Butler82 • Blued Moon • (1984) • novelette by Connie Willis113 • A Message to the King of Brobdingnag • (1984) • novelette by Richard Cowper135 • The Affair • (1984) • shortstory by Robert Silverberg153 • Press Enter [] • (1984) • novella by John Varley207 • New Rose Hotel • (1984) • shortstory by William Gibson219 • The Map • [Solar Cycle] • (1984) • shortstory by Gene Wolfe232 • Interlocking Pieces • (1984) • shortstory by Molly Gloss239 • Trojan Horse • (1984) • novelette by Michael Swanwick269 • Bad Medicine • (1984) • novelette by Jack Dann291 • At the Embassy Club • (1984) • shortstory by Elizabeth A. Lynn301 • Pursuit of Excellence • (1984) • novelette by Rena Yount319 • The Kindly Isle • (1984) • shortstory by Frederik Pohl341 • Rock On • (1984) • shortstory by Pat Cadigan350 • Sunken Gardens • [Shaper/Mechanist] • (1984) • shortstory by Bruce Sterling365 • Trinity • (1984) • novella by Nancy Kress409 • The Trouble With the Cotton People • (1984) • shortstory by Ursula K. Le Guin420 • Twilight Time • (1984) • novelette by Lewis Shiner440 • Black Coral • (1984) • novelette by Lucius Shepard466 • Friend • (1984) • novelette by James Patrick Kelly and John Kessel484 • Foreign Skins • (1984) • novelette by Tanith Lee511 • Company in the Wings • (1983) • shortstory by R. A. Lafferty524 • A Cabin on the Coast • (1984) • shortstory by Gene Wolfe536 • The Lucky Strike • (1984) • novelette by Kim Stanley Robinson569 • Honorable Mentions: 1984 • essay by Gardner Dozois

    In “Mimsy Were the Borogoves”–the inspiration for New Line Cinema’s major motion picture The Last Mimzy–a boy finds a discarded box containing a treasure trove of curious objects. When he and his sister begin to play with these trinkets–including a crystal cube that magnifies the unimaginable and a strange doll with removable organs that don’t quite correspond to those of the human body–their parents grow concerned. And they should be. For the items are changing the way the children think and perceive the world around them–for better or worse. Ray Bradbury called Henry Kuttner “a man who shaped science fiction and fantasy in its most important years.” Marion Zimmer Bradley and Roger Zelazny said he was a major inspiration. Kuttner was a writer’s writer whose visionary works anticipated our own computer-controlled, machine-made world. At the time of his death at forty-two in 1958, he had created as many as 170 stories under more than a dozen pseudonyms–sometimes writing entire issues of science fiction magazines–in close collaboration with his wife, C. L. Moore. This definitive collection will be a revelation to those who wish to discover or rediscover Henry Kuttner, a true master of the universe.

    In Doors of His Face, The Lamps of His Mouth, Zelazny's rare ability to mix the dream-like, disturbing imagery of fantasy with the real-life hardware of science fiction is on full display. His vivid imagination and fine prose made him one of the most highly acclaimed writers in his field.Contents:· The Doors of His Face, the Lamps of His Mouth · nv F&SF Mar ’65 · The Keys to December · nv New Worlds Aug ’66 · Devil Car [Sam Nurdock] · ss Galaxy Jun ’65 · A Rose for Ecclesiastes · nv F&SF Nov ’63 · The Monster and the Maiden · vi Galaxy Dec ’64 · Collector’s Fever · vi Galaxy Jun ’64 · This Mortal Mountain · nv If Mar ’67 · This Moment of the Storm · nv F&SF Jun ’66 · The Great Slow Kings · ss Worlds of Tomorrow Dec ’63 · A Museum Piece · ss Fantastic Jun ’63 · Divine Madness · ss Magazine of Horror Sum ’66 · Corrida · ss Anubis v1 #3 ’68 · Love Is an Imaginary Number · ss New Worlds Jan ’66 · The Man Who Loved the Faioli · ss Galaxy Jun ’67 · Lucifer · ss Worlds of Tomorrow Jun ’64

    This anthology captures the range of problems being considered by the new feminists, and the variety of approaches to analysis and action. Over fifty contributors, all women, write about how the "51% minority group" is used and abused by the major institutions of our society--marriage, the family, church, courts, the media, welfare, the schools, the professions, business, and industry. A section on the psychological and sexual repression of women attacks the freudian view of the female, and discusses the problems of the aging woman, abortion and birth control, prostitution, the persecution of lesbians. Black women, a Mexican woman, high school women, ex-New Leftists, housewives, and seasoned feminists speak from their experience in tones that range from detachment to outrage. ARE MEN REALLY THE ENEMY?A Questionnaire by Jayne West, from No More Fun and Games True or False __ Woman's work is never done. __ You can't tell a book by its cover. __ Housework can be fun. __ A female dog is referred to as a bitch. __ One of the more degrading terms that can be applied to a man is "son of a bitch." Multiple Choice 1. Most rapes are committed by: (a) women; (b) children; (c) men (perverts); (d) I am unable to distinguish rape from ordinary sexual relations. 2. Which do you prefer being called: (a) lady; (b) woman; (c) female; (d) girl; (e) none of the above. 3. If I could do away with anything I wanted, the first thing I would do away with is: (a) the family; (b) the state; (c) private property; (d) menstrual periods; (e) all of the above. Essay Discuss the variations in tone possible when asking a male druggist: "Have you Tampax Super?"

    Gene Wolfe, of whom The Washington Post said, “Of all SF writers currently active none is held in higher esteem,” has selected the short fiction he considers his finest into one volume.  There are many award winners and many that have been selected for various Year’s Best anthologies among the thirty-one stories, which include: “Petting Zoo,” “The Tree Is My Hat,” “The Island of Dr. Death and Other Stories,” “The Hero as Werewolf,” “Seven American Nights,” “The Fifth Head of Cerberus,” “The Detective of Dreams,” and “A Cabin on the Coast.” Gene Wolfe has produced possibly the finest and most significant body of short fiction in the SF and fantasy field in the last fifty years, and is certainly among the greatest living writers to emerge from the genres.  This is the first retrospective collection of his entire career.  It is for the ages.Contents11 • The Island of Doctor Death and Other Stories • [Archipelago] • (1970) • shortstory by Gene Wolfe23 • Afterword (The Island of Doctor Death and Other Stories) • essay by Gene Wolfe25 • The Toy Theater • (1971) • shortstory by Gene Wolfe30 • Afterword (The Toy Theater) • essay by Gene Wolfe31 • The Fifth Head of Cerberus • (1972) • novella by Gene Wolfe76 • Afterword (The Fifth Head of Cerberus) • essay by Gene Wolfe78 • Beech Hill • (1972) • shortstory by Gene Wolfe83 • Afterword (Beech Hill) • essay by Gene Wolfe84 • The Recording • (1972) • shortstory by Gene Wolfe86 • Afterword (The Recording) • essay by Gene Wolfe88 • Hour of Trust • (1973) • novelette by Gene Wolfe112 • Afterword (Hour of Trust) • essay by Gene Wolfe114 • The Death of Dr. Island • [Archipelago] • (1973) • novella by Gene Wolfe158 • Afterword (The Death of Dr. Island) • essay by Gene Wolfe159 • La Befana • (1973) • shortstory by Gene Wolfe162 • Afterword (La Befana) • essay by Gene Wolfe163 • Forlesen • (1974) • novelette by Gene Wolfe201 • Afterword (Forlesen) • essay by Gene Wolfe202 • Westwind • (1973) • shortstory by Gene Wolfe208 • Afterword (Westwind) • essay by Gene Wolfe209 • The Hero as Werwolf • (1975) • shortstory by Gene Wolfe221 • Afterword (The Hero as Werwolf) • essay by Gene Wolfe222 • The Marvelous Brass Chessplaying Automaton • (1977) • novelette by Gene Wolfe236 • Afterword (The Marvelous Brass Chessplaying Automaton) • essay by Gene Wolfe237 • Straw • (1975) • shortstory by Gene Wolfe243 • Afterword (Straw) • essay by Gene Wolfe244 • The Eyeflash Miracles • (1976) • novella by Gene Wolfe291 • Afterword (The Eyeflash Miracles) • essay by Gene Wolfe292 • Seven American Nights • (1978) • novella by Gene Wolfe331 • Afterword (Seven American Nights) • essay by Gene Wolfe333 • The Detective of Dreams • (1980) • shortstory by Gene Wolfe346 • Afterword (The Detective of Dreams) • essay by Gene Wolfe347 • Kevin Malone • (1980) • shortstory by Gene Wolfe355 • Afterword (Kevin Malone) • essay by Gene Wolfe356 • The God and His Man • (1980) • shortstory by Gene Wolfe360 • Afterword (The God and His Man) • essay by Gene Wolfe361 • On the Train • [Redwood Coast Roamer] • (1983) • shortfiction by Gene Wolfe362 • Afterword (On the Train) • essay by Gene Wolfe363 • From the Desk of Gilmer C. Merton • (1983) • shortstory by Gene Wolfe367 • Afterword (From the Desk of Gilmer C. Merton) • essay by Gene Wolfe368 • Death of the Island Doctor • [Archipelago] • (1983) • shortstory by Gene Wolfe372 • Afterword (Death of the Island Doctor) • essay by Gene Wolfe373 • Redbeard • (1984) • shortstory by Gene Wolfe377 • Afterword (Redbeard) • essay by Gene Wolfe379 • The Boy Who Hooked the Sun • (1985) • shortstory by Gene Wolfe381 • Afterword (The Boy Who Hooked the Sun) • essay by Gene Wolfe382 • Parkroads—A Review • (1987) • shortfiction by Gene Wolfe384 • Afterword (Parkroads—A Review) • essay by Gene Wolfe385 • Game in the Pope's Head • (1988) • shortstory by Gene Wolfe390 • Afterword (Game in the Pope's Head) • essay by Gene Wolfe391 • And When They Appear • (1993) • novelette by Gene Wolfe408 • Afterword (And When They Appear) • essay by Gene Wolfe409 • Bed and Breakfast • (1996) • shortfiction by Gene Wolfe (variant of Bed & Breakfast)426 • Afterword (Bed and Breakfast) • essay by Gene Wolfe427 • Petting Zoo • (1997) • shortstory by Gene Wolfe431 • Afterword (Petting Zoo) • essay by Gene Wolfe433 • The Tree Is My Hat • (1999) • novelette by Gene Wolfe452 • Afterword (The Tree Is My Hat) • essay by Gene Wolfe454 • Has Anybody Seen Junie Moon? • (1999) • shortstory by Gene Wolfe464 • Afterword (Has Anybody Seen Junie Moon?) • essay by Gene Wolfe466 • A Cabin on the Coast • (1984) • shortstory by Gene Wolfe475 • Afterword (A Cabin on the Coast) • essay by Gene Wolfe

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

    Perchance to Dream contains a selection of Beaumont’s finest stories, including five that he later adapted for Twilight Zone episodes.Beaumont dreamed up fantasies so vast and varied they burst through the walls of whatever box might contain them. Supernatural, horror, noir, science fiction, fantasy, pulp, and more: all were equally at home in his wondrous mind. These are stories where lions stalk the plains, classic cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. With dizzying feats of master storytelling and joyously eccentric humor, Beaumont transformed his nightmares and reveries into impeccably crafted stories that leave themselves indelibly stamped upon the walls of the mind. In Beaumont’s hands, nothing is impossible: it all seems plausible, even likely.

    The narratives reveal many forms of artificial intelligence including a persecuted slave in "Computer Virus," a controlling force of the universe in "Mirror Image," or even one that's entirely indifferent to humans in "Savior." From the center of the galaxy to the swamps of Earth, all 13 inventive tales offer a trademark mix of hard science fiction interacting with flawed humanity.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    The tales are organized chronologically to give readers a sense of how the genre's range, vitality, and literary quality have evolved over time. Each tale offers a unique vision, an altered reality, a universe all its own. Readers can sample H.G. Well's 1903 story The Land Ironclads (which predicted the stalemate of trench warfare and the invention of the tank), Jack Williamson's The Metal Man, a rarely anthologized gem written in 1928, Clifford D. Simak's 1940s classic, Desertion, set on "the howling maelstrom that was Jupiter", Frederik Pohl's 1955 The Tunnel Under the World (with its gripping first line, "On the morning of June 15th, Guy Burckhardt woke up screaming out of a dream"), right up to the current crop of writers, such as cyberpunk's Bruce Sterling and William Gibson, whose 1982 story Burning Chrome foreshadows the idea of virtual reality, and David Brin's Piecework, written in 1990. In addition, Shippey provides an informative introduction, examining the history of the genre, its major themes, and its literary techniques.

    There are princesses dancing with dead suitors, a knight in love with an official of exotic lineage, and fortune’s fool stealing into the present instead of the future. In one mesmerizing tale, a time-traveling angel is forbidden to intervene in Cotton Mather’s religious ravings, while another narrative finds a wizard seduced in his youth by the Faerie Queen and returning the treasure that is rightfully hers. Bewitching, bittersweet, and deeply intoxicating, this collection draws elements from the fables of history and re-creates them in startlingly magical ways.

    Now the very best to appear over the past twelve months has been amassed into one extraordinary volume by acclaimed editors and anthologists David G. Hartwell and Kathryn Cramer, offering bold visions of days to come that are bright, triumphant, breathtaking, and strikingly unique. Once more, celebrated masters of the field join with exciting new voices to sing of explorations and invasions, grand technological accomplishments, amazing flights into the unknown, horrors and miracles, and the human condition.Welcome to amazing worlds that could be -- and, perhaps, sooner than you have ever dared to imagine.New tales from: Gregory Benford Terry Bisson James Patrick Kelly Pamela Sargent Jack McDevitt Gene Wolfe and more.Contentsxi • Introduction (Year's Best SF 10) • (2005) • essay by Kathryn Cramer and David G. Hartwell1 • Sergeant Chip • (2004) • novella by Bradley Denton53 • The First Commandment • (2004) • shortstory by Gregory Benford69 • Burning Day • (2003) • novelette by Glenn Grant111 • Scout's Honor • (2004) • shortstory by Terry Bisson128 • Venus Flowers at Night • (2004) • novella by Pamela Sargent169 • Pulp Cover • (2004) • shortstory by Gene Wolfe182 • The Algorithms for Love • (2004) • shortstory by Ken Liu (variant of Algorithms for Love)199 • Glinky • (2004) • shortstory by Ray Vukcevich219 • The Red City • (2004) • novelette by Janeen Webb253 • Act of God • (2004) • shortstory by Jack McDevitt265 • Wealth • (2004) • shortstory by Robert Reed279 • Mastermindless • [Henghis Hapthorn] • (2004) • novelette by Matthew Hughes304 • Time, as It Evaporates. . . • (2004) • shortstory by Jean-Claude Dunyach (variant of Le Temps, en s'évaporant 1986)323 • The Battle of York • (2004) • novelette by James Stoddard347 • Loosestrife • (2004) • shortstory by Liz Williams360 • The Dark Side of Town • (2004) • shortstory by James Patrick Kelly377 • Invisible Kingdoms • [Silurian Tales] • (2004) • shortstory by Steven Utley390 • The Cascade • (2004) • shortstory by Sean McMullen409 • Pervert • (2004) • shortstory by Charles Coleman Finlay422 • The Risk-Taking Gene as Expressed in Some Asian Subjects • (2004) • novelette by Steve Tomasula453 • Strood • (2004) • shortstory by Neal Asher469 • The Eckener Alternative • (2004) • shortstory by James L. Cambias479 • Savant Songs • (2004) • shortstory by Brenda Cooper

    These stories are today.Following up on her first collection, Story Prize finalist Maureen F. McHugh explores the catastrophes, small and large, of twenty-first century life—and what follows after. What happens after the bird flu pandemic? Are our computers smarter than we are? What does the global economy mean for two young girls in China? Are we really who we say we are? And how will we survive the coming zombie apocalypse?

    Elliott is a highly-compelling voice in genre fiction, an innovative author of historically-based narratives set in imaginary worlds. This first, retrospective collection of her short fiction is the essential guide to Elliott's shorter works. Here her bold adventuresses, complex quests, noble sacrifices, and hard-won victories shine in classic, compact legends. In "The Memory of Peace," a girl's powerful emotions rouse the magic of a city devastated by war. Meeting in "The Queen's Garden," two princesses unite to protect their kingdom from the blind ambition of their corrupted father. While "Riding the Shore of the River of Death" a chieftain's daughter finds an unlikely ally on her path to self-determination. Elliott's many readers, as well as fantasy fans in search of powerful stories featuring well-drawn female characters, will revel in this unique gathering of truly memorable tales.

    Greg Egan's short fiction is at the cutting edge of the genre. His stories range from near future predictions to far future, far space improvisations. His grasp of the latest scientific breakthroughs is unparalleled in science fiction. The stories include 'Transition Dreams', 'Cocoon', 'Our Lady of Chernobyl', the title story 'Luminous' and 'The Planck Drive'. Egan's particular interests range from the farther shores of chaos theory and black hole science to bio-technology and cloning.Contents:Chaff (1993)Mitochondrial Eve (1995)Luminous (1995)Mister Volition (1995)Cocoon (1994)Transition Dreams (1993)Silver Fire (1995)Reasons to Be Cheerful (1997)Our Lady of Chernobyl (1994)The Planck Dive (1998)