Her marriage, on the brink of disintegration, she had already decided to sell the large flat she and her husband Jim shared and she saw the move as a means of initiating the separation she knew was necessary; and now that their son Peter would soon be off to university, there was, she decided, no reason to delay the inevitable. Even if the winters at Shekinah, as the house was called, were as severe as her family had warned, she told herself she could always buy a flat in nearby Hexham. To buy the house, Connie was told that she must negotiate with the nearby O'Connors, one of whom, Vincent appeared to be their spokesman. However, she was somewhat surprised by his abruptness and by his insistence that the deal be closed forthwith; and further taken aback when he asked her if she would be able to sign the papers on the following day. Afterwards, when the house was hers and she had moved in, Connie was to discover that mystery was a way of life with Vincent O'Connor. Despite this, however, he was to have an increasing influence on her life as she settled into the new routine of days and nights at Shekinah. But then, as a result of circumstances over which she had no control, the shocking truth about the man with whom she had shared a life for many years came to light...Set in the 1970s, The Solace of Sin is the story of a strong and independent woman whose life is transformed by new surroundings and new acquaintances. It is a richly satisfying novel, as powerful as any that Britain's premier author has written in her long and distinguished career.

    It was a bargain struck between Chapman and his beautiful, emotionally injured wife - a bargain based on unexpressed, inexpressible love and on a courageous acceptance of life's deprivation.

    It embraces a wide range of social milieux, from the miseries of the tenements to the cultivated, bourgeois Bradshaws. It introduces a memorable cast of characters: the main protagonist, Fitz, a model of the hard-working, loyal and abused trade unionist; the isolated, well-meaning and ineffectual Fr O'Connor; the wretched and destitute Rashers Tierney. In the background hovers the enormous shadow of Jim Larkin, Plunkett's real-life hero.Strumpet City's popularity derives from its realism and its naturalistic presentation of traumatic historical events. There are clear heroes and villians. The book is informed by a sense of moral outrage at the treatment of the locked-out trade unionists, the indifference and evasion of the city's clergy and middle class and the squalor and degradation of the tenement slums.

    They till the rough soil and sleep in the same bed, touched only occasionally by the advances of the twentieth century.In depicting the lives of Benjamin and Lewis and their interactions with their small local community Chatwin comments movingly on the larger questions of human experience.

    Feeling terribly alone and afraid, she finds comfort in the company of a strange woman she knows only as "Miss Froy." But comfort soon turns to horror when Miss Froy mysteriously vanishes without a trace. Fearing madness, risking death, Iris desperately tries to solve the sudden disappearance of her traveling companion-a woman no one else on the journey remembers seeing at all!

    Nancy Mitford's brilliantly witty, irreverent stories of the upper classes in pre-war London and Paris conjure up a world of glamour, gossip and decadence. In The Pursuit of Love, Love in a Cold Climate and The Blessing, her extraordinary heroines deal with armies of hilariously eccentric relatives, the excitement of love and passion, and the thrills of the social Season. But beneath the glittering surfaces and perfectly timed comic dialogue, Nancy Mitford's novels are also touching hymns to a lost era and to the brevity of life and love from one of the most individual, beguiling and creative users of the language.

    Its poets mark the conflict in ways that are both intensely personal and as enduring as any monument. Their lines have come to express the feelings of a nation about the horrors and consequences of war.This new anthology provides a definitive record of the achievements of the Great War poets and offers a fresh assessment of the work on the centenary of the Great War's outbreak. Focusing on the poets themselves, the book is organized by writer, not theme or chronology. It offers generous selectionsfrom the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, and Rupert Brooke, whilst also incorporating less well-known writing by civilian and women poets. It also includes two previously unpublished poems by Ivor Gurney.A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context.Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.

    Then she was gone.When Maggie’s new job takes her from bombed-out London to grand Snowden Hall in the Cotswolds she’s apprehensive but determined to do her bit for the war effort. She’s also keeping a secret, one she knows would turn opinion against her. Her mother is German: Maggie is related to the enemy.Then her evacuee sister sends her a worrying letter, missing the code they agreed Violet would use to confirm everything was well, and Maggie’s heart sinks. Violet is miles away; how can she get to her in the middle of a war? Worse, her mother, arrested for her nationality, is now missing, and Maggie has no idea where she is.As a secret project at Snowden Hall risks revealing Maggie’s German side, she becomes even more determined to protect her family. Can she find a way to get to her sister? And will she ever find out where her mother has been taken?

    She is sent to live with a dear friend of her mother's, Helen Dobinski. Helen is a Catholic woman living in Warsaw, who is willing to risk the safety of her own family in order to provide a home for this precious little girl. However, no one must find out that the Dobinski family is harboring a Jewish child or they could face severe punishment, even death. Keeping such a dangerous secret is treacherous like walking a tightrope. There are spies everywhere, and it is impossible to know who can be trusted. Just how much fear and pain will one woman endure in order to save the life of an innocent child who is not her blood? And so, we must ask the question: “Who is the real mother? Is it the mother who gave birth to the child, or the mother who risked everything to raise her?”

    It was a time known as the Age of Chaos. In a final explosive flash everything was destroyed. The few who survived banded together and formed a Council for protection. But people like Elspeth-mysteriously born with powerful mental abilities-are feared by the Council and hunted down like animals...to be destroyed.Her only hope for survival to is keep her power hidden. But is secrecy enough against the terrible power of the Council? The Farseekers Since their takeover of Obernewtyn, the secret community of Misfits has flourished, protected by their remoteness. Led by Elspeth Gordie, whose extraordinary powers set her apart even among her Misfit friends, an expedition sets out to rescue a powerful Misfit in a distant part of the Land. Only she knows the enormity of their task. But for her is yet another challenge as she must fulfil her vow to find and dismantle the dormant deathweapons left by the Beforetimers.AshlingThe powerful farseeker Elspeth Gordie is sent to Sutrium, seat of the totalitarian council that rules the Land, to seal an alliance between the secret Misfit community at Obernewtyn and rebel forces. The journey takes her far beyond the borders of the Land, across the sea and into the heart of the mysterious desert region of Sador, where she seeks help to destroy the weaponmachines. But before her dark quest can begin, Elspeth must learn the truth of her dreams: she must understand why the Beforetimers destroyed their world ...The Keeping Place After a kidnapping, Elspeth Gordie and the Misfits are forced to join the rebellion against the oppressive Council, using their extraordinary mind powers. But Elspeth must also seek out clues left by the long-dead seer, Kasanda, vital to her quest to destroy the Beforetime weaponmachines. One clue is lost in the past, forcing Elspeth to travel the Dreamtrails, stalked by a terrifying winged beast, with the cat, Maruman, as her guide and guardian. Only there can she learn more of the Beforetimer Misfits and their enemy, Govamen. Gradually Elspeth realises that her quest is intimately linked to the Misfits' refuge Obernewtyn - its past and its future...The Stone Key There was a great crash and wood splintered . . . I had a brief glimpse of a group of Herder priests, bald and robed, peering at me, and then the sundered remnants of the locker door were torn aside and a rough hand reached in to haul me out by the hair. A Hedra captain stared into my face with eyes that burned with a fanatical fire above a thin nose and a lipless slash of a mouth. . .'You will die in great pain and very slowly, mutant,' said the Hedra master.When Farseeker Guildmistress Elspeth Gordie sets out from Obernewtyn to travel to Sutrium at the end of Wintertime, she quickly learns that not everyone welcomes the changes brought about by the rebellion. Capture by an old and vicious enemy, she is drawn into the heart of the Herder Faction, where she learns of a terrible plot to destroy the west coast.To stop it, Elspeth must risk everything, knowing that if she dies, she will never complete her quest to find the weaponmachines that destroyed the Beforetime.But if she succeeds, her journey will lead her to the last of the signs left for her by the seer Kasanda . . .The SendingIt came to me then, like a chilly draught from an unseen gap, that I had always known in my deepest heart that it would be like this, a slipping away from a life full of people I had come to love, in a place I had helped to shape, in a land I had helped to free.The time has come at last for Elspeth Gordie to leave the Land on her quest to find and stop the computermachine Sentinel from unleashing the deadly Balance of Terror arsenal. But before she can embark on her journey, she must find a lost key. And although she has long prepared for this day, nothing is as she anticipated.Elspeth's search will take her where she never thought to go, and bestow upon her stranger companions than any she ever imagined. It will lead her far from her destination to those she believed lost forever.And it will test her, as she has never been tested before . . .

    Father Smith tries to come to terms with a world that is modernizing too rapidly.

    But Donn longs for a wider kingdom. He deserts his bride, roams the world, fights in wars, is footloose - yet finds that he is homesick. Sixteen years later he returns to take up the threads of his old life, to learn to love his afflicted daughter, and to bring progress to the neglected green valley. Light comes, water flows, the land prospers. Then, on a night of innocent festivity, a monstrous crime is perpetrated. His kingdom violated, Donn dedicates himself to a terrible revenge that can only destroy the avenger as well as the hunted

    The anthology - the 22nd of its kind - is introduced by Jeannette Winterson. If you buy only one poetry book this year, this deserves to be it.

    

    Written in 1906, it is a fore-runner to Doyle's earlier novel The White Company, and describes the early life of that book's hero Sir Nigel Loring in the service of King Edward III at the start of the Hundred Years' War.Dame History is so austere a lady that if one has been so ill-advised as to take a liberty with her one should hasten to make amends by repentance and confession. Events have been transposed to the extent of some few months in this narrative in order to preserve the continuity and evenness of the story. . . . -- Arthur Conan Doyle"Undershaw," November 30, 1905