Nesbit, just sixteen years old, had recently moved to the city. White was forty-seven and a principal in the prominent architectural firm McKim, Mead & White. As the foremost architect of his day, he was a celebrity, responsible for designing countless landmark buildings in Manhattan. That evening, after drinking champagne, Nesbit lost consciousness and awoke to find herself naked in bed with White. Telltale spots of blood on the bed sheets told her that White had raped her.She told no one about the rape until, several years later, she confided in Harry Thaw, the millionaire playboy who would later become her husband. Thaw, thirsting for revenge, shot and killed White in 1906 before hundreds of theatergoers during a performance in Madison Square Garden, a building that White had designed.The trial was a sensation that gripped the nation. Most Americans agreed with Thaw that he had been justified in killing White, but the district attorney expected to send him to the electric chair. Evelyn Nesbit's testimony was so explicit and shocking that Theodore Roosevelt himself called on the newspapers not to print it verbatim. The murder of White cast a long shadow: Harry Thaw later attempted suicide, and Evelyn Nesbit struggled for many years to escape an addiction to cocaine. The Girl on the Velvet Swing, a tale of glamour, excess, and danger, is an immersive, fascinating look at an America dominated by men of outsize fortunes and by the the women who were their victims.

    Banks (1870–1938) was an ambitious young American journalist (born in New Jersey, raised in Wisconsin) who worked as a typist and reporter in Baltimore, then took the unlikely post of secretary to the American Ambassador in Peru, before coming to London to seek her fortune. She achieved her goal admirably in 1894 with a form of 'stunt journalism' that had first been practised by James Greenwood, who dressed in rags and presented himself as a 'casual' pauper to the parish authorities, writing up his experience in his sensational article 'A Night in a Workhouse'. Banks, very much a late nineteenth-century 'New Woman', likewise decided to go 'undercover' amongst the poor — first as a servant, then in several other positions, masquerading as a crossing sweeper, laundress and, at the opposite end of the social spectrum, pretending to be an heiress, to see how easy it might be to buy one's way into the aristocratic upper echelons of London 'Society'. Banks's ploy was successful and the resulting articles became the talk of the capital — and guaranteed her a future career in journalism. Her own autobiography records the words of the Pall Mall Gazette ... 'Her strange, wild and curious adventures are the common theme of conversation in thousands of English homes ...' and, although Banks's subterfuge may not seem 'wild' to modern readers, it remains striking. It was the impersonation of a servant which caused the greatest furore, not least the fear that the upstart young American was promoting a very un-British egalitarian agenda, one sympathetic to the complaints of servants against mistresses, undermining the normal healthy relations between the classes. In fact, the book provides a rather too convenient comparison of two households — the first where the employer exploits and over-works her staff, the second where the cook and maids have the whip-hand over an overly timid and caring mistress. Banks herself, however, had no great political agenda. She confesses frankly in her autobiography that 'I did it for "copy" ... to earn my living'.Such was the interest in Banks's work, that the press sought out the employers who were fooled by the artful reporter. 'Mrs. Allison' (not her real name) was interviewed by the populist Pick Me Up magazine and declared herself 'completely hoodwinked'. She claimed, however, that she only employed Miss Banks because of the pathetic story she told at interview about her penury, and that — contrary to the impression in the book — the cleanliness of her household suffered a good deal due to the reporter's ignorance. Mrs. Allison recounts how she knew there was trouble when her other maid informed her, 'Ma'am, the new housemaid's sweeping the stairs with a bonnet whisk!' In short, according to Mrs. Allison, her American employee 'did not hesitate to declare herself as competent and reliable, although she entered every house under false pretences without being able to sew on a button, darn a stocking, or scrub a floor'.Banks's success was so great because her deception played on the existing fears of the middle- and upper-classes about servants, i.e. that, when members of the family were not present, staff were incompetent and/or deceptive — traitors beneath one's own roof — even if this only amounted to taking unwarranted 'perquisites' from household groceries, or seeing male 'followers'. Whether Miss Banks provides us with a completely truthful account or 'journalistic gingerbread' (to quote the rather unsympathetic Pick Me Up) I must leave it to the reader to judge — regardless, the book remains a fascinating read.

    When MGM stars found themselves in trouble, it was Eddie and Howard who took care of them--solved their problems, hid their crimes, and kept their secrets. They were the Fixers. At a time when image meant everything and the stars were worth millions to the studios that owned them, Mannix and Strickling were the most important men at MGM. Through a complex web of contacts in every arena, from reporters and doctors to corrupt police and district attorneys, they covered up some of the most notorious crimes and scandals in Hollywood history, keeping stars out of jail and, more importantly, their names out of the papers. They handled problems as diverse as the murder of Paul Bern (husband of MGM's biggest star, Jean Harlow), the studio-directed drug addictions of Judy Garland, the murder of Ted Healy (creator of The Three Stooges) at the hands of Wallace Beery, and arranging for an unmarried Loretta Young to adopt her own child--a child fathered by a married Clark Gable. Through exhaustive research and interviews with contemporaries, this is the never-before-told story of Eddie Mannix and Howard Strickling. The dual biography describes how a mob-related New Jersey laborer and the quiet son of a grocer became the most powerful men at the biggest studio in the world.

    

    But Bravo proved to be a brutal and conniving man, and the marriage was far from happy. Then one night he suddenly collapsed, and three days later died an agonizing death. His doctors immediately determined that he had been poisoned. The graphic and sensational details of the case would capture the public imagination of Victorian England as the investigation dominated the press for weeks, and the list of suspects grew to include Florence, her secret lover the eminent doctor James Gully, her longtime companion the housekeeper Mrs. Cox, and the recently dismissed stableman George Griffiths. But ultimately no murderer could be determined, and despite the efforts of numerous historians, criminologists, and other writers since (including Agatha Christie), the case has never been definitively solved. Now James Ruddick retells this gripping story of love, greed, brutality, and betrayal among the elite -- offering an intimate portrait of Victorian culture and of one woman's struggle to live in this repressive society, while unmasking the true murderer for the first time. Simultaneously a murder mystery, colorful social history, and modern-day detective tale, Death at the Priory is a thrilling read and a window into a fascinating time. "An impressively researched retelling ... Death at the Priory reads as a historical intervention, crime novel, and sensational docudrama." -- Zarena Aslami, Chicago Tribune "A suspenseful and stimulating read." -- Merle Rubin, Los Angeles Times "Enjoyable; Ruddick has done much admirable sleuthing." -- Paul Collins, The New York Times Book Review

    Traditional biographies tell us that Queen Victoria inherited the throne as a naïve teenager, when the British Empire was at the height of its power, and seemed doomed to find failure as a monarch and misery as a woman until she married her German cousin Albert and accepted him as her lord and master. Now renowned chronicler Gillian Gill turns this familiar story on its head, revealing a strong, feisty queen and a brilliant, fragile prince working together to build a family based on support, trust, and fidelity, qualities neither had seen much of as children. The love affair that emerges is far more captivating, complex, and relevant than that depicted in any previous account. The epic relationship began poorly. The cousins first met as teenagers for a few brief, awkward, chaperoned weeks in 1836. At seventeen, charming rather than beautiful, Victoria already “showed signs of wanting her own way.” Albert, the boy who had been groomed for her since birth, was chubby, self-absorbed, and showed no interest in girls, let alone this princess. So when they met again in 1839 as queen and presumed prince-consort-to-be, neither had particularly high hopes. But the queen was delighted to discover a grown man, refined, accomplished, and whiskered. “Albert is beautiful!” Victoria wrote, and she proposed just three days later.As Gill reveals, Victoria and Albert entered their marriage longing for intimate companionship, yet each was determined to be the ruler. This dynamic would continue through the years–each spouse, headstrong and impassioned, eager to lead the marriage on his or her own terms. For two decades, Victoria and Albert engaged in a very public contest for dominance. Against all odds, the marriage succeeded, but it was always a work in progress. And in the end, it was Albert’s early death that set the Queen free to create the myth of her marriage as a peaceful idyll and her husband as Galahad, pure and perfect. As Gill shows, the marriage of Victoria and Albert was great not because it was perfect but because it was passionate and complicated. Wonderfully nuanced, surprising, often acerbic–and informed by revealing excerpts from the pair’s journals and letters–We Two is a revolutionary portrait of a queen and her prince, a fascinating modern perspective on a couple who have become a legend.

    After serving customers and locking the doors for the night, the kids began their regular cleanup to ready the restaurant for the following day. But then something went horribly wrong. Just before midnight, someone muscled into the place, robbed the store of $581 and kidnapped the four employees. Over the next two days, investigators searched in vain for the missing crewmembers before their bodies were discovered more than twenty miles away. The killer or killers were never caught. Join Julie Young on an exploration of one of the most baffling cold cases in Indiana history.

    They peer deeply into Trump's White House – at the aides pressured to lie to the public, the lawyers scrambling to clear up norm-breaking disasters, and the staffers whose careers have been reduced to ashes – to paint an unparalleled group portrait of an administration driven by self-preservation and paranoia. Rucker and Leonnig reveal Trump at his most unvarnished, showing the unhinged decision-making and incompetence that has floored officials and stunned foreign leaders. They portray unscripted calls with Vladimir Putin, steak dinners with Kim Jong-un, and calls with Theresa May so hostile that they left her aides shaken. They also take a hard look at Robert Mueller, Trump's greatest antagonist to date, and how his investigation slowly unravelled an administration whose universal value is loyalty – not to country, but to the president himself.

    With him when he was captured was his 14-year-old ex-girlfriend Caril Fugate. The question soon arose, was Caril a kidnapped victim, or a heartless accomplice?Appointed to her case, attorney John McArthur initially accepted the assignment out of a sense of constitutional duty. But as he delved deeper, he found that the truth was far more complicated than anyone was letting on. Up against incredible odds, and with a strong conviction of her innocence, McArthur remained with Caril and fought for her freedom for 18 years. For this service, he took no pay, accepting the case pro bono.This book follows the long struggle of McArthur, his partner Merril Reller, and John's son James as they took on the Nebraska legal system and a public that had already determined Caril's guilt before ever hearing a word of testimony. The story continues through all it influenced, such as Stephen King, who became a horror writer because of it, Bruce Springsteen, who wrote a whole album about it, Terrence Malick, Oliver Stone, Martin Sheen, and Peter Jackson, who wrote his first major movie based on the Starkweather-Fugate incident.Pro Bono explores aspects of this incredible story that have never been revealed before, and sheds new light on these terrifying and complex events.

    She watched as John Kennedy was murdered in the streets below. Then, with a co-worker in tow, she ran down the back stairs of the building in order to get outside and determine what had happened... [Product description from Amazon.com]

    The beauty, grace and charm of Prince Christian's daughter had prevailed over the Queen's intense dislike of the Danish royal house, and had even persuaded the embarrassingly difficult Bertie to agree to the match. Thus began the fairy-tale saga of a family that handed on its good looks, unaffectedness, and democratic manners to almost every royal house of modern Europe. For, in the year that Alexandra became Princess of Wales, her brother Willie was elected King of the Hellenes ; her father at last succeeded to the Danish throne; her sister Dagmar was soon to become wife of the future Tsar Alexander III of Russia; and her youngest sister Thyra later married the de jure King of Hanover. A Family of Kings is the story of the crowned children and grandchildren of Christian IX and Queen Louise of Denmark, focusing on the half-century before the First World War. It is an intimate, domestic study of a close-knit family, the individual personalities, and the courts to which they came. Without doubt, the chic and beautiful Alexandra epitomized the spectacular flowering of the Danish dynasty; and just as she brought an unprecedented popularity to the sobriety of the English court, so her brothers and sisters helped enliven the staid European scene. The outstanding success of Theo Aronson's previous book, Grandmama of Europe, confirms his reputation as a chronicler of the fortunes of Europe's ruling houses. A Family of Kings bears the hallmark of the author's remarkable talent, and provides a fascinating evocation of the splendour and extravagance, and not infrequent tragedy, of nineteenth and twentieth century royalty.

    The Curse of Brink's-Mat reveals the pulse-racing full story of the crime itself before moving to its chilling aftermath, which still reverberates to this day. The heist made the careers of many of the underworld's biggest names, and changed the face of British crime forever but in the years that followed the robbery, many of those involved, innocent and guilty alike have been sent to an early grave. Two decades on, the death toll is still rising. Nobody knows more about that extraordinary morning's events than Wensley Clarkson. Nobody is better placed to track the vicious, violent and unexpected waves that followed in its wake or bring to life its cast of larger-than-life characters. From small-time crime in south-east London, to ‘the heist of the century' and its bloody consequences, Wensley Clarkson's The Curse of Brink's-Mat is an epic tale of villainy, gold and revenge.

    They set the fashions, encouraged the arts, and, in some cases, ruled nations. Eleanor Herman's Sex with Kings takes us into the throne rooms and bedrooms of Europe's most powerful monarchs. Alive with flamboyant characters, outrageous humor, and stirring poignancy, this glittering tale of passion and politics chronicles five hundred years of scintillating women and the kings who loved them.Curiously, the main function of a royal mistress was not to provide the king with sex but with companionship. Forced to marry repulsive foreign princesses, kings sought solace with women of their own choice. And what women they were! From Madame de Pompadour, the famous mistress of Louis XV, who kept her position for nineteen years despite her frigidity, to modern-day Camilla Parker-Bowles, who usurped none other than the glamorous Diana, Princess of Wales.The successful royal mistress made herself irreplaceable. She was ready to converse gaily with him when she was tired, make love until all hours when she was ill, and cater to his every whim. Wearing a mask of beaming delight over any and all discomforts, she was never to be exhausted, complaining, or grief-stricken.True, financial rewards for services rendered were of royal proportions -- some royal mistresses earned up to $200 million in titles, pensions, jewels, and palaces. Some kings allowed their mistresses to exercise unlimited political power. But for all its grandeur, a royal court was a scorpion's nest of insatiable greed, unquenchable lust, and vicious ambition. Hundreds of beautiful women vied to unseat the royal mistress. Many would suffer the slings and arrows of negative public opinion, some met with tragic ends and were pensioned off to make room for younger women. But the royal mistress often had the last laugh, as she lived well and richly off the fruits of her "sins."From the dawn of time, power has been a mighty aphrodisiac. With diaries, personal letters, and diplomatic dispatches, Eleanor Herman's trailblazing research reveals the dynamics of sex and power, rivalry and revenge, at the most brilliant courts of Europe. Wickedly witty and endlessly entertaining, Sex with Kings is a chapter of women's history that has remained unwritten -- until now.

    . . most thought-provoking."--BooklistIn 1997 twenty-year-old Colleen Stan left home to hitchhike from Oregon to California. Seven years later she emerged from hell, the victim of a bizarre and extraordinary crime.This is Colleen's incredible true story, told by the determined young district attorney who prosecuted the man who had forced her to endure years of sexual perversion . . . and held her captive in a coffin-like box under his and his wife's bed. A story of riveting psychological intensity and gripping courtroom drama, Perfect Victim reveals the whole truth about Collen Stan's real-life nightmare . . . and the psychopath who enslaved her body and her mind."Horrifying!"--The Cincinnati Post"Hard to put down!"--Chicago Tribune"A gripping and disturbing story of the secret life of apparently normal people. At once, horrific and engrossing."--Vincent Bugliosi, author of Helter Skelter

    The search for little Pearl consumed the next several weeks, and the story became front page news all over the United States. Hundreds of residents from the nearby towns of Waldron and Booneville Arkansas helped in the search, and a mysterious mountain hermit seemed to hold the secret to Pearl's disappearance. The incredible events that followed contributed to a mountain legend that still exists today.