There she finds the courage to face the consequences of her choices?her precarious finances, her alienated college-age son, and the man she left behind.Will Harmon also puts his old life behind him, arriving in East Hope to run the local used bookshop. As he questions his desires and struggles with his failing marriage, Will yearns for the wisdom to do what is right.Then Caroline walks into Will's bookstore, and they establish a tentative friendship?with the promise of something more. As they seek to rescue what is most important in their lives, they cling to a distant hope?for understanding, for family, and for love.

    Henry's Orphanage where, under the harshest circumstances, they forge a bond that is to last a lifetime.

    As a way of coping with her grief, she keeps him 'alive' in her imagination - talking to him every day, laughing with him, remembering the good times they had together. She thinks she will 'hear' him better if she goes somewhere quieter, away from the hustle and bustle of her hometown, Brighton. Her destination is Glenelk in the Highlands of Scotland, a region her grandfather hailed from and the subject of a much-loved painting from her childhood. Arriving in the village late at night, it is a bleak and forbidding place. However, the house she is renting - Skye Croft - is warm and welcoming. Quickly she meets the locals. Her landlord, Fionnlagh Maccaillin, is an ex-army man with obvious and not so obvious injuries. Maggie, who runs the village shop, is also an enigma, startling her with her strange 'insights'. But it is Stan she instantly connects with. Maccaillin's grandfather and a frail, old man, he is grief-stricken from the recent loss of his beloved Beth. All four are caught in the past. All four are unable to let go. Their lives entwining in mysterious ways, can they help each other to move on or will they always belong to the ghosts that haunt them? From the author of the bestselling The Haunting of Highdown Hall.

    But when two faces from his old gang turn up, he finds himself getting involved in a new scam, and soon he is embroiled in a world he wants to escape and is forced to confront a man who is dangerously unhinged.

    Rabindranath cannot shake off the disquiet in his heart after the death of his wife Mrinalini. Happiness and well-being elude him. His daughters and daughter-in-law struggle hard to cope with incompatible marriages, ill health and the stigma of childlessness. The extended family of Jorasanko is steeped in debt and there is talk of mortgaging one of the houses. Even as Rabindranath deals with his own financial problems and strives hard to keep his dream of Santiniketan alive, news reaches him that he has been awarded the Nobel Prize for literature. Will this be a turning point for the man, his family and their much-celebrated home?Daughters of Jorasanko sequel to the bestselling novel Jorasanko explores Rabindranath Tagore’s engagement with the freedom movement and his vision for holistic education, brings alive his latter-day muses Ranu Adhikari and Victoria Ocampo and maps the histories of the Tagore women, even as it describes the twilight years in the life of one of the greatest luminaries of our times and the end of an epoch in the history of Bengal.

    Youth in Revolt is the three-volume journal of Nick Twisp, California's most precocious diarist, whose ongoing struggles to make sense out of high school, deal with his divorced parents, and lose his virginity result in his transformation from an unassuming fourteen-year-old to a modern youth in open revolt. Youth in RevoltAs his family splinters, worlds collide, and the police block all routes out of town, Nick must cope with economic deprivation, homelessness, the gulag of the public schools, a competitive Type-A father, murderous canines (in triplicate), and an inconvenient hair trigger on his erectile response--all while vying ardently for the affections of the beauteous Sheeni Saunders, teenage goddess and ultimate intellectual goad. Youth in BondageNick Twisp is living in a wasteland with his stingy father while the female object of his fantasies is away at school. But when the FBI picks up his trail, Nick must rely on his tough alter ego, Francois Dillinger. Youth in ExileHe didn't intend to burn half of Berkeley to the ground or create a media frenzy or enroll in high school dressed as a woman. However, he did, and it was just part of Nick Twisp's quest for sex and independence. He's smart, he's horny, he's resourceful, and he's on the loose.

    They know that a day of reckoning is approaching, but events in the United States, and around the world, cause an acceleration of the timeline.La Société de la Frontière Ouverte must awaken and prepare for the exodus.

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    The author was an aviator for many years in the polar regions flying for the US Air Force and resupplying the US scientific research stations on a routine basis. The flying was anything but routine, and he brings those surreal landscapes and flying phenomenon to the reader through his keen sensitivity to the human condition, ever having to adapt to what the polar regions present to the polar operator.Serving the US scientific interests abroad at the poles is the sole facet of why the US Air Force, Air National Guard, US Coast Guard, and US Navy combine to churn out the successful mission year in and year out. It is fraught with danger, beauty, the unusual, and the ever-present foe of the elements. Extreme cold and wilderness combine to confront the aviator and seamen with sometimes uncompromising force. The poles are a region where nature is dominant, but it also gives scientists the earliest clues of global warming and environmental decay. The poet captures all this and more in his portrayal of the places where most of humanity will never see, nor be able to appreciate the pristine beauty (and cooling mechanism of the planet) resident at the icecaps that we are losing as a result of global warming.

    It’s firmly rooted in familial embarrassment (the Kellys’ house is “decorated like the inside of somebody’s hut in Guatemala”), reinforced by an abiding love of Dee Dee Ramone and other (lesser) gods of the rock pantheon, and cemented by the secret of a remarkable religious epiphany Francis experiences at the age of twelve.Clare and Francis become happy adults with rewarding careers and loving spouses. But when tragedy strikes, Francis finds his faith shattered and his life horribly transformed, and Clare doesn’t know how to help the brother she loves but has never fully understood.Nearly flattened by sadness, Francis turns to the angry, propulsive music that sustained him through adolescence and finds that you’re never too old to be punk rock. With the help of a bass guitar and the support of Clare and some unlikely new friends, Francis gradually finds his way back from the depths of despair to a life that feels worth living.Told in Clare’s wry, compassionate voice, Long Way Back is an original, moving novel about grief, guitars, and grace. It shows that the Velvet Underground didn’t lie: Your life really can be saved by rock and roll.From the Hardcover edition.

    A couple tens of thousands of pounds in debt. And a young girl with a mysterious, terrifying illness...

    And as with his photographs of the Mississippi, these images are less about natural wonder than human desire. "I went to Niagara for the same reason as the honeymooners and suicide jumpers," says Soth, "the relentless thunder of the Falls just calls for big passion." The subject may be hot, but the pictures are quiet, the rigorously composed and richly detailed products of a large-format 8x10 camera. Working over the course of two years on both the American and Canadian sides of the Falls, Soth edited the results of his labors down to a tight and surprising album. He depicts newlyweds and naked lovers, motel parking lots, pawnshop wedding rings and love letters from the subjects he photographed. We read about teenage crushes, workplace affairs, heartbreak and suicide. Oscar Wilde wrote, "The sight of the stupendous waterfall must be one of the earliest, if not the keenest, disappointments in American married life." Niagara brings viewers both the passion and the disappointment--a remarkable portrayal of modern love and its aftermath.

    A filmmaker and now a dry alcoholic, he's lived life to the full - sex, drugs and rock 'n' roll. Here, struggling to survive cancer, Noah evaluates his chequered past life, and as a picture builds of a brave and foolish man, gradually it becomes clear that he's a modern-day hero.

    Hidden just beneath the surface are the STONES - green and still polished smooth - placed long ago by the Guardians. Still pulsating with power, they are about to bear witness to a great battle between light and darkness. Claire Drummond is in danger, her very life depends on the actions and help of her husband and family, as well as the man she thought had left her life for good, Tony Benning. Caught up once more in the heavy turmoil of good vs evil, Claire has much more to fight for than just a cluster of stones in the highlands of Scotland. This time it’s personal. This time Marcus Ryder has her daughter.

    As they each tell their separate stories of fear, confusion and loss, they try to unravel the truth of what happened - and confront the bitter possibility that one of them may be lying.As their train hurtles through a long sleepless night, a third passenger eavesdrops on their conversation, mesmerized by a complex dialogue that probes into the very nature of truth and personal identity. A story of love and doubt, Overnight to Innsbruck is charged throughout with tantalizing puzzles and all the tension of a first-class psychological thriller - and marks the debut of a remarkably fresh and original voice in Irish literature. DENYSE WOODS was born in Boston, USA, in 1958. She has travelled extensively, living in the USA, Belgium, Australia, Italy, Iraq and England, before returning to settle in Ireland in 1987. She obtained a BA in Arabic and English in 1981, and subsequently worked as a translator for PARC Management Services in Iraq, where she shared a terrace with Saddam Hussein. In 1988 she won the Irish Times Short Story Competition. She now lives in County Cork with her husband and two daughters.