The 31 stories collected here combine Dragnet with The Twilight Zone with Tales from the Crypt in a world filled with aliens, good-time girls, and cocktail-bar nihilism. The stories are hip and funny, with a good dose of wacky 1950s paranoia and the kind of tongue-in-cheek morality that characterized the old E.C. horror comics. The Lloyd Llewellyn stories also trace the development of Clowes's style as a comic artist, from the angular early pieces that show the influence of 1950s advertising style to the grotesque Robert Crumb-inspired style of the more recent work in Eightball. Clowes is one of the most gifted comic-book artists around, and the retro-chic world of Lloyd Llewellyn deserves to be seen by a new generation of readers.

    by Evan Dorkin The first-ever collection from the acclaimed humor anthology Dork, "Who's Laughing Now?" features 112 pages of densely-packed comic book craziness from Dork #1-5, all wrapped up in a sweet little package co-designed by Dorkin and his partner-in-crime, Sarah Dyer!

    Like Girls and Boys, Big Ideas features many of her greatest cartoons, including her menacing "Poodle with a Mohawk". Line drawings throughout.

    If that's not enough to make you scream with delight, we're also adding a special color section featuring the two Creepy stories that helped re-launch Dark Horse Presents on MySpace You'll get all of this tantalizing terror for under twenty bucks - it's a killer deal

    It is only after a series of violent events occur that Ryan realizes he must set aside all he believes to be true in order to face his shocking and inevitable reality.

    Brilliantly drawn and bitterly funny, these cartoons thoroughly demonstrate better living through plywood, reaffirm that what's good for business is good for America-even if Your Government in Action has taken to the streets-the Madonna is out of order and Yoga has been made silly. 122,000 copies in print.

    Now, he takes the role of the eminent icon of caffeine culture in his new book; Too Much Coffee Man's Parade of Tirade. Fill your cup with dark satire and drink deep from these thoughtful, award-winning comics. Witness TMCM's secret origin! Marvel as our hero battles corporate oppression! Experience the anxiety of the author as he claws his way to the top! Gawk at Joel as he throws up on his girlfriend's door step! And revel in Too Much Coffee Man's wisdom; If you can't be happy naturally, be unnaturally happy.This book collects eight Too Much Coffee Man comic books and many newspaper strips, as well as new material. It's a complete book. All the characters are motivated. All the cliffhangers are resolved. All the plot threads are tied up. And all the jokes have punchlines.

    His work has been seen by millions—no, hundreds of millions—in the pages of Playboy, The New Yorker, Punch, The National Lampoon, and many other magazines; there is no telling, really, how many readers he has corrupted or comforted. He is revered for his playfully sinister take on childhood, adulthood, men, women, and monsters. His brand of humor makes you laugh until you cry. And it’s about time that a collection of his cartoons was published that did justice to his vast body of work.When Gahan Wilson walked into Hugh Hefner’s office in 1957, he sat down as Hefner was on the phone, gently rejecting a submission to his new gentlemen’s magazine: “I think it’s very well-written and I liked it very much,” Hefner reportedly said, “but it’s anti-sin. And I’m afraid we’re pro-sin.” Wilson knew, at that moment, that he had found a kindred spirit and a potential home for his cartoons. And indeed he had; Wilson appeared in every issue of Playboy from the December 1957 issue to today. It has been one of the most fruitful, successful, and long-lived relationships between a contributor and a magazine, ever.Gahan Wilson: 50 Years of Playboy Cartoons features not only every cartoon Wilson drew for Playboy, but all his prose fiction that has appeared in that magazine as well, from his first story in the June 1962 issue, “Horror Trio,” to such classics as “Dracula Country” (September 1978). It also includes the text-and-art features he drew for Playboy, such as his look at Madame Tussaud’s Wax Museum, his take on our country’s “pathology of violence,” and his appreciation of “transplant surgery.”Wilson’s notoriously black sense of comedy is on display throughout the book, leaving no sacred cow unturned (an image curiously absent in the book), ridiculing everything from state sponsored executions to the sober precincts of the nouveau rich, from teenage dating to police line-ups, with scalding and hilarious satirical jabs. Although Wilson is known as an artist who relishes the creepy side of modern life, this three-volume set truly demonstrates the depth and breadth of his range—from illustrating private angst we never knew we had (when you eat a steak, just whom are you eating?) to the ironic and deadpan take on horrifying public issues (ecological disaster, nuclear destruction anyone?).Gahan Wilson has been peeling back the troubling layers of modern life with his incongruously playful and unnerving cartoons, assailing our deepest fears and our most inane follies. This three-volume set is a testament to one of the funniest—and wickedly disturbing—cartoonists alive.Nominated for two 2010 Will Eisner Comic Industry Awards (Best Archival Collection/Project: Strips; Best Publication Design).

    Rex enters a downward spiral of drugs and depravity in a quest to resurrect his career and save his soul. Over budget and behind schedule on Presidents Day, he is backed into a corner by bad publicity, a crap project, and studio politics. But enlisting serial-killer-turned-murder-consultant Darwin, his trusty assistant Igor, narcotics from Doctor Love, and the lovely actress Coconut, T. Rex will stop at nothing in his quest for cinematic fame and glory. God help us all.

    The entire run has been collected in nine trade paperback editions. The final monthly issue, number 66, was published in July 2000.Preacher follows the story of Preacher Jesse Custer, his best friend, and his girlfriend, as they explore a world that fuses Southern culture and supernatural elements, especially religious ones, in a way that is highly provocative, exploratory, and controversial.Preacher draws on movies, particularly Westerns, for many of its stylistic elements.

    Aside from issue 1, all of these issues are permanently out of print! PLUS: 2 new pages and a new "cleaned up" look to issue 3. Foreword and scathing letters column by Dan Harmon. Idiot guide to the cast list and Jeff's samples. Scud's top ten influences. Fan mail. Fan art. Fan-tastic book.

    Instead of the skills proper young ladies studied, Saint Melissa was adept at the bringing on of migraines, the refinement of lust, and the involutions of penmanship and calligrams. And as Gorey wrote, "letters she wrote are still to be delivered, traps she set are still to be sprung, pronouncements she devised are still to be promulgated, objects she hid are still to be found."

    An unmissable must for Tank Girl fans of all hairstyles Dark and nasty, We Hate Tank Girl is a bonanza of stories, posters, prose, and extras, featuring tales from Tank Girl's past, present, and future, including the long-awaited Cut 'n' Dress Booga, and the never-before-seen bonus story, "Small Unit." Collects Tank Girl One-Shots: Dark Nuggets, Dirty Helmets, and Hairy Heroes.

    With no shortage of sprawling high-concept, spine-chilling thrills, and inspired art, the Clive Barker Omnibus is a great launching point into his dark universe.

    Based on the wildly popular eponymous Tumblr, Deep Dark Fears explores our odd, creepy, and hilariously singular fears. Animator, illustrator, and cartoonist Fran Krause brings these fears to life in vividly illustrated comics based on real fears submitted by readers (plus a few of his own). These "deep dark fears" run the gamut from unlikely but plausible to completely ridiculous, highlighting both our deeply human similarities and our peculiar uniquenesses.