American continent with his friend Neal Cassady, "a sideburned hero of the snowy West." As "Sal Paradise" & "Dean Moriarty," the two roam the country in a quest for self-knowledge & experience. Kerouac's love of America, compassion for humanity & sense of language as jazz combine to make On the Road an inspirational work of lasting importance. This classic novel of freedom & longing defined what it meant to be "Beat" & has inspired every generation since its initial publication.

    

    Young Sam Gribley gets to the end of the block and keeps going--all the way to the Catskill Mountains of upstate New York. There he sets up house in a huge hollowed-out tree, with a falcon and a weasel for companions and his wits as his tool for survival. In a spellbinding, touching, funny account, Sam learns to live off the land, and grows up a little in the process. Blizzards, hunters, loneliness, and fear all battle to drive Sam back to city life. But his desire for freedom, independence, and adventure is stronger. No reader will be immune to the compulsion to go right out and start whittling fishhooks and befriending raccoons. Jean Craighead George, author of more than 80 children's books, including the Newbery Medal-winning Julie of the Wolves, created another prizewinner with My Side of the Mountain--a Newbery Honor Book, an ALA Notable Book, and a Hans Christian Andersen Award Honor Book. Astonishingly, she wrote its sequel, On the Far Side of the Mountain, 30 years later, and a decade after that penned the final book in the trilogy, Frightful's Mountain, told from the falcon's point of view. George has no doubt shaped generations of young readers with her outdoor adventures of the mind and spirit. (Ages 9 to 12) --Emilie Coulter

    But when Joe's father loses his job, Lassie must be sold. Three times she escapes from her new owner, and three times she returns home to Joe, until finally she is taken to the remotest part of Scotland—too far a journey for any dog to make alone.But Lassie is not just any dog.First published in 1940, Lassie Come-Home has become one of the best-loved dog stories in the world. This beautiful edition showcases the original text and illustrations within a striking new jacket.

    Volume 2. Introduction / by Loren D. Estleman --The hound of the Baskervilles --The valley of fear --His last bow : The adventure of Wisteria Lodge : The singular experience of Mr. John Scott Eccles ; The tiger of San Pedro ; The adventure of the cardboard box ; The adventure of the red circle ; The adventure of the Bruce-Partington plans ; The adventure of the dying detective ; The disappearance of Lady Frances Carfax ; The adventure of the devil's foot ; His last bow --The case-book of Sherlock Holmes : The adventure of the illustrious client ; The adventure of the blanched soldier ; The adventure of the Mazarin stone ; The adventure of the three gables ; The adventure of the Sussex vampire ; The adventure of the three Garridebs ; The problem of Thor Bridge ; The adventure of the creeping man ; The adventure of the lion's mane ; The adventure of the veiled lodger ; The adventure of Shoscombe old place ; The adventure of the retired colourman.

    The story concerns a few days in the life of a 32-year-old man, descendant of Indians and living in two worlds, his mother's home on the reservation and the dreary bars and hotels of nearby Havre and Malta, Montana. His days and nights blending together in an alcoholic haze, he meets a deranged white man, picks up women and gets punched in the nose. Meanwhile, he is haunted by a past that includes the death of an older brother and an injury to his knee that multiple operations have not remedied. Out of these unpromising circumstances, Welch finds the beginnings of a kind of personal salvation. By reaching back through the memory of a blind old man's act of charity, he restores the younger man's vision of himself.

    The brilliant, bestselling, landmark novel that tells the story of the Buendia family, and chronicles the irreconcilable conflict between the desire for solitude and the need for love—in rich, imaginative prose that has come to define an entire genre known as "magical realism."

     At the beginning of the first novel, French Legionnaires find one of their fortresses manned by dead men. Who could have done it? A flashback unravels the mystery of the three English Geste brothers. A classic, rip-roaring tale of adventure... This volume also contains 36 short stories of the Foreign Legion, grouped in four well known collection (now in one volume!): STEPSONS OF FRANCE Ten Little Legionaries A la Ninon de L'Enclos An Officer and--a Liar The Deserter Five Minutes "Here are Ladies" The MacSnorrt "Belzébuth" The Quest Moonshine The Coward of the Legion Mahdev Rao The Merry Liars GOOD GESTES What's in a Name A Gentleman of Colour David and His Incredible Jonathan The McSnorrt Reminiscent Buried Treasure If Wishes were Horses The Devil and Digby Geste The Mule Presentiments Dreams Come True PORT O' MISSING MEN The Return of Odo Klemens The Betrayal of Odo Klemens The Life of Odo Klemens Moon-rise Moon-shadows Moon-set FLAWED BLADES No. 187017 Bombs Mastic--and Drastic The Death Post E Tenebris Nemesis The Hunting of Henri

    Noah is restoring a plantation home to its former glory, and he is haunted by images of the beautiful girl he met fourteen years earlier, a girl he loved like no other. Unable to find her, yet unwilling to forget the summer they spent together, Noah is content to live with only memories...until she unexpectedly returns to his town to see him once again.Like a puzzle within a puzzle, the story of Noah and Allie is just the beginning. As it unfolds, their tale miraculously becomes something different, with much higher stakes. The result is a deeply moving portrait of love itself, the tender moments and the fundamental changes that affect us all. It is a story of miracles and emotions that will stay with you forever.

    Suitable for ages 4 to 8 years, this work is illustrated so that the child easily understands the story.

    Moliere proves he is more than just the "master of the laugh," for behind the comic gestures of these matchless rogues, tight-fisted masters, possessive lovers and elegant ladies lurk fears, insecurities and their consequences.

    In a house just outside the village of Ballybeg live the five Mundy sisters, barely making ends meet, their ages ranging from twenty-six up to forty. The two male members of the household are brother Jack, a missionary priest, repatriated from Africa by his superiors after twenty-five years, and the seven-year-old child of the youngest sister. In depicting two days in the life of this menage, Brian Friel evokes not simply the interior landscape of a group of human beings trapped in their domestic situation, but the wider landscape, interior and exterior, Christian and pagan, of which they are nonetheless a part.

    The family house is in the small Far West town of Fingerbone set on a glacial lake, the same lake where their grandfather died in a spectacular train wreck, and their mother drove off a cliff to her death. It is a town "chastened by an outsized landscape and extravagant weather, and chastened again by an awareness that the whole of human history had occurred elsewhere." Ruth and Lucille's struggle toward adulthood beautifully illuminates the price of loss and survival, and the dangerous and deep undertow of transience.

    A novel that chronicles the lives of two women who could not be more different: Becky Sharp, an orphan whose only resources are her vast ambitions, her native wit, and her loose morals; and her schoolmate Amelia Sedley, a typically naive Victorian heroine, the pampered daughter of a wealthy family.

    But this play-within-a-play is not historical drama. Its thought is as modern as today's police states and The Bomb; its theatrical impact has everywhere been called a major innovation. It is total theatre: philosophically problematic, visually terrifying. It engages the eye, the ear, and the mind with every imaginable dramatic device, technique, and stage picture, even including song and dance. All the forces and elements possible to the stage are fused in one overwhelming experience. This is theatre such as has rarely been seen before. The play is basically concerned with the problem of revolution. Are the same things true for the masses and for their leaders? And where, in modern times, lie the borderlines of sanity?