PARKER & KNIGHTWhen beautiful, nineteen-year-old Tiffany Grace is found murdered inside the house next door, Detectives Rick Parker and Joanna Knight are brought in to investigate.What they find is a tangled web of love, lies and infidelity between the homeowners, Alex and Mandy Kent, and their young neighbors, murder victim, Tiffany Grace, and her handsome brother, Steve.As Parker wades through the Kents' marital woes, he also has to deal with his own, as his marriage comes to a close.Did Alex Kent kill Tiffany, a young woman he lusted for deeply?Or did Mandy Kent kill her, to keep her from her husband?The truth is even more twisted than Parker and Knight could have imagined.

    When he is hired to protect a hilarious and charitable woman, how can he stop himself from falling for her?

    If he can't have her, no one can To one man, recent widow Marissa Jamison and her two children are the perfect family-and he will stop at nothing to make sure that they belong to him.

    Her mother, Flora, lies dead in the bath. Beside her is a note saying only: 'Forgive Me'.Until then, Eva always believed her family's life would be comfortable and secure - but Flora's suicide changes everything. And when Eva discovers that in her will Flora left her an artist's studio in London, she realises how little she knows about her mother's past.When Eva visits the now derelict studio, she is shocked to find out that her mother was once a successful artist back in the 1960s. A chance encounter leads her to Phil, who agrees to help her restore the studio, as well as offering her the advice and friendship Eva so badly needs.In the studio attic she finds a collection of Flora's paintings and old diaries, which Eva believes were purposely left for her to find. Searching for answers, Eva encounters a psychic who mysteriously warns her to beware of a 'sleeping serpent', which she soon discovers refers to a shocking crime in Flora's past.Will discovering the truth destroy Eva's belief in everything she holds dear? And will Phil stand by Eva even when her journey leads her and those she loves into certain danger?

    Only Alison is now desperately ill and she needs Fran's help. She wants to find her husband a new wife, and leave her young daughter with a new mother. Fran finds the whole idea deeply uncomfortable, but it's hard to refuse your closest friend at the best of times, let alone ignore her dying wishes.So Fran reluctantly logs on to an internet dating site, where she stumbles across a startlingly familiar profile. 'Footloose' describes himself as divorced, but his photo looks exactly like Fran's husband, Max. What's a wife to do when she suspects her husband's cheating and can't bear to confront him outright? Posing as 'Sassy', Fran sends a reply to 'Footloose' and sets out to date her own husband... But this increasingly crazy plan leads Max to start to have doubts of his own. Torn between suspicion and love, life for Fran just got very complicated - can her marriage survive?

    We have a child together. A dog, a house. Who are you?Emma loves her husband Leo and their young daughter Ruby: she’d do anything for them. But almost everything she's told them about herself is a lie. And she might just have got away with it, if it weren’t for her husband’s job. Leo is an obituary writer; Emma a well-known marine biologist. When she suffers a serious illness, Leo copes by doing what he knows best – researching and writing about his wife’s life. But as he starts to unravel the truth, he discovers the woman he loves doesn’t really exist. Even her name isn’t real. When the very darkest moments of Emma’s past finally emerge, she must somehow prove to Leo that she really is the woman he always thought she was . . . But first, she must tell him about the other love of her life.

    It's time for a clean start… Connie Diamond has always been her husband Jimmy's 'best girl' - or so she thought. But then she discovers that he's been playing away for the past twenty-four years, and that the chocolates she believed he bought her as a sign of his love were just a cover-up, and she is determined to get revenge. Along with Della Frostick, Jimmy's right-hand woman at his cleaning firm, Diamond Shine, Connie decides to destroy Jimmy's life from the inside. Together they will set up a rival business called Lady Muck, and along with the cleaning ladies who meet at the Sunflower Café, they'll make him wish he had never so much as looked at another woman. Then Connie meets the charming Brandon Locke, a master chocolatier, whose kind chocolate-brown eyes start to melt her soul. Can the ladies of the Sunflower Café help Connie scrub away the hurt? And can Brandon cure her affliction and make her smile again?

    She throws herself into her work from dusk to dawn, until her solitary routine is disrupted by the appearance of a mysterious child who shows up at her cabin barefoot and covered in bruises.The girl calls herself Ursa, and she claims to have been sent from the stars to witness five miracles. With concerns about the child’s home situation, Jo reluctantly agrees to let her stay—just until she learns more about Ursa’s past.Jo enlists the help of her reclusive neighbor, Gabriel Nash, to solve the mystery of the charming child. But the more time they spend together, the more questions they have. How does a young girl not only read but understand Shakespeare? Why do good things keep happening in her presence? And why aren’t Jo and Gabe checking the missing children’s website anymore?Though the three have formed an incredible bond, they know difficult choices must be made. As the summer nears an end and Ursa gets closer to her fifth miracle, her dangerous past closes in. When it finally catches up to them, all of their painful secrets will be forced into the open, and their fates will be left to the stars.In this gorgeously stunning debut, a mysterious child teaches two strangers how to love and trust again.

    

    After their last failed attempt, Henry intends to get her in the truck and out of Bellingwood as fast as possible, even if it means leaving right after work on Friday afternoon. Join them as they travel a small part of the Mother Road (Route 66) and experience the beauty of the Grand Canyon and Utah's gorgeous scenery. From blue whales to sleeping in concrete wigwams, changing scenery along the way and interesting people, it's a trip they'll remember. Will they manage to travel without any catastrophes or dilemmas? What do you think? Polly is always rescuing someone and you shouldn't expect her to do things differently just because she is far from home.

    Either slightly dramatic or seriously dramatic. That this is the latter means just the one thing. That my day is about to get worse...' And for single mum, Abbie, life is complex enough. So once her eldest son, Seb, has gone on his gap year, she's decided it's time to make changes. She's just left her old job and started a new one (to escape the gorgeous man-who-turned-out-to-be-married), and is planning some space for herself at long last. But fate seems to have something else in mind for Abbie, in the shape of her demanding and incorrigible mother, whose feckless fourth husband, Hugo, has just died. Temporarily in a wheelchair after a recent knee op, Diana - retired TV fitness icon and dancer - will need looking after, so will have to move in. Still, Abbie tells herself - gritting her teeth - it won't be for more than a few weeks... However, Abbie hasn't figured on the sudden arrival of Hugo's 20 years' estranged son.

    When she finds out she is pregnant, he decides the relationship is most definitely off and leaves her before she has time to say 'Mothercare'.Desperate to get him back – and convinced she can – Aoife doesn’t tell her family back home in Derry about her impending arrival until she is cradling newborn Maggie in her arms. She then has to return home to face the music – baby in tow and sanity absent without leave.Meanwhile her best friend has been keeping a secret of her own. Beth and her husband Dan have been trying to get pregnant for the past two years. According to the doctors there is no medical reason for their failure to conceive. And if there is no reason, there can’t be a problem, can there? Add a gorgeous gardener, an overbearing mother, a perfectly annoying sister-in-law and a well meaning aunt – all with secrets of their own – into the mix and you have 'Feels Like Maybe'.

    That was before she left the pop-idol life behind after she gained a dress size or two — and lost a boyfriend, a recording contract, and her life savings (when Mom took the money and ran off to Argentina). Now that the glamour and glory days of endless mall appearances are in the past, Heather's perfectly happy with her new size 12 shape (the average for the American woman!) and her new job as an assistant dorm director at one of New York's top colleges. That is, until the dead body of a female student from Heather's residence hall is discovered at the bottom of an elevator shaft.The cops and the college president are ready to chalk the death off as an accident, the result of reckless youthful mischief. But Heather knows teenage girls . . . and girls do not elevator surf. Yet no one wants to listen — not the police, her colleagues, or the P.I. who owns the brownstone where she lives — even when more students start turning up dead in equally ordinary and subtly sinister ways. So Heather makes the decision to take on yet another new career: as spunky girl detective! But her new job comes with few benefits, no cheering crowds, and lots of liabilities, some of them potentially fatal. And nothing ticks off a killer more than a portly ex-pop star who's sticking her nose where it doesn't belong . . .

    This wise, wonderful, and delightfully witty New York Times bestseller is a coming of age novel about four intrepid women who discover themselves as they were truly meant to be: passionate, alive, and ready to face the best years of their lives.

    A bright, but slightly absent-minded anthropology teacher at a small Michigan college, Candace is all set to leave for Los Angeles to conduct research on 1960s TV star Pamela Parrish—America’s Sitcom Sweetheart—for her Master’s thesis on television and female gender roles. But after discovering that Ruth Fenton is a long lost relative, she’s first off to San Francisco for her memorial service where she meets a crazy(?) old lady who claims Pamela Parrish didn’t commit suicide like everybody says—she was murdered. Now Candace has to get to the bottom of it, all while fighting the nagging feeling that her long-time professor boyfriend back home is getting a little too close to one of his students, and at the same time wondering if new-found friend Brandon, a newspaper reporter and budding painter who lives on a hidden stairway street in the hills of San Francisco, is really the guy for her. It’s a funny, but moving, uphill climb for Candace who finds that things are rarely what they seem in the ups and downs of love or in discovering a surprising secret about her not-so-perfect mother, or unearthing the truth behind the death of America’s Sitcom Sweetheart.