Peter's Square, Rome. White smoke signals that a new Pope has been chosen. Is it possible that the new Pope...is a woman? The world is watching as historic crowds gather in Rome, waiting for news of a new Pope, one who promises to be unlike any other in the Church's history. Some followers are ecstatic, but the leading candidate has made a legion of powerful enemies. From a difficult childhood with drug addled parents, to a career as a doctor on the front lines in Sudan, to a series of trials that test her faith at every turn, Brigid Fitzgerald's convictions and callings have made her the target of all those who fear that the Church has lost its way--dangerous adversaries who abhor challenges to tradition. Locked in a deadly, high-stakes battle with forces determined to undermine everything she believes in, Brigid must convert her enemies to her cause before she loses her faith...and her life.

    Now he is an exile. In 1780, three years of wandering have brought him to Dayan, the last Chinese town before the Tibetan border. He expects a quiet outpost barely conscious of its place within the empire, but Dayan is teeming with travelers, soldiers, and merchants. The crowds have been drawn by the promise of an unmatched spectacle; an eclipse of the sun, commanded by the Emperor himself. Amid the frenzy, Li Du befriends an elderly Jesuit astronomer. Hours later, the man is murdered in the home of the local magistrate, and Li Du suspects it was no random killing. Everyone has secrets: the ambitious magistrate, the powerful consort, the bitter servant, the irreproachable secretary, the East India Company merchant, the nervous missionary, and the traveling storyteller who can't keep his own story straight. Beyond the sloping roofs and festival banners, Li Du can see the pass over Jade Dragon Mountain that will take him out of China forever. But he cannot ignore the murder that the town is all too eager to forget. As Li Du investigates, he begins to suspect that the murderer intends to kill again. The eclipse is coming. Li Du must solve the murder before the sun disappears. If he does not, then someone, perhaps Li Du himself, will never again see its light.

    Siri Paiboun, a 72-year-old medical doctor, has been unwillingly appointed the national coroner of newly-socialist Laos. Though his lab is underfunded, his boss is incompetent, and his support staff is quirky to say the least, Siri’s sense of humor gets him through his often frustrating days.When the body of the wife of a prominent politician comes through his morgue, Siri has reason to suspect the woman has been murdered. To get to the truth, Siri and his team face government secrets, spying neighbors, victim hauntings, Hmong shamans, botched romances, and other deadly dangers. Somehow, Siri must figure out a way to balance the will of the party and the will of the dead.

    From his doorway, he can spot the glittering lights of the city’s fancy high-rises, and though his mother works as a maid in one, to him they seem a thousand miles away.Jai drools outside sweet shops, watches too many reality police shows, and considers himself to be smarter than his friends Pari (though she gets the best grades) and Faiz (though Faiz has an actual job). When a classmate goes missing, Jai decides to use the crime-solving skills he has picked up from TV to find him. He asks Pari and Faiz to be his assistants, and together they draw up lists of people to interview and places to visit.But what begins as a game turns sinister as other children start disappearing from their neighborhood. Jai, Pari, and Faiz have to confront terrified parents, an indifferent police force, and rumors of soul-snatching djinns. As the disappearances edge ever closer to home, the lives of Jai and his friends will never be the same again.Drawing on real incidents and a spate of disappearances in metropolitan India.

    In the same nation but worlds apart, Beauty Mbali, a Xhosa woman in a rural village in the Bantu homeland of the Transkei, struggles to raise her children alone after her husband's death. Both lives have been built upon the division of race, and their meeting should never have occurred...until the Soweto Uprising, in which a protest by black students ignites racial conflict, alters the fault lines on which their society is built, and shatters their worlds when Robin’s parents are left dead and Beauty’s daughter goes missing.After Robin is sent to live with her loving but irresponsible aunt, Beauty is hired to care for Robin while continuing the search for her daughter. In Beauty, Robin finds the security and family that she craves, and the two forge an inextricable bond through their deep personal losses. But Robin knows that if Beauty finds her daughter, Robin could lose her new caretaker forever, so she makes a desperate decision with devastating consequences. Her quest to make amends and find redemption is a journey of self-discovery in which she learns the harsh truths of the society that once promised her protection.Told through Beauty and Robin's alternating perspectives, the interwoven narratives create a rich and complex tapestry of the emotions and tensions at the heart of Apartheid-era South Africa. Hum If You Don’t Know the Words is a beautifully rendered look at loss, racism, and the creation of family.

    At the center of the island’s life is a café draped with bougainvillea called the House at the Edge of Night, where over generations the community gathers to gossip and talk. Amedeo Esposito, a foundling from Florence, finds his destiny on the island with his beautiful wife, Pina, whose fierce intelligence, grace, and unwavering love guide her every move. An indiscretion tests their marriage, and their children—three sons and an inquisitive daughter—grow up and struggle with both humanity’s cruelty and its capacity for love and mercy.Spanning nearly a century, through secrets and mysteries, trials and sacrifice, this beautiful and haunting novel follows the lives of the Esposito family and the other islanders who live and love on Castellamare: a cruel count and his bewitching wife, a priest who loves scandal, a prisoner of war turned poet, an outcast girl who becomes a pillar of strength, a wounded English soldier who emerges from the sea. The people of Castellamare are transformed by two world wars and a great recession, by the threat of fascism and their deep bonds of passion and friendship, and by bitter rivalries and the power of forgiveness, in this richly written and powerful novel.Catherine Banner has written an enthralling, character-rich novel, epic in scope but intimate in feeling. At times, the island itself seems alive, a mythical place where the earth heaves with stories—and this magical novel takes you there.

    After her mother’s death, penniless May Kimble lives a lonely life until an aunt she didn’t know existed summons her to San Francisco. There she’s welcomed into the wealthy Sullivan family and their social circle.Initially overwhelmed by the opulence of her new life, May soon senses that dark mysteries lurk in the shadows of the Sullivan mansion. Her glamorous cousin often disappears in the night. Her aunt wanders about in a laudanum fog. And a maid keeps hinting that May is in danger. Trapped by betrayal, madness, and murder, May stands to lose everything, including her freedom, at the hands of those she trusts most.Then, on an early April morning, San Francisco comes tumbling down. Out of the smoldering ruins, May embarks on a harrowing road to reclaim what is hers. This tragic twist of fate, along with the help of an intrepid and charismatic journalist, puts vengeance within May’s reach. But will she take it?

    An auxiliary officer for Lauderdale Shores PD, she’s the go-to diver for evidence recovery. Then Sloan finds a fresh kill floating in a canal—a woman whose murky history collides with Sloan’s. Their troubling ties are making Sloan less a potential witness than a suspect. And her colleagues aren’t the only ones following every move she makes. So is the killer.Stalked by an assassin, pitted against a ruthless cartel searching for a lost fortune, and under watch within her ranks, Sloan has only one ally: the legendary DEA agent who put Sloan’s uncle behind bars. He knows just how deep corruption runs—and the kind of danger Sloan is in. To stay alive, Sloan must stay one step ahead of her enemies—both known and unknown—and a growing conspiracy designed to pull her under.

    Katie’s world is shattered by the news that her headstrong and bohemian younger sister, Mia, has been found dead at the bottom of a cliff in Bali. The authorities say that Mia jumped—that her death was a suicide. Although they’d hardly spoken to each other since Mia suddenly left on an around-the-world trip six months earlier, Katie refuses to accept that her sister would have taken her own life. Distraught that they never made peace, Katie leaves her orderly, sheltered life in London behind and embarks on a journey to find out the truth. With only the entries in Mia’s travel journal as her guide, Katie retraces the last few months of her sister’s life and—page by page, country by country—begins to uncover the mystery surrounding her death. . . . Weaving together the exotic settings and suspenseful twists of Alex Garland’s The Beach with a powerful tale of familial love in the spirit of Rosamund Lupton’s Sister, Swimming at Night is a fast-paced, accomplished, and gripping debut novel of secrets, loss, and forgiveness.

    Bruno -- as he is affectionately nicknamed -- may be the town's only municipal policeman, but in the hearts and minds of its denizens, he is chief of police.Bruno is a former soldier who has embraced the pleasures and slow rhythms of country life -- living in his restored shepherd's cottage; patronizing the weekly market; sparring with, and basically ignoring, the European Union bureaucrats from Brussels. He has a gun but never wears it; he has the power to arrest but never uses it. But then the murder of an elderly North African who fought in the French army changes everything and galvanizes Bruno's attention: the man was found with a swastika carved into his chest.Because of the case's potential political ramifications, a young policewoman is sent from Paris to aid Bruno with his investigation. The two immediately suspect militants from the anti-immigrant National Front, but when a visiting scholar helps to untangle the dead man's past, Bruno's suspicions turn toward a more complex motive. His investigation draws him into one of the darkest chapters of French history -- World War II, a time of terror and betrayal that set brother against brother. Bruno soon discovers that even his seemingly perfect corner of la belle France is not exempt from that period's sinister legacy.

    But now it’s his turn—he knows too much about the crime of the century: the assassination of President John F. Kennedy.Within hours of JFK’s murder, everyone with ties to Marcello is turning up dead, and Guidry suspects he’s next: he was in Dallas on an errand for the boss less than two weeks before the president was shot. With few good options, Guidry hits the road to Las Vegas, to see an old associate—a dangerous man who hates Marcello enough to help Guidry vanish.Guidry knows that the first rule of running is "don’t stop," but when he sees a beautiful housewife on the side of the road with a broken-down car, two little daughters and a dog in the back seat, he sees the perfect disguise to cover his tracks from the hit men on his tail. Posing as an insurance man, Guidry offers to help Charlotte reach her destination, California. If she accompanies him to Vegas, he can help her get a new car.For her, it’s more than a car— it’s an escape. She’s on the run too, from a stifling existence in small-town Oklahoma and a kindly husband who’s a hopeless drunk.It’s an American story: two strangers meet to share the open road west, a dream, a hope—and find each other on the way.Charlotte sees that he’s strong and kind; Guidry discovers that she’s smart and funny. He learns that’s she determined to give herself and her kids a new life; she can’t know that he’s desperate to leave his old one behind.Another rule—fugitives shouldn’t fall in love, especially with each other. A road isn’t just a road, it’s a trail, and Guidry’s ruthless and relentless hunters are closing in on him. But now Guidry doesn’t want to just survive, he wants to really live, maybe for the first time.Everyone’s expendable, or they should be, but now Guidry just can’t throw away the woman he’s come to love.And it might get them both killed.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    K. Chesterton (1874–1936) is best known as the creator of detective-priest Father Brown (even though Chesterton's mystery stories constitute only a small fraction of his writings). The eight adventures in this classic British mystery trace the activities of Horne Fisher, the man who knew too much, and his trusted friend Harold March. Although Horne's keen mind and powerful deductive gifts make him a natural sleuth, his inquiries have a way of developing moral complications. Notable for their wit and sense of wonder, these tales offer an evocative portrait of upper-crust society in pre–World War I England.

    Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. All that the guests have in common is a wicked past they're unwilling to reveal—and a secret that will seal their fate. For each has been marked for murder. A famous nursery rhyme is framed and hung in every room of the mansion:"Ten little boys went out to dine; One choked his little self and then there were nine. Nine little boys sat up very late; One overslept himself and then there were eight. Eight little boys traveling in Devon; One said he'd stay there then there were seven. Seven little boys chopping up sticks; One chopped himself in half and then there were six. Six little boys playing with a hive; A bumblebee stung one and then there were five. Five little boys going in for law; One got in Chancery and then there were four. Four little boys going out to sea; A red herring swallowed one and then there were three. Three little boys walking in the zoo; A big bear hugged one and then there were two. Two little boys sitting in the sun; One got frizzled up and then there was one. One little boy left all alone; He went out and hanged himself and then there were none."When they realize that murders are occurring as described in the rhyme, terror mounts. One by one they fall prey. Before the weekend is out, there will be none. Who has choreographed this dastardly scheme? And who will be left to tell the tale? Only the dead are above suspicion.

    Peter Byerly isn't sure what drew him into this particular bookshop. Nine months earlier, the death of his beloved wife, Amanda, had left him shattered. The young antiquarian bookseller relocated from North Carolina to the English countryside, hoping to rediscover the joy he once took in collecting and restoring rare books. But upon opening an eighteenth-century study of Shakespeare forgeries, Peter is shocked when a portrait of Amanda tumbles out of its pages. Of course, it isn't really her. The watercolor is clearly Victorian. Yet the resemblance is uncanny, and Peter becomes obsessed with learning the picture's origins. As he follows the trail back first to the Victorian era and then to Shakespeare's time, Peter communes with Amanda's spirit, learns the truth about his own past, and discovers a book that might definitively prove Shakespeare was, indeed, the author of all his plays.