In modern-day London, Robert searches for fulfillment in a world of sex, drugs, designer clothes, and hip gay clubs, during which he records his experience on his blog. Half a century earlier, Michael kept a secret diary in which he chronicled the dangers of negotiating the closet and the laws that could land himself and his friends and lovers in prison. Past and present collide when Robert moves into a new block of flats and discovers that history is alive and kicking on his doorstep. Funny, sexy, and moving, this tale demonstrates how much the world has changed, and remarkably, how much it can remain the same.

    Destroyed by the death of his former schoolmate yet unable to show it publicly, Giles Fullerton has taken to walking the streets of London in the middle of the night, the only time he can safely mourn the only person he’s ever loved—until one chance meeting with a lamplighter changes everything…. But You Can Walk Toward It... Widower John Banks knows a thing or two about grief, and immediately recognizes a kindred spirit when he finally meets the handsome, haunted gentleman he’s admired from afar. And in fact, the two men discover shared passions and the possibility of a forever love—if they can overcome social taboos, and their own fears….

    There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience. Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.

    But Tommy's dreams, and talent, fly higher, up in the rigging with the trapeze. When rising star Mario Santelli offers him flying lessons, it looks like the start of wonderful new life, and to Tommy's surprise, his relationship with Mario deepens even as his skill soars in the rigging. But life in the 1940s forces them to keep their love a secret, and the stress pushes both Tommy and Mario to a precipice. And as Mario flies higher and higher, Tommy begins to wonder if it will always be his role to catch Mario as he falls.A tremendously moving tale, a rich family saga, a wise and compassionate portrait of a special love in a cruel world.

    The first is of Ritwik’s; a story of a young man’s escape from a blighted childhood of squalor and abuse in Calcutta to the edge of what he considers to be a new world, full of possibilities, in England, where he has a chance to start all over again. But his past, especially the scarred, all-consuming relationship with his mother, is a minefield: will Ritwik find the salvation he is looking for? Could it arrive in the form of the second story that comprises the novel, the one he is writing himself, the story of an Englishwoman in the old world of Bengal on the eve of India’s first partition? Or could it be in the figure of the eighty-six-year-old Anne Cameron, fragile and damaged, who gives shelter to Ritwik in London in exchange of the care that she needs? And then one night, in the badlands of King’s Cross, Ritwik meets the suave, unfathomable Zafar bin Hashm. As present and past of several lives collide, Ritwik’s own goes into free fall. Set in India during the 1970s and ’80s, in England in the ’90s and in Raj Bengal in the 1900s, this award-winning first novel from one of India’s most acclaimed new writers is about dislocation and alienation, outsiders and losers, the tenuous and unconscious intersections of lives and histories, and the consolations of storytelling. Unsentimental yet full of compassion, and written with unrelenting honesty, this scalding debut marks a new turning point in writing from and of the Subcontinent.

    Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.

    and in Livingston, Montana, in the lush autumn of 1895, he finds he likes a Lakota Sioux Indian better than he might ought to.Jedediah Buffalo Bird is seriously wounded and seeking medical care, and Gideon helps Jed when some bigoted townsfolk might have done otherwise. Jed, who knows the wild far better than Gideon and feels indebted to him, agrees to repay him by being his guide to San Francisco.Their trip takes them across thousands of wild miles, through the mountains men mine and the Indian reservations dotting the plains. Facing a majestic West, they learn from each other about white folks and Indians alike. Gideon’s interest in Jed is clear from the start, but will Jed give up the life he knows for a young, brash white man he has perhaps come to love? Or will he push Gideon away in favor of the peace of nature and the personal freedom of having nothing to lose?

    One is a war-weary but scholarly Southerner who has seen too much bloodshed, especially the tortures inflicted upon the enemy by his vicious commanding officer, his uncle. The other is a Herculean Yankee captured by the rag-tag Confederate band and forced to become a martyr for all the sins of General Sheridan's fires. When these two find themselves admiring more than one another's spirit and demeanor, when passions erupt between captor and captive, will this new romance survive the arduous trek to Purgatory Mountain?

    The desire between them is undeniable but their budding relationship is disrupted by the arrival of a mysterious patient at New York Hospital.Mr. Moss has been accused of being born a woman but living his life as a man, an act that will see him committed to an asylum for the rest of his life. William and Augustus are determined to mount a rescue even if it means kidnapping him instead.Their desperate plan sets William and Augustus against the hospital authorities, and the law. Soon they find themselves embroiled in New York's seedy underworld, mixed up with prostitutes, spies, and more than a lifetime's worth of secrets. When nothing is as it seems can they find something real in each other?

    When he's asked to look after an absent naval captain's three wild children, he reluctantly agrees, but instantly falls for the hellions. And when their stern but gloriously handsome father arrives, Ben is tempted in ways that make him doubt everything.Some of Phillip Dacre's favorite things: His shipPeople doing precisely as they're toldTouching the irresistible vicar at every opportunityPhillip can't wait to leave England's shores and be back on his ship, away from the grief that haunts him. But his children have driven off a succession of governesses and tutors and he must set things right. The unexpected presence of the cheerful, adorable vicar sets his world on its head and now he can't seem to live without Ben's winning smiles or devastating kisses.In the midst of runaway children, a plot to blackmail Ben's family, and torturous nights of pleasure, Ben and Phillip must decide if a safe life is worth losing the one thing that makes them come alive.

    Try as he may, he cannot live up to the macho image expected of him by his family, by his heritage. At the age of 19 he is conscripted into the South African army and finds his every sensibility offended by a system close to its demise, and yet still in full force. Author André Carl van der Merwe transports the reader into this young man’s world with evocative realism - sometimes heart-rending, sometimes with humour, always with brush strokes of hope. This is a long overdue story about the emotional and physical suffering endured by countless young men."

    Published on the 40th anniversary of the disease's first reported cases, this story is both a tribute to a generation lost to the pandemic as well as a powerful exploration of heartbreak, recovery, and how love can defy grief. Two years after his partner, Francesco, died, twenty-eight-year-old Kevin Doyle is dusting off his one good suit jacket for yet another funeral, yet another loss in their close-knit group. They had all been young, beautiful, and living the best days of their lives, though they didn’t know it. That was before New York City began to feel like a war zone, its horrors somehow invisible, and ignored by the rest of the world.Some people might insist that Francesco is in a better place now, but Kevin definitely isn’t. He spends his days in a mind-numbing job and his evenings drunk in Francesco’s old apartment, surrounded by memories. Francesco made everything look easy, and without him, Kevin struggles to keep going. And then one night, he stops trying. When Kevin awakens in a hospital, he knows it’s time to move back home to Minnesota and figure out how to start living again—without Francesco.With the help of a surviving partners support group and old and new friends, Kevin slowly starts to do just that. But an unthinkable family betrayal, and the news that his best friend is fighting for his life in New York, will force a reckoning and a defining choice. Drawing on his experience as part of the AIDS generation, Brian Malloy brings authenticity, insight, sensitivity, and humor to a story that is distinct yet universal in its powerful exploration of heartbreak and recovery, and the ways in which love can defy grief.

    The man Andrew loves will die without proper medical treatment. To save his life, Andrew makes a choice that could destroy not just his future but his life.

    He doesn't realize that he is going to the right island for the wrong reasons until he meets buccaneers and learns he has far more in common with the wild Brethren of the Coast than he does with the nobility of Christendom. Still, he questions joining them and leaving his title and the plantation behind, until he meets Gaston the Ghoul, a mysterious French buccaneer who is purportedly mad. He quickly decides that the freedom of the buccaneer life and even the mere chance of love that a man such as Gaston might offer are better than anything he could ever inherit. But even though Gaston seems intrigued by him, can the crazy Frenchman ever love him?

    Classic in style, Vincent Virga creates a world as authentic as anything penned by DuMaurier, retaining the creaking ancestral mansion and mysterious and brooding master of the manor, while replacing the traditional damsel in distress with the young and handsome Robert Whyte. Vincent Virga has been called "America's foremost picture editor." He has researched, edited, and designed picture sections for more than 150 books, including "Eyes of the Nation: A Visual History of the United States" and the full-length photo essay "The Eighties: Images of America." He is also the author of "A Comfortable Corner." He is working on a third novel, "Theatricals.