Much better to see it for what it is than to be perennially disappointed.With a hefty new mortgage, a frustrating career as a newspaper columnist and a flailing relationship with a married co-worker, Jo Liddell is resigned to living a less-than-perfect life.That is, until she crosses paths with Joe Bannister – a celebrated foreign correspondent returning home to care for his dying father. Against all her natural instincts, Jo finds herself falling for Joe, and with his help begins to realise that she might deserve to be happy after all. But when she decides to take the plunge and give love a chance, the results are catastrophic. And so Jo must fight hard for everything she never believed in – success, self-acceptance, and above all, real love.

    He lives a quiet life with his two dogs in the tumbledown wreck his family home has become. It's a peaceful existence - ideal for the rehabilitating man. But his recovery is rudely interrupted by a brutal attack on Charles Bourgoyne, a prominent member of the local community. Suspicion falls on three young men from the local Aboriginal community. But Cashin's not so sure and as the case unfolds amid simmering corruption and prejudice, he finds himself holding on to something that it might be better to let go.

    After four harrowing years fighting on the Western Front, Tom Sherbourne returns home to take a job as the lighthouse keeper on Janus Rock, nearly half a day's journey from the coast. To this isolated island, where the supply boat comes once a season and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby's cries on the wind. A boat has washed up onshore carrying a dead man and a living baby. Tom, whose records as a lighthouse keeper are meticulous and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel has taken the tiny baby to her breast. Against Tom's judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them. M. L. Stedman's mesmerizing, beautifully written debut novel seduces us into accommodating Isabel's decision to keep this "gift from God." And we are swept into a story about extraordinarily compelling characters seeking to find their North Star in a world where there is no right answer, where justice for one person is another's tragic loss.

    She hitchhikes as far as the freeway outside a small Northwestern town. The closest thing within walking distance is a strip club, and Janie finds herself working there, where she falls for Paul Jesse, a drug dealer, and moves in with him as he spirals into addiction and physical abuse. As the violence escalates, Janie finds a job in a bookstore and begins to establish her independence. Leaving Paul after a brutal beating, Janie must reconcile their relationship and make the most difficult, most dangerous choice she’ll ever make.Like Dorothy Allison’s Bastard Out of Carolina and Alice Walker’s The Color Purple, Little Green examines the psychology of a woman who has experienced violence at the hands of someone she loves and the complexity of leaving with sensitivity and insight. This is a life-affirming story about a woman who finds strength in books, in the promise of education, and in the community of friends who help her find a way out.

    April 15, 2001 should have been just another Sunday night. But a news headline landing in Lisa's email inbox changes everything: "Joey Ramone is dead." The death of one of her teenage heroes serves as an long-overdue wake-up call causing Lisa to examine her life and how she's lived it, from her youth as a poet on the streets of the East Village to 10 years later, all grown up with a career and a fiance. Add to the mix Jake McDaniel, lead singer of million-selling, critically-regarded Seattle band Blue Electric, known better to Lisa as the starving renegades who lived next door to her when she first arrived in Seattle. In the midst of an unexpectedly heated argument with the fiance over the historical relevance (or not) of the Ramones - which forces Lisa to face the truth about her relationship - Jake writes and invites Lisa to LA. Throwing what seems like half her cd collection in the car, along with a wardrobe consisting of high heels, jeans and t-shirts, Lisa starts driving from Seattle to LA in the middle of the night, accompanied by music, memories, and the ghosts of the past. Arriving in LA, she finds refuge, but also collides with her past, present and future; decisions need to be made, and this time, Lisa stands her ground.

    Like fireflies to the light, Mona, Benny and Jimmy are drawn into the elegantly wasted orbit of the Crystal Ballroom and the post-punk scene of 80s Melbourne, a world that includes Nick Cave and Dodge, a photographer pushing his art to the edge. With precision and richness Kirsten Krauth hauntingly evokes the power of music to infuse our lives, while diving deep into loss, beauty, innocence and agency. Filled with unforgettable characters, the novel is above all about the shapes that love can take and the many ways we express tenderness throughout a lifetime.As it moves between the Blue Mountains and Melbourne, Sydney and Castlemaine, Almost a Mirror reflects on the healing power of creativity and the everyday sacredness of family and friendship in the face of unexpected tragedy.

    A mother-of-three had died at her house after a botched abortion. Rebecca was sentenced to three years hard labour, but less than six months into her prison term she gave birth to a child, a girl, who she kept with her in prison. "LONG BAY is that rare thing: a historical novel untainted by sentimentality, with a story not only fascinating in the context of its time, but made relevant to the modern world." - Hannah Kent, author of BURIAL RITES"Rebecca Sinclair is a character who will live on in my memory long after turning the final page on her story - which seems only just, as Limprecht has rescued an otherwise forgotten woman from archival obscurity. LONG BAY wears its history lightly but packs an emotional wallop, straight to the guts of our humanity. Deftly researched, deeply satisfying." - Clare Wright, author of THE FORGOTTEN REBELS OF EUREKA

    for the first time, a post-WWII story of the war brides who crossed the seas by the thousands to face their unknown futures.1946. World War II has ended and all over the world, young women are beginning to fulfill the promises made to the men they wed in wartime. In Sydney, Australia, four women join 650 other war brides on an extraordinary voyage to England—aboard HMS Victoria, which still carries not just arms and aircraft but a thousand naval officers. Rules are strictly enforced, from the aircraft carrier’s captain down to the lowliest young deckhand. But the men and the brides will find their lives intertwined despite the Navy’s ironclad sanctions. And for Frances Mackenzie, the complicated young woman whose past comes back to haunt her far from home, the journey will change her life in ways she never could have predicted—forever.

    It's a tough life, but nurtured and taught by two wise women - Wilma, a gentle travelling librarian and straight-talking Charlie, the legendary mobile saddler - Drift grows up to become a confident, idealistic young woman.But the world Drift lives in can be ugly and brutal. After a frightening assault, Drift meets a handsome young stockman, but he is not all that he seems and she is drawn into a baffling world of lies and mysteries, centring on a lushly beautiful property called The Planet, run by a wealthy American woman. When Drift's father is hospitalised following a tragic accident and the young man she loves disappears, Drift has to find the courage to make her own way in the world. Drawing upon the deep well of women's wisdom taught her by Charlie and Wilma, Drift has to overcome heartbreak, betrayal, loneliness and pain in order to forge her path, own her truth, and create the kind of world that she wants to live in.Drift is a heroine to cheer for, and White Horses is a novel full of authentic Australian heart and soul, warmth and humour, as big and as generous as those wide-open skies in Western Australia. Offering a vision of a vibrant and thriving rural Australia based on Treasure's own experience and knowledge of regenerative agriculture, White Horses is both inspiring and captivating; another classic from the much-loved author of the iconic and bestselling novels Jillaroo and The Farmer's Wife.'Treasure writes with true grit, wit and warmth' Australian Women's Weekly'This isn't classic Rachael Treasure. This is even better. Treasure has produced a polished, heart-wrenching and hopeful novel that will thrill old fans and garner many new ones.' Better Reading

    Anna has survived the worst. So has Nat. Two broken souls, struggling to find a place in a world they no longer fit.Anna, 62, is the victim of a terrorist attack in which eleven others were murdered. Nat, 35, is an Army veteran who fought in Afghanistan. They have so little in common. And so much.A friendship stirs between them, tentative and unlikely, its foundation the violence they have seen and the memories that stalk them. Together, they begin to search for a way back home.But when Nat's wife falls unexpectedly pregnant, terrible ghosts from his wartime past rise up and much more than a friendship is at stake.Here in the After is a poignant and uplifting exploration of the legacy of trauma and the healing power of connection.'Bold, unflinching and courageous, this book dives with sensitivity and compassion into the dark shadows of PTSD to uncover light and acceptance. Heartbreaking and devastating, but luminous, tender and hopeful. The last book I read that moved me so deeply was A Thousand Splendid Suns by Khaled Hosseini.' Karen Viggers, author of The Orchardist's Daughter'A moving meditation on the toll trauma takes on the body and mind, and the human connection that can be its balm.' Vanessa McCausland, author of The Lost Summers of Driftwood'Powerful, insightful and ultimately hopeful, Here in the After is a compelling and poignant exploration of the price exacted by terror and warfare and the redemptive powers of an unlikely friendship.' Suzanne Leal, author of The Deceptions

    Growing up neglected in a seedy boarding house, twelve-year-old Emily Lawrence befriends Max, a middle-aged scientist who encourages her to pursue her intellectual interests. Innocent Emily will face scandal, suburban snobbery and psychological torment. Originally published in 1958, The Long Prospect was described as second only to Patrick White’s Voss in postwar Australian literature.The Introduction is by Fiona McGregor.

    In these four stories, Stefan Zweig shows his gift for the acute analysis of emotional dilemmas. His four tragic and moving cameos of the human condition are played out against cosmopolitan and colonial backgrounds in the first half of the twentieth century.

    But drought grips the land, and the shearers are on strike. Her father has turned swaggie and he's wanted by the troopers. In front of his terrified daughter, he makes a stand against them, defiant to the last. ′You′ll never catch me alive, said he...′Set against a backdrop of bushfire, flood, war and jubilation, this is the story of one girl's journey towards independence. It is also the story of others who had no vote and very little but their dreams. Drawing on the well-known poem by A.B. Paterson and from events rooted in actual history, this is the untold story behind Australia′s early years as an emerging nation.

    The graffiti on the holding room wall says it all: 'Gunyah is hell on earth'. And Ellen's about to find out why. Ellen was never the daughter her mother wanted. Patent leather shoes and frilly dresses just weren't her thing and, at age fourteen, she's ready to leave school and find her own way. No one is going to stop her from going where she wants, doing what she wants, and hanging out with Robbie. Or so she thinks. But when the police turn up, Ellen is deemed to be in 'moral danger' and is sentenced to the Gunyah Training School for Girls. Suddenly, she's no longer Ellen, she's Girl 43, and she has to follow the rules, work hard and - most importantly - stay quiet. When it's discovered that she's pregnant, there's no respite from the staff. Told she isn't capable of bringing up a child, they twist the truth to make her cooperate. But however hard they try, they can't destroy the connection between a mother and her child . . . or can they? Drawn from experiences in Parramatta Girls' Home in the seventies, "Girl 43" is a story that could have come straight from today's headlines about the shocking treatment of innocent children and teens by people in the very institutions that were supposed to protect them.

    For spinster Flora Thomas, however, nothing much has changed. Tending her dull office job and beloved brother and father, as well as knitting socks for the troops, leaves her relatively content. Then one day a stranger gives her brother a white feather and Flora's anger propels her out of her safe life and into the vineyards of the idyllic Mildura countryside, a member of the Australian Women's Land Army.There she meets Betty, a 17-year-old former shopgirl keen to do her bit for the war effort and support her beloved, and the unlikely Lilian, a well-to-do Adelaide girl fleeing her overbearing family and theworld's expectations for her. As the Land Girls embrace their new world of close-knit community and backbreaking work, they begin to find pride in their roles. More than that, they start to find a kind of liberation. For Flora, new friendships and the singular joy derived from working the land offer new meaning to her life, and even the possibility of love.But as the clouds of war darken the horizon, and their fears for loved ones - brothers, husbands, lovers - fighting at the front grow, the Land Girls' hold on their world and their new-found freedoms is fragile. Even if they make it through unscathed, they will not come through unchanged...