In this honest, emotionally captivating short story collection, renowned author and National Book Award finalist Julie Anne Peters offers a stunning portrayal of young women as they navigate the hurdles of relationships and sexual identity.From the young lesbian taking her first steps toward coming out to the two strangers who lock eyes across a crowded train, from the transgender teen longing for a sense of self to the girl whose abusive father has turned her to stone, Peters is the master of creating characters whose own vulnerability resonates with readers and stays with them long after the last page is turned.Grl2grl shows the rawness of teenage emotion as young girls become women and begin to discover the intricacies of love, dating and sexuality.

    Previously published under ISBN 978-1-7321153-1-6. She is the only female hoplite in Spartan history. She is a royal guard to King Leonidas. She is the Iron Edge. In an age when men rule, Halcyon rises above and is the master of her own life. At home, Halcyon controls her lands and her personal slaves with a strict hand, until the day she purchases an unusual slave. Thora is a fair skinned woman who stands taller than the Greek gods, with hair the color of gold, and blue eyes that rival the skies. Halcyon must own the unusual woman, but she is hardly prepared for the thunder that follows. Step back into the glory of Ancient Sparta when the city-state becomes a formidable military power. Learn about Sparta’s unique social system including women’s dominant roles in both the house and in public affairs, and follow one slave owner’s journey as she learns to accept her slave’s spirit. Thora is a 45,000-word 3rd-person omniscient Historical Lesbian Romance Fiction novel. It includes a glossary for minor Greek terminology. No rape. No BDSM. No cliffhanger. Happy ending.

    A young woman who has spent her entire life in a small, dusty town off the Interstate, working at her pop's mercantile, has her life thrown into chaos when a vivacious, cowboy-booted trucker, rolls into town.

    And 'A Good Man,' one of the most important. Rarer than the newness, the wit, the vivid readability, is the deep caring understanding, the wholeness, the truth which this astonishing, haunting writer creates her people. 'A Good Man' will be a revelation, an epiphany to many a reader."—Tillie Olsen"In Annie Oakley's Girl, people are so much larger, their motives, dreams and mysteries so much more complex than you ever imagined. Love is so much more dangerous, grief so much more powerful, hope so much more tenuous and necessary. I read everything Rebecca Brown writes, watch for her books and hunt down her short stories. She is simply one of the best contemporary lesbian writers around, and Annie Oakley's Girl is stunning."—Dorothy AllisonPublished in 1993 by City Lights, this collection includes seven stories: "Annie," "The Joy of Marriage," "Folie a Deux," "Love Poem," "The Death of Napoleon: Its Influence on History," "A Good Man," and "Grief."Rebecca Brown is the author of a dozen books of prose including The Last Time I Saw You, The End of Youth, The Dogs, The Terrible Girls (City Lights) and The Gifts of the Body (HarperCollins)."Brown's fourth (The Terrible Girls, 1992, etc.) mixes fantasy, conjecture, and some realism in seven stories that feature atmospheric neo-feminist allegories and fables. The two longest pieces are the most striking: "Annie" (originally published in Adam Mars-Jones's Mae West is Dead: Recent Lesbian & Gay Fiction) is about the narrator's love affair with Annie Oakley—it's part historical pastiche, part touching daydream, and part biting satire. Juxtaposing the narrator's western daydreams with grittier realism, Brown manages to force upon her narrator the kind of rude awakening best displayed by Tim O'Brien in Going after Cacciato. She also has a good deal of fun along the way: in one instance, Annie Oakley signs autographs at Saks—"the release of her authorized biography coincides with the arrival of the special line of new fall fashions—Annie Oakley Western Wear." "A Good Man" (which first appeared in Joan Nestle and Naomi Holoch's Women on Women II) is a tribute to a decent man dying of AIDS, nursed off and on by his lesbian friend; the striking "Folie a Deux" posits a couple who deliberately cripple themselves—one deaf, one blind—so that "Each of us had something the other didn't have"; and the remaining four stories, published in Britain in 1984, are dreamlike fables. In the best, "Love Poem," the narrator and "you," an artist (the second person becomes a tic in several of these), sneak into the Tate and destroy the artist's work; "The Joy of Marriage" is a touching but ideological look at a honeymoon; "Grief" is about a woman sent off by her clique to a foreign country—she never returns. Occasionally moving, the story's too obliquely personal to make enough sense to a wider audience. Imagistic, edgy fictions about postmodern longing in a world off its screws—and where sadness seems to be a woman's only fate."—Kirkus Reviews

    They fall in love and set out across the United States, pursued by a private investigator who eventually blackmails Carol into a choice between her daughter and her lover. With this reissue, The Price of Salt may finally be recognized as a major twentieth-century American novel.

    Worse, she lives in the small Alaska town of Moose Point, which never lets her forget it. From the annual Moose Madness Festival to the moose bumper stickers to the giant sign for the Moose Point Pub where she works, this town loves its moose.Worst of all? Maggie really is a moose. A moose shifter, to be specific. It's just that no one knows. No one can ever know.Except one person ...Wolf shifter Fiona Barton was one of the mean girls in high school ... and Maggie's desperate crush. Years after shaking the dust of Moose Point off her heels, she's back in town for a pack event and runs headlong into Maggie—and this time she recognizes what she didn't before: the tall girl with the shy, beautiful smile is her fated mate.Fiona is openly out; Maggie isn't. But Fi has a lot to make up for, and Maggie has a lot of soul-searching to do before a wolf and a moose can ride off into the sunset together.A hilarious and heartwarming enemies-to-lovers lesbian romcom, with a guaranteed HEA!

    Soon a friendship is forged. A friendship that deepens with each visit. Jill's husband still lives and breathes the coach's life, a life that leaves him little time to spare for Jill. Left on her own more and more, Jill finds herself searching for the indefinable something that has been missing all her life. Married to a successful businessman, Carrie Howell retired early from a career in real estate to spend more time with her teenage boys, and to pursue her lone passion--painting. She, too, has felt for some time that something is missing from her world. The Cottage is the story of two women pulled by a force stronger than their marriages, stronger than themselves. The story of Jill and Carrie. Two women. One love.

     The last thing Tori wants is to live her life by anyone else’s rules but her own. Ever since she left the world of country clubs and debutante balls behind, she has lived free of the standards imposed by others. But something is missing… …and that something is Madeleine, a carefree grad student from the same upper class social circles. The attraction is unexpected and, to Tori’s surprise, more liberating than the life she has cultivated for herself. Piece by piece, Madeleine takes down the wall that conflict and heartbreak have built around Tori’s emotions. Is loving Madeleine the key to Tori’s healing and happiness? And is Tori willing to step back into that world, even just a little, to take a chance on a love that could last?

    It turns out that Brooklyn York is extraordinary. Yes, she has to be at work at 6 am, still…when you have to pay a perfect stranger very good money to be a human alarm clock it might be time to reassess. But Brooklyn isn't the most introspective person in town. She's much better at aiming pointed barbs at politicians and celebrities during her mornings on talk radio and her evenings on the college lecturecircuit.Kiri Klein rides to the rescue. She's very adept at helping celebs stay out of jail and rehab. Actually, Brooklyn is the easiest client she's ever worked with. The only problem is how to keep things strictly professional. Brooklyn is charming, generous and kind and Kiri begins to lose the battle. Maybe theycould have sex but keep it casual. That wouldn't be hard, would it? Well, would it?

    And Jo reluctantly agrees.Although it is (mostly) much easier for Jo to fit in as a straight girl, things get complicated when she meets Mary Carlson, the oh-so-tempting sister of her new friend at school. But Jo couldn’t possibly think of breaking her promise to her dad. Even if she’s starting to fall for the girl. Even if there’s a chance Mary Carlson might be interested in her, too. Right?

    Having grown up worse than poor in South Dakota and reinvented herself as the most prominent woman reporter in America, "Hick," as she's known to her friends and admirers, is not quite instantly charmed by the idealistic, patrician Eleanor. But then, as her connection with the future first lady deepens into intimacy, what begins as a powerful passion matures into a lasting love, and a life that Hick never expected to have.She moves into the White House, where her status as "first friend" is an open secret, as are FDR's own lovers. After she takes a job in the Roosevelt administration, promoting and protecting both Roosevelts, she comes to know Franklin not only as a great president but as a complicated rival and an irresistible friend, capable of changing lives even after his death. Through it all, even as Hick's bond with Eleanor is tested by forces both extraordinary and common, and as she grows as a woman and a writer, she never loses sight of the love of her life.From Washington, D.C. to Hyde Park, from a little white house on Long Island to an apartment on Manhattan's Washington Square, Amy Bloom's new novel moves elegantly through fascinating places and times, written in compelling prose and with emotional depth, wit, and acuity.

    As Phyre rehearses for the school play, she comes to realize that the unrequited feelings she has for Mia go deeper than she’s ever experienced. Especially with a teacher. Or a woman. All the while, Phyre’s best friend—addressed throughout the story in the second person, as "you"—stands by, ready to help Phyre make sense of her feelings. But just as Mia doesn’t understand what Phyre feels, Phyre can’t fathom the depth of her best friend’s feelings . . . until it’s almost too late for a happy ending. Characters come to life through the innovative screenplay format of this dazzling debut, and unanswered questions—is "you" male or female?—will have readers talking.

    Of all the ways she could have said it, she'd chosen these specific words. Not "I won't hurt you," or "I'm not going to hurt you." Those words would have calmed my fears. But no. She chose "I don't want to hurt you."Computer analyst Leslie Howard knows all too well that the fastest way to a broken heart is to ignore Lesbian Dating Rule Number One: Never, ever, get involved with a straight woman. Yet, despite her better judgment, and serious warnings from her friends, she finds herself battling a growing infatuation with her very straight - and very attractive - co-worker Sara Stevens.Haunted by memories of past rejection, Leslie is understandably hesitant about coming out to Sara, yet she doesn't want to jeopardize their friendship by being dishonest about who she is. When Leslie finally trusts Sara enough to tell her she's a lesbian, Sara fulfills Leslie's worst fears and cuts her off.Hurt and angry with herself, Leslie vows never to trust Sara again, and seeks solace in the arms of a seductive young golf pro. When Sara sees Leslie with her new lover, she is forced to confront her own hidden desires. Then, a long business trip together turns into an emotional tug-of-war, as Leslie and Sara struggle to control the raging passions that could bring them together - or tear them apart.

    At school she is an ace at quantum physics. At home she sneaks off to her parents’ scooter garage to read the Kamasutra. Before long she has seduced an elegant older divorcée and the family servant, and has caught the eye of a classmate coveted by all the boys.With the world of adulthood dancing before her, Anamika confronts questions that would test someone twice her age. Ebullient, unfettered, and introducing one of the most charming heroines in contemporary fiction, Babyji is irresistible.

    They have argued, worked, and laughed together for decades. Yet they’ve never really stopped taking each other by surprise. Fair Play shows us Mari and Jona’s intertwined lives as they watch Fassbinder films and Westerns, critique each other’s work, spend time on a solitary island (recognizable to readers of Jansson’s The Summer Book), travel through the American Southwest, and turn life into nothing less than art.