They leave their Kansas home and drive through the night to Albuquerque, eager to begin again, united by the thrilling possibility of carving out a new life together. The boys go to school, join basketball teams, make friends. Meanwhile their father works from home, smoking cheap cigars to hide another smell. But soon the little missteps—the dead-eyed absentmindedness, the late night noises, the comings and goings of increasingly odd characters—become worrisome, and the boys find themselves watching their father change, grow erratic, then dangerous.Set in the sublimely stark landscape of suburban New Mexico and a cramped apartment shut tight to the world, One of the Boys conveys with propulsive prose and extraordinary compassion a young boy’s struggle to hold onto the pieces of his shattered family. Tender, moving and beautiful, Daniel Magariel’s masterful debut is a story of resilience and survival: two foxhole-weary brothers banding together to protect each other from the father they once trusted, but no longer recognize. With the emotional core of A Little Life and the speed of We the Animals, One of the Boys is among the most remarkable debut novels you’ll ever read.

     It starts when Stella, an archaeologist specializing in Anasazi culture, finds David, a young Navajo boy who stumbles onto their dig site in a remote corner of the Navajo Reservation. David's coat is smeared with blood and he's in shock from something he's seen, revealing nothing but his name. Soon Stella and the other archaeologists will discover that something is chasing David, an unimaginable ancient evil that will stop at nothing to get him. After Stella escapes the dig site with David, driving north into Colorado, right into a blizzard, she's carjacked by a gang of criminals fleeing a botched bank robbery. All of them take refuge from the snowstorm in what they believe is an abandoned cabin. But after they find the owner's mutilated body stuffed into a freezer, they realize that something is out there in the blizzard waiting for them. The Ancient Enemy wants things . . . you have to give it what it wants or bad things will happen. Very bad things.

    Stuck in an East Texas old folks home, they must face off against a redneck mummy.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

     Sylvester Petersen used to think so too. That is, until a mysterious new neighbor moves in next door, seemingly out of nowhere. His handful of friends – people who tried to help him cope with the sudden death of his wife – think that it might be an opportunity for him to get reacquainted with the world outside his farmhouse and to build a new relationship with his neighbor. But that idea is soon snuffed out as strange events begin to happen around him. None of them wrong. Just strange: driving in the middle of the night, the sulfur-like odor coming off of him, the fact he doesn’t talk to anyone. And what about that dog? Sylvester chooses the logical explanation and ignores the peculiar behavior. But when other oddities start to happen – the kind that affects Sylvester directly – he begins to worry. His reasoning dwindles and his growing fear points to his neighbor. Where is that stray dog going? After enough time, Sylvester starts to see and hear what the local people have been muttering about: Unexplainable blue light, corn crops moving on their own…and then there's the slaughtered cattle entirely too close to home. And that stray dog that keeps getting fatter and fatter and fatter. At the peak of summer, and with the walls closing in, Sylvester experiences something that will take him to the brink and haunt you forever. Bathed in loss, terror and human spirit, Do I Bother You at Night? will be a story you won’t forget and one that will give you a few restless evenings of your own. Love thy neighbor.

    One was a young woman with the ability to see spirits trapped in trees, and stone, anchored to the earth beyond their years. Her gift was to draw them, and then, to set them free. The other was a dark man, haunted by visions that brought his stories of sadness and pain, and trapped in a life between the powers he sensed all around him, and a mundane existence attended by failure. They were Eleanore MacReady, Lenore, to her friends, and a young poet named Edgar Allen Poe, who traveled with a crow that was his secret, and almost constant companion, a bird named Grimm for the talented brothers of fairy-tale fame.Their meeting drew them together in vision, and legend, and pitted their strange powers and quick minds against the depths of the Dismal Swamp itself, ancient legends, and time.Once, upon a shoreline dreary, there was a tree. This is her story.

    But when Rob's journalist father dragged him along to investigate the legend of the Witchopper for the local paper, her curse became their reality.She was priestess to the pagan god of the wild wood, hanged by a rabid mob for her unspeakable crimes. Now, something far worse than the hell of high school is after Rob and his dad...In the vein of The Wicker Man and Midsommar, Witchopper is an epic ordeal of a father and son relationship, where past sins echo in the present. Dan Soule delivers another of his terrifying Fright Nights, with a tale of love, lies and truth that will leave you sleeping with the light on.

    But there's something even more interesting than the remarkable movies: the woman working behind the counter.

    Grandmamma did, too, back when she could still think straight. Hell, everybody in the poverty and crime-ridden Oak knew to stay away from it.But when a drug deal goes bad, and Mike is left penniless and desperate, he and his younger brother, James, do the unthinkable. In the dead of night, they sneak onto the unkempt property in search of rumored treasures. Beneath the thick shadow cast by the deserted home, they find what they are looking for.But brothers get greedy. Enticed by the promise of enough riches to get them out of the doomed neighborhood, the pair enters the house.And soon discover that the truth can be much worse than legend.

    Once she restores it to the attic, she starts hearing whispers, her loving husband becomes a stranger, and her baby daughter learns a chilling new word. Maybe Ana has unlocked the house’s secrets. Or maybe she’s becoming just a little unhinged herself.Brandi Reeds’s Oak Avenue is part of Dark Corners, a collection of seven heart-stopping short stories by bestselling authors who give you so many new reasons to be afraid. Each story can be read in a single sitting. Or, if you have the nerve, you can listen all by yourself in the dark.

     A woman searching for a sister lost at sea. A man bent on finding lost treasure. A mother who has lost all hope. A maniac who believes all life exists for his pleasure. The man who would keep them all safe. Together, they will all seek below the waves for treasures long buried, and riches beyond belief. But those treasures hide something. Something ancient, something dark. A creature that exists only to feed on those that would enter into its realm. A creature... of The Deep.

    Datlow has produced a collection filled with some of the most powerful voices in the field: Pat Cadigan, Terry Dowling, Jeffrey Ford, Christopher Fowler, Glen Hirshberg, K. W. Jeter, Joyce Carol Oates, and Lucius Shepard, to name a few. Each author approaches fear in a different way, but all of the stories' characters toil within their own hell. An aptly titled anthology, Inferno will scare the pants off readers and further secure Ellen Datlow's standing as a preeminent editor of modern horror.

    As they travel, they discover how cruel the world can be, but also how wondrous.

    But when they arrive at high school, things change. Gretchen begins to act….different. And as the strange coincidences and bizarre behavior start to pile up, Abby realizes there’s only one possible explanation: Gretchen, her favorite person in the world, has a demon living inside her. And Abby is not about to let anyone or anything come between her and her best friend. With help from some unlikely allies, Abby embarks on a quest to save Gretchen. But is their friendship powerful enough to beat the devil?

    It begins - or does it? - when Caspar, a genius, poor of course, and resentful at that, decides to use his "time machine" to bring back a modest fortune. It begins - or maybe it doesn't - with a mysterious bequest to a secret Otherhood charged with preserving and extending the British Empire at any cost. From the bold colonial days of empire-builder Cecil Rhodes through the wide-eyed and wondrous possibilities of the present to a strange and haunting future of magi and angels, of men and many races other than our own, John Crowley's time-travel masterpiece surfs bravely along "the infinite, infinitely broken coastline of Time" to tell a story that takes place neither here nor there, but everywhen.

    In the apartment of Oliver's old professor at Cambridge, there is a painting on the wall, a mysterious depiction of masked revelers at the Venice carnival. On this cold winter's night, the old professor has decided to reveal the painting's eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.By the renowned storyteller Susan Hill--whose first ghost story, The Woman in Black, has run for eighteen years as a play in London's West End--here is a new take on a form that is fully classical and, in Hill's able hands, newly vital. The Man in the Picture is a haunting tale of loss, love, and the very basest fear of our beings.