I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise, I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cap mushroom. Everyone else in my family is dead...

    But when the sun went down, her life was an endless, faceless whirl of bars and beds and men she'd never seen before and wouldn't see again. If she couldn't find love, she took chances on men who were better than no men at all. And learned, with each new night and each new nightmare, that finding her man was only the beginning.

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.

    Later that day, only two of them came back. . . .     Alice Tully knows exactly what happened that spring day six years ago, though it's still hard for her to believe it. She'll never be able to forget, even though she's trying to lead a normal life--she has a job, friends, and a boyfriend whom she adores. But Alice's past is dangerous, and violent, and sad . . . and it's about to rip her new life apart.     A gripping and emotionally searing novel by accomplished British author Anne Cassidy, Looking for JJ infuses a terrifying subject with humanity and hope.

    The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission. As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves. The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life.

    A change of clothes. A wig. An inconspicuous sedan. We doubled back once, twice, then drove south when we were really headed east. In San Francisco we had a girl who looked like me board a plane to Hawaii.Oh, I thought I was so clever.But you probably already know that I'm not.LA IT girl Janie Jenkins has it all. The looks, the brains, the connections. The criminal record.Ten years ago, in a trial that transfixed America, Janie was convicted of murdering her mother. Now she's been released on a technicality she's determined to unravel the mystery of her mother's last words, words that send her to a tiny town in the very back of beyond. But with the whole of America's media on her tail, convinced she's literally got away with murder, she has to do everything she can to throw her pursuers off the scent.She knows she really didn't like her mother. Could she have killed her?

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    Heming. He was the estate agent who showed you around your comfortable home, suggested a financial package, negotiated a price with the owner, and called you with the good news. The less good news is that, all these years later, he still has the key. That's absurd, you laugh. Of all the many hundreds of houses he has sold, why would he still have the key to mine? The answer is; he has the keys to them all. William Heming's most at home in a stranger's private things. He makes it his business to know all their secrets, and how they arrange their lives. His every pleasure is in his leafy community. He loves and knows every inch of it, feels nurtured by it, and would defend it - perhaps not with his life but if it came to it, with yours. Things begin to change when Mr. Hemings' obsession shifts from many people to one, and then a dead body winds up in someone's garden. For a man who is used to going unremarked, Mr. Heming's finds his natural routine becomes uncomfortably interrupted.

    Kya Clark is barefoot and wild; unfit for polite society. So in late 1969, when the popular Chase Andrews is found dead, locals immediately suspect her.But Kya is not what they say. A born naturalist with just one day of school, she takes life's lessons from the land, learning the real ways of the world from the dishonest signals of fireflies. But while she has the skills to live in solitude forever, the time comes when she yearns to be touched and loved. Drawn to two young men from town, who are each intrigued by her wild beauty, Kya opens herself to a new and startling world—until the unthinkable happens.In Where the Crawdads Sing, Owens juxtaposes an exquisite ode to the natural world against a profound coming of age story and haunting mystery. Thought-provoking, wise, and deeply moving, Owens’s debut novel reminds us that we are forever shaped by the child within us, while also subject to the beautiful and violent secrets that nature keeps.The story asks how isolation influences the behavior of a young woman, who like all of us, has the genetic propensity to belong to a group. The clues to the mystery are brushed into the lush habitat and natural histories of its wild creatures.

    Books tell you what to believe.Books explain the world around you.What if a book had been written to explain a world constructed for you?What if that world suddenly fell apart?Calamity Leek needs a new book, but she's going to have to write it herself.

    Julia Cates was one of the country's preeminent child psychiatrists until a shocking tragedy ruined her career. Retreating to her small western Washington hometown, Julia meets an extraordinary six-year-old girl who has inexplicably emerged from the deep woods nearby—a child locked in a world of unimaginable fear and isolation. To Julia, nothing is more important than saving the girl she now calls Alice. But Julia will need help from others, including the sister she barely knows and a handsome doctor with secrets of his own. What follows will test the limits of Julia's faith and strength, as she struggles to find a home for Alice . . . and for herself.

    She says your name. Then she jumps... In a split second, Morgan Kincaid’s life changes forever. She’s on her way home from work when a mother begs her to take her baby, then places the infant in her arms. Before Morgan can stop her, the distraught mother jumps in front of an oncoming train. Morgan has never seen this woman before, and she can’t understand what would cause a person to give away her child and take her own life. She also can’t understand how this woman knew her name. The police take Morgan in for questioning. She soon learns that the woman who jumped was Nicole Markham, prominent CEO of the athletic brand Breathe. She also learns that no witness can corroborate her version of events, which means she’s just become a murder suspect. To prove her innocence, Morgan frantically retraces the last days of Nicole’s life. Was Nicole a new mother struggling with paranoia or was she in danger? When strange things start happening to Morgan, she suddenly realizes she might be in danger, too. Woman on the Edge is a pulse-pounding, propulsive thriller about the lengths to which a woman will go to protect her baby—even if that means sacrificing her own life.

    Like Lucy, Lily has also fled an unhappy life in Yorkshire, but as Lily insinuates herself into Lucy's life, Lucy finds that she has gained a friend but lost her sometime lover, Teiji. "I had been in possession of a lover and a friend. Now I had neither. They had stolen themselves from each other and me." When Lily disappears and her body is found dismembered in Tokyo Bay, Lucy becomes the chief suspect and the focus of an intense police interrogation, through which she narrates her life story. From her unwelcome birth through her painful Yorkshire childhood, Lucy illuminates her growing fascination with music and language, both of which helped provide her means of escape.But Lucy now must struggle to prove her innocence in the murder of Lily. Alas, the first person she must convince is herself. "The defendant must decide how to plead. And here is my plea. Not guilty, but not not guilty.... I, of all people, should not be too hasty to judge." As she probes ever deeper into the enigmatic mind of Lucy Fly, Susanna Jones creates a brilliantly rendered drama of psychological suspense in which the ghostly vestiges of guilt, the thin line between love and obsession, and the seeming clarity of language combine to cloud the judgment of both character and reader alike.

    His wife, Joan, vaults between denial and rage as the community she loved turns on her. Their daughter, Sadie, a popular over-achieving high school senior, becomes a social pariah. Their son, Andrew, assists in his father’s defense, while wrestling with his own unhappy memories of his teen years. A local author tries to exploit their story, while an unlikely men’s rights activist attempts to get Sadie onside their cause. With George locked up, how do the members of his family pick up the pieces and keep living their lives? How do they defend someone they love while wrestling with the possibility of his guilt?With exquisite emotional precision, award-winning author Zoe Whittall explores issues of loyalty, truth, and the meaning of happiness through the lens of an all-American family on the brink of collapse.

    The enigmatic and powerful man known only as the Commodore has ordered it, and his henchmen, Eli and Charlie Sisters, will make sure of it. Though Eli doesn't share his brother's appetite for whiskey and killing, he's never known anything else. But their prey isn't an easy mark, and on the road from Oregon City to Warm's gold-mining claim outside Sacramento, Eli begins to question what he does for a living - and whom he does it for.With The Sisters Brothers, Patrick deWitt pays homage to the classic Western, transforming it into an unforgettable comic tour de force. Filled with a remarkable cast of characters - losers, cheaters, and ne'er-do-wells from all stripes of life - and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West, and two brothers bound by blood, violence, and love.