Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    The students at the Slade School of Art gather in Henry Tonks's studio for his life-drawing class. But for Paul Tarrant the class is troubling, underscoring his own uncertainty about making a mark on the world. When war breaks out and the army won't take Paul, he enlists in the Belgian Red Cross just as he and fellow student Elinor Brooke admit their feelings for one another. Amidst the devastation in Ypres, Paul comes to see the world anew - but have his experiences changed him completely? 'Triumphant, shattering, inspiring' The Times 'Barker writes as brilliantly as ever . . . with great tenderness and insight she conveys a wartime world turned upside down'Independent on Sunday 'Vigorous, masterly, gripping' Penelope Lively, Independent 'Extraordinarily powerful' Sunday Telegraph

    The two beautiful daughters of a wealthy merchant of the Channel Islands fall in love with the same man, are very diferent. Marianne, the eldest sister is brilliant, passionate, and moody, by whom William was both fascinated and repelled... And Marguerite, the younger sister is pretty, dreamy and quietly, whom William adored.The sisters had both loved him for years. He has gone abroad to seek his fortune to New Zealand. Now they were waiting for him to return from his journeys and claim his bride. But drunkenly he addresses his proposal to the wrong sister.Though the book is fiction, and the characters not portraits, it is based on fact. A stunning tale of loss and self-sacrifice, it is truly one of the most memorable love stories of the last century.

    . . The 'subject' was the world as it culminated in the war. Published in four parts between 1924 and 1928, his extraordinary novel centers on Christopher Tietjens, an officer and gentleman- the last English Tory-and follows him from the secure, orderly world of Edwardian England into the chaotic madness of the First World War. Against the backdrop of a world at war, Ford recounts the complex sexual warfare between Tietjens and his faithless wife Sylvia. A work of truly amazing subtlety and profundity, Parade's End affirms Graham Greene's prediction: There is no novelist of this century more likely to live than Ford Madox Ford.

    The fourteen-year-old Tessa has fallen in love with Lewis Dodd, a gifted composer like her father. Confidently, she awaits maturity, for even his marriage to Tessa's beautiful cousin Florence cannot shatter the loving bond between Lewis and his constant nymph.

    Once beautiful, she was taken care of by men. Now, after being dropped by her latest lover, Mr. Mackenzie, Julia is running out of luck and chances. A visit to London to see her ailing mother might offer an opportunity to start over—but it also brings her face to face with her distrustful sister, Norah, who can’t help but feel that Julia has only changed for the worse in the years since they last saw one another. And it proves difficult to escape the desultory romantic entanglements of Paris when a suitor follows her to England.Nowhere is Jean Rhys’s talent for fully inhabiting the minds of her characters more apparent than in After Leaving Mr. Mackenzie, her masterful second novel. Rhys lays bare the desires and contradictions of the mercurial Julia, and all those trapped in her orbit, in this haunting depiction of life after the end of a tumultuous affair.

    The place is Alexandria, an Egyptian city that once housed the world's greatest library and whose inhabitants are dedicated to knowledge. But for the obsessed characters in this mesmerizing novel, their pursuits lead only to bedrooms in which each seeks to know--and possess--the other. Since its publication in 1957, Justine has inspired an almost religious devotion among readers and critics alike.

    First published in 1955, it marked Brian Moore as a major figure in English literature (he would go on to be short-listed three times for the Booker Prize) and established him as an astute chronicler of the human soul.Judith Hearne is an unmarried woman of a certain age who has come down in society. She has few skills and is full of the prejudices and pieties of her genteel Belfast upbringing. But Judith has a secret life. And she is just one heartbreak away from revealing it to the world.

    Walking away from her stifling father and the social conventions of her time, she leaves drab suburbia for Edwardian London and encounters an unknown world of suffragettes, Fabians and free love. But it is only when she meets the charismatic Capes that she truly confronts the meaning of her new found freedom. Ann Veronica caused a sensation, damned in the press and preached against from the pulpits when it was first published due to Wells' ground breaking treatment of female sexuality. A fascinating description of the women's suffrage movement, Ann Veronica offers an optimistic depiction of one woman's sexual awakening and search for independence.

    The family’s only regret is leaving their garden where, we can imagine, because it is September the dahlias are at their fiery best: as they flash past in the train they get a glimpse of their back garden, where ‘a shaft of sunlight fell through the side passage and lit up the clump of white asters by the apple tree.’ This was what the First World War soldiers longed for; this, he imagined, was what he was fighting for and would return to (as in fact Sherriff did).He had had the idea for his novel at Bognor Regis: watching the crowds go by, and wondering what their lives were like at home, he ‘began to feel the itch to take one of those families at random and build up an imaginary story of their annual holiday by the sea...I wanted to write about simple, uncomplicated people doing normal things.’

    I require so much!'Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love—and its threatened loss—the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love.This edition includes explanatory notes, textual variants between the first and second editions, and Tony Tanner's introduction to the original Penguin Classic edition.

    Out of nowhere, a great-aunt leaves her a Georgian mansion in another city--and she sheds her old life without delay. Gone is her dull administrative job, her mousy wardrobe, her downer of a roommate. She will live as a woman of leisure, devoted to beauty, creativity, expression, and love. Once installed in her new quarters, Rachel plants a garden, takes up writing, and impresses everyone she meets with her extraordinary optimism. But as Rachel sings and jokes the days away, her new neighbors begin to wonder if she might be taking her transformation just a bit too far.In Wish Her Safe at Home, Stephen Benatar finds humor and horror in the shifting region between elation and mania. His heroine could be the next-door neighbor of the Beales of Grey Gardens or a sister to Jane Gardam's oddball protagonists, but she has an ebullient charm all her own.

    Magnus Mills gives us a wiry novel of tensile strength that proves him a writer of ferocious talent. Eerie, resonant, spare yet rich in tones both hilarious and ominous—as if a work by Irvine Welsh, or perhaps Macbeth, had been adapted by the Coen brothers—his story has a finale so ingenious, insidious, and satisfying, it remains locked in the mind long after the last wire has been strung into place.

    But there are times, and surely the present is one of them, when to do so is manifestly unnecessary. In an age when every standard of decent conduct has either been torn down or is threatened with destruction; when every newspaper is daily reporting scenes of violence, divorce, and arson; when quite young girls smoke cigarettes and even, I am assured, sometimes cigars; when mature women, the mothers of unhappy children, enter the sea in one-piece bathing-costumes; and when married men, the heads of households, prefer the flicker of the cinematograph to the Athanasian Creed -- then it is obviously a task, not to be justifiably avoided, to place some higher example before the world. For some time -- I am now forty-seven -- I had been feeling this with increasing urgency. And when not only my wife and her four sisters, but the vicar of my parish, the Reverend Simeon Whey, approached me with the same suggestion, I felt that delay would amount to sin. That sin, by many persons, is now lightly regarded, I am, of course, only too well aware. That its very existence is denied by others is a fact equally familiar to me. But I am not one of them. On every ground I am an unflinching opponent of sin. I have continually rebuked it in others. I have strictly refrained from it in myself. And for that reason alone I have deemed it incumbent upon me to issue this volume. Illustrations by "Robin" (Marjorie Blood).

    Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the twentieth century as seen through the eyes of an English girl determined to learn about her family and its secrets.