Thirty ready-to-color illustrations depict lavish dresses and gowns of velvet and damask; smart riding outfits trimmed with braid and gilt; an elegant cashmere shawl, children's outfits; as well as hair ornaments, footwear, and other accessories. A lovely collection that offers an authentic glimpse of what well-dressed ladies and youngsters of the Victorian era were wearing, this is a must-have for coloring book fans, costume designers, and cultural historians.

    Together, they presided over the last years of dynastic Europe and the outbreak of the most destructive war the world had ever seen, a war that set twentieth-century Europe on course to be the most violent continent in the history of the world.Miranda Carter uses the cousins' correspondence and a host of historical sources to tell the tragicomic story of a tiny, glittering, solipsistic world that was often preposterously out of kilter with its times, struggling to stay in command of politics and world events as history overtook it. George, Nicholas and Wilhelm is a brilliant and sometimes darkly hilarious portrait of these men--damaged, egotistical Wilhelm; quiet, stubborn Nicholas; and anxious, dutiful George--and their lives, foibles and obsessions, from tantrums to uniforms to stamp collecting. It is also alive with fresh, subtle portraits of other familiar figures: Queen Victoria--grandmother to two of them, grandmother-in-law to the third--whose conservatism and bullying obsession with family left a dangerous legacy; and Edward VII, the playboy "arch-vulgarian" who turned out to have a remarkable gift for international relations and the theatrics of mass politics. At the same time, Carter weaves through their stories a riveting account of the events that led to World War I, showing how the personal and the political interacted, sometimes to devastating effect.For all three men the war would be a disaster that destroyed forever the illusion of their close family relationships, with any sense of peace and harmony shattered in a final coda of murder, betrayal and abdication.

    But, because of their ambition and political machinations, each mother pushed her daughter toward a marital alliance that resulted in disaster. Catherine of Aragon was cruelly abandoned by Henry VIII who cast her aside in search of a male heir and tore England away from the Pope. Marie Antoinette lost her head on the guillotine when France exploded into Revolution and the Reign of Terror. Vicky died grief-stricken, horrified at her inability to prevent her son, Kaiser Wilhelm, from setting Germany on a belligerent trajectory that eventually led to war.  Exhaustively researched and utterly compelling, In Triumph's Wake is the story of three unusually strong women and the devastating consequences their decisions had on the lives of their equally extraordinary daughters.

    In revenge, she plans his ruin-and that of the sad princess he so recklessly loves.

    When his wife is murdered, everything points to his guilt, even a handwritten confession. But the police discover Jacob Jones's diary, which tells a different story. Is Jones' diary a confession?

    Although employed as a Privy Councillor at the Duke of Weimar’s court, where he helped oversee major mining, road-building and irrigation projects, he also painted, directed plays, carried out research in anatomy, botany and optics — and still found time to produce masterpieces in every literary genre. His 1,413 maxims and reflections reveal not only some of his deepest thought on art, ethics, literature and natural science, but also his immediate reactions to books, chance encounters or his administrative work. With a freshness and immediacy which vividly conjure up Goethe the man, they make an ideal introduction to one of the greatest of European writers.

    The horror of the First World War is still fresh for the protagonists of Time of the Magicians, each of whom finds himself at a crucial juncture. Benjamin, whose life is characterized by false starts and unfinished projects, is trying to flee his overbearing father and floundering in his academic career, living hand to mouth as a critic. Wittgenstein, by contrast, has dramatically decided to divest himself of the monumental fortune he stands to inherit, as a scion of one of the wealthiest industrial families in Europe, in search of absolute spiritual clarity. Meanwhile, Heidegger, having managed to avoid combat in war by serving instead as a meteorologist, is carefully cultivating his career, aligning himself with the great Edmund Husserl and renouncing his prior Catholic associations. Finally, Cassirer is working furiously on the margins of academia, applying himself intensely to his writing and the possibility of a career at Hamburg University. The stage is set for a great intellectual drama, which will unfold across the next decade. The lives and ideas of this extraordinary philosophical quartet will converge as they become world historical figures. But as the Second World War looms on the horizon, their fates will be very different.Wolfram Eilenberger stylishly traces the paths of these remarkable and turbulent lives, which feature not only philosophy but some of the most important economists, politicians, journalists, and artists of the century, including John Maynard Keynes, Hannah Arendt, and Bertrand Russell. In doing so, he tells a gripping story about some of history's most ambitious and passionate thinkers, and illuminates with rare clarity and economy their brilliant ideas, which all too often have been regarded as enigmatic or opaque.

    Following Kaiser Wilhelm's political career from his youth at the Hohenzollern court through the turbulent peacetime decades of the Wilhelmine era into global war and exile, the book presents a new interpretation of this controversial monarch and assesses the impact on Germany of his forty-year reign.

    Referred to as “Hunters from the Sky”, German paratroopers infiltrated Allied lines, fighting from the moment they hit the ground, seizing bridges, capturing airfields, and suffering losses of up to 50 percent. Here is the first full-scale history of the German Parachute Corps, from the terror and exhilaration of its first combat drop in 1940 to its bloody demise in 1945. Charles Whiting’s brilliantly-researched book describes the important role of the parachute division in the attack on Belgium and Holland in 1940, the capture of Crete in 1941, the rescue of Mussolini in 1943, and its activities in Russia, Italy, and France trying to stop the advancing Allied armies during 1944 and 1945. Whiting recounts many stories of courage, including the tenacious defence of Monte Cassino and Brest in 1944, and the bold rescue of German POWs behind enemy lines in France. “Fair, balanced, and exciting.” — Luftwaffe General Kurt Student, pioneering commander of the world’s first airborne division “As good an account as anyone will find.” — Soldier magazine “Whiting adds a rarely written-about dimension to the body of material available on World War II. He presents a vivid, factual account of Nazi airborne tactics that should fascinate any armchair military strategist, former paratrooper, weekend parachutist, or lover of adventure stories.” — Publishers Weekly Charles Whiting is the author of numerous history books on the Second World War. Under the pen name of Leo Kessler he also wrote a series of bestselling military thrillers, including ‘Guns at Cassino’ and ‘Valley of the Assassins’. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    With the German economy in ruins and street battles raging between rival political parties, the Weimar Republic is on its last legs. In the halls of the Reichstag, party leaders scramble for power and influence as the elderly president, Paul von Hindenburg, presides over a democracy pushed to the breaking point. Chancellors Franz von Papen and Kurt von Schleicher spin a web of intrigue, vainly hoping to harness the growing popularity of Adolf Hitler’s Nazi Party while reining in its most extreme elements. These politicians struggle for control of a turbulent city where backroom deals and frightening public rallies alike threaten the country’s fragile democracy, with terrifying consequences for both Germany and the rest of the world.In The Last Winter of the Weimar Republic, Barth and Friedrichs have drawn on a wide array of primary sources to produce a colorful, multi-layered portrait of a period that was by no means predestined to plunge into the abyss, and which now seems disturbingly familiar.

    His frank and sometimes provocative memoirs were thought for many years to have been lost. They are published here for the first time.The confessional mode did not come naturally to Fallada the writer of fiction, but in the mental and emotional distress of 1944, self-reflection became a survival strategy. In the "house of the dead" he exacts his political revenge on paper. "I know that I am crazy. I'm risking not only my own life, I'm also risking the lives of many of the people I am writing about," he notes, driven by the compulsion to write. And write he does: about spying and denunciation, about the threat to his livelihood and his literary work, about the fate of many friends and contemporaries such as Ernst Rowohlt and Emil Jannings. To conceal his intentions and to save paper, he uses abbreviations. His notes, constantly exposed to the gaze of the prison warders, become a kind of secret code. He finally succeeds in smuggling the manuscript out of the prison, although it remained unpublished for half a century.These revealing memoirs by one of the best-known German writers of the 20th century will be of great interest to all readers of modern literature.

    He ruled the German kingdom of Bavaria for twenty-two years, inspiring his people by his support for the arts. And yet, "Mad King Ludwig" rarely appeared in the capital or attended any government functions. He slept most of the day and stayed awake all night. He dined with his horse and waved pistols at servants. He created a fantasy world inside his castles, complete with caves and trap-door tables. To this day, no one is sure exactly what caused his untimely death in a lake. Who was this man: fairy tale king? Insane eccentric? Mad King Ludwig's life followed many twists and turns on its way to Not So Happily Ever After. The book's intended audience is young adults, but it is perfect for adults wanting to learn more about Ludwig also.

    The battle to convert the natives is savage and unrelenting and into this holy war is thrust Conrad Wolff, a young native of the city of Lübeck whose family has suffered a terrible injustice. Forced to leave his homeland to seek sanctuary in Livonia, Conrad’s fate is soon entwined with that of the Sword Brothers, the order of warrior monks that fights to defend and expand Christendom in the Baltic. But as Conrad begins his training to become a member of the brethren, the enemies of the Bishop of Riga gather and soon Livonia is surrounded and battling for its very existence. Conrad and the order soon find themselves fighting for their lives as the enemies of the Sword Brothers close in on all sides. This, the first volume in the Crusader Chronicles, tells the story of Conrad Wolff and the Baltic Crusade during the first years of the thirteenth century.

    "A reevaluation of Bismarck's motives and methods, focusing on the chancellor's rise to power in the 1860s and his removal from office in 1890"--Amazon.com.

    From the Netherfield ball in Pride and Prejudice to Anne Elliot playing the piano as her friends dance in Persuasion, Fullerton explains how dancing moves the action forward in each book and what it reveals about various characters. (She even draws heavily on the unfinished The Watsons.) By the end, readers will long to revisit the dance scenes in Austen's world and follow her heroines' practice of talking over the ball afterward with friends over a cup of tea. A beautifully illustrated exploration of dance in the life and novels of Jane Austen." -Shelf AwarenessDrawing on contemporary accounts and illustrations, and a close reading of the novels as well as Austen's correspondence, Susannah Fullerton takes the reader through all the stages of a Regency Ball as Jane Austen and her characters would have known it.