Until she woke up in a coffin.Ushers die young. Ushers are cursed. Ushers can never leave their house, a house that haunts and is haunted, a house that almost seems to have a mind of its own. Madeline’s life—revealed through short bursts of memory—has hinged around her desperate plan to escape, to save herself and her brother. Her only chance lies in destroying the house.In the end, can Madeline keep her own sanity and bring the house down? The Fall is a literary psychological thriller, reimagining Edgar Allan Poe’s classic The Fall of the House of Usher.

    Evelyn, a young woman disfigured by her dangerous work in a matchstick factory, who has nowhere to go, does not know what to make of her new position as a maid to the Elephant Man in the London Hospital. Evelyn wants to be locked away from the world, like he is, shut in from the filth and dangers of the streets. But in Joseph Merrick, the Elephant Man, she finds a gentle kindred who does not recoil from her and who understands her pain.When the murders begin, however, Joseph and Evelyn are haunted nightly by the ghosts of the Ripper’s dead, setting Evelyn on a path to facing her fears and uncovering humanity’s worst nightmares.

    When Juliet dies, Aila and her younger brother Miles are sent to live in Sterling, a rural town far from home--and the place where Juliet grew up.Sterling is a place with mysteries of its own. A place where the experiences that weave life together--scents of flowers and food, reflections from mirrors and lakes, even the ability to dream--vanish every seven years.No one knows what caused these “Disappearances,” or what will slip away next. But Sterling always suspected that Juliet Quinn was somehow responsible--and Aila must bear the brunt of their blame while she follows the chain of literary clues her mother left behind. As the next Disappearance nears, Aila begins to unravel the dual mystery of why the Disappearances happen and who her mother truly was. One thing is clear: Sterling isn’t going to hold on to anyone's secrets for long before it starts giving them up.

    Violet never wanted to move to Perfect.Who wants to live in a town where everyone has to wear glasses to stop them going blind? And who wants to be neat and tidy and perfectly behaved all the time?But Violet quickly discovers there's something weird going on – she keeps hearing noises in the night, her mum is acting strange and her dad has disappeared.When she meets Boy she realizes that her dad is not the only person to have been stolen away...and that the mysterious Watchers are guarding a perfectly creepy secret!

    But she also understands that "normal" doesn't mix with magic, and she's worked hard to build a wall between the two worlds. Not only to protect any hope of ever having a normal life.Ranch-sitting for her aunt in Texas should be exactly that. Good old ordinary, uneventful hard work. Only, Amy and her sister, Phin, aren't alone. There's someone in the house with them—and it's not the living, breathing, amazingly hot cowboy from the ranch next door.It's a ghost, and it's more powerful than the Goodnights and all their protective spells combined. It wants something from Amy, and none of her carefully built defenses can hold it back.This is the summer when the wall between Amy's worlds is going to come crashing down.

    She's staying in a creepy old house with her Aunt Claudia, who reads Tarot cards for a living. And at the snooty prep school, a pack of filthy-rich girls treat Rebecca like she's invisible. Only gorgeous, unavailable Anton Grey seems to give Rebecca the time of day, but she wonders if he's got a hidden agenda. Then one night, in Lafayette Cemetery, Rebecca makes a friend. Sweet, mysterious Lisette is eager to talk to Rebecca, and to show her the nooks and crannies of the city.

    But Cass herself can REALLY see ghosts. In fact, her best friend, Jacob, just happens to be one.When The Inspecters head to ultra-haunted Edinburgh, Scotland, for their new TV show, Cass—and Jacob—come along. In Scotland, Cass is surrounded by ghosts, not all of them friendly. Then she meets Lara, a girl who can also see the dead. But Lara tells Cassidy that as an In-betweener, their job is to send ghosts permanently beyond the Veil. Cass isn't sure about her new mission, but she does know the sinister Red Raven haunting the city doesn't belong in her world. Cassidy's powers will draw her into an epic fight that stretches through the worlds of the living and the dead, in order to save herself.

     ...but their souls don't exactly get where they're supposed to get either. Instead, they're caught halfway between life and death, in a sort of limbo known as Everlost: a shadow of the living world, filled with all the things and places that no longer exist. It's a magical, yet dangerous place where bands of lost children run wild and anyone who stands in the same place too long sinks to the center of the Earth. When they find Mary, the self-proclaimed queen of lost kids, Nick feels like he he's found a home, but Allie isn't satisfied spending eternity between worlds. Against all warnings, Allie begins learning the "Criminal Art" of haunting, and ventures into dangerous territory, where a monster called the McGill threatens all the souls of Everlost. In this imaginative novel, Neal Shusterman explores questions of life, death, and what just might lie in between.

    They have also become enemies. As they discover their roles in a prophecy that has turned generations of sisters against each other, the girls find themselves entangled in a mystery that involves a tattoo-like mark, their parents' deaths, a boy, a book, and a lifetime of secrets. Lia and Alice don't know whom they can trust.They just know they can't trust each other.

    Dusk. A swaggering seventeen-year-old gangster named Zebulon Finch is gunned down on the shores of Lake Michigan. But after mere minutes in the void, he is mysteriously resurrected.His second life will be nothing like his first.Zebulon’s new existence begins as a sideshow attraction in a traveling medicine show. From there, he will be poked and prodded by a scientist obsessed with mastering the secrets of death. He will fight in the trenches of World War I. He will run from his nightmares—and from poverty—in Depression-era New York City. And he will become the companion of the most beautiful woman in Hollywood.Love, hate, hope, and horror—Zebulon finds them. But will he ever find redemption?Ambitious and heartbreaking, The Death and Life of Zebulon Finch, Volume One: At the Edge of Empire is the epic saga of what it means to be human in a world so often lacking in humanity.

    Ten years ago on Halloween night, grotesque creatures snatched her best friend Elliot and Sam narrowly escaped with her life. Now a decade on, the police investigation has ground to a halt and Elliot’s whereabouts remains a mystery. Traumatized by her ordeal, Sam finds it hard to make friends. She is mistrustful of authority and changed schools more times than she cares to remember. To her, the world is cruel and unforgiving. Then she meets the enigmatic Lee Weaver. With his gorgeous face and magnetic presence, he turns heads wherever he goes. Sam has never wanted anyone as much as she wants Lee, but there are things about the alluring stranger that don’t add up, leading Sam to ask unsettling questions about her past. Soon she discovers the boy of her dreams is keeping a terrible secret: one that threatens to destroy everything Sam holds dear . . .Super Dark is a seductive love story that will keep you guessing right until the final page ...

    Though she’s been dealing with a quarter-life crisis and post-college syndrome like any other twenty-something, she’s still not what you would call “ordinary.” For one thing, there’s her past which she likes to pretend never happened, and then there’s the fact that she sees ghosts. Luckily for her, that all comes in handy when she stumbles across Dex Foray, an eccentric producer for an upcoming webcast on ghost hunters. Even though the show’s budget is non-existent and Dex himself is a maddening enigma, Perry is instantly drawn into a world that both threatens her life and seduces her with a sense of importance. Her uncle’s haunted lighthouse provides the perfect catalyst and backdrop for a horrific mystery that unravels the threads of Perry’s fragile sanity and causes her to fall for a man, who, like the most dangerous of ghosts, may not be all that he seems.

     Except it wasn't flu, and death gave them back.Seventeen-year-old Ella copes the best she can; caring for her war-injured father, scrubbing the floors, and slaying the undead that attack the locals. Vermin they're called, like rats they spread pestilence with their bite. Ella's world collides with another when she nearly decapitates a handsome stranger, who is very much alive.Seth deMage, the new Duke of Leithfield, has returned to his ancestral home with a mission from the War Office -- to control the plague of vermin in rural Somerset. He needs help; he just didn't expect to find it in a katana-wielding scullery maid.Working alongside Seth blurs the line between their positions, and Ella glimpses a future she never dreamed was possible. But in overstepping society's boundaries, Ella could lose everything - home, head and her heart...

    As one of the last descendants of the Van Helsing lineage, she has trained since childhood to destroy monsters both corporeal and spiritual: the corporeal undead go down by the bullet, the spiritual undead by the lens. With an analog SLR camera as her best weapon, Micheline exorcises ghosts by capturing their spiritual energy on film. She's aided by her crew: Oliver, a techno-whiz and the boy who developed her camera's technology; Jude, who can predict death; and Ryder, the boy Micheline has known and loved forever.When a routine ghost hunt goes awry, Micheline and the boys are infected with a curse known as a soulchain.As the ghostly chains spread through their bodies, Micheline learns that if she doesn't exorcise her entity in seven days or less, she and her friends will die. Now pursued as a renegade agent by her monster-hunting father, Leonard Helsing, she must track and destroy an entity more powerful than anything she's faced before . . . or die trying.Lock, stock, and lens, she’s in for one hell of a week.

    That’s why Frankie's not prepared for the day that he arrives for his weekend visit with a new woman on his arm and out-of-state train tickets in his pocket.Now Frankie and her sister, Toni, are abandoned alongside so many other orphans—two young, unwanted women doing everything they can to survive.And as the embers of the Great Depression are kindled into the fires of World War II, and the shadows of injustice, poverty, and death walk the streets in broad daylight, it will be up to Frankie to find something worth holding on to in the ruins of this shattered America—every minute of every day spent wondering if the life she's able to carve out will be enough. I will admit I do not know the answer. But I will be watching, waiting to find out. That’s what ghosts do.