But, many New World native cultures view "Two-Spirit people through more respectful eyes. Cut Hand by Mark Wildyr is a romantic action epic set in the early 1800s about an unorthodox love between a white youth on the American frontier, escaping his Tory family s past, and a young Indian warrior destined for the leadership of his tribe. Billy Strobaw s world turns on its axis at his surprising and unexpected physical reaction to a young Indian he and two traveling companions take captive. The handsome warrior, Cut Hand, not only earns his freedom, but also steals Billy s heart and prevails upon the American to come live among his people. Plunged into a strange culture where his lust for another man is not regarded as disgraceful, Billy agrees to become Cut s winkte wife, an act that brings problems, but not from the direction he anticipated. As the two men work to overcome differences in their cultural backgrounds, Billy comes to understand these Native Americans have as much to offer him as he has to share with them. The sexuality of the protagonists becomes merely a personal footnote in the struggle of the Plains tribes to preserve a way of life that has served them well for generations. Told partially in Colonial and early American English, the novel follows the lives of these two lovers from 1832 to 1861, thirty tumultuous years on young America s frontier.

    The sudden death of his parents shatters all of that, leaving Neil and his younger sister beggared and orphaned. When Neil’s estranged uncle offers him a bargain that will save him and his sister from debtor’s prison or exile, Neil eagerly agrees. Handing over the family grimoire as collateral for their debt, Neil devotes himself to working as a teacher for wayward youths at a charity school high in the clouds. But Highfell Hall is not the charity Neil imagines it to be and the young men there aren’t training for the dull lives of city clerks. Amidst the roaring engines and within the icy stone halls, machinations and curious devices are at work. And one man, the rough and enigmatic Leofa, holds the key to the desire that Neil has fled from all his life and a magic as dangerous as treason.

    Young drifter Buck, part Nasoni Indian, catches up to them on a roundup. After proving himself an expert sharpshooter, rider and roper, Buck celebrates his initiation to the group by luring one of their number, Red, into his bedroll. But Buck is really after Les, sandy-haired and significantly endowed.

    Howver, when he meets and falls in love with Aaron Johnson, the sexy son of a slave on the run from Virginia, Edgerton’s world is turned upside down. Separated by circumstances, the lovers pursue each other through the escalating madness of the Civil War and both find themselves forced to choose sides. After a series of outrageous adventures – including steamy woodland trysts and an impromptu jailhouse orgy that briefly reconciles the warring parties – they are reunited in the Shenandoah Valley in the autumn of 1864 — where the conflict is about to come to a bloody, burning climax.

    So when Tony—his best friend, occasional lover, and a complete screw-up—comes to him in trouble, Brendan is determined to help. Tony is being blackmailed by the owner of a “molly house”, the private club that Tony—and other like-minded gentlemen—frequent in order to indulge their entertainment needs.Brendan is disappointed in his friend, but goes to seek the help of his older brother’s military commander. Philip Carlisle is a gentleman to Society, and also a man Brendan’s brother trusted completely and told his younger brother to seek out if he ever was in trouble. Philip is a 40-year-old widower, and finds himself charmed, for the first time, by an attractive young man. Brendan is likewise besotted with hero-worship, especially when Philip turns the tables on the blackmailer and saves the day for many of Society’s closeted sons.What follows is a tale of desire, regrets, cross-country pursuit, hidden identities, lovers torn asunder then reunited, clever cover stories, and the requisite pistols at dawn.

    Revolutionary, Alex Myers’s richly imagined and meticulously researched debut novel, brings the true story of Deborah’s struggle against a rigid colonial society back to life--and with it the courage, hope, fear, and heartbreak that shaped her journey through a country’s violent birth.After years as an indentured servant in a sleepy Massachusetts town, chafing under the oppressive norms of colonial America, Deborah can’t contain her discontent any longer. When a sudden crisis forces her hand, she decides to finally make her escape. Embracing the peril and promise of the unknown, she cuts her hair, binds her chest, and, stealing clothes from a neighbor, rechristens herself Robert Shurtliff. It’s a desperate, dangerous, and complicated deception, and becomes only more so when, as Robert, she enlists in the Continental Army.What follows is an inspiring, one-of-a-kind journey through an America torn apart by war: brutal winters and lethal battlefields, the trauma of combat and the cruelty of betrayal, the joy of true love and the tragedy of heartbreak. In his brilliant Revolutionary, Myers, who is a descendant of the historical Deborah, takes full advantage of this real-life heroine’s unique voice to celebrate the struggles for freedom, large and small, like never before.

    . . a happy amalgam of James Fenimore Cooper, Jean Genet and Hudson’s Green Mansions.”—from the cover copy of the 1969 editionPublished well ahead of its time, in 1966 by Greenleaf Classics, Song of the Loon is a romantic novel that tells the story of Ephraim MacIver and his travels through the wilderness. Along his journey, he meets a number of characters who share with him stories, wisdom and homosexual encounters. The most popular erotic gay book of the 1960s and 1970s, Song of the Loon was the inspiration for two sequels, a 1970 film of the same name, at least one porn movie and a parody novel called Fruit of the Loon. Unique among pulp novels of the time, the gay characters in Song of the Loon are strong and romantically drawn, which has earned the book a place in the canon of gay American literature.With an introduction by Michael Bronski, editor of Pulp Friction and author of The Pleasure Principle.Little Sister’s Classics is a new series of books from Arsenal Pulp Press, reviving lost and out-of-print gay and lesbian classic books, both fiction and nonfiction. The books in the series are produced in conjunction with Little Sister’s Book and Art Emporium, the heroic Vancouver bookstore well-known for its anti-censorship efforts.

    After tragically losing a rare love, Tory immerses himself in the pages of a Wild West mail-order bride magazine, where he stumbles on the advertisement of frontiersman and Civil War veteran Franklin Ausmus. Torsten and Franklin begin an innocent correspondence—or as innocent as it can be, considering Torsten keeps his true gender hidden. But when his parents discover the letters, Tory is forced out on his own. With nowhere else to go, he boards a train for the Black Hills and Franklin’s homestead, Moonlight Gulch.Franklin figures Tory for a drifter, but he’s lonely after ten years of living in the backcountry alone, and his “girl” in Chicago has mysteriously stopped writing, so he hires Tory on as his ranch hand. Franklin and Tory grow closer while defending the land from outlaws who want the untapped gold in Franklin’s creek, but then Franklin learns Tory’s true identity and banishes Tory from his sight. Will their lives be forever tattered, or will Torsten—overhearing a desperate last-ditch scheme to snatch Franklin’s gold—be able to save Moonlight Gulch and his final shot at love?

    He finds himself torn between desire and duty, his lover Adam awaits but so too does Margot, the pregnant fiancée of his dead brother. Set in a time when homosexuality was still illegal, Paul has to decide where his loyalty and his heart lie.

    "After years gadding about Europe, Everett Gerard can no longer avoid his responsibilities. Word has come that a child bearing the unmistakable Gerard stamp has shown up at the family estate-and he realizes it's time to face his demons.As his carriage nears the gates of home, he fights the urge to flee the memory of the horrible crime he witnessed as a child. Yet the Abbey delivers surprises and delights he never expected.Miles Kenway was content with his quiet life as the Abbey's bailiff, until the wild child, clearly a bastard son of some Gerard, upends his peace with constant pranks and mischief. And when the master of the house arrives, an unsettling attraction heats Miles's blood.As they clash over the fate of the ancestral land, they battle a powerful desire to grapple in ways that could disrupt the delicate balance between master and servant. But when the boy's real sire appears, they must unite as only true fathers can to protect the boy whose mischievous charm has captured their hearts.Warning: Gothic murder, hot man loving, and emotional family drama

    Joshua’s grandfather is a Wisconsin Ojibwe Indian who, along with an array of quirky characters, runs a recreated sixteenth-century village for the tourists who visit the reservation. Joshua’s mother kept him from his Ojibwe heritage, so living on the reservation is liberating for him. The more he learns about Ojibwe traditions, the more he feels at home.One Ojibwe legend in particular captivates him. Pukawiss was a powerful manitou known for introducing dance to his people, and his nontraditional lifestyle inspires Joshua to embrace both his burgeoning sexuality and his status as an outcast. Ultimately, Joshua summons the courage necessary to reject his strict upbringing and to accept the mysterious path set before him.

    But his criminal attraction to his upper-crust First Lieutenant, Garnet Littleton, threatens to overturn all he’s ever worked for. Lust quickly proves to be the least of his problems, however. The deadly combination of typhus, rioting convicts, and a monstrous storm destroys his prospects . . . and shipwrecks him and Garnet on their own private island. After months of solitary paradise, the journey back to civilization—surviving mutineers, exposure, and desertion—is the ultimate test of their feelings for each other. These two very different men each record their story for an unfathomable future in which the tale of their love—a love punishable by death in their own time—can finally be told. Today, dear reader, it is at last safe for you to hear it all.Note: This is a revised, stand-alone edition of the story originally published in the Hidden Conflict anthology in 2009.

    Brought up by a harsh and stingy aunt and uncle in New York City after the death of his parents, young Andrew dreams of life as an artist in Paris. He has talent enough but lacks the resources to bring his dream to fruition. When a friend arranges for him to work as tutor to the son of a wealthy patron of the arts, Andrew sees a chance to make his dream come true and boards a train heading up the Atlantic coast. His destination is the estate called Seacliff, where he'll tutor his new charge and save his pay to make the life he dreams of possible. But danger lurks everywhere and nothing is quite as easy as it seems.Seacliff: A dark and brooding cliff-top mansion enshrouded in near-eternal fog, dark mystery, and suspicion - perhaps a reflection of the house's master. An imposing Blackbeard of a man, Duncan Stewart is both feared and admired by his business associates as well as the people he calls friends. And his home, in which young Andrew must now reside, holds terrible secrets, secrets that could destroy everyone within its walls.

    When Loel Woodbine, Duke of Marche and heir to three fortunes, makes an offer for Miss Valeria Randwick's hand, it seems like a godsend, but the young lady has already promised her heart to another-and a commoner, at that. Desperate to avoid the marriage, Valeria concocts a wild scheme that depends upon the good graces of her monastery-raised brother, Valentine. When the prospective groom sees through the ruse, he surprises Valentine by agreeing to cooperate. But can Marche and Valentine fool London society while dealing with an accusation of murder and the distracting fascination between them?

    Unable to face his family, Sutton heads to Manhattan with no plans and little money in his pocket but with a desire to call his life his own. Jack Bailey lost his parents to influenza and now hopes to save the family novelty shop by advertising on the radio, a medium barely more than a novelty, itself. His nights are spent in a careless and debauched romp through the gayer sections of Manhattan. When these two men cross paths, despite a world of differences separating them, their attraction cannot be denied. Sutton finds himself drawn to the piano, playing for Jack. But can his music heal them both, or will sudden prosperity jeopardize their chance at love?