Houston. Dr. Wale Olufunmi, lunar rock geologist, has a life most Nigerian immigrants would kill for, but then most Nigerians aren’t Wale—-a great scientific mind in exile with galactic ambitions. Then comes an outlandish order: steal a piece of the moon. With both personal and national glory at stake, Wale manages to pull off the near impossible, setting out on a journey back to Nigeria that leads anywhere but home. Compelled by Wale’s impulsive act, Nigerians traces arcs in time and space from Houston to Stockholm, from Cape Town to Bulawayo, picking up on the intersecting lives of a South African abalone smuggler, a freedom fighter’s young daughter, and Wale’s own ambitious son. Deji Bryce Olukotun’s debut novel defies categorization—-a story of international intrigue that tackles deeper questions about exile, identity, and the need to answer an elusive question: what exactly is brain gain?PRAISE FOR NIGERIANS IN SPACE "Fast-paced, well-written and packed with insight and humor. Olukotun is a very talented storyteller. "—-Charles Yu, National Book Award 5-Under-35 winner and author of How to Live Safely in a Science Fictional Universe"A deft mingling of satirical humor, Noirish twists…and a keen-eyed yet accessible take on cultural displacement in contemporary times. "—-Olufemi Terry, winner of the Caine Prize for African Writing"You can taste Cape Town, you can hear it in the dialogue, see its beauty in the descriptions. Deji Olukotun has my city's number: especially its nasty underbelly, the dangerous dealing of abalone poachers. "—-Mike Nicol, author of the Revenge Trilogy

    A national best-seller in both hardcover and paperback, it introduces the engrossing saga of a Muslim family in Cairo during Egypt's occupation by British forces in the early 1900s.

    Chamoiseau's exquisitely rendered new novel is an adventure for all time, one that fearlessly portrays the demonic cruelties of the slave trade and its human costs in vivid, sometimes hallucinatory prose. Offering a loving and mischievous tribute to the creole culture of Martinique and brilliantly translated by Linda Coverdale, this novel takes us on a unique and moving journey into the heart of Caribbean history.

    His new novel, a finalist for the Man Booker Prize and the IMPAC-Dublin Literary Award, is a clear-eyed, witty, yet deeply serious look at South Africa's political history and its damaging legacy in the lives of those who live there.The last time Silas Ali encountered Lieutenant Du Boise, Silas was locked in the back of a police van and the lieutenant was conducting a vicious assault on Silas's wife, Lydia, in revenge for her husband's participation in Nelson Mandela's African National Congress. When Silas sees Du Boise by chance twenty years later, as the Truth and Reconciliation Commission is about to deliver its report, crimes from the past erupt into the present, splintering the Alis' fragile peace. Meanwhile Silas and Lydia's son, Mikey, a thoroughly contemporary young hip-hop lothario, contends in unforeseen ways with his parents' pasts.A harrowing story of a brittle family on the crossroads of history and a fearless skewering of the pieties of revolutionary movements, Bitter Fruit is a cautionary tale of how we do, or do not, address the past's deepest wounds.

    It is only as Frieda finds the courage to tell her “terrible stories” that she at last begins to create her own place in a world where she has always felt herself an exile.

    For real. Heads perfectly straight. Hips swaying, left, slow, right, slow, step, slow. If you didn't concentrate you would think they weren't moving at all, their bodies just hanging in space..."Best mates Karl and Abu are both 17 and live near Kings Cross. Its 2011 and racial tensions are set to explode across London. Abu is infatuated with gorgeous classmate Nalini but dares not speak to her. Meanwhile, Karl is the target of the local "wannabe" thugs just for being different. When Karl finds out his father lives in Nigeria, he decides that Port Harcourt is the best place to escape the sound and fury of London, and connect with a Dad he's never known. Rejected on arrival, Karl befriends Nakale, an activist who wants to expose the ecocide in the Niger Delta to the world, and falls headlong for his feisty cousin Janoma. Meanwhile, the murder of Mark Duggan triggers a full-scale riot in London. Abu finds himself in its midst, leading to a near-tragedy that forces Karl to race back home.When We Speak of Nothing launches a powerful new voice onto the literary stage.The fluid prose, peppered with contemporary slang, captures what it means to be young, black and queer in London. If grime music were a novel, it would be this.

    Eight months pregnant, Zodwa carefully guards secrets that jeopardize her life.Across the country, wealthy socialite Ruth appears to have everything her heart desires, but it's what she can't have that leads to her breakdown. Meanwhile, in Zaire, a disgraced former nun, Delilah, grapples with a past that refuses to stay buried. When these personal crises send both middle-aged women back to their rural hometown to lick their wounds, the discovery of an abandoned newborn baby upends everything, challenging their lifelong beliefs about race, motherhood, and the power of the past.As the mystery surrounding the infant grows, the complicated lives of Zodwa, Ruth, and Delilah become inextricably linked. What follows is a mesmerizing look at family and identity that asks: How far will the human heart go to protect itself and the ones it loves?

    Awarded the prestigious Prix des cinq continents upon publication as the best book written in French outside of France, Eve Out of her Ruins is a harrowing account of the violent reality of life in her native country by the figurehead of Mauritian literature.The book featurues an original introduction by Nobel Prize winner J.M.G. Le Clézio, who declares Devi "a truly great writer."Ananda Devi (b. 1957, Trois-Boutiques, Mauritius) is a novelist and scholar. She has published eight novels as well as short stories and poetry, and was featured at the PEN World Voices Festival in New York in 2015. She was made a Chevalier des Arts et des Lettres by the French Government in 2010.

    Through the eyes of journalist Max Reddick, and with penetrating fictional portraits of Richard Wright and James Baldwin, among other historical figures, John A Williams reveals the hope, courage, and bitter disappointment of the civil-rights era. Infused with powerful artistry, searing anger, as well as insight, humanity, and vision, The Man Who Cried I Am is a classic of postwar American literature.

    A little boy witnesses the ugliness of apartheid.

    . . Between grad school and multiple jobs, Naledi Smith doesn’t have time for fairy tales…or patience for the constant e-mails claiming she’s betrothed to an African prince. Sure. Right. Delete! As a former foster kid, she’s learned that the only things she can depend on are herself and the scientific method, and a silly e-mail won’t convince her otherwise.Prince Thabiso is the sole heir to the throne of Thesolo, shouldering the hopes of his parents and his people. At the top of their list? His marriage. Ever dutiful, he tracks down his missing betrothed. When Naledi mistakes the prince for a pauper, Thabiso can’t resist the chance to experience life—and love—without the burden of his crown.The chemistry between them is instant and irresistible, and flirty friendship quickly evolves into passionate nights. But when the truth is revealed, can a princess in theory become a princess ever after?Selected as one of the New York Times 100 Notable Books of 2018!

    . . At what cost? All his life Kabelo Mosala has been the perfect child to his doting absent parents, who show him off every chance they get. Both his parents and his small community look forward to him coming back after medical school and joining his father's practice. They also plan to give him the perfect township wedding. But Kabelo's one wish has always been to get as far away from the township as he possibly can and never come back. A few weeks before he leaves for university, however, he forms a close bond with Sediba, one of his childhood friends, confirming his long-held suspicion that he is gay. Their relationship is thrown into turmoil by social pressures and conflicting desires, and it starts to look as if they can't be together. But against all odds the two young men make their way back to each other, risking scorn from the community that raised them. In her characteristic, beautifully modulated voice, with razor-sharp clarity, Lesego Molope tackles an urgent issue in her country of birth.

    Many of the women who tell their stories in this collection recall the journeys they have travelled in order to own their own sexualities. They do this by grappling with experiences of child sexual abuse, resisting the religious edicts of their childhood, and by asserting their sexual power. From finding queer community in Egypt to living a polyamorous life in Senegal to understanding the intersectionality of religion and pleasure in Cameroon to choosing to leave relationships that no longer serve them, these narratives are as individual and illuminating as the women who share them.The Sex Lives of African Women provides a deep insight into women's quest for freedom, highlights the complex tapestry of African women's sexuality, and bestows upon all women inspirational examples to live a truly liberated life.

    On the one hand she is a pious mother of four sons, but under the veil she is a daring, independent-minded woman with a sexuality, and a liking for risky behavior, that she keeps secret from those closest to her. We follow her story in two different time frames. As a woman in her forties, dealing with the tragic death of her son from AIDS, Abeeda is drawn into the world of casino gambling and quickly develops a gambling addiction, in which she convulsively wins and loses large amounts of money. In a serious of flash backs we also trace her life as a woman in her twenties, from the time when her husband left her, through a torrid affair with her younger sister's fiance (and then husband) Imran. The episodes in the casino are intense - the compulsive attraction and the nightmare of gambling are made vivid to the reader. On the other hand, Abeeda's involvement in her community, and her genuine spiritual seeking, are also very clear. Weaving together these captivating main story lines are numerous subplots involving her family, religion, friends and her life in the community.

    We were colored girls in a white world that didn’t want us."  Born on the wrong side of a racial divide in apartheid-torn Cape Town, young sisters Ruby and Rose exist in a world where they are not welcome. As part of the Cape Colored community, they are considered socially inferior, yet even within their own social group the sisters live in the poor end of town. Their father was killed when they were very small, so when their mother dies after a protracted illness, Ruby and Rose’s fate falls into the hands of Aunt Olive. Ruby knows without being told that their aunt’s home will not be opened up to them – charity does not extend to the poor relations who would cast a smudge on such a respectable house. Aunt Olive condemns her nieces to the local orphanage, relieving her conscience with monthly invitations to Sunday lunch. In the orphanage the girls grow up sheltered from a divided world that they do not yet fully understand, but the day approaches when Ruby and Rose must forge their own paths in life and confront the lessons that apartheid enforces. Like the award-winning Dance with a Poor Man’s Daughter, this beautifully observed novel of sisterly love once again displays Pamela Jooste’s poignant understanding of human nature.