Carnelle enlists half-blind seamstress Popeye to help her efforts. Meanwhile, Carnelle’s cousins, Elain and Delmont, are forced to come to terms with their late mother’s legacy, against their own desires. Beth Henley’s signature messy characters fit imperfectly into tragi-comic portraits of the American South.

    is a series of women's monologues tackling many different aspects of the complex female psyche.

    Book by McLure, James

    The Carney farmhouse is a hive of activity with preparations for the annual harvest. A day of hard work on the land and a traditional night of feasting and celebrations lie ahead. But this year they will be interrupted by a visitor.Developed by Sonia Friedman Productions, The Ferryman premiered at the Royal Court Theatre, London, in April 2017, before transferring to the West End. The production was directed by Sam Mendes.

    Theatergoers who have followed August Wilson’s career will find in Gem a touchstone for everything else he has written.”—Ben Brantley, The New York Times“Wilson’s juiciest material. The play holds the stage and its characters hammer home, strongly, the notion of newfound freedom.”—Michael Phillips, Chicago TribuneGem of the Ocean is the play that begins it all. Set in 1904 Pittsburgh, it is chronologically the first work in August Wilson’s decade-by-decade cycle dramatizing the African American experience during the 20th century—an unprecedented series that includes the Pulitzer Prize–winning plays Fences and The Piano Lesson. Aunt Esther, the drama’s 287-year-old fiery matriarch, welcomes into her Hill District home Solly Two Kings, who was born into slavery and scouted for the Union Army, and Citizen Barlow, a young man from Alabama searching for a new life. Gem of the Ocean recently played across the country and on Broadway, with Phylicia Rashad as Aunt Esther.Earlier in 2005, on the completion of the final work of his ten play cycle-surely the most ambitious American dramatic project undertaken in our history-August Wilson disclosed his bout with cancer, an illness of unusual ferocity that would eventually claim his life on October 2. Fittingly the Broadway theatre where his last play will be produced in 2006 has been renamed the August Wilson Theater in his honor. His legacy will animate the theatre and stir the human heart for decades to come.

    Queen Elizabeth II is dead. After a lifetime of waiting, her son ascends the throne. A future of power. But how to rule? Drawing on the style and structure of a Shakespearean history play, King Charles III opened at London’s Almeida Theatre, directed by its Artistic Director Rupert Goold, in 2014, before transferring to the West End.

    It is by turns poetic, uplifting, dark and funny as hell. Anthony is an introverted farmer and Rosemary is the woman who vows to have him at all costs. When Anthony's father threatens to disinherit his son, Rosemary steps into the middle of a land feud and family eccentricities beyond what one might imagine. On the brink of romantic catastrophe, this one-of-a-kind Irish heroine fights against time and mortality in hopes of securing her dream of love."Outside Mullingar is a charmer of a play... In [Shanley's] first work set in Ireland, he lovingly tends the roots and tills the soil of his ancestry, spinning a tale suffused with melancholy humor and a deep yearning for heart, home, land, faith and a sense of belonging.... Shanley has a poet’s ear for the lyrical music and twinkly humor of their dialogue." - Hollywood Reporter"Mullingar is Shanley’s best play since Doubt, and like that hit from a decade ago, it’s lean, dialectical and packed with wise saws and aphoristic gems." - Time Out New York"Shanley once again reveals both a touch of the poet and a fine gift of gab." - NY1"Wholly diverting... Mr. Shanley's finest work since Doubt... a softhearted comedy freckled with dark reflections on the unsatisfactory nature of life and the thorns of love." - New York TimesJohn Patrick Shanley is the author of Doubt: A Parable (Pulitzer Prize and Tony Award for Best Play), Danny and the Deep Blue Sea, Four Dogs and a Bone, Dirty Story, Defiance and Storefront Church, among many others. He wrote the teleplay for Live from Baghdad (Emmy nomination for Outstanding Writing for a Miniseries, Movie or Dramatic Special), and the screenplays for Doubt (Academy Award nomination for Best Adapted Screenplay), Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano, and Moonstruck (Academy Award for Best Original Screenplay).

    So the impresario's diminutive assistant blacks up and goes on as Otello. The tenor awakens, dons his costume, and thence follows a hilarious comedy involving two Otellos, a volatile Italian wife, an outrageous bellhop and a cynical impresario.

    They know nothing of the mysterious trunk in the captain's cabin, containing a precious, otherworldly cargo. At sea the boys are discovered by a precocious young girl named Molly, a Star-catcher in training, who realizes that the trunk's precious cargo is starstuff, a celestial substance so powerful it must not fall in the wrong hands. When the ship is taken over by pirate - led by the fearsome Black Stache, a villain determined to claim the trunk and treasure for his own dubious dreams of world domination - the journey quickly becomes fraught with danger threatening the lives of Molly and the boys. This Tony-Award winning, magical and hilarious adventure at least reveals the origins of Peter Pan, The Lost Boys, Wendy, their piratical nemesis, Captain Hook - and a far-off place known as Neverland. Searching for that perfect gift for the Broadway fan in your life? Explore more from Disney Editions:How Does the Show Go On? An Introduction to the Theater - The Frozen EditionThe Lion King: Pride Rock on BroadwayThe Lion King: Twenty Years on Broadway and Around the WorldMy Pride: Mastering Life's Daily Performance from Broadway's Record-Breaking Lion KingDisney Aladdin: A Whole New World - The Road to Broadway and Beyond

    She understands and exploits the unique strengths of her medium: the ability to viscerally connect with an audience.” –The EconomistExperimental Korean American theatre artist Young Jean Lee has been called “one of the best experimental playwrights in America” (Time Out New York). This volume contains two of her recent works:In The Shipment, Lee provides a provocative look at African-American identity in our not-yet post-racial society. The New York Times calls this take on cultural images of black America “a subversive, seriously funny new theater piece… Ms. Lee wields sharp, offbeat humor to point up the clichés, distortions and absurdities” (Charles Isherwood, New York Times).LEAR is Lee’s own version of Shakespeare’s tragedy, focusing on the king’s three daughters. A production in which Lear himself never appears, LEAR is a “wacky blend of ‘To be or not to be,’ Beckett, and Pirandello…full of exhilarating, illuminating moments” (Village Voice).Young Jean Lee has written and directed shows in New York with Young Jean Lee’s Theater Company and toured her work to over twenty cities around the world. Her plays include Straight White Men, We’re Gonna Die, Untitled Feminist Show, The Shipment, Lear and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship and a Doris Duke Artist Award.

    The cat is reported dead when Padriac is away bombing civilian targets in Northern Ireland as a one-man splinter group and his family and friends on Inishmore desperately try to conceal the cat's death and what caused it before he returns.

    Unable to understand each other, they embarked on one of the most unusual experiments in British art as the pitmen learned to become painters. Within a few years the most avant-garde artists became their friends, their work was taken for prestigious collections and they were celebrated throughout the British art world; but every day they worked, as before, down the mine.The Pitmen Painters premiered at Live Theatre, Newcastle-upon-Tyne, in September 2007, before transferring to the National Theatre in 2008.

    She gives one of them away to wealthy Mrs Lyons and they grow up as friends in ignorance of their fraternity until the inevitable quarrel unleashes a blood-bath. 'Willy Russell is less concerned with political tub-thumping than with weaving a close-knit story about the working of fate and destiny … it carries one along with it in almost unreserved enjoyment" Guardian One of the longest-running and most successful ever West End musicals, Blood Brothers premiered at the Liverpool Playhouse in January 1983.

    Dowd starts to introduce his imaginary friend Harvey, a six and a half foot rabbit, to guests at a dinner party, his sister, Veta, has seen as much of his eccentric behavior as she can tolerate. She decides to have him committed to a sanitarium to spare her daughter, Myrtle Mae, and their family, from future embarrassment. Problems arise, however, when Veta herself is mistakenly assumed to be on the fringe of lunacy when she explains to doctors that years of living with Elwood's hallucination have caused her to see Harvey also! The doctors commit Veta instead of Elwood, but when the truth comes out, the search is on for Elwood and his invisible companion. When he shows up at the sanitarium looking for his lost friend Harvey it seems that the mild-mannered Elwood's delusion has had a strange influence on more than one of the doctors. Only at the end does Veta realize that maybe Harvey isn't so bad after all.

    Closer to home, though, language is failing him. He doesn't know what to say to his wife, Mary, to keep her from leaving him, and he doesn't recognize the deep feelings that his lab assistant, Emma, has for him.