Now I believe in science, statistics, and antibiotics.So says seventeen-year-old Zac Meier during a long, grueling leukemia treatment in Perth, Australia. A loud blast of Lady Gaga alerts him to the presence of Mia, the angry, not-at-all-stoic cancer patient in the room next door. Once released, the two near-strangers can’t forget each other, even as they desperately try to resume normal lives. The story of their mysterious connection drives this unflinchingly tough, tender novel told in two voices.

    Charismatic, mysterious, and beautiful, she brings color and a sprinkling of glamour to the scuffed boards of Soho’s Galaxy Theatre. But one evening, after another rapturously received performance, Iolanthe walks through the stage door, out into the cold London night, and vanishes.All of London is riveted as Fleet Street speculates about the missing actress’s fate. But as time passes and the case grows colder, the public’s interest turns to the unfolding Moors Murders and erupting political scandals. Only Anna Treadway, Iolanthe’s dresser at the Galaxy, still cares. A young woman of dogged determination with a few dark secrets of her own, she is determined to solve the mystery of the missing actress.A disparate band of London émigrés—an Irish policeman, a Turkish coffee-house owner and his rebellious daughter, and a literature-loving Jamaican accountant—joins Anna in her quest, an odyssey that leads them into a netherworld of jazz clubs, backstreet doctors, police brutality, and seaside ghost towns. Each of these unusual sleuths has come to London to escape the past and forge a new future. Yet as they draw closer to uncovering the truth of Iolanthe’s disappearance, they may have to face the truth about themselves.

    But they both have something to hide.Quiet, shy Elyse can't believe it when she's cast as the lead in her Portland high school's production of Romeo and Juliet. Her best friend, Brynn, is usually the star, and Elyse isn't sure she's up to the task. But when someone at rehearsals starts to catch her eye--someone she knows she absolutely shouldn't be with--she can't help but be pulled into the spotlight. Austin native Gabe is contemplating the unthinkable--breaking up with Sasha, his headstrong, popular girlfriend. She's not going to let him slip through her fingers, though, and when rumors start to circulate around school, he knows she has the power to change his life forever. Gabe and Elyse both make the mistake of falling for the wrong person, and falling hard. Told in parallel narratives, this twisty, shocking story shows how one bad choice can lead to a spiral of unforeseen consequences that not everyone will survive.

    Because no one wants to believe a girl from the wrong side of town, the truth about him has cost her everything—friends, family, and her community. Branded a liar and bullied relentlessly by a group of kids she used to hang out with, Romy’s only refuge is the diner where she works outside of town. No one knows her name or her past there; she can finally be anonymous. But when a girl with ties to both Romy and Kellan goes missing after a party, and news of him assaulting another girl in a town close by gets out, Romy must decide whether she wants to fight or carry the burden of knowing more girls could get hurt if she doesn’t speak up. Nobody believed her the first time—and they certainly won’t now — but the cost of her silence might be more than she can bear.　With a shocking conclusion and writing that will absolutely knock you out, All the Rage examines the shame and silence inflicted upon young women after an act of sexual violence, forcing us to ask ourselves: In a culture that refuses to protect its young girls, how can they survive?

    Take Esther’s father, for instance: He’s an agoraphobe who hasn’t left the basement in six years. Then there’s her twin brother, Eugene, whose fear of the dark goes far beyond the things that go bump in the night. And her mother, Rosemary, is absolutely terrified of bad luck.As for Esther, she’s managed to escape the curse…so far. She doesn’t yet have a great fear because she avoids pretty much everything. Elevators, small spaces, crowds—anything that might trigger a phobia is off-limits and is meticulously recorded in her semi-definitive list of worst nightmares. Esther thinks she has it all figured out, until she’s reunited with an old elementary school classmate—and first crush—Jonah Smallwood. The encounter leaves her stranded at a bus stop and swindled out of her phone, all her cash, a Fruit Roll-Up she’d been saving, and her list—not to mention her dignity. But the theft is also the beginning of an unexpected friendship between the two, one that sends the pair on a journey of self-discovery as they try to break the curse that’s consumed Esther’s family. Together they face their greatest fears, one debilitating phobia at a time, only to discover the one fear they hadn’t counted on: love.

    Since then, the stand has been owned and managed exclusively by local girls, who inevitably become the best of friends. Seventeen-year-old Amelia and her best friend Cate have worked at the stand every summer for the past three years, and Amelia is “Head Girl” at the stand this summer. When Molly passes away before Amelia even has her first day in charge, Amelia isn’t sure that the stand can go on. That is, until Molly’s grandnephew Grady arrives and asks Amelia to stay on to help continue the business…but Grady’s got some changes in mind…

    . . as an assassin moves in.Maddie and Logan were torn apart by a kidnapping attempt when they were young. They were only kids -- Logan's dad was POTUS and Maddie's father was the Secret Service agent meant to guard him. The kidnappers were stopped -- but Maddie was whisked off to Alaska with her father, for satety. Maddie and Logan had been inseparable . . . but then she never heard from him again.Now it's a few years later. Maggie's a teenager, used to living a solitary life with her father. It's quiet -- until Logan is sent to join them. After all this time without word, Maddie has nothing to say to him -- until their outpost is attacked, and Logan is taken. They won't be out of the woods until they're . . . out of the woods, and Maddie's managed to thwart the foes and reconcile with Logan.

    Her grandmother is sick, maybe dying. Like the rest of her family, Caroline's been at Gram's bedside since her stroke. With the pressure building, all Caroline wants to do is escape--both her family and the reality of Gram's failing health. So when Caroline's best friend offers to take her to a party one fateful Friday night, she must choose: stay by Gram's side, or go to the party and live her life.The consequence of this one decision will split Caroline's fate into two separate paths--and she's about to live them both.Friendships are tested and family drama hits an all-new high as Caroline attempts to rebuild old relationships, and even make a few new ones. If she stays, her longtime crush, Joel, might finally notice her, but if she goes, Chris, the charming college boy, might prove to be everything she's ever wanted.Though there are two distinct ways for her fate to unfold, there is only one happy ending...

    And Clara’s sister killed him . . . Four months after the murder, the entire town of Shiloh is still in shock. For Clara Porterfield, the normal world has crumbled around her in a million chaotic pieces. Now Clara lives in a new reality, where her sister awaits trial for murder, her mother obsessively digs in a dead, frozen garden, and her father lives and breathes denial. At school, Clara is haunted by her classmates' morbid curiosity—and all of the unspoken questions they won’t ask. But none of them knows what she knows . . . Now Clara's sister wants something from her—the one thing in all of this that Clara isn't ready to face: the truth about what really happened that night. Because this story didn't die with Griffin Tomlin. There's another story that needs to be told. And sometimes, the lies we're told are nowhere near as deadly as the lies we tell ourselves . . .

    30H, for example. Fifteen-year-old Greer Walsh hasn't been fazed by basic algebra since fifth grade, but for the last year, 30H has felt like an unsolvable equation - one that's made her world a very small, very lonely place. 30H is her bra size - or it was the last time anyone checked. She stopped letting people get that close to her with a tape measure a while ago.Ever since everything changed the summer before ninth grade, Greer has felt out of control. She can't control her first impressions, the whispers that follow, or the stares that linger after. The best she can do is put on her faithful XXL sweatshirt and let her posture - and her expectations for other people - slump.But people - strangers and friends - seem strangely determined to remind her that life is not supposed to be this way. Despite carefully avoiding physical contact and anything tighter than a puffy coat, Greer finds an unexpected community on the volleyball squad, the team that hugs between every point and wears a uniform "so tight it can squeeze out tears." And then there's Jackson Oates, newly arrived at her school and maybe actually more interested in her banter than her breasts.Laura Zimmermann's debut is both laugh-out-loud funny and beautifully blunt, vulnerable and witty, heartbreaking and hopeful. And it will invite listeners to look carefully at a girl who just wants to be seen for all she is.

    One Spanish summer. One huge family secret.Juliana makes a modest living as an 'ethnic' TV/film extra – even though the only connections with her Spanish heritage are her cacti, Spanish classes, and some confused memories of a Spanish mother she hasn't seen since she was seven.When her beloved Uncle Arturo offers her the chance to discover her roots while housesitting his coastal home in a quiet corner of Andalusia, Juliana can't believe her luck. Especially when he reveals that the house will be hers if she fulfills ten life-enhancing 'Conditions' within 90 days.Redecoration of the house and a visit to the old film studio where her mother used to sew costumes seem ridiculously simple tasks for such a wonderful reward. But little does Juliana realize that there are family secrets and inherited rivalries awaiting her in sunny Spain, and the condition that she has to 'get on with the neighbors' – who include a ruggedly handsome but moody artist – may be harder than she thinks.The perfect escapist read for fans of Rosanna Ley, Jo Thomas, and Sue Moorcroft.

    Joss Byrd is "fiercely emotional," a young actress with "complete conviction," and a "powerhouse." Joss Byrd is America's most celebrated young actress, but on the set of her latest project, a gritty indie film called The Locals, Joss's life is far from glamorous. While struggling with her mother's expectations, a crush on her movie brother, and a secret that could end her career, Joss must pull off a performance worthy of a star. When her renowned, charismatic director demands more than she is ready to deliver, Joss must go off-script to stay true to herself.

    At first, she focuses frantically on finding a way out, until the harrowing truth of her new existence settles in—the crushing loneliness, the terrifying madness of a captor who believes he is saving her from the end of the world, and the persistent temptation to give up. But nothing prepares Blythe for the burden of raising a child in confinement. Deter­mined to give the boy everything she has lost, she pushes aside the truth about a world he may never see for a myth that just might give mean­ing to their lives below ground. Years later, their lives are ambushed by an event at once promis­ing and devastating. As Blythe’s dream of going home hangs in the balance, she faces the ultimate choice—between survival and freedom.

    A gifted and reclusive ghostwriter, Alice Lovett makes a living helping other people tell their stories. But she is haunted by the one story she can't tell: the story of, as she puts it, "the things that happened while I was asleep."1999. Nick Brothers and his lacrosse teammates return for their senior year at their wealthy Maryland high school as the reigning state champions. They're on top of the world—until two of his friends drive a passed-out girl home from of the team's "legendary" parties, and a rumor about what happened in the backseat spreads through the town like wildfire.The boys deny the allegations, and, eventually, the town moves on. But not everyone can. Nick descends into alcoholism, and Alice builds a life in fits and starts, underestimating herself and placing her trust in the wrong people. When she finally gets the opportunity to confront the past she can't remember—but which has nevertheless shaped her life—will she take it?An inventive and breathtaking exploration of a woman finding her voice in the wake of trauma, True Story is part psychological thriller, part fever dream, and part timely comment on sexual assault, power, and the very nature of truth. Ingeniously constructed and full of twists and turns that will keep you guessing until the final pages, it marks the debut of a singular and daring new voice in fiction.

    It all started when Mike Parker's girlfriend showed up with a bruise on her face. Or, more specifically, when she walked into the principal's office and said Mike hit her. But her classmates have questions. Why did she go to the principal and not the police? Why did she stay with Mike if he was hurting her? Obviously, if it's true, Mike should face the consequences. But is it true?Some girls want to rally for Mike’s expulsion—and some want to rally around Mike. As rumors about what really happened spread, the students at North Bay Academy will question what it means to be guilty or innocent, right or wrong. Praise for What Kind of Girl: "A poignant, thought-provoking novel that will resonate deeply."—Kirkus"A rallying cry."—Booklist"I immediately saw myself in this book, which so thoroughly explains the thought process when coming to terms with victimhood and survivorship. I felt understood."—Chessy Prout, author of I Have the Right To"Important, raw, timely, and ultimately hopeful…demands readers discuss the trauma of teen dating violence and how girls are so often taught—even expected—to internalize their victimization."—Shannon M. Parker, author of The Girl Who Fell and The Rattled Bones