on will challenge all her certainties.As the two adjust to life on an exposed archipelago on the edge of civilization, where the natives live in squalor and subsist on a diet of seabirds, and babies perish mysteriously in their first week, their marriage -- and their sanity -- is threatened. Is Lizzie a willful temptress drawing him away from his faith? Is Neil's zealous Christianity unhinging into madness? And who, or what, is haunting the moors and cliff-tops?Exquisitely written and profoundly moving, Island of Wings is more than just an account of a marriage in peril -- it is also a richly imagined novel about two people struggling to keep their love, and their family, alive in a place of terrible hardship and tumultuous beauty.