To do nothing is unacceptable.” Sharon Leslie Morgan, a black woman from Chicago’s South Side avoids white people; they scare her. Despite her trepidation, Morgan, a descendent of slaves on both sides of her family, began a journey toward racial reconciliation with Thomas Norman DeWolf, a white man from rural Oregon who descends from the largest slave-trading dynasty in US history. Over a three-year period, the pair traveled thousands of miles, both overseas and through twenty-seven states, visiting ancestral towns, courthouses, cemeteries, plantations, antebellum mansions, and historic sites. They spent time with one another’s families and friends and engaged in deep conversations about how the lingering trauma of slavery shaped their lives.Gather at the Table is the chronicle of DeWolf and Morgan’s journey. Arduous and at times uncomfortable, it lays bare the unhealed wounds of slavery. As DeWolf and Morgan demonstrate, before we can overcome racism we must first acknowledge and understand the damage inherited from the past—which invariably involves confronting painful truths. The result is a revelatory testament to the possibilities that open up when people commit to truth, justice, and reconciliation. DeWolf and Morgan offer readers an inspiring vision and a powerful model for healing individuals and communities.

       In 1945, Erle Stanley Gardner, noted attorney and author of the popular Perry Mason mysteries, was contacted by an overwhelmed California public defender who believed his doomed client was innocent. William Marvin Lindley had been convicted of the rape and murder of a young girl along the banks of the Yuba River, and was awaiting execution at San Quentin. After reviewing the case, Gardner agreed to help—it seemed the fate of the “Red-Headed Killer” hinged on the testimony of a colorblind witness.   Gardner’s intervention sparked the Court of Last Resort. The Innocence Project of its day, this ambitious and ultimately successful undertaking was devoted to investigating, reviewing, and reversing wrongful convictions owing to poor legal representation, prosecutorial abuses, biased police activity, bench corruption, unreliable witnesses, and careless forensic-evidence testimony. The crimes: rape, murder, kidnapping, and manslaughter. The prisoners: underprivileged and vulnerable men wrongly convicted and condemned to life sentences or death row with only one hope—the devotion of Erle Stanley Gardner and the Court of Last Resort.   Featuring Gardner’s most damning cases of injustice from across the country, The Court of Last Resort won the Edgar Award for Best Fact Crime. Originating as a monthly column in Argosy magazine, it was produced as a dramatized court TV show for NBC.

    Revised with a new introduction by the author and recently discovered photos, this book served as invaluable source material both for James Bradley’s bestseller Flags of Our Fathers as well as Clint Eastwood’s acclaimed film of the same name.

    He and his family fled to London on the Dutch Coast Guard cutter "Seaman's Hope" and then sailed to the Dutch East Indies (now Indonesia) where he joined the Dutch army. In March 1942, the Japanese invaded the archipelago and made prisoners of the Dutch soldiers. For the next three and a half years Velmans and his fellow POWs toiled in slave labor camps, building a railroad through the dense jungle on the Burmese-Thailand border so the Japanese could invade India. Some 200,000 POWs and slave laborers died building this Death Railway. Velmans, though suffering from malaria, dysentery, malnutrition, and unspeakable mistreatment, never gave up hope. Fifty-seven years later he returned to revisit the place where he should have died and where he had buried his closest friend. From that emotional visit sprung this stunning memoir."Long Way Back to the River Kwai" is a simply told but searing memoir of World War II, a testimonial to one man's indomitable will to live that will take its place beside the "Diary of Ann Frank," "Bridge over the River Kwai," and "Edith's Story.""

    This Edgar-nominated whodunit is a behind-the-scenes look at the romance business - authors, agents, editors, publishers, and fans.

    At the height of his power in the early ninth century Charlemagne, King of the Franks and Lombards and Emperor of the Romans, ruled all the Christian lands of western Europe except the British Isles and southern Italy and Sicily. Charismatic, gregarious, energetic and cultured, he initiated and encouraged a renaissance of learning and artistic enterprise that appeared to later generations as a Golden Age. An incomparable general, administrator and law-giver, he was as skilled on the battlefield as in the council chamber, and by sheer force of character held together an empire that rivalled the Byzantines in the East.To the many portraits of the man who was crowned the first emperor of the Holy Roman Empire, Russell Chamberlin now adds a modern portrait which reveals the man behind the achievements. This book brings to life a key personality and a formative period in European history.

    . . . It is the story of men who acted as men, and who gave a good account of themselves when so many people thought, even hoped, that they would fail.What defines a true hero?The "Harlem Hellfighters," the African American soldiers of the 369th Infantry Regiment of World War I, redefined heroism -- for America, and for the world. At a time of widespread bigotry and racism, these soldiers put their lives on the line in the name of democracy.The Harlem Hellfighters: When Pride Met Courage is a portrait of bravery and honor. With compelling narrative and never-before-published photographs, Michael L. Printz Award winner Walter Dean Myers and renowned filmmaker Bill Miles deftly portray the true story of these unsung American heroes.

    Driving this revolutionary publication were two improbable newcomers united by single-minded ambition. S. S. McClure was an Irish immigrant, who, despite bouts of mania, overthrew his impoverished upbringing and bent the New York media world to his will. His steadying hand and star reporter was Ida Tarbell, a woman who defied gender expectations and became a notoriously fearless journalist.The scrappy, bold McClure's group—Tarbell, McClure, and their reporters Ray Stannard Baker and Lincoln Steffens—cemented investigative journalism’s crucial role in democracy. From reporting on labor unrest and lynching, to their exposés of municipal corruption, their reporting brought their readers face to face with a nation mired in dysfunction. They also introduced Americans to the voices of Willa Cather, Arthur Conan Doyle, Robert Louis Stevenson, Joseph Conrad, and many others.Tracing McClure’s from its meteoric rise to its spectacularly swift and dramatic combustion, Citizen Reporters is a thrillingly told, deeply researched biography of a powerhouse magazine that forever changed American life. It’s also a timely case study that demonstrates the crucial importance of journalists who are unafraid to speak truth to power.

    Nearly one thousand people were killed, looting was widespread, and torch-bearing protestors marched on the Prime Minister's residence at 10 Downing Street. These were the Gordon Riots: the worst civil disturbance in British history, triggered by an act of Parliament designed to loosen two centuries of systemic oppression of Catholics in the British Isles. While many London Catholics saw their homes ransacked and chapels desecrated, the riots marked a crucial turning point in their fight to return to public life. Over the next fifty years, factions battled one another to reform the laws of the land: wealthy English Catholics yearned to rejoin the political elite; the protestant aristocracy in Ireland feared an empowered Catholic populace; and the priesthood coveted old authority that royal decree had forbidden. Kings George III and George IV stubbornly refused to address the "Catholic Question" even when pressed by their prime ministers--governments fell over it--and events in America and Europe made many skeptical of disrupting the social order. But in 1829, through the dogged work of charismatic Irish lawyer Daniel O'Connell and with the support of the Duke of Wellington, the Roman Catholic Relief Act finally passed. It was a watershed moment, opening the door to future social reform and the radical transformation of the Victorian age.The King and the Catholics is a gripping, character-driven example of narrative history at its best. It is also a distant mirror of our own times, reflecting the dire consequences of state-sanctioned intolerance and showing how collective action and the political process can triumph over wrongheaded legislation.

    The League helped save the lives of hundreds of Air Force, Navy, and Marine Corps pilots - including future President George H. W. Bush - from Japanese planes as well as from death at sea. Author Charles Lockwood (Hellcats of the Sea, Sink 'Em All) brings his usual flair for submarine stories to this eye-witness narrative of the hair-raising adventures of this little-known sub-division of the US Naval Fleet.*Includes annotations and images.

    Cox comes this insightful new history of the critical Guadalcanal and Solomons campaign at the height of World War II. His previous book, Morning Star, Rising Sun, had found the US Navy at its absolute nadir and the fate of the Enterprise, the last operational US aircraft carrier at this point in the war, unknown. This new volume completes the history of this crucial campaign, combining detailed research with a novelist's flair for the dramatic to reveal exactly how, despite missteps and misfortunes, the tide of war finally turned. By the end of February 1944, thanks to hard-fought and costly American victories in the first and second naval battles of Guadalcanal, the battle of Empress Augusta Bay, and the battle of Cape St George, the Japanese would no longer hold the materiel or skilled manpower advantage. From this point on, although the war was still a long way from being won, the American star was unquestionably on the ascendant, slowly, but surely, edging Japanese imperialism towards its sunset.Jeffrey Cox's analysis and attention to detail of even the smallest events are second to none. But what truly sets this book apart is how he combines this microscopic attention to detail, often unearthing new facts along the way, with an engaging style that transports the reader to the heart of the story, bringing the events on the deep blue of the Pacific vividly to life.

    It is rich in historical narrative. King Kalakaua relates the stories of certain great events with such verve that one can readily imagine he was an eyewitness. No doubt he had heard the same tales from the sons and daughters of those who had been present on occasions such as the death of Captain Cook. Since the momentous Hawaiian rejection of the ancient gods took place only two decades before his birth, many of the people about him as he grew to manhood had lived under the old system. His sources of knowledge were direct indeed.

        Growing up on a ranch in Sterling, Colorado, Frederick Libby mastered the cowboy arts of roping, punching cattle, and taming horses. As a young man he exercised his skills in the mountains and on the ranges of Arizona and New Mexico as well as the Colorado prairie. When World War I broke out, he found himself in Calgary, Alberta, and joined the Canadian army. In France, he transferred to the Royal Flying Corps as an "observer," the gunner in a two-person biplane. Libby shot down an enemy plane on his first day in battle over the Somme, which was also the first day he flew in a plane or fired a machine gun. He went on to become a pilot. He fought against the legendary German aces Oswald Boelcke and Manfred von Richthofen, and became the first American to down five enemy planes. He won the Military Cross for conspicuous gallantry in action.   Libby's memoir of his cowboy days in the last years of the Old West evokes a real-life Cormac McCarthy novel. His description of World War I combines a rattling good account of the air war over France with captivating and sometimes poignant depictions of wartime London, the sorrow for friends lost in combat, and the courage and camaraderie of the Royal Flying Corps. Told in charming, straightforward vernacular, Horses Don't Fly is an unforgettable piece of Americana.

    Barnum embodied all that was grand and fraudulent in American mass culture. Over the course of a life that spanned the nineteenth century (1810-91), he inflicted himself upon a surprisingly willing public in a variety of guises, from newspaper editor (or libeler) to traveling showman (or charlatan) and distinguished public benefactor (or shameless hypocrite).   Barnum deliberately cultivated his ambiguous public image through a lifelong advertising campaign, shrewdly exploiting the cultural and technological capabilities of the new publishing industry. While running his numerous shows and exhibitions, Barnum managed to publish newspaper articles, exposés of fraud (not his own), self-help tracts, and a series of best-selling autobiographies, each promising to give "the true history of my many adventures."   Updated editions of The Life of P. T. Barnum appeared regularly, allowing Barnum to keep up with demand and prune the narrative of details that might offend posterity. The present volume is the first modern edition of Barnum's original and outrageous autobiography, published in 1855 and unavailable for more than a century. Brazen, confessional, and immensely entertaining, it immortalizes the showman who hoodwinked customers into paying to hear the reminiscences of a woman presented as George Washington's 161-year-old nurse, the impresario who brought Jenny Lind to America and toured Europe with General Tom Thumb, and the grand entrepreneur of the American Museum of New York. Above all, it ensures that Barnum would be properly remembered . . . exactly as he created himself.

    Such has been the fate of Johanna Spyri, the Swiss authoress, whose reputation is mistakenly supposed to rest on her story of Heidi. To be sure, Heidi is a book that in its field can hardly be overpraised. But the present story is possessed of a deeper treatment of character, combined with equal spirit and humor of a different kind. Cornelli, the heroine, suffers temporarily from the unjust suspicion of her elders, a misfortune which, it is to be feared, still occurs frequently in the case of sensitive children. . . .