Sports. Video games. Gay and not a big deal, not to him, not to his mom, not to his buddies. And a secret: An encounter with an older kid that makes it hard to breathe, one that he doesn't want to think about, ever.Jordan: The opposite of chill. Poetry. His "wives" and the Chandler Mall. Never been kissed and searching for Mr. Right, who probably won't like him anyway. And a secret: A spiraling out of control mother, and the knowledge that he's the only one who can keep the family from falling apart.Throw in a rickety, 1980s-era food truck called Coq Au Vinny. Add in prickly pears, cloud eggs, and a murky idea of what's considered locally sourced and organic. Place it all in Mesa, Arizona, in June, where the temp regularly hits 114. And top it off with a touch of undeniable chemistry between utter opposites.Over the course of one summer, two boys will have to face their biggest fears and decide what they're willing to risk -- to get the thing they want the most.

    You know the feeling - that intense, heart-racing, all-consuming emotion that can only come with first love. It's enough to stop her worrying about bad grades at college. Enough to distract her from her parents' marriage troubles. There's just one thing bothering her . . .Shouldn't it be her boyfriend, Dylan, who makes her feel this way - not Miss Murray, her English teacher?A thought-provoking coming out story from a highly skilled author.

    Advice from his friends, ‘90s alt-rock songs, and online dating articles aren't helping much with his secret crush. And his dream job at Once Upon a Page, the local used bookstore, is threatened when a coffeeshop franchise wants to buy the property. To top it off, his annoying brother needs wedding planning advice. When all three problems converge, Wes comes face-to-face with the one thing he’s been avoiding—adulthood.Now, confronted with reality, can Wes balance saving the bookstore and his strained sibling relationship? Can he win the heart of his crush, too?

    But when her low Alto 2 voice gets her shut out for the third straight year—threatening her future at Kensington-Blaine and jeopardizing her college applications—she’s forced to consider nontraditional options.In Jordan’s case, really nontraditional. A spot has opened up in the Sharpshooters, Kensington’s elite a cappella octet. Worshiped…revered…all male. Desperate to prove herself, Jordan auditions in her most convincing drag, and it turns out that Jordan Sun, Tenor 1, is exactly what the Sharps are looking for.Jordan finds herself enmeshed in a precarious juggling act: making friends, alienating friends, crushing on a guy, crushing on a girl, and navigating decades-old rivalries. With her secret growing heavier every day, Jordan pushes beyond gender norms to confront what it means to be a girl (and a guy) in a male-dominated society, and—most importantly—what it means to be herself.

    To make matters worse, on the day his school bans hats (his preferred camouflage), Dylan goes up on his roof only to fall and wake up in the hospital with a broken leg—and a mandate to attend group therapy for self-harmers.Dylan vows to say nothing and zones out at therapy—until he meets Jamie. She’s funny, smart, and so stunning, even his womanizing best friend, JP, would be jealous. She’s also the first person to ever call Dylan out on his self-pitying and superficiality. As Jamie’s humanity and wisdom begin to rub off on Dylan, they become more than just friends. But there is something Dylan doesn’t know about Jamie, something she shared with the group the day he wasn’t listening. Something that shouldn’t change a thing. She is who she’s always been—an amazing photographer and devoted friend, who also happens to be transgender. But will Dylan see it that way?

    the Homo Sapiens Agenda and Boy Meets Boy about Nathan Bird, who has sworn off happy endings but is sorely tested when his former best friend, Ollie, moves back to town.Nathan Bird doesn’t believe in happy endings.Although he’s the ultimate film buff and an aspiring screenwriter, Nate’s seen the demise of too many relationships to believe that happy endings exist in real life.Playing it safe to avoid a broken heart has been his MO ever since his father died and left his mom to unravel—but this strategy is not without fault. His best-friend-turned-girlfriend-turned-best-friend-again, Florence, is set on making sure Nate finds someone else. And in a twist that is rom-com-worthy, someone does come along: Oliver James Hernández, his childhood best friend.After a painful mix-up when they were little, Nate finally has the chance to tell Ollie the truth about his feelings. But can Nate find the courage to pursue his own happily ever after?

    If they were real, her mother would still be able to remember her name and not in a care home with early onset dementia. A condition that Saoirse may one day turn out to have inherited. So she’s not looking for a relationship. She doesn’t see the point in igniting any romantic sparks if she’s bound to burn out.But after a chance encounter at an end-of-term house party, Saoirse is about to break her own rules. For a girl with one blue freckle, an irresistible sense of mischief, and a passion for rom-coms.Unbothered by Saoirse’s no-relationships rulebook, Ruby proposes a loophole: They don’t need true love to have one summer of fun, complete with every cliché, rom-com montage-worthy date they can dream up—and a binding agreement to end their romance come fall. It would be the perfect plan, if they weren’t forgetting one thing about the Falling in Love Montage: when it’s over, the characters actually fall in love… for real.

    She is not the kind of person who goes to Vegas and gets drunkenly married to a woman whose name she doesn’t know…until she does exactly that.This one moment of departure from her stern ex-military father’s plans for her life has Grace wondering why she doesn’t feel more fulfilled from completing her degree. Staggering under the weight of her father’s expectations, a struggling job market and feelings of burnout, Grace flees her home in Portland for a summer in New York with the wife she barely knows.When reality comes crashing in, Grace must face what she’s been running from all along—the fears that make us human, the family scars that need to heal and the longing for connection, especially when navigating the messiness of adulthood.

    Two girls. One life-changing music festival. Olivia is an expert at falling in love . . . and at being dumped. But after the fallout from her last breakup has left her an outcast at school and at home, she’s determined to turn over a new leaf. A crush-free weekend at Farmland Music and Arts Festival with her best friend is just what she needs to get her mind off the senior year that awaits her.Toni is one week away from starting college, and it’s the last place she wants to be. Unsure about who she wants to become and still reeling in the wake of the loss of her musician-turned-roadie father, she’s heading back to the music festival that changed his life in hopes that following in his footsteps will help her find her own way forward.When the two arrive at Farmland, the last thing they expect is to realize that they’ll need to join forces in order to get what they’re searching for out of the weekend. As they work together, the festival becomes so much more complicated than they bargained for, and Olivia and Toni will find that they need each other, and music, more than they ever could have imagined.Packed with irresistible romance and irrepressible heart, bestselling author Leah Johnson delivers a stunning and cinematic story about grief, love, and the remarkable power of music to heal and connect us all.

    The girls are packing light: a supply of Diet Coke for Lux and her ‘89 Canon to help her frame the world in a sunnier light; half a pack of cigarettes for Trixie that she doesn’t really smoke, and a knife—one she’s just hanging on to for a friend—that she’s never used before.But a single night of violence derails their trip and will forever change the course of the girls’ lives, as they go from ordinary high schoolers to wanted fugitives. Trying to stay ahead of the cops and a hellscape of media attention, the girls grapple with an unforgiving landscape, rapidly diminishing supplies, and disastrous decisions at every turn. As they are transformed by the media into the face of a #MeToo movement they didn’t ask to lead and the road before them begins to run out, Trixie and Lux realize that they can only rely on each other, and that the love they find together is the one thing that truly makes them free.In rushing, powerful prose Julia Lynn Rubin takes readers on “a blistering, unapologetic thrill ride” (Emma Berquis) that will leave them haunted and reeling. Trouble Girls is “a powerful, beautifully-written gut punch” (Sophie Gonzales).

    Now Ollie is one prince short of his fairy tale ending, and to complicate the fairy tale further, a family emergency sees Ollie uprooted and enrolled at a new school across the country. Which he minds a little less when he realizes it's the same school Will goes to... except Ollie finds that the sweet, comfortably queer guy he knew from summer isn't the same one attending Collinswood High. This Will is a class clown, closeted ― and, to be honest, a bit of a jerk.Ollie has no intention of pining after a guy who clearly isn't ready for a relationship, especially since this new, bro-y jock version of Will seems to go from hot to cold every other week. But then Will starts "coincidentally" popping up in every area of Ollie's life, from music class to the lunch table, and Ollie finds his resolve weakening. The last time he gave Will his heart, Will handed it back to him trampled and battered. Ollie would have to be an idiot to trust him with it again.Right? Right.SIMON VS. THE HOMO SAPIENS AGENDA meets CLUELESS in this boy-meets-boy spin on Grease

    One teen beauty pageant.One meet cute waiting to happen.Up and coming fanfic author Kaylee Beaumont is internally screaming at the chance to finally meet her fandom friends in real life and spend a weekend at GreatCon. She also has a side quest for the weekend:Try out they/them pronouns to see how it feelsWear more masculine-presenting cosplayKiss a girl for the first timeIt’s… a lot, and Kay mostly wants to lie face down on the hotel floor. Especially when her hometown bully, Miss North Carolina, shows up in the very same hotel. But there’s this con-sponsored publishing contest, and the chance to meet her fandom idols… and then, there’s Teagan.Pageant queen Teagan Miller (Miss Virginia) has her eye on the much-needed prize: the $25,000 scholarship awarded to the winner of the Miss Cosmic Teen USA pageant. She also has secrets:She loves the dresses but hates the tiarasShe’s a giant nerd for everything GreatConShe’s gay afIf Teagan can just keep herself wrapped up tight for one more weekend, she can claim the scholarship and go off to college out and proud. If she’s caught, she could lose everything she’s worked for. If her rival, Miss North Carolina, has anything to do with it, that’s exactly how it’ll go down.When Teagan and Kay bump into one another the first night, sparks fly. Their connection is intense—as is their shared enemy. If they’re spotted, the safe space of the con will be shattered, and all their secrets will follow them home. The risks are great… but could the reward of embracing their true selves be worth it?

    But to her surprise, quiet Melly loves playing the drums. It’s the only time she doesn’t feel like a mouse.Now, she and Olivia are about to spend the next two weeks at Camp Rockaway, jamming under the stars in the Michigan woods.But this summer brings big changes for Melly: her parents split up, her best friend ditches her, and Melly finds herself falling for a girl at camp named Adeline. To top it off, Melly's not sure she has what it takes to be a real rock 'n' roll drummer. Will she be able to make music from all the noise in her heart?

    When the director asks Zara to promise that she will have no outside commitments, no distractions, it’s easy to say yes. But it’s hard not to be distracted when there’s a death at the theater—and then another—especially when Zara doesn’t know if they’re accidents, or murder, or a curse that always comes in threes. It’s hard not to be distracted when assistant lighting director Eli Vasquez, a girl made of tattoos and abrupt laughs and every form of light, looks at Zara. It’s hard not to fall in love. In heart-achingly beautiful prose, Amy Rose Capetta has spun a mystery and a love story into an impossible, inevitable whole—and cast lantern light on two girls, finding each other on a stage set for tragedy.

    So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth—that in order to be who she truly wants to be, she’ll have to man up.