For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    Now a coach driver, he is at the most crucial crossroads of his life. His wife has thrown him out. The crisis serves only to deepen his despair over another failed liaison - until he elects to steer his coach on a spectacularly reckless quest for the son he has never seen.

    But try as she might, she can’t escape the spirits who haunt her. This time the ghost is Timmy, whose disappearance ten years earlier coincided with the abduction of several boys. His family is convinced he drowned, but Jesse suspects something more sinister. Until Timmy appeared, Jesse’s biggest problem was that her best friend, Maggie Keegan, aka Sister Angelina the Catholic nun, might not be allowed to be her maid of honor. But that pales in comparison to what Jesse faces now: Timmy was Maggie’s little brother. And Jesse knows that if Timmy is ever to find peace, he needs to reveal the mystery of his disappearance—which could subject Maggie and her family to some painful secrets and truths. As for Maggie? Well, she’s been navigating her own crisis of the heart and soul, as she tries to deal with—and resist—her deepening feelings for local cop Marty D’Amato. Learning about Timmy’s appearances only drives her further into confusion and anguish, but pray as she might, she’s finding no answers.To complicate things even more, Jesse’s investigation into the ten-year-old cold case has tapped into someone’s fear of being caught. She receives anonymous threatening notes, followed by a destructive attack on Bert, her beloved Volkswagen Beetle. And now, the mysterious assailant has escalated his attacks, putting Jesse in mortal danger. It looks like this time her spectral encounter is too personal, and it may cost her a friendship. It may cost Jesse her life—unless the ghost of a seven-year-old boy can keep her safe.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    . . Sometimes you have to keep running if you want to survive. Praise for Lesley Pearse: 'Storytelling at its very best' Daily Mail 'Evocative, compelling, told from the heart' Sunday Express 'Glorious, heart-warming' Woman & Home

    

    Their average life expectancy is six weeks.But Rosie is brighter than most, well-aware of the consequences of a second’s carelessness, or bad luck, or treachery. Or a fellow agent crumbling under torture, naming names.Her brief is to set up a new network in Rouen, where the old one has been blown and an agent is suspected of betrayal. If she gets there, that is. Landing from a gunboat on the Brittany coast, she must to travel to Paris – carrying forged papers, a radio transceiver and more than a million francs in cash… Frighteningly realistic, unbearably exciting, the Rosie Ewing Spy Thrillers are perfect for fans of Philip Kerr, Ian Fleming and John Le Carré. ‘You don’t read a novel by Alexander Fullerton. You live it.’ South Wales Echo

    Her mother falls apart, leaving Rosie in charge of her two sisters. Rosie is determined to keep the family together. She secures a job and finds a man she could love. But life is never that simple.

    We each have a streak of nastiness inside us. In these ten tales of cruelty master storyteller Roald Dahl explores how and why it is we make others suffer.Among others, you'll read the story of two young bullies and the boy they torment, the adulterous wife who uncovers her husband's secret, the man with a painting tattooed on his back whose value he doesn't appreciate and the butler and chef who run rings around their obnoxious employer.

    In one horrifying moment that replays itself over the years that follow, Stephen realizes his daughter is gone. With extraordinary tenderness and insight, Booker Prize–winning author Ian McEwan takes us into the dark territory of a marriage devastated by the loss of a child. Kate's absence sets Stephen and his wife, Julie, on diverging paths as they each struggle with a grief that only seems to intensify with the passage of time. Eloquent and passionate, the novel concludes in a triumphant scene of love and hope that gives full rein to the author's remarkable gifts. The winner of the Whitbread Prize, The Child in Time is an astonishing novel by one of the finest writers of his generation.

    But when a series of uninvited guests converge upon them – from a Balkan exile to Ken’s old flame and the siblings’ own raffish father – the household struggles to preserve its precious peace. In this full house, in a quiet corner of suburbia, no one expects to find romance.

    But there’s a catch. He also inherits his dearly departed Aunt Leila – who is determined to soften her nephew’s cynical ways, even from beyond the grave…

    Little writes about the world he used to inhabit, a place filled with drugs, crime and danger at every turn. His electrifying prose brings to life the rough, raw, and seedy life of Boston's underworld where corruption lies at the heart of every deception.Bobbie is a young criminal prodigy. Living in Boston he's approached by a mysterious Greek on behalf of an anonymous shipping tycoon, who wants to commission a theft. The Fogg museum is the target; a collection of ancient Greek coins the score. Everything goes fine with the burglary, but with easy street just around the corner Bobbie's life takes an unexpected twist and his big score evaporates. With his life on the line, Bobbie must learn who he can trust when trusting anyone can make you lose everything. Steel Toes is as close to reality as fiction can get. Little draws you in with his knife sharp writing, his authentic and unflinching characters and plot as tight and strong as the hold of addiction.

    As Mortimer recounts the gossip and dastardly goings-on in Rapstone Fanner, he creates a wickedly funny, totally absorbing portrait of British life from the austerity of World War II to the dubious prosperity of the eighties. This delightful social comedy was adapted by Mortimer into an eleven-part series for Masterpiece Theatre.

    Vincent Millay defined a generation with her passionate lyrics and intoxicating voice of liberation. Edited by Millay biographer Nancy Milford, this Modern Library Paperback Classics collection captures the poet’s unique spirit in works like Renascence and Other Poems, A Few Figs from This-tles, and Second April, as well as in “The Ballad of the Harp-Weaver” and eight sonnets from the early twenties. As Milford writes in her Introduction, “These are the poems that made Edna St. Vincent Millay’s reputation when she was young. Saucy, insolent, flip, and defiant, her little verses sting the page.”