D, Drawn and Quarterly), Bardín the Superrealist is a suite of stories, musings and gags that, much like Dan Clowes's Ice Haven, can be read individually or together as one overarching story.Heavily influenced by surrealists such as Luis Bunuel, and graphically by "clear-line" cartoonists from Herge (Tintin) to Chris Ware, Bardín the Superrealist begins when everyman Bardín finds himself suddenly transported (well, at least his upper half) to another dimension, where an "Andalusian Dog" (a reference to Bunuel's Un Chien Andalou) serves as his ill-tempered guide.In a series of vignettes, gags, illustrations, text pieces, and dream stories, ping-ponging back between the surrealist world and the "real" world, Bardín examines, questions, and defends his own beliefs, convictions and philosophies while tangling with the Dog and the Holy Trinity in a variety of guises (including a familiar-looking mouse with red shorts and white gloves).In other stories, he imagines himself in a painting by Brueghel the Elder, tries to deal with his onanism in a productive way, is enlightened, dodges his real "creator" Max in the street, has several horrific nightmares and marvelous hallucinations, and, in the book's climactic episode, "The Sound and the Fury," battles a bona fida dragon. Bardín the Superrealist is a playful, hilarious, thought-provoking (and beautifully illustrated) major work by one of the great European cartoonists.

    The work beautifully captures the isolation of the Great White North while also giving the artist a sequential canvas to explore and experiment. This book will be printed in three Pantone spot colors. Jesse's work has been nominated for the Doug Wright award and has won the Gene Day award.

    Set in sun-drenched Cape Town, South Africa, The Red Monkey Double Happiness Book — featuring two full-length stories, “The Leaking Cello Case” and “John Wesley Harding” — is stuffed to the gills with mystery, suspense, action, adventure, conspiracy theories, cool cars, and excellent weed as Dave and his freeloading pal Paul, well-meaning stoners in the tradition of Cheech & Chong and Harold & Kumar, thwart criminal malfeasance even as they ponder the larger questions, such as, “What steps can I personally take to help protect the Earth and the species that inhabit it?” (though most people’s answers to these questions don’t involve sword fights and hovercrafts).Joe Daly brings a refreshingly original—and utterly hilarious—voice to the comics medium, a dry, deadpan wit anchored in everyday reality combined with unnervingly deranged plots, rendered with a hyper-detailed, half-realistic and half-cartoony Tintin-style crispness.

    Cleveland native Harvey Pekar is a true American original. A V.A. hospital file clerk and comic book writer, Harvey chronicles the ordinary and mundane in stories both funny and touching. His dead-on eye for the frustrations and minutiae of the workaday world mix in a delicate balance with his insight into personal relationships.

    This is the inaugural volume in an annual showcase of new talent, complimenting our annual flagship anthology. This is comics pushing all the boundaries; surreal, edgy stories of wonder that shimmer with visual style and emotional power. They are presented here in a deluxe package to introduce them to new fans of illustrated fiction.

    The comics here are sophisticated, unusual narratives about animal musicians, mischievous children, cavemen and heavenly bodies.

    Skillfully drawn single panels explore a rich imagined world where actions have unexpected consequences and loneliness pervades, but not without a sense of the absurd. The stories read like vignettes that can span a day or decades, all drawn within a bordered page in intimate detail.Each story unfolds quickly and features characters that run the gamut: joke-writing sisters gone awry, a wandering sleepwalker, a pearl with curious properties, an elusive coughing neighbor, a wide-eyed girl of questionable appeal, even a storm drain. Whether animate or inanimate, sweet or monstrous, Lilli has the ability to infuse them all with pathos, humanity, and humor.

    In July of 1991, he launched Cartoon Books in Columbus, Ohio, to publish his black-and-white comic strip Bone. A tale of three marshmallowy creatures named Bone, adrift in a world of humans, monsters and fantasy creatures, Bone has since been translated into 15 languages and won Smith countless awards. Bone and Beyond is the first volume to offer an overview of Smith's work. Published in conjunction with the Wexner Center and Cartoon Research Library's 2008 exhibition, this catalogue presents work featured in the show, including examples of Smith's original drawings for Bone, plus the more recent Shazam and Rasl, a forthcoming time travel story. Also featured are selected works by cartoonists who have influenced Smith, such as George Herriman, Charles Schulz and Walt Kelly, and essays by comic book and fantasy author Neil Gaiman, comic book artist and scholar Scott McCloud and Wexner Center film/video curator David Filipi, the exhibition's co-curator. Cartoon Research Library curator Lucy Shelton Caswell, the exhibition's other co-curator, provides an introduction.

    Volume 1 volume reprints the first six complete issues (24 stories) of the comic book Two-Fisted Tales, originally published in 1950 and 1951.

    His work has been seen by millions—no, hundreds of millions—in the pages of Playboy, The New Yorker, Punch, The National Lampoon, and many other magazines; there is no telling, really, how many readers he has corrupted or comforted. He is revered for his playfully sinister take on childhood, adulthood, men, women, and monsters. His brand of humor makes you laugh until you cry. And it’s about time that a collection of his cartoons was published that did justice to his vast body of work.When Gahan Wilson walked into Hugh Hefner’s office in 1957, he sat down as Hefner was on the phone, gently rejecting a submission to his new gentlemen’s magazine: “I think it’s very well-written and I liked it very much,” Hefner reportedly said, “but it’s anti-sin. And I’m afraid we’re pro-sin.” Wilson knew, at that moment, that he had found a kindred spirit and a potential home for his cartoons. And indeed he had; Wilson appeared in every issue of Playboy from the December 1957 issue to today. It has been one of the most fruitful, successful, and long-lived relationships between a contributor and a magazine, ever.Gahan Wilson: 50 Years of Playboy Cartoons features not only every cartoon Wilson drew for Playboy, but all his prose fiction that has appeared in that magazine as well, from his first story in the June 1962 issue, “Horror Trio,” to such classics as “Dracula Country” (September 1978). It also includes the text-and-art features he drew for Playboy, such as his look at Madame Tussaud’s Wax Museum, his take on our country’s “pathology of violence,” and his appreciation of “transplant surgery.”Wilson’s notoriously black sense of comedy is on display throughout the book, leaving no sacred cow unturned (an image curiously absent in the book), ridiculing everything from state sponsored executions to the sober precincts of the nouveau rich, from teenage dating to police line-ups, with scalding and hilarious satirical jabs. Although Wilson is known as an artist who relishes the creepy side of modern life, this three-volume set truly demonstrates the depth and breadth of his range—from illustrating private angst we never knew we had (when you eat a steak, just whom are you eating?) to the ironic and deadpan take on horrifying public issues (ecological disaster, nuclear destruction anyone?).Gahan Wilson has been peeling back the troubling layers of modern life with his incongruously playful and unnerving cartoons, assailing our deepest fears and our most inane follies. This three-volume set is a testament to one of the funniest—and wickedly disturbing—cartoonists alive.Nominated for two 2010 Will Eisner Comic Industry Awards (Best Archival Collection/Project: Strips; Best Publication Design).

    It is created entirely by over 150 women of all experience levels. The purpose of the book is to show support for female creators in comics and media. There are multiple short stories, "how to"s & interviews with professionals, and features showcasing iconic female comic creators that have passed, such as Nell Brinkley and Tarpe Mills. A Kids & Teens section is also included, showcasing their work, and offering tips & tricks to help them prepare themselves for their future careers in comics.

    This hardcover, double issue is a return to pulp horror comics of the 1950's, but stylized and written for a new generation of horror fans! The book is anchored by the mysterious Blueman, an intimidating phantom that lives in the deepest, darkest recesses of the net. Join him as he tells two spine-tingling tales full of twists and turns! He is The Rake:  Our first story features a creature that's inspired a massive fandom around the web. The Rake is a mysterious beast that appears to people in the night as a dark omen. When the strange entity's presence causes the death of one man's wife, he becomes obsessed with getting payback, but is his quest for vengeance misguided? He Is... is a classic tale of revenge with a sinister twist that will send chills through your body! I Waited Inside Her Closet: The account of a dangerous serial killer and his unhealthy obsession with fame. But there's more than meets the eye in this story. The homicidal maniac's grisly exploits soon lead him to a terrible truth when he comes face to face with something even more terrifying than himself. Pick up this CREATURE DOUBLE-FEATURE and you won't be disappointed!

    In it, we witness Eddie's progression from beer to wine, or to put it more accurately, his inevitable maturation through time. Whether it's tales of his early pub-crawlin' days, or glimpses into his current private life with wifey and kids, there are truths here that transcend the factual and paint a picture of the way life should be. This collection -- numbered at 51 in The Comics Journal's top comics of the century -- has been much sought after by collectors of the serious graphic novel as well as r readers new to the idea of comics.

    The compendium includes many of Ryan's previously unpublished parodies.

    Thus CHACHA CHAUDHARY was born in 1971.Tall and robust SABU, who is an inhabitant of planet Jupiter, gave Chaudhary an ideal company. A combination of wisdom and strength was formed to tackle any difficult task. It is said that " Chacha Chaudhary's brain works faster than a computer". Though both fight the criminals and tricksters, each episode ends with a touch of humour. The duo perform in lighter vein. The CHAUDHARY family consists of his wife Bini, a fat sharp tongue woman, Sabu, Rocket - the dog and Dag- Dag, an old truck who is half human- half machine. Chacha Chaudhary is the most popular Indian comics. More than 10 million readers enjoy this series regularly in newspapers and comic books in ten languages. A T.V. serial based on the comics has crossed 500 episodes and still continue to be telecast on premier channel "Sahara ONE".