He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

    By daybreak, her world has shifted. Max Carlisle, a troubled AFL star, can't stop what comes next. And Ruby, a single woman from the apartment block, is left with questions when she sees Jordi leave.In this remarkable novel, Rachel Matthews captures the characters of Jordi and her family, the players, and the often loveable inhabitants of a big city with a deceptive lightness of touch that seduces the reader. Siren reveals the often unnoticed life of a city while simultaneously drawing us deep into a dark and troubling world. What happens has an unexpected effect on all those who are both directly and indirectly involved.The result is a powerful and haunting novel about cultural stereotypes and expectations, love, loneliness, family and our struggle to connect. In so many ways, Matthews subtly sounds the siren on sexual violence and its prevalence in our culture.

    It is based upon the lives of five indigenous people who dealt with the issues for forceful removal by the Australian government.Stolen tells the story of five Aboriginal children, who go by the names of Sandy, Ruby, Jimmy, Anne, and Shirley.Sandy has spent his entire life on the run, never having a set home to live in. Stolen tracks his quest for a place to be, a place where he doesn’t have keep hiding from the government (even though they are no longer after him), and a place he can call home.Ruby was forced to work as a domestic from a young age, and was driven insane by the abuse of her white masters. In the latter part of the play, she spends a lot of her time mumbling to herself, whilst her family desperately try to help her.Jimmy was separated from his mother at a very young age, and she spent her entire life looking for him. He spent a lot of time in prison, and on the day he finally got out, he was told about his mother’s search. As he went to meet her, she died, and he committed suicide in anger. Jimmy thought his mother was dead because everytime she writes him a letter the nuns take it and put it in the cabinet.Anne was removed from her family and placed in a Caucasian family’s home. She was materially happy in this home, a lot happier than many of the other characters, but when her indigenous family tried to meet her, she was caught in crossfire between her two “families”.Shirley was removed from her parents, and had her children removed from her. She only felt relief, safety, and comfort when her granddaughter was born, and not removed.Stolen toured extensively throughout Australia. On top of its seven years in Melbourne (starting in 1998), it was also performed in Sydney, Adelaide, regional Victoria, Tasmania, the UK, Hong Kong, and Tokyo. Furthermore, readings were performed in Canada and New York.Stolen won (along with Aliwa! by Dallas Wimmar) the Kate Challis RAKA award in 1998, on the back of largely successful first season[2][3]Stolen was studied on the Victorian Certificate of Education English syllabus, and the New South Wales Higher School Certificate syllabus. Many other schools throughout Australia have also placed Stolen on their English curriculum

    Facebook-worthy baby? Tick. Bikini-body six weeks after giving birth? Um … not so much.Fashion PR exec Ally Bloom got her happy ending. Okay, her marriage might be showing the odd crack, her battleaxe mother-in-law might have come to stay, and she might not be the yummy mummy she'd imagined, but it's nothing a decent night's sleep and a firm commitment to a no-carb diet won't fix.But when Ally returns to work and finds she'll be reporting to a 22-year-old airhead, she decides to turn her back on life as a professional fashionista and embrace her inner earth mama instead.So it's out with the Louboutins and champagne and in with the sensible flats and coffee mornings with the Mummy Mafia. From attending her first grown-up dinner party only to discover that placenta is top of the menu to controlling her monster crush on local playgroup hottie Cameron, Ally must find her feet in the brave new world of the stay-at-home mum.

    The graffiti on the holding room wall says it all: 'Gunyah is hell on earth'. And Ellen's about to find out why. Ellen was never the daughter her mother wanted. Patent leather shoes and frilly dresses just weren't her thing and, at age fourteen, she's ready to leave school and find her own way. No one is going to stop her from going where she wants, doing what she wants, and hanging out with Robbie. Or so she thinks. But when the police turn up, Ellen is deemed to be in 'moral danger' and is sentenced to the Gunyah Training School for Girls. Suddenly, she's no longer Ellen, she's Girl 43, and she has to follow the rules, work hard and - most importantly - stay quiet. When it's discovered that she's pregnant, there's no respite from the staff. Told she isn't capable of bringing up a child, they twist the truth to make her cooperate. But however hard they try, they can't destroy the connection between a mother and her child . . . or can they? Drawn from experiences in Parramatta Girls' Home in the seventies, "Girl 43" is a story that could have come straight from today's headlines about the shocking treatment of innocent children and teens by people in the very institutions that were supposed to protect them.

    But when she meets local single dad, Cole, she can't help but be drawn to his warmth and his humour, and his two engaging children. Cole says and does all the right things, and Sasha finds herself falling, but will all of her secrets destroy the relationship before it has a chance to begin?Mindalby, a small town, a community, a home. But when the mill that supports the local cotton farmers and employs many of the town's residents closes unexpectedly, old tensions are exposed and new rifts develop. Everyone is affected and some react better than others, but one thing is certain: living on the edge of the outback means they have to survive together, or let their town die.

    A chest of clues.Come find me... I’ll be waiting…1929: On the night of her engagement to austere banker Floyd Clark, Charlotte Greene meets enigmatic Sydney Harbour Bridge engineer, Alexander Young. Their encounter is brief, but their attraction instant.During a second-chance meeting, Alex invites Charlotte to play a game with him, one of daring clues and secret meeting places. She accepts and they embark on a thrilling lover’s chase across the city.But with her arranged marriage to Floyd looming, will she have the strength to let Alex go?Present Day: Paige Westwood is helping her boss establish a publishing company in his newly-purchased Playfair Street house in The Rocks, Sydney. In the attic, she discovers a chest of old clues that lead the reader on a journey across the city. Paige contacts the former owner, Ryan Greene, who explains the clues belonged to his great-aunt Charlotte, who once lived in the house, but who mysteriously disappeared in 1929.Together, they follow Charlotte and Alex’s clues to unravel a fascinating tale of lies and intrigue, of two lovers bound by hope, but also by deceit. Can they solve the mystery of Charlotte’s disappearance or has all hope been lost to the past?

     Sick of being broke, vet nurse Kylie Douglas is intent on selling the outback homestead she inherited so she can get back to her normal life in Brisbane with some cash to burn. She has never really been attracted to the strong silent type, but when she meets Jack she senses there is something different about him.Still grieving for his wife and unborn child, Jack Lawson is intent on buying the outback homestead to keep their memories close. Jack knows he needs to move on with his life, but can he if he has to leave the homestead behind?When the homestead starts to unearth its many secrets, Kylie and Jack's worlds collide as the past comes back to haunt them. Will her grandmother's biggest secret tear both their worlds apart?

    He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris."Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)

    Two young women are brutally murdered. The killer has never been found. What happened in the house on Easey Street?On a warm night in January, Suzanne Armstrong and Susan Bartlett were savagely murdered in their house on Easey Street, Collingwood – stabbed multiple times while Suzanne’s sixteen-month-old baby slept in his cot. Although police established a list of more than 100 ‘persons of interest’, the case became one of the most infamous unsolved crimes in Melbourne.Journalist Helen Thomas was a cub reporter at The Age when the murders were committed and saw how deeply they affected the city. Now, forty-two years on, she has re-examined the cold case – chasing down new leads and talking to members of the Armstrong and Bartlett families, the women’s neighbours on Easey Street, detectives and journalists. What emerges is a portrait of a crime rife with ambiguities and contradictions, which took place at a fascinating time in the city’s history – when the countercultural bohemia of Helen Garner’s Monkey Grip brushed up against the grit of the underworld in one of Melbourne’s most notorious suburbs.Why has the Easey Street murderer never been found, despite the million-dollar reward for information leading to an arrest? Did the women know their killer, or were their deaths due to a random, frenzied attack? Could the murderer have killed again? This gripping account addresses these questions and more as it sheds new light on one of Australia’s most disturbing and compelling criminal mysteries.‘An overdue examination of the Easey Street murders that adds tantalising new information to known and forgotten facts.’ Andrew Rule, journalist and co-author of UnderbellyHelen Thomas has been a journalist for more than forty years. In 2005, Thomas spent months researching the Easey Street murders for Radio National’s Background Briefing, shedding new light on the investigation. She is the manager of ABC News Radio and author of five books, including Moods: The Peter Moody Saga (2016).

    When a Tibetan lama and a monk come to their home unexpectedly, asking to take their child away for a life of spiritual training in India, the parents must make a life-altering choice that will test their strength, their marriage, and their hearts.The Oldest Boy is a richly emotional journey filled with music, dance, puppetry, ritual, and laughter—Sarah Ruhl at her imaginative best. A meditation on attachment and unconditional love, the play asks us to believe in a world in which sometimes the youngest children are also the oldest and wisest teachers.

    But then their parents are killed in a car accident and the boys are sent to stay with people they barely know. How the boys live with their grief and with each other defines the rest of their lives. They move through adolescence and into adulthood, via girlfriends, jobs, sibling rivalry and loyalty. And somewhere deeply buried within them both is the question of how one deals with the past in order to live in the present and embrace the future. The answer is surprising.

    Overseas, war is raging in Vietnam, Civil Rights marches are on the streets, and women’s liberation is stirring – but at home in Corrigan Charlie Bucktin dreams of writing the Great Australian Novel. Charlie’s 14 and smart. But when 16-year-old, constantly-in-trouble Jasper Jones appears at his window one night, Charlie’s out of his depth. Jasper has stumbled upon a terrible crime in the scrub nearby, and he knows he’s the first suspect – that goes with the colour of his skin. He needs every ounce of Charlie’s bookish brain to help solve this awful mystery before the town turns on Jasper. Kate Mulvany’s adaptation of Craig Silvey’s award-winning novel is wise and beautiful. A coming-of-age story, Jasper Jones interweaves the lives of complex individuals all struggling to find happiness among the buried secrets of a small rural community.Whether you know the book or not, this piercing adaptation is very much worth seeing for the way it depicts – and shows ways across – some of the deep and enduring divides in our society." - Jason Blake SMH

    "You Got Older" is a tender and darkly comic new play about family, illness, and cowboys - and how to remain standing when everything you know comes crashing down around you.

    He visits an old flame, buys a gun and goes on a blistering road trip through the new home front.'I don't blame the war. The war was alright. I miss it. It's just you come back to this.'Written during the London bombings of 2005, Motortown is a fierce, violent and controversial response to the anti-war movement - and to the war itself. Chaotic and complex, powerful and provocative, Simon Stephen's new play portrays a volatile and morally insecure world.Motortown premieres at the Royal Court Theatre on 21 April 2006. It follows the critically acclaimed On the Shore of the Wide World (Manchester Royal Exchange/National Theatre), winner of the Olivier Award for Best New Play (2005).