1) #1-9.

    Howard reprint line by presenting all of the original 1970s and 1980s Marvel color comic books featuring Solomon Kane in one awesome volume! This graphic novel features the landmark stories "The Mark of Kane" and "Fangs of the Gorilla God," by Roy Thomas and Howard Chaykin, and the entire Sword of Solomon Kane mini-series, by Ralph Macchio and a host of talented artists — including Mike Mignola, Al Williamson, Bret Blevins, John Ridgeway, and others! From the French countryside to the Black Forest in Germany, from England to Africa, follow Robert E. Howard's solemn, driven Puritan, Solomon Kane, as he cuts a path of vengeance across the globe!

    Harboring his own secret from time spent in this town, Ryusuke attempts to capture the beautiful boy and close the case…Starting with the strikingly bloody “Lovesickness,” this volume collects ten stories showcasing horror master Junji Ito in peak form, including “The Strange Hikizuri Siblings” and “The Rib Woman.”

    When Epicurus travels to Athens to open his own school of philosophy, he is quickly chastised because of his liberal beliefs. Engaging Aristotle, Plato, and Socrates in public debates, Epicurus effortlessly exposes the absurdity of their arguments but still walks away humiliated. However when a goddess appears and taxes Epicurus and his companion, a young Alexander the Great, to save her daughter from the Underworld, the revolutionary sage uses his powers of logic and meditation to fulfill his impossible task.

    This volume also includes brand new story and art as well as critical background information heretofore unrevealed.

    The problem for her is she absorbs the dead person's memories, which is almost as bad as eating the brain.

    Graphic adaptation art by Bernie Wrightson.Contents:· Father’s Day · gs * · The Lonesome Death of Jordy Verrill [adapted from “Weeds”, Cavalier May ’76] · gs * · The Crate [Gallery, Jul ’79] · gs * · Something to Tide You Over · gs * · They’re Creeping Up On You · gs *

    Now, its mystery ensnares and entwines the lives of two very different men. One: a young recluse, obsessed with finding hidden clues within the city's trash. The other: a washed-up Catholic priest, finding his place in a small town that hides dark secrets. Neither of them are prepared for what's inside the Black Barn.From Jeff Lemire and Andrea Sorrentino, the bestselling creative team behind Old Man Logan and Green Arrow, comes a character-driven meditation on obsession, mental illness, and faith.Collects Gideon Falls #1-6.

    Virtually every founding member of the (yet-to-debut) original JSA lineup minus Superman and Batman was represented in these individual adventures, and most of the stories are written and drawn by their original creators. ALL STAR ARCHIVES Vol. 0 is the perfect preface to the 11-volume complete reprinting of every JSA adventure from the Golden Age.Now the entire body of these "All Star" exploits is in print and available to all those who were there when they were published the first time around or wish they had been!

    6-up. Here's a collection that will have graphic novel fans and die-hard Bradbury readers scrambling for the shelves. Some of the best artists in the business have adapted the author's short stories for the comics page. Each adaptation is accompanied by a preface by Bradbury, offering insight into the inspiration for the story, and each artist is paired with a story that suits his artwork perfectly. Among the best are "Come into My Cellar," from Dave Gibbons (of Watchmen fame), a Tales from the Crypt -like story of invaders from outer space, complete with a cliff-hanger ending and retro artwork, and "The Golden Apples of the Sun," adapted by P. Craig Russell (Sandman), an interstellar exploration of the uninhabitable star. A wonderful showcase of graphic novel artists and a great introduction for readers new to Bradbury's dark fantasy world. -Carlos Orellana

    In an age of mystery and superstition, how would the people of Gotham react to a weird creature of the night, a bat-garbed vigilante feared by the guilty and the innocent alike? The very first Elseworlds tale re-imagines the Dark Knight detective in Victorian times and pits him against the infamous murderer Jack the Ripper.

    This title contains Green Lantern stories from Green Lantern ('40s); All-American Comics; Green Lantern ('60s-70s); Superman, Tales of the Green Lantern Corps Annual, Green Lantern ('90s); Green Lantern: Mosaic; Green Lantern Gallery and Green Lantern Secret Files 2005.

    To help Deutsch forestall his death and to learn the secrets of life after death, a team of experts must survive a night in Belasco House, a place known amongst the local townsfolk as "Hell House." The notorious Belasco House starts to exert its dark influence on the group of scientists and spiritualists as they unearth the perverse and wretched secrets from within its walls. Hell House has let them in... but will it ever let them leave?

    Art by Bernie Wrightson, Neal Adams, Gil Kane, and Alex Toth. Cover by Joe Orlando. Published in February of 2006, Softcover, 552 pages, B&W. Cover price $16.99.

    We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." Having proved himself peerless in the arena of reinterpreting superheroes, Alan Moore turned his ever-incisive eye to the squalid, enigmatic world of Jack the Ripper and the Whitechapel murders of 1888. Weighing in at 576 pages, From Hell is certainly the most epic of Moore's works and remarkably and is possibly his finest effort yet in a career punctuated by such glorious highlights as Watchmen and V for Vendetta. Going beyond the myriad existing theories, which range from the sublime to the ridiculous, Moore presents an ingenious take on the slaughter. His Ripper's brutal activities are the epicentre of a conspiracy involving the very heart of the British Establishment, including the Freemasons and The Royal Family. A popular claim, which is transformed through Moore's exquisite and thoroughly gripping vision, of the Ripper crimes being the womb from which the 20th century, so enmeshed in the celebrity culture of violence, received its shocking, visceral birth. Bolstered by meticulous research that encompasses a wide spectrum of Ripper studies and myths and coupled with his ability to evoke sympathies in such monstrous characters, Moore has created perhaps the finest examination of the Ripper legacy, observing far beyond society's obsessive need to expose Evil's visage. Ultimately, as Moore observes, Jack's identity and his actions are inconsequential to the manner in which society embraced the Fear: "It's about us. It's about our minds and how they dance. Jack mirrors our hysterias. Faceless, he is the receptacle for each new social panic." Eddie Campbell's stunning black and white artwork, replete with a scratchy, dirty sheen, is perfectly matched to the often-unshakeable intensity of Moore's writing. Between them, each murder is rendered in horrifying detail, providing the book's most unnerving scenes, made more so in uncomfortable, yet lyrical moments as when the villain embraces an eviscerated corpse, craving understanding; pleading that they "are wed in legend, inextricable within eternity". Though technically a comic, the term hardly begins to describe From Hell's inimitable grandeur and finesse, as it takes the medium to fresh heights of ingenuity and craftsmanship. Moore and Campbell's autopsy on the emaciated corpse of the Ripper myth has divulged a deeply disturbing yet undeniably captivating masterpiece. —Danny Graydon