Students lashing out at any speaker brave enough to say something they disagree with. Precious snow flakes demanding “Safe Spaces” to protect them from any idea they haven’t heard from their liberal professors. In this book and the accompanying movie, Dennis Prager, Mark Joseph, and Adam Carolla expose the attack on free speech and free thought. It began in the universities, but—fair warning—it’s coming to your neighborhood and your workplace. “No Safe Spaces is a film every American should see. I could barely move when it was over. Powerful, emotional, and a call to action for anyone worried about the intellectual fascism happening in this country. A brave, timely, and important film.” —MEGYN KELLY, former FOX News anchor and host of Megyn Kelly Today “There is no free speech in America for free thinkers! You can have free speech in America but only if you say what everybody else agrees with. It’s not enough to ‘live and let live’ now. The psycho-elite believe ‘silence is violence’ and you must actively promote what THEY want no matter how vile or reprehensible it is to you. George Orwell lives! They should’ve called Orwell ‘Nostradamus’ because his most frightening prophecies have come to pass, as you will witness in No Safe Spaces!” —MANCOW MULLER, radio phenomenon “An excellent film, the best I’ve seen on the subject of free speech. I especially like Dennis’s line, ‘They have to believe we are evil; otherwise they’d have to debate us.’ Perfect!” —CAL THOMAS, America’s #1 syndicated columnist

    The author, who has defended Karen Silkwood and Randy Weaver among others, recounts his life growing up in Wyoming and the tragic event that caused him become an attorney.

    I’ll never forget that day. The Vietnam War had ended with the fall of Saigon that April, and the world was mired in one of its worst recessions ever. Unemployment in the United States was nearly nine percent, inflation even higher, and leadership lacking. The Watergate scandal had cast a smear across American politics, resulting in Richard Nixon’s resignation in August 1974 to avoid impeachment, and his successor’s immediately pardoning him to close the book on an unhappy chapter in U.S. history.It was not a good time for anyone and a particularly hard time for the old Victorian town of Cape May. The crown jewel of the New Jersey shore had fallen into neglect and disrepair and was dying a slow death. Once the elegant summer home to presidents and kings, it had become the last refuge of the deposed.That’s where I met Tom Ryan. Tom was a king, or so he would have you believe, but unlike Richard Nixon, when Tom was dethroned, he wasn’t sent home with a slap on the wrist. He was sent to prison. He was a convicted draft dodger, but one of the lucky ones released early by President Ford as part of his mass clemency after Nixon’s pardon. The problem was, Tom had nowhere to go when he got out, so he took the money his dad mailed to him and spent it on a bus ticket to get as far away as possible to a place where nobody cared who he was or what he had done, a place where nobody cared about anything. That place was Cape May.As hard a time as it was for everyone, it was harder for me because that was the day I met Tom Ryan. I should have turned and walked away. I knew it when he first looked at me, but I didn’t, not my first mistake, but one that would make Monday, May 19th, 1975 the hardest day of my life. This is the story of how Tom Ryan and I met and how things never quite work out the way you think. You might find a love story in here somewhere. You might not. You might find a message hidden in one of the nickel pop bottles collected by the beachcombers from some of the most beautiful white sand beaches in the world. You might even find a little mystery, but life is a mystery, isn’t it?

    Former Pixar and The Simpsons Animator and Story Artist Matthew Luhn translates his two and half decades of storytelling techniques and concepts to the CEOs, advertisers, marketers, and creatives in the business world and beyond. A combination of Luhn’s personal stories and storytelling insights, The Best Story Wins retells the “Hero’s Journey” story building methods through the lens of the Pixar films to help business minds embrace the power of storytelling for themselves!

    Revised and updated throughout for this fifth edition, THE LAW MACHINE surveys recent developments in the workings of justice and the outlook for the future. 'Refreshingly free of the patronizing attitude and the humbug with which other books about the legal system are riddled' - THES

    The result is a poetry that upends the deeply and dangerously assumed concepts of such a culture—that new knowledge is always better knowledge, that history is a steady progress, that humans are in control of the natural order. Nick Lantz’s poems hurtle through time from ancient theories of physics to the CIA training manual for the practice of torture, from the history of the question mark to the would-be masterpieces left incomplete by the deaths of Leonardo da Vinci, Nikolai Gogol, Bruce Lee, and Jimi Hendrix. Selected by Linda Gregerson for the esteemed Bakeless Prize for Poetry, We Don’t Know We Don’t

    Rob Cea starts off as an idealistic young cop, a true believer in the system for which he works tirelessly. He is sadly mistaken. The system he tried so hard to appease ultimately led to his downfall and the ruination of his life.What separates this from other cop–and–robber stories is the brutal authenticity from the cop himself. We will see and hear exactly what is discussed in a patrol car. We will see how the law was栮d is汯utinely bent to make collars stick any way possible. And we will see how Cea slowly spirals to depths of hell.No Lights, No Sirens is simplistic in its scope: A young idealistic boy becomes a man through fire, and then becomes exactly what he has been chasing for so long, a hardened man possessed by demons. With rapid fire and gritty narrative, Cea writes about his fall to the depths, and his salvation. We see the dark side of detective work in New York's most crime–riddled neighbourhoods from a first–hand view never before seen.

    During the preparation for the trial, he discovers to his horror that his defense may result in acquittal. As a lawyer, John is bound by his oath to the state to maintain secrecy, to guarantee a fair trial, and to safeguard the law; yet keeping that oath could lead to the murderer's release. Should he abandon the case? Only if he's willing to suffer the state's disciplinary action. Maybe that would be easier to face than the growing anger of the community. Or the disappointment and disbelief of his own family.

    She had been Hotel K's most famous inmate.Schapelle was a 27-year-old beauty-school student when, in 2004, Bali customs officers found 4.2 kilograms of marijuana in her boogie-board bag. She was convicted of a crime she still vehemently denies committing.She spent ten years in Hotel K, where she survived unimaginable horrors, corrupt guards, degrading conditions, and abuse at the hands of other prisoners, but also, amazingly, found the love of her life - a love that still burns strong.In this revised and updated edition of My Story, first published in 2006, Schapelle describes her descent into madness, and finding her way back, the chaos of her release, the trials of surviving outside on parole and, eventually, her dramatic return to Australia, all the while hounded mercilessly by the media.This is the first time since 2006 that Schapelle has spoken, driven by a determination to show she has emerged, scarred, but with her dignity, humour and courage intact.Written with bestselling author Kathryn Bonella, this is a deeply unsettling but utterly compelling tale of what should have been a holiday in paradise but instead turned into 13 years of living hell. You won't be able to put it down.

    Now, for the first time, she speaks out–in her signature straight–talk style–about her own history and career. Olympia Dukakis, internationally known movie and theater star, and cousin of presidential candidate Michael Dukakis, was born into a Greek family in Lowell, Massachusetts. As a first generation Greek–American, Olympia "lived in the hyphen" and struggled to reconcile her American desires with her family's old–world traditions. ASK ME AGAIN TOMORROW tells the story of Olympia's struggle to find her place as an American, as a woman and as a star. It specifically explores the relationship between Olympia, whose main ambition was to live her life exactly as she wanted, and her mother, who spent a lifetime constrained by a tradition that delegated her to second class. Like Sidney Poitier's THIS LIFE and THE MEASURE OF A MAN, this is a book that is more than a celebrity memoir. ASK ME AGAIN TOMORROW will speak to many audiences: readers who also experienced America as an adopted country; readers interested in the art of acting; readers interested in autobiography, and particularly to female readers who have struggled with fitting their own aspirations in with the needs of family. It is a book that will endure.

    And as the Englishman became the colonial, and then the revolutionary patriot, and finally the citizen of a new nation, seeking to find his identity in a new land, he created chattel slavery and was in turn confronted by it.White Over Black is Winthrop D. Jordan's masterly study of that process, from the 16th century through the early years of the Republic.

    Not a good home, but at least there she can find food and shelter for her sisters, Lily and Tory.To the powerful Making Perfect corporation, however, the Slump is a gold mine, a source of unending test subjects. Once a month, squads of company officials invade the ruins to capture orphans for their facilities. What happens to the kids they take is unclear—none of them ever return.Then Summer herself is taken.Forced into a series of grueling experiments, she soon discovers that Making Perfect’s ultimate goal is far darker than anything she imagined. As she fights to get back to the Slump and her now-defenseless sisters, she begins to understand why once you enter Making Perfect, you never get out.

    Having overcome an institution widely regarded as oppressive, why did they sponsor the construction of racial slavery in their new colonies?Robin Blackburn traces European doctrines of race and slavery from medieval times to the early modern epoch, and finds that the stigmatization of the ethno-religious Other was given a callous twist by a new culture of consumption, freed from an earlier moral economy.The Making of New World Slavery argues that independent commerce, geared to burgeoning consumer markets, was the driving force behind the rise of plantation slavery. The baroque state sought—successfully—to batten on this commerce, and—unsuccessfully—to regulate slavery and race. Successive chapters of the book consider the deployment of slaves in the colonial possessions of the Portuguese, the Spanish, the Dutch, the English and the French. Each are shown to have contributed something to the eventual consolidation of racial slavery and to the plantation revolution of the seventeenth and eighteenth centuries. It is shown that plantation slavery emerged from the impulses of civil society rather than from the strategies of the individual states.Robin Blackburn argues that the organization of slave plantations placed the West on a destructive path to modernity and that greatly preferable alternatives were both proposed and rejected. Finally he shows that the surge of Atlantic trade, premised on the killing toil of the plantations, made a decisive contribution to both the Industrial Revolution and the rise of the West.

    Some are exonerated through DNA evidence, but many more languish in prison because their convictions were based on faulty eyewitness accounts and no DNA is available. Prominent criminal lawyer and law professor Abbe Smith weaves together real life cases to show what it is like to champion the rights of the accused. Smith describes the moral and ethical dilemmas of representing the guilty and the weighty burden of fighting for the innocent, including the victorious story of how she helped free a woman wrongly imprisoned for nearly three decades. For fans of Law and Order and investigative news programs like 20/20, Case of a Lifetime is a chilling look at what really determines a person's innocence.

    16 pages of photos.