Offered by her noble family to the Church at the age of eight, she lived for years in forced silence. But through the study of books and herbs, through music and the kinship of her church sisters, Hildegard found her way from a life of submission to a calling that celebrated the divine mother and the glories all around us. In this brilliantly researched and insightful novel, Mary Sharratt offers a deeply moving portrait of a woman willing to risk everything for what she believed, a triumphant exploration of the life she might well have lived.

    The lush and sensuous series consists of Justine(1957) Balthazar(1958) Mountolive(1958) Clea(1960).Justine, Balthazar and Mountolive use varied viewpoints to relate a series of events in Alexandria before World War II. In Clea, the story continues into the years during the war. One L.G. Darley is the primary observer of the events, which include events in the lives of those he loves, and those he knows. In Justine, Darley attempts to recover from and put into perspective his recently ended affair with a woman. Balthazar reinterprets the romantic perspective he placed on the affair and its aftermath in Justine, in more philosophical and intellectual terms. Mountolive tells a story minus interpretation, and Clea reveals Darley's healing, and coming to love another woman.

    Once there, he was to copy a three-thousand-year-old cuneiform inscription—an order of the first king of Persia—as a means of freeing himself from his emotional confinement. For the remainder of his life, Aga Akbar used these cuneiform characters to fill a notebook with writings only he could understand. Years later, his son, Ishmael—a political dissident in exile—is attempting to translate the notebook . . . and in the process tells his father's story, his own, and the story of twentieth-century Iran.A stunning and ambitious novel by a singular literary talent, My Father's Notebook is at once a masterful chronicle of a culture's troubled voyage into modernity and the poignant, timeless tale of a son's enduring love.

    When Cardinal Rodrigo Borgia buys his way into the papacy as Alexander VI, he is defined not just by his wealth or his passionate love for his illegitimate children, but by his blood: He is a Spanish Pope in a city run by Italians. If the Borgias are to triumph, this charismatic, consummate politician with a huge appetite for life, women, and power must use papacy and family—in particular, his eldest son, Cesare, and his daughter Lucrezia—in order to succeed.Cesare, with a dazzlingly cold intelligence and an even colder soul, is his greatest—though increasingly unstable—weapon. Later immortalized in Machiavelli’s The Prince, he provides the energy and the muscle. Lucrezia, beloved by both men, is the prime dynastic tool. Twelve years old when the novel opens, hers is a journey through three marriages, and from childish innocence to painful experience, from pawn to political player.

    So it doesn’t go unnoticed when a dark-haired stranger appears on his bicycle and begins photographing the mourners at Mrs. Connulty’s funeral. Florian Kilderry couldn’t know that the Connultys are said to own half the town: he has only come to Rathmoye to photograph the scorched remains of its burnt-out cinema. A few miles out in the country, Dillahan, a farmer and a decent man, has married again: Ellie is the young convent girl who came to work for him when he was widowed. Ellie leads a quiet, routine life, often alone while Dillahan runs the farm. Florian is planning to leave Ireland and start over. Ellie is settled in her new role as Dillahan’s wife. But Florian’s visit to Rathmoye introduces him to Ellie, and a dangerously reckless attachment begins. In a characteristically masterly way Trevor evokes the passions and frustrations felt by Ellie and Florian, and by the people of a small Irish town during one long summer.

    Society's retribution for her act of defiance - death - she welcomes as the only way she can finally be free.

    Adolf Hitler wakes up from a 66-year sleep in his subterranean Berlin bunker to find the Germany he knew entirely changed: Internet-driven media spreads ideas in minutes and fumes celebrity obsession; immigration has produced multicultural neighborhoods bringing together people of varying race, ethnicity, and religion; and the most powerful person in government is a woman. Hitler is immediately recognized . . . as an impersonator of uncommon skill. The public assumes the fulminating leader of the Nazi party is a performer who is always in character, and soon his inevitable viral appeal begets YouTube stardom, begets television celebrity on a Turkish-born comedian's show. His bigoted rants are mistaken for a theatrical satire--exposing prejudice and misrepresentation--and his media success emboldens Hitler to start his own political party and set the country he finds a shambles back to rights. With daring and dark humor, Look Who's Back skewers the absurdity and depravity of the cult of personality in modern media culture.

    Smart and headstrong, she is encouraged by her mother—but her stern father is determined to maintain tradition, especially as the Japanese steadily gain control of his beloved country. When he seeks to marry Najin into an aristocratic family, her mother defies generations of obedient wives and instead sends her to serve in the king’s court as a companion to a young princess. But the king is soon assassinated, and the centuries-old dynastic culture comes to its end.In the shadow of the dying monarchy, Najin begins a journey through increasing oppression that will forever change her world. As she desperately seeks to continue her education, will the unexpected love she finds along the way be enough to sustain her through the violence and subjugation her country continues to face? Spanning thirty years, The Calligrapher’s Daughter is a richly drawn novel in the tradition of Lisa See and Amy Tan about a country torn between ancient customs and modern possibilities, a family ultimately united by love, and a woman who never gives up her search for freedom.

    A man of simple needs whose greatest ambition is to one day own his own rickshaw, Xiangzi is nonetheless thwarted, time and again, in his attempts to improve his lot in life.One of the most important and popular works of twentieth-century Chinese literature, Rickshaw Boy is an unflinchingly honest, darkly comic look at a life on the margins of society and a searing indictment of the philosophy of individualism.

    Since the 15th century, in the Cuheno family, the first daughter born to the family is given the name Rachel and a heritage of faith and courage as precious as the family diamond. A saga sweeping from the Spanish Inquisition to the birth of a Jewish homeland.

    A sweeping saga, it tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys—an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets—struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. An artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward; a man and his wife each become collaborators, without the other knowing. Ludmila Ulitskaya’s big yet intimate novel belongs to the tradition of Dostoyevsky, Tolstoy, and Pasternak: a work of politics, love, and belief that is a revelation of life in dark times.

    It is a formidable world and the people who live there are constantly subjected to extremes—both of geography and of culture.The Wandering Falcon begins with a young couple, refugees from their tribe, who have traveled to the middle of nowhere to escape the cruel punishments meted upon those who transgress the boundaries of marriage and family. Their son, Tor Baz, descended from both chiefs and outlaws, becomes “The Wandering Falcon,” a character who travels throughout the tribes, over the mountains and the plains, in the towns and tents that comprise the homes of the tribal people. The media today speak about this unimaginably remote region, a geopolitical hotbed of conspiracies, drone attacks, and conflict—now, told in the rich, dramatic tones of a master storyteller, this stunning, honor-bound culture is revealed from the inside.Jamil Ahmad has written an unforgettable portrait of a world of custom and compassion, of love and cruelty, of hardship and survival, a place fragile, unknown, and unforgiving.

    For the women, the contest is deadly serious, a perilous game of economic survival that, if played well, can set them up for life as mistresses of the rich and prominent. There is no room for error, however: erotic power is hard to achieve and harder to maintain, especially in the loftiest social circles. Enter veteran seducer, Magic Gourd, formerly one of Shanghai’s “Top Ten Beauties” and now the advisor and attendant of Violet, an aspiring but inexperienced courtesan. Violet may have the youth and the allure, but Magic Gourd has the cunning and the knowledge without which the younger woman is sure to fail. These ancient tricks of the trade aren't written down, though; to pass them on to her student, Magic Gourd must reach back into her own professional past, bringing her lessons alive with stories and anecdotes from a career spent charming and manipulating men who should have known better but rarely did.The world of sexual intrigue that Tan reveals in "Rules for Virgins" actually existed once, and she spares no detail in recreating it. But this story is more than intriguing (and sometimes shocking) historical literary fiction. Besides inviting us inside a life that few writers but Tan could conjure up, the intimate confessions of Magic Gourd add up to a kind of military manual for the War of the Sexes’ female combatants. The wisdom conveyed is ancient, specific, and timeless, exposing the workings of vanity and folly, calculation and desire that define the mysterious human heart.

    Ambitious, charismatic, and beautiful, Nefertiti is destined to marry Amunhotep, an unstable young pharaoh. It is hoped by all that her strong personality will temper the young Amunhotep's heretical desire to forsake Egypt's ancient gods, overthrow the priests of Amun, and introduce a new sun god for all to worship. From the moment of her arrival in Thebes, Nefertiti is beloved by the people. Her charisma is matched only by her husband's perceived generosity: Amunhotep showers his subjects with lofty promises. The love of the commoners will not be enough, however, if the royal couple is not able to conceive an heir, and as Nefertiti turns her attention to producing a son, she fails to see that the powerful priests, along with the military, are plotting against her husband's rule. The only person wise enough to recognize the shift in political winds--and brave enough to tell the queen--is her younger sister, Mutnodjmet.Observant and contemplative, Mutnodjmet has never shared her sister's desire for power. She yearns for a quiet existence away from family duty and the intrigues of court. Her greatest hope is to share her life with the general who has won her heart. But as Nefertiti learns of the precariousness of her reign, she declares that her sister must remain at court and marry for political gain, not love. To achieve her independence, Mutnodjmet must defy her sister, the most powerful woman in Egypt, while also remaining loyal to the needs of her family. Love, betrayal, political unrest, plague, and religious conflict, Nefertiti brings ancient Egypt to life in vivid detail. Fast-paced and historically accurate, it is the dramatic story of two unforgettable women living through a remarkable period in history.

    Protected by supernatural forces, these sacred scrolls could be uncovered only by a special seeker, one who fulfills the ancient prophecy of l'attendue -- The Expected One. When journalist Maureen Pascal begins the research for a new book, she has no idea that she is stepping into an ancient mystery so secret, so revolutionary, that thousands of people have killed and died for it. She becomes deeply immersed in the mystical cultures of southwest France as the eerie prophecy of The Expected One casts a shadow over her life and work and a long-buried family secret comes to light. Maureen's extraordinary journey takes her from the dusty streets of Jerusalem to the cathedrals of Paris . . . and ultimately to search for the scrolls themselves. She must unravel clues that link history's great artistic masters, including Sandro Botticelli, Nicolas Poussin, and Jean Cocteau; the Medici, Bourbon, and Borgia dynasties; and great scientific minds like Leonardo da Vinci and Isaac Newton. Ultimately, she, and the reader, come face-to-face with Jesus Christ, Mary Magdalene, John the Baptist, Judas, and Salome in the pages of a deeply moving and powerful new gospel, the life of Jesus as told by Mary Magdalene.